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What do turn-of-the-19th century male impersonators, Chicana activist performers, Black butches, and contemporary drag kings have to do with each other? In Heller's "mistressful" hands, they lead to a more capacious understanding of gender-bending on stage, with the potential to open our eyes to all sorts of ways creative gender is queering the world around us.
What do turn-of-the-19th century male impersonators, Chicana activist performers, Black butches, and contemporary drag kings have to do with each other? In Heller's "mistressful" hands, they lead to a more capacious understanding of gender-bending on stage, with the potential to open our eyes to all sorts of ways creative gender is queering the world around us.