Regisseur*innen

This volume of spellbinding essays explores the tense relationship between Alfred

Terence Fisher is best known as the director who made most of the classic Hammer horrors –

In François Truffaut’s opinion The Innocents was ‘the best English film after Hitchcock

Acknowledgements
Introduction: Screening Life
1 The Early Years:

This book provides a scholarly yet accessible account of the work of Marcel Carné, one of

This book is the first ever English-language study of Julien Duvivier (1896-1967), once

This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s

Introduction
1. Cutting and coward: David Lean’s early career and In Which We

Series Editors’ Foreword
Introduction: Epstein at the crossroads
Chapter

Note on the transliteration

No filmmaker cared more and wrote better about his work than Francois

L.H. Stallings presents us with a formidable intervention in scholarship about Black film

Carol Reed is one of the truly outstanding directors of British cinema, and one whose work

This is the first comprehensive critical study of Anthony Asquith. Ryall sets the

L.H. Stallings presents us with a formidable intervention in scholarship about Black film