The Best Books of the 21st Century according to The New York Times

Richard Powers is the author of twelve novels, including Orfeo (which was longlisted for the Man Booker Prize), The Overstory (which was shortlisted for the 2018 Man Booker Prize and won the 2019 Pulitzer Prize) and Bewilderment (shortlisted for the 2021 Booker Prize). He is the recipient of a MacArthur grant and the National Book Award, and has been a four-time NBCC finalist. He lives in the foothills of the Great Smoky Mountains.

The PRIZE-WINNING BESTSELLER, now a major BBC1 DRAMA SERIES starring Thomasin McKenzie, Sian Clifford and James McArdle, directed by BAFTA award-winning John Crowley.

What if you had the chance to live your life again and again, until you finally got it right? During a snowstorm in England in 1910, a baby is born and dies before she can take her first breath.During a snowstorm in England in 1910, the same baby is born and lives to tell the tale.What if there were second chances? And third chances? In fact an infinite number of chances to live your life? Would you eventually be able to save the world from its own inevitable destiny? And would you even want to?Life After Life follows Ursula Todd as she lives through the turbulent events of the last century again and again. With wit and compassion, Kate Atkinson finds warmth even in life's bleakest moments, and shows an extraordinary ability to evoke the past. Here she is at her most profound and inventive, in a novel that celebrates the best and worst of ourselves.

WINNER OF THE MAN BOOKER PRIZE 2017A STORY OF LOVE AFTER DEATH'A masterpiece' Zadie Smith'Extraordinary' Daily Mail'Breathtaking' Observer'A tour de force' Sunday TimesThe extraordinary first novel by the bestselling, Folio Prize-winning, National Book Award-shortlisted George Saunders, about Abraham Lincoln and the death of his eleven year old son, Willie, at the dawn of the Civil WarThe American Civil War rages while President Lincoln's beloved eleven-year-old son lies gravely ill. In a matter

WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).

One of The New York Times’s 100 Best Books of the 21st Century

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.

The Roadis the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

NATIONAL BESTSELLER • In “one of Morrison’s most haunting works” (The New York Times),the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter—a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.

One of the New York Times’s 100 Best Books of the 21st Century

In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.

Hugo Award for Best Novel (2016), Nebula Award Nominee for Best Novel (2015), Locus Award Nominee for Best Fantasy Novel (2016), World Fantasy Award Nominee for Best Novel (2016), Grand Prix de l'Imaginaire Nominee for Traduction (2018) (2019), James Tiptree Jr. Award Nominee for Longlist (2015), Premio Ignotus Nominee for Mejor novela extranjera - Best Foreign Novel (2018), Tähtifantasia Award Nominee (2022), Tähtivaeltaja Award Nominee (2022), The Kitschies Nominee for Red Tentacle (Novel) (2015), Goodreads Choice Award Nominee for Fantasy (2015), Dragon Award Nominee for Best Fantasy Novel and Best Apocalyptic Novel (2016), Prêmio LeBlanc Nominee for Romance Estrangeiro de Fantasia, Ficção Científica ou Terror Publicado em Língua Portuguesa (2018)

NATIONAL BESTSELLER • The blockbuster debut novel from “a preternaturally gifted” writer (The New York Times) and author of On Beauty and Swing Time—set against London's racial and cultural tapestry, reveling in the ecstatic hodgepodge of modern life, flirting with disaster, and embracing the comedy of daily existence.

One of the New York Times’s 100 Best Books of the 21st Century

Zadie Smith’s dazzling debut caught critics grasping for comparisons and deciding on everyone from Charles Dickens to Salman Rushdie to John Irving and Martin Amis. But the truth is that Zadie Smith’s voice is remarkably, fluently, and altogether wonderfully her own.

At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith. 

“[White Teeth]is, like the London it portrays, a restless hybrid of voices, tones, and textures…with a raucous energy and confidence.” —The New York Times Book Review

Three brothers tear their way through childhood - smashing tomatoes all over each other, building kites from rubbish, hiding when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn - he's Puerto Rican, she's white. Barely out of childhood themselves, their love is a serious, dangerous thing. Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one anothe

NATIONAL BESTSELLER • Eight “sparkling [and] beautifully drawn” (Entertainment Weekly) stories about love and its infinite betrayals and surprises, from Nobel Prize–winning author Alice Munro

“Each of the stories in Runaway contains enough lived life to fill a typical novel.”—The Boston Globe

One of the New York Times’s 100 Best Books of the 21st Century

WINNER OF THE GILLER PRIZE • A BEST BOOK OF THE YEAR: The New York Times, San Francisco Chronicle, Atlantic Monthly, St. Louis Post-Dispatch, San Jose Mercury News, Kansas City Star

The runaway of the title story is a young woman who, though she thinks she wants to, is incapable of leaving her husband. In “Passion,” a country girl emerging into the larger world via a job in a resort hotel discovers a single moment of stunning insight and the limits and lies of that mysterious emotion. Three stories, the inspiration for the award–winning movie Julieta, are about a woman named Juliet—in the first, she escapes from teaching at a girls’ school into a wild and irresistible love match; in the second she returns with her child to the home of her parents, whose life and marriage she finally begins to examine; and in the last, her child, caught, she mistakenly thinks, in the grip of a religious cult, vanishes into an unexplained and profound silence. In the final story, “Powers,” a young woman with the ability to read the future sets off a chain of events that involves her husband-to-be and a friend in a lifelong pursuit of what such a gift really means, and who really has it.
 
In Munro’s hands, the people she writes about—women of all ages and circumstances, and their friends, lovers, parents, and children—become as vivid as our own neighbors. It is her miraculous gift to make these stories as real and unforgettable as our own.

In the past year, the narrator of 10:04 has enjoyed unexpected literary success, been diagnosed with a potentially fatal heart condition, and been asked by his best friend to help her conceive a child. Now, in a New York of increasingly frequent superstorms and political unrest, he must reckon with his biological mortality, the possibility of a literary afterlife, and the prospect of (unconventional) fatherhood in a city that might soon be under water.In prose that Jonathan Franzen has called 'h

From Nobel Prize–winning author Alice Munro, “a true master of the form” (Salman Rushdie), comes the brilliant short story that inspired the major motion picture starring Julie Christie and Gordon Pinsent—featuring a Preface from Sarah Polley

“I’ve always loved Alice Munro’s writing, but this story punctured something. I read it, stunned, and let it sit there. It seemed to enter like a bullet. So concise and unsentimental, nothing to cushion the blow of its impact. When I was finished, I couldn’t stop weeping.”—Sarah Polley, from the Preface

Alice Munro has long been heralded for her penetrating, lyrical prose, and in “The Bear Came Over the Mountain”—the basis for Sarah Polley’s film Away from Her—her prodigious talents are once again on display. As she follows Grant, a retired professor whose wife, Fiona, begins gradually to drift away from him, we slowly see how a lifetime of intimate details can create a marriage, and how mysterious the bonds of love really are.

NATIONAL BESTSELLER • From Nobel Prize–winning author Alice Munro come nine short stories with “the intimacy of a family photo album and the organic feel of real life” (The New York Times)

“In Munro’s hands, as in Chekhov’s, a short story is more than big enough to hold the world—and to astonish us, again and again.”—Chicago Tribune
 
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD • A TIME BEST BOOK OF THE YEAR • ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY
  
In the nine breathtaking stories that make up this collection, Alice Munro creates narratives that loop and swerve like memory, conjuring up characters as thorny and contradictory as people we know ourselves. 
 
The fate of a strong-minded housekeeper with a “frizz of reddish hair,” just entering the dangerous country of old-maidhood, is unintentionally (and deliciously) reversed by a teenaged girl’s practical joke. A college student visiting her aunt for the first time and recognizing the family furniture stumbles on a long-hidden secret and its meaning in her own life. An inveterate philanderer finds the tables turned when he puts his wife into an old-age home. A young cancer patient stunned by good news discovers a perfect bridge to her suddenly regained future. A woman recollecting an afternoon’s wild lovemaking with a stranger realizes how the memory of that encounter has both changed for her and sustained her through a lifetime.
 
Hateship, Friendship, Courtship, Loveship, Marriage is Munro at her best—tirelessly observant, serenely free of illusion, deeply and gloriously humane.

The extraordinary new novel from the acclaimed author of Bad Behavior and Two Girls, Fat and Thin, Veronica is about flesh and spirit, vanity, mortality, and mortal affection. Set mostly in Paris and Manhattan in the desperately glittering 1980s, it has the timeless depth and moral power of a fairy tale.

As a teenager on the streets of San Francisco, Alison is discovered by a photographer and swept into the world of fashion-modeling in Paris and Rome. When her career crashes and a love affair ends disastrously, she moves to New York City to build a new life. There she meets Veronica—an older wisecracking eccentric with her own ideas about style, a proofreader who comes to work with a personal “office kit” and a plaque that reads “Still Anal After All These Years.” Improbably, the two women become friends. Their friendship will survive not only Alison’s reentry into the seductive nocturnal realm of fashion, but also Veronica’s terrible descent into the then-uncharted realm of AIDS. The memory of their friendship will continue to haunt Alison years later, when she, too, is aging and ill and is questioning the meaning of what she experienced and who she became during that time.