Both politically and aesthetically, the contemporary German and Austrian film landscape
For over five decades, the Newcastle-based Amber Film and Photography Collective has been
The definitive look at one of the most important Black art films and original
First published on the fiftieth anniversary of his directorial debut, this book was the
Emilio Fernández: Pictures in the Margins is the first book-length English language
Though long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895–1974)
This volume of spellbinding essays explores the tense relationship between Alfred
Bertrand Tavernier is widely recognized as the leading French filmmaker of his generation.
Placing Robbe-Grillet’s filmic oeuvre in the related contexts of both his novelistic work
Terence Fisher is best known as the director who made most of the classic Hammer horrors –
In François Truffaut’s opinion The Innocents was ‘the best English film after Hitchcock
‘Georges Franju' is the fullest study to date of this little-known French director, the
Since the early 1950s, Chris Marker has embraced different filmmaking styles as readily as
This book provides a scholarly yet accessible account of the work of Marcel Carné, one of
This book is the first ever English-language study of Julien Duvivier (1896-1967), once
This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s
‘A rule of mine is this’, said William Goldman in 1983, ‘there are always three hot
If cinema can be approached as poetry and philosophy, it is because of Jean Epstein.
Beginning with his first film Reconstruction, released in 1970, Theo
