Comedy & Stand-up

In "The Title," Arnold Bennett masterfully weaves a narrative that delves into the complexities of

In "Speed the Plough," Thomas Morton engages readers with a rich tapestry of rural life and

In "Tradition, Principally with Reference to Mythology and the Law of Nations," John Francis

In "Mixed Grill," W. Pett Ridge masterfully weaves a tapestry of post-Edwardian society, capturing

In 'The Englishman from Paris,' Arthur Murphy weaves a compelling narrative that explores the

M. E. W. Sherwood's "The Art of Entertaining" is a delightful exploration of the intricate dance of

In "The Quaint Companions," Leonard Merrick weaves a captivating narrative that explores the

C. Haddon Chambers'Äô "The Tyranny of Tears" is a poignant exploration of the complexities of human

George Farquhar's 'The Inconstant' is a captivating exploration of the complexities of love and

In "The Land of Contrasts: A Briton's View of His American Kin," James F. Muirhead presents a

"The Impostures of Scapin" by Molière (translated by Charles Heron Wall). Published by e-artnow.

In Tom Taylor'Äôs well-crafted play, "Our American Cousin," the audience is invited into a rich

In "The Southern South," Albert Bushnell Hart delivers a seminal examination of the socio-political

In "English Pharisees, French Crocodiles, and Other Anglo-French Typical Characters," Max O'Rell

In "Strange Survivals," S. Baring-Gould presents a captivating exploration of unusual and

In "Madame Flirt," Charles Edward Pearce deftly explores the intricacies of social dynamics and

In "The Benefit of the Doubt; a Comedy in Three Acts," Arthur Wing Pinero intricately weaves

In "Married Life," John Baldwin Buckstone masterfully navigates the complexities of marital

"A Society Clown: Reminiscences" by George Grossmith. Published by e-artnow. e-artnow publishes a

In "The Vagrancy Problem," William Harbutt Dawson delves into the complex socio-economic issues

In Richard Brinsley Sheridan's "The Duenna: A Comic Opera," the author deftly combines elements of

"Folk-Lore and Legends: Scotland" is an enchanting compilation that immerses readers in the rich

In "Oh! Susannah!", Mark Ambient masterfully explores the complexity of human relationships through

In "Scarhaven Keep," J. S. Fletcher crafts a gripping mystery set against the foreboding backdrop

In "Worldly Ways & Byways," Eliot Gregory embarks on a nuanced exploration of human experience

In "A Day Well Spent: A Farce, in One Act," John Oxenford crafts a vibrant comedic narrative that

In "The Merry Devill of Edmonton," Shakespeare explores themes of deception, social hierarchy, and

Samuel Foote's "The Lame Lover" is a masterful exploration of love, social ambition, and the

In "Original Plays [First Series]," W. S. Gilbert showcases his unparalleled wit and ingenuity

In "The Art of Disappearing," John Talbot Smith masterfully explores the themes of identity,

Aleister Crowley's "Household Gods" is a provocative exploration of the interplay between the

"Tartuffe; Or, The Hypocrite" by Molière (translated by Curtis Hidden Page). Published by e-artnow.

Das Image der Parole ist ramponiert: Sie vereinfacht, sie agitiert, wird zur Kennzeichnung von

Skript aus dem Jahr 2013 im Fachbereich Soziologie - Medien, Kunst, Musik, , Sprache: Deutsch,

Bachelorarbeit aus dem Jahr 2017 im Fachbereich BWL - Offline-Marketing und Online-Marketing, Note:

Studienarbeit aus dem Jahr 2008 im Fachbereich Soziologie - Medien, Kunst, Musik, Note: 1,3,

Bachelorarbeit aus dem Jahr 2021 im Fachbereich Psychologie - Medienpsychologie, Note: 1,0,

Studienarbeit aus dem Jahr 2008 im Fachbereich Soziologie - Medien, Kunst, Musik, Note: 2,0,

Bachelorarbeit aus dem Jahr 2020 im Fachbereich Medien / Kommunikation - Public Relations, Werbung,

Bachelorarbeit aus dem Jahr 2019 im Fachbereich Medien / Kommunikation - Interkulturelle

Diplomarbeit aus dem Jahr 2006 im Fachbereich Soziologie - Medien, Kunst, Musik, Note: 1,

Masterarbeit aus dem Jahr 2012 im Fachbereich Soziologie - Medien, Kunst, Musik, Note: 1,3,

Wissenschaftlicher Aufsatz aus dem Jahr 2014 im Fachbereich Soziologie - Medien, Kunst, Musik, ,

Masterarbeit aus dem Jahr 2010 im Fachbereich Soziologie - Medien, Kunst, Musik, University of

Bachelorarbeit aus dem Jahr 2012 im Fachbereich Soziologie - Medien, Kunst, Musik, Note: 1,0,

Diplomarbeit aus dem Jahr 2008 im Fachbereich Soziologie - Medien, Kunst, Musik, Note: 1,

Studienarbeit aus dem Jahr 1997 im Fachbereich Soziologie - Medien, Kunst, Musik, Note: 1,0,

Masterarbeit aus dem Jahr 2025 im Fachbereich Medien / Kommunikation - Multimedia, Internet, neue

Bachelorarbeit aus dem Jahr 2009 im Fachbereich Soziologie - Medien, Kunst, Musik, , Sprache:

Bachelorarbeit aus dem Jahr 2009 im Fachbereich Soziologie - Medien, Kunst, Musik, Note: 1,8,