Emilio Fernández: Pictures in the Margins is the first book-length English language
Though long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895–1974)
This volume of spellbinding essays explores the tense relationship between Alfred
Bertrand Tavernier is widely recognized as the leading French filmmaker of his generation.
Placing Robbe-Grillet’s filmic oeuvre in the related contexts of both his novelistic work
Terence Fisher is best known as the director who made most of the classic Hammer horrors –
In François Truffaut’s opinion The Innocents was ‘the best English film after Hitchcock
‘Georges Franju' is the fullest study to date of this little-known French director, the
Since the early 1950s, Chris Marker has embraced different filmmaking styles as readily as
This book provides a scholarly yet accessible account of the work of Marcel Carné, one of
This book is the first ever English-language study of Julien Duvivier (1896-1967), once
This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s
‘A rule of mine is this’, said William Goldman in 1983, ‘there are always three hot
If cinema can be approached as poetry and philosophy, it is because of Jean Epstein.
Beginning with his first film Reconstruction, released in 1970, Theo
Between 1959 and 1984, French film director François Truffaut was interviewed over three
An absorbing portrait of a groundbreaking Black woman
Carol Reed is one of the truly outstanding directors of British cinema, and one whose work
This is the first academic book dedicated to the filmmaking of the three best known
This is the first comprehensive critical study of Anthony Asquith. Ryall sets the
This is a comprehensive, original and accessible account of all aspects of Jean Cocteau's