It is the banality of oblivion that appears incomprehensible and intolerable to Boris Lurie. Evil is familiar to the Holocaust survivor. He has experienced it closely, repeatedly: »THE TRAGEDY IS / (RE)PERFORMED / (BE)FOR(E) ME / TO A HITLER AUDIENCE OF MILLIONS / FOR ME ALONE«. Lurie confronts postwar society with the past through his provocative and political art that does not want to be art, an...