Magical Realism in Postcolonial British Fiction: History, Nation, and Narration

This study aims at delineating the cultural work of magical realism as a dominant narrative mode in postcolonial British fiction through a detailed analysis of four magical realist novels: Salman Rushdie’s Midnight`s Children (1981), Shashi Tharoor`s The Great Indian Novel (1989), Ben Okri`s The Famished Road (1991), and Syl Cheney-Coker`s The Last Harmattan of Alusine Dunbar (1990). The main focu...