Suchen

Violin 3 part of  "10 Romantic Pieces". Collection of 10 easy pieces of the romantic

Eb Baritone Saxophone part of "I Vespri Siciliani" (The Sicilian Vespers) overture, complete

Yankee Doodle - American traditional.
Easy and expressive arrangement for Flute

It is reasonable to expect that a musician shall be at least an accurate and legible writer as well

Bb Clarinet 1 (solo) part of  "Una voce poco fa" (Rosina's

In "Violins and Violin Makers," Joseph Pearce delves into the intricate world of violin

Bassoon part of Symphony in D major K 120 by W.A.Mozart, arranged for Woodwind

In "How to Sing [Meine Gesangskunst]," Lilli Lehmann, a prominent soprano and pedagogue of the late

In "Orpheus; or, The Music of the Future," W. J. Turner fuses philosophy and musicology to explore

C Flute 3 part of  "Una voce poco fa" (Rosina's cavatina) from "Il Barbiere di Siviglia",

"Songs and Ballads of the Southern People: 1861-1865" is a compelling collection that encapsulates

C Bass Flute part of  "Una voce poco fa" (Rosina's cavatina) from "Il Barbiere di

 French Horn in F part of "Je veux vivre" Aria from "Romeo and Juliet" by Charles Gounod.

Flute part of "Je veux vivre" Aria from "Romeo and Juliet" by Charles Gounod. Arrangement for

Bb Bass Clarinet part of  "Una voce poco fa" (Rosina's cavatina)

Eb Alto Clarinet (instead sib 4) part of  "Una voce poco fa"

How to Become a Successful Singer is an illuminating anthology that transcends traditional how-to

"How to Become a Successful Singer" meticulously harmonizes a rich tapestry of themes, ranging from

Bb Clarinet 3 part of  "Una voce poco fa" (Rosina's cavatina)

In "The Power of Music," the Anonymous author masterfully explores the profound impact music has on

C Flute 2 (solo) part of  "Una voce poco fa" (Rosina's cavatina) from "Il Barbiere di

Bb Clarinet 4 part of  "Una voce poco fa" (Rosina's cavatina)

Bb Clarinet 2 part of  "Una voce poco fa" (Rosina's cavatina)

Dans "Exposition de ma méthode d'enseignement pour le piano", Hortense Parent présente une

Oboe part of "Je veux vivre" Aria from "Romeo and Juliet" by Charles Gounod. Arrangement for

Bb Soprano Saxophone part of  "The Moldau" symphonic poem, reduction for Saxophone Quartet

Eb Alto Saxophone part of  "The Moldau" symphonic poem, reduction for Saxophone Quartet

Eb Baritone Saxophone part of  "The Moldau" symphonic poem, reduction for Saxophone

Bb Tenor Saxophone part of  "The Moldau" symphonic poem, reduction for Saxophone Quartet

In "How to Sing [Meine Gesangskunst]," Lilli Lehmann offers a profound exploration of vocal

In "Seed Thoughts for Singers," Frank Herbert Tubbs presents a unique amalgamation of practical

In "The Lost Stradivarius," John Meade Falkner weaves a captivating tale steeped in the realms of

In "Piano and Song," Friedrich Wieck masterfully intertwines the intricacies of pianistic technique