Acknowledgements
Introduction: From International ‘High Art’ to the Parisian Political Melee
Chapter 1. The Cinema of Self-Promotion: Patriotic Subtexts in ‘Films about Films’
Chapter 2. The Search for National Unity through History
Chapter 3. The Representation of a Modern Chic People
Chapter 4. A Paradox in Anti-Americanism: Public Protest and on Screen Ambiguity
Chapter 5. The Maintenanc...
Acknowledgements
Introduction: From International ‘High Art’ to the Parisian Political Melee
Chapter 1. The Cinema of Self-Promotion: Patriotic Subtexts in ‘Films about Films’
Chapter 2. The Search for National Unity through History
Chapter 3. The Representation of a Modern Chic People
Chapter 4. A Paradox in Anti-Americanism: Public Protest and on Screen Ambiguity
Chapter 5. The Maintenanc...