DEACON BRODIE
OR THE DOUBLE LIFE
A MELODRAMA IN FIVE ACTS
AND EIGHT TABLEAUX

PERSONS REPRESENTED

William Brodie, Deacon of the Wrights, Housebreaker and Master Carpenter.

Old Brodie, the Deacon’s Father.

William Lawson, Procurator-Fiscal, the Deacon’s Uncle.

Andrew Ainslie, Humphrey Moore, George Smith, Robbers in the Deacon’s gang.

Captain Rivers, an English Highwayman.

Hunt, a Bow Street Runner.

A Doctor.

Walter Leslie.

Mary Brodie, the Deacon’s Sister.

Jean Watt, the Deacon’s Mistress.

Vagabonds, Officers of the Watch, Men-servants.

The Scene is laid in Edinburgh. The Time is towards the close of the Eighteenth Century. The Action, some fifty hours long, begins at eight p.m. on Saturday and ends before midnight on Monday.

Note.—Passages suggested for omission in representation are enclosed in square brackets, thus [ ].

SYNOPSIS OF ACTS AND TABLEAUX

ACT I.
TABLEAU I.	The Double Life.
TABLEAU II.	Hunt the Runner.
TABLEAU III.	Mother Clarke’s.
ACT II.
TABLEAU IV.	Evil and Good.
ACT III.
TABLEAU V.	King’s Evidence.
TABLEAU VI.	Unmasked.
ACT IV.
TABLEAU VII.	The Robbery.
ACT V.
TABLEAU VIII.	The Open Door.

LONDON: PRINCE’S THEATRE

2d July 1884

Deacon Brodie,	Mr. E. J. Henley.
Walter Leslie,	Mr. Charles Cartwright.
William Lawson,	Mr. John Maclean.
Andrew Ainslie,	Mr. Fred Desmond.
Humphrey Moore,	Mr. Edmund Grace.
George Smith,	Mr. Julian Cross.
Hunt,	Mr. Hubert Akhurst.
Old Brodie,	Mr. A. Knight.
Captain Rivers,	Mr. Brandon Thomas.
Mary Brodie,	Miss Lizzie Williams.
Jean Watt,	Miss Minnie Bell.

MONTREAL

26th September 1887

Deacon Brodie,	Mr. E. J. Henley.
Walter Leslie,	Mr. Graham Stewart.
William Lawson,	Mr. Edmund Lyons.
Andrew Ainslie,	Mr. Fred Desmond.
Humphrey Moore,	Mr. Edmund Grace.
George smith,	Mr. Horatio Saker.
Hunt,	Mr. Henry Vernon.
Captain Rivers,	Mr. Bruce Philips.
Mary Brodie,	Miss Annie Robe.
Jean Watt,	Miss Carrie Coote.

ACT I.

TABLEAU I.
The Double Life.

The Stage represents a room in the Deacon’s house, furnished partly as a sitting-, partly as a bed-room, in the style of an easy burgess of about 1780. C., a door; L. C., a second and smaller door; R. C., practicable window; L., alcove, supposed to contain bed; at the back, a clothes-press and a corner cupboard containing bottles, etc. Mary Brodie at needlework; Old Brodie, a paralytic, in wheeled chair, at the fireside, L.

SCENE I

To these Leslie, C.

Leslie. May I come in, Mary?

Mary. Why not?

Leslie. I scarce knew where to find you.

Mary. The dad and I must have a corner, must we not? So when my brother’s friends are in the parlour he allows us to sit in his room. ’Tis a great favour, I can tell you; the place is sacred.

Leslie. Are you sure that ‘sacred’ is strong enough?

Mary. You are satirical!

Leslie. I? And with regard to the Deacon? Believe me, I am not so ill-advised. You have trained me well, and I feel by him as solemnly as a true-born Brodie.

Mary. And now you are impertinent! Do you mean to go any further? We are a fighting race, we Brodies. Oh, you may laugh, sir! But ’tis no child’s play to jest us on our Deacon, or, for that matter, on our Deacon’s chamber either. It was his father’s before him: he works in it by day and sleeps in it by night; and scarce anything it contains but is the labour of his hands. Do you see this table, Walter? He made it while he was yet a ’prentice. I remember how I used to sit and watch him at his work. It would be grand, I thought, to be able to do as he did, and handle edge-tools without cutting my fingers, and getting my ears pulled for a meddlesome minx! He used to give me his mallet to keep and his nails to hold; and didn’t I fly when he called for them! and wasn’t I proud to be ordered about with them! And then, you know, there is the tall cabinet yonder; that it was that proved him the first of Edinburgh joiners, and worthy to be their Deacon and their head. And the father’s chair, and the sister’s workbox, and the dear dead mother’s footstool—what are they all but proofs of the Deacon’s skill, and tokens of the Deacon’s care for those about him?

Leslie. I am all penitence. Forgive me this last time, and I promise you I never will again.

Mary. Candidly, now, do you think you deserve forgiveness?

Leslie. Candidly, I do not.

Mary. Then I suppose you must have it. What have you done with Willie and my uncle?

Leslie. I left them talking deeply. The dear old Procurator has not much thought just now for anything but those mysterious burglaries—

Mary. I know!—

Leslie. Still, all of him that is not magistrate and official is politician and citizen; and he has been striving his hardest to undermine the Deacon’s principles, and win the Deacon’s vote and interest.

Mary. They are worth having, are they not?

Leslie. The Procurator seems to think that having them makes the difference between winning and losing.

Mary. Did he say so? You may rely upon it that he knows. There are not many in Edinburgh who can match with our Will.

Leslie. There shall be as many as you please, and not one more.

Mary. How I should like to have heard you! What did uncle say? Did he speak of the Town Council again? Did he tell Will what a wonderful Bailie he would make? O why did you come away?

Leslie. I could not pretend to listen any longer. The election is months off yet; and if it were not—if it were tramping upstairs this moment—drums, flags, cockades, guineas, candidates, and all!—how should I care for it? What are Whig and Tory to me?

Mary. O fie on you! It is for every man to concern himself in the common weal. Mr. Leslie—Leslie of the Craig!—should know that much at least.

Leslie. And be a politician like the Deacon? All in good time, but not now. I hearkened while I could, and when I could no more I slipped out and followed my heart. I hoped I should be welcome.

Mary. I suppose you mean to be unkind.

Leslie. Tit for tat. Did you not ask me why I came away? And is it usual for a young lady to say ‘Mr.’ to the man she means to marry?

Mary. That is for the young lady to decide, sir.

Leslie. And against that judgment there shall be no appeal?

Mary. O, if you mean to argue!—

Leslie. I do not mean to argue. I am content to love and be loved. I think I am the happiest man in the world.

Mary. That is as it should be; for I am the happiest girl.

Leslie. Why not say the happiest wife? I have your word, and you have mine. Is not that enough?

Mary. Have you so soon forgotten? Did I not tell you how it must be as my brother wills? I can do only as he bids me.

Leslie. Then you have not spoken as you promised?

Mary. I have been too happy to speak.

Leslie. I am his friend. Precious as you are, he will trust you to me. He has but to know how I love you, Mary, and how your life is all in your love of me, to give us his blessing with a full heart.

Mary. I am sure of him. It is that which makes my happiness complete. Even to our marriage I should find it hard to say ‘Yes’ when he said ‘No.’

Leslie. Your father is trying to speak. I’ll wager he echoes you.

Mary (to Old Brodie). My poor dearie! Do you want to say anything to me? No? Is it to Mr. Leslie, then?

Leslie. I am listening, Mr. Brodie.

Mary. What is it, daddie?

Old Brodie. My son—the Deacon—Deacon Brodie—the first at school.

Leslie. I know it, Mr. Brodie. Was I not the last in the same class? (To Mary.) But he seems to have forgotten us.

Mary. O yes! his mind is wellnigh gone. He will sit for hours as you see him, and never speak nor stir but at the touch of Will’s hand or the sound of Will’s name.

Leslie. It is so good to sit beside you. By and by it will be always like this. You will not let me speak to the Deacon? You are fast set upon speaking yourself? I could be so eloquent, Mary—I would touch him. I cannot tell you how I fear to trust my happiness to any one else—even to you!

Mary. He must hear of my good fortune from none but me. And besides, you do not understand. We are not like families, we Brodies. We are so clannish, we hold so close together.

Leslie. You Brodies, and your Deacon!

Old Brodie. Deacon of his craft, sir—Deacon of the Wrights—my son! If his mother—his mother—had but lived to see!

Mary. You hear how he runs on. A word about my brother and he catches it. ’Tis as if he were awake in his poor blind way to all the Deacon’s care for him and all the Deacon’s kindness to me. I believe he only lives in the thought of the Deacon. There, it is not so long since I was one with him. But indeed I think we are all Deacon-mad, we Brodies. Are we not, daddie dear?

Brodie (without, and entering). You are a mighty magistrate, Procurator, but you seem to have met your match.

SCENE II

To these, Brodie and Lawson.

Mary (curtseying). So, uncle! you have honoured us at last.

Lawson. Quam primum, my dear, quam primum.

Brodie. Well, father, do you know me? (He sits beside his father and takes his hand.)

[Old Brodie. William—ay—Deacon. Greater man—than—his father.

Brodie. You see, Procurator, the news is as fresh to him as it was five years ago. He was struck down before he got the Deaconship, and lives his lost life in mine.

Lawson. Ay, I mind. He was aye ettling after a bit handle to his name. He was kind of hurt when first they made me Procurator.]

Mary. And what have you been talking of?

Lawson. Just o’ thae robberies, Mary. Baith as a burgher and a Crown offeecial, I tak’ the maist absorbing interest in thae robberies.

Leslie. Egad, Procurator, and so do I.

Brodie (with a quick look at Leslie). A dilettante interest, doubtless! See what it is to be idle.

Leslie. Faith, Brodie, I hardly know how to style it.

Brodie. At any rate, ’tis not the interest of a victim, or we should certainly have known of it before; nor a practical tool-mongering interest, like my own; nor an interest professional and official, like the Procurator’s. You can answer for that, I suppose?

Leslie. I think I can; if for no more. It’s an interest of my own, you see, and is best described as indescribable, and of no manner of moment to anybody. [It will take no hurt if we put off its discussion till a month of Sundays.]

Brodie. You are more fortunate than you deserve. What do you say, Procurator?

Lawson. Ay is he! There is no a house in Edinburgh safe. The law is clean helpless, clean helpless! A week syne it was auld Andra Simpson’s in the Lawnmarket. Then, naething would set the catamarans but to forgather privily wi’ the Provost’s ain butler, and tak’ unto themselves the Provost’s ain plate. And the day, information was laid before me offeecially that the limmers had made infraction, vi et clam, into Leddy Mar’get Dalziel’s, and left her leddyship wi’ no sae muckle’s a spune to sup her parritch wi’. It’s unbelievable, it’s awful, it’s anti-christian!

Mary. If you only knew them, uncle, what an example you would make! But tell me, is it not strange that men should dare such things, in the midst of a city, and nothing, nothing be known of them—nothing at all?

Leslie. Little, indeed! But we do know that there are several in the gang, and that one at least is an unrivalled workman.

Lawson. Ye’re right, sir; ye’re vera right, Mr. Leslie. It had been deponed to me offeecially that no a tradesman—no the Deacon here himsel’—could have made a cleaner job wi’ Andra Simpson’s shutters. And as for the lock o’ the bank—but that’s an auld sang.

Brodie. I think you believe too much, Procurator. Rumour’s an ignorant jade, I tell you. I’ve had occasion to see some little of their handiwork—broken cabinets, broken shutters, broken doors—and I find them bunglers. Why, I could do it better myself!

Leslie. Gad, Brodie, you and I might go into partnership. I back myself to watch outside, and I suppose you could do the work of skill within?

Brodie. An opposition company? Leslie, your mind is full of good things. Suppose we begin to-night, and give the Procurator’s house the honours of our innocence?

Mary. You could do anything, you two!

Lawson. Onyway, Deacon, ye’d put your ill-gotten gains to a right use; they might come by the wind but they wouldna gang wi’ the water; and that’s aye a solatium, as we say. If I am to be robbit, I would like to be robbit wi’ decent folk; and no think o’ my bonnie clean siller dirling among jads and dicers. [Faith, William, the mair I think on’t, the mair I’m o’ Mr. Leslie’s mind. Come the night, or come the morn, and I’se gie ye my free permission, and lend ye a hand in at the window forbye!

Brodie. Come, come, Procurator, lead not our poor clay into temptation. (Leslie and Mary talk apart.)

Lawson. I’m no muckle afraid for your puir clay, as ye ca’t.] But hark i’ your ear: ye’re likely, joking apart, to be gey and sune in partnership wi’ Mr. Leslie. He and Mary are gey and pack, a body can see that.

[Brodie. ‘Daffin’ and want o’ wit’—you know the rest.

Lawson. Vidi, scivi, et audivi, as we say in a Sasine, William.] Man, because my wig’s pouthered do ye think I havena a green heart? I was aince a lad mysel’, and I ken fine by the glint o’ the e’e when a lad’s fain and a lassie’s willing. And, man, it’s the town’s talk; communis error fit jus, ye ken.

[Old Brodie. Oh!

Lawson. See, ye’re hurting your faither’s hand.

Brodie. Dear dad, it is not good to have an ill-tempered son.

Lawson. What the deevil ails ye at the match? ’Od, man, he has a nice bit divot o’ Fife corn-land, I can tell ye, and some Bordeaux wine in his cellar! But I needna speak o’ the Bordeaux; ye’ll ken the smack o’t as weel’s I do mysel’; onyway it’s grand wine. Tantum et tale. I tell ye the pro’s, find you the con.’s, if ye’re able.]

Brodie. [I am sorry, Procurator, but I must be short with you.] You are talking in the air, as lawyers will. I prefer to drop the subject [and it will displease me if you return to it in my hearing].

Leslie. At four o’clock to-morrow? At my house? (to Mary).

Mary. As soon as church is done. (Exit Mary.)

Lawson. Ye needna be sae high and mighty, onyway.

Brodie. I ask your pardon, Procurator. But we Brodies—you know our failings! [A bad temper and a humour of privacy.]

Lawson. Weel, I maun be about my business. But I could tak’ a doch-an-dorach, William; superflua non nocent, as we say; an extra dram hurts naebody, Mr. Leslie.

Brodie (with bottle and glasses). Here’s your old friend, Procurator. Help yourself, Leslie. Oh no, thank you, not any for me. You strong people have the advantage of me there. With my attacks, you know, I must always live a bit of a hermit’s life.

Lawson. ’Od, man, that’s fine; that’s health o’ mind and body. Mr. Leslie, here’s to you, sir. ’Od, it’s harder to end than to begin wi’ stuff like that.

SCENE III

To these, Smith and Jean, C.

Smith. Is the king of the castle in, please?

Lawson (aside). Lord’s sake, it’s Smith!

Brodie (to Smith). I beg your pardon?

Smith. I beg yours, sir. If you please, sir, is Mr. Brodie at home, sir?

Brodie. What do you want with him, my man?

Smith. I’ve a message for him, sir, a job of work, sir!

Brodie (to Smith; referring to Jean). And who is this?

Jean. I am here for the Procurator, about my rent. There’s nae offence, I hope, sir.

Lawson. It’s just an honest wife I let a flat to in Libberton’s Wynd. It’ll be for the rent?

Jean. Just that, sir.

Lawson. Weel, ye can just bide here a wee, and I’ll step down the road to my office wi’ ye. (Exeunt Brodie, Lawson, Leslie, C.)

SCENE IV

Smith, Jean Watt, Old Brodie.

Smith (bowing them out). Your humble and most devoted servant, George Smith, Esquire. And so this is the garding, is it? And this is the style of horticulture? Ha, it is! (At the mirror.) In that case George’s mother bids him bind his hair. (Kisses his hand.) My dearest Duchess,—(To Jean.) I say, Jean, there’s a good deal of difference between this sort of thing and the way we does it in Libberton’s Wynd.

Jean. I daursay. And what wad ye expeck?

Smith. Ah, Jean, if you’d cast affection’s glance on this poor but honest soger! George Lord S. is not the nobleman to cut the object of his flame before the giddy throng; nor to keep her boxed up in an old mouse-trap, while he himself is revelling in purple splendours like these. He didn’t know you, Jean: he was afraid to. Do you call that a man? Try a man that is.

Jean. Geordie Smith, ye ken vera weel I’ll tak’ nane o’ that sort of talk frae you. And what kind o’ a man are you to even yoursel’ to the likes o’ him? He’s a gentleman.

Smith. Ah, ain’t he just! And don’t he live up to it? I say, Jean, feel of this chair.

Jean. My! look at yon bed!

Smith. The carpet too! Axminster, by the bones of Oliver Cromwell!

Jean. What a expense!

Smith. Hey, brandy! The deuce of the grape! Have a toothful, Mrs. Watt. [(Sings)—

‘Says Bacchus to Venus,
There’s brandy between us,
And the cradle of love is the bowl, the bowl!’]

Jean. Nane for me, I thank ye, Mr. Smith.

Smith. What brings the man from stuff like this to rotgut and spittoons at Mother Clarke’s; but ah, George, you was born for a higher spear! And so was you, Mrs. Watt, though I say it that shouldn’t. (Seeing Old Brodie for the first time.) Hullo! it’s a man!

Jean. Thonder in the chair. (They go to look at him, their backs to the door.)

George. Is he alive?

Jean. I think there’s something wrong with him.

George. And how was you to-morrow, my valued old gentleman, eh?

Jean. Dinna mak’ a mock o’ him, Geordie.

Old Brodie. My son—the Deacon—Deacon of his trade.

Jean. He’ll be his feyther. (Hunt appears at door C., and stands looking on.)

Smith. The Deacon’s old man! Well, he couldn’t expect to have his quiver full of sich, could he, Jean? (To Old Brodie.) Ah, my Christian soldier, if you had, the world would have been more varigated. Mrs. Deakin (to Jean), let me introduce you to your dear papa.

Jean. Think shame to yoursel’! This is the Deacon’s house; you and me shouldna be here by rights; and if we are, it’s the least we can do to behave dacent. [This is no the way ye’ll mak’ me like ye.]

Smith. All right, Duchess. Don’t be angry.

SCENE V

To these, Hunt, C. (He steals down, and claps each one suddenly on the shoulder.)

Hunt. Is there a gentleman here by the name of Mr. Procurator-Fiscal?

Smith (pulling himself together). D—n it, Jerry, what do you mean by startling an old customer like that?

Hunt. What, my brave un’? You’re the very party I was looking for!

Smith. There’s nothing out against me this time?

Hunt. I’ll take odds there is. But it ain’t in my hands. (To Old Brodie.) You’ll excuse me, old genelman?

Smith. Ah, well, if it’s all in the way of friendship! . . . I say, Jean, [you and me had best be on the toddle.] We shall be late for church.

Hunt. Lady, George?

Smith. It’s a—yes, it’s a lady. Come along, Jean.

Hunt. A Mrs. Deacon, I believe? [That was the name, I think?] Won’t Mrs. Deacon let me have a queer at her phiz?

Jean (unmuffling). I’ve naething to be ashamed of. My name’s Mistress Watt; I’m weel kennt at the Wynd heid; there’s naething again me.

Hunt. No, to be sure, there ain’t; and why clap on the blinkers, my dear? You that has a face like a rose, and with a cove like Jerry Hunt that might be your born father? [But all this don’t tell me about Mr. Procurator-Fiscal.]

George (in an agony). Jean, Jean, we shall be late. (Going with attempted swagger.) Well, ta-ta, Jerry.

SCENE VI

To these, C, Brodie and Lawson (greatcoat, muffler, lantern).

Lawson (from the door). Come your ways, Mistress Watt.

Jean. That’s the Fiscal himsel’.

Hunt. Mr. Procurator-Fiscal, I believe?

Lawson. That’s me. Who’ll you be?

Hunt. Hunt the Runner, sir; Hunt from Bow Street; English warrant.

Lawson. There’s a place for a’ things, officer. Come your ways to my office, with me and this guid wife.

Brodie (aside to Jean, as she passes with a curtsey). How dare you be here? (Aloud to Smith.) Wait you here, my man.

Smith. If you please, sir. (Brodie goes out, C.)

SCENE VII

Brodie, Smith.

Brodie. What the devil brings you here?

Smith. Confound it, Deakin! Not rusty?

[Brodie. And not you only: Jean too! Are you mad?

Smith. Why, you don’t mean to say, Deakin, that you have been stodged by G. Smith, Esquire? Plummy old George?]

Brodie. There was my uncle the Procurator—

Smith. The Fiscal? He don’t count.

Brodie. What d’ye mean?

Smith. Well, Deakin, since Fiscal Lawson’s Nunkey Lawson, and it’s all in the family way, I don’t mind telling you that Nunkey Lawson’s a customer of George’s. We give Nunkey Lawson a good deal of brandy—G. S. and Co.’s celebrated Nantz.

Brodie. What! does he buy that smuggled trash of yours?

Smith. Well, we don’t call it smuggled in the trade, Deakin. It’s a wink, and King George’s picter between G. S. and the Nunks.

Brodie. Gad! that’s worth knowing. O Procurator, Procurator, is there no such thing as virtue? [Allons! It’s enough to cure a man of vice for this world and the other.] But hark you hither, Smith; this is all damned well in its way, but it don’t explain what brings you here.

Smith. I’ve trapped a pigeon for you.

Brodie. Can’t you pluck him yourself?

Smith. Not me. He’s too flash in the feather for a simple nobleman like George Lord Smith. It’s the great Capting Starlight, fresh in from York. [He’s exercised his noble art all the way from here to London. ‘Stand and deliver, stap my vitals!’] And the north road is no bad lay, Deakin.

Brodie. Flush?

Smith (mimicking). ‘The graziers, split me! A mail, stap my vitals! and seven demned farmers, by the Lard—’

Brodie. By Gad!

Smith. Good for trade, ain’t it? And we thought, Deakin, the Badger and me, that coins being ever on the vanish, and you not over sweet on them there lovely little locks at Leslie’s, and them there bigger and uglier marine stores at the Excise Office . . .

Brodie (impassible). Go on.

Smith. Worse luck! . . . We thought, me and the Badger, you know, that maybe you’d like to exercise your helbow with our free and galliant horseman.

Brodie. The old move, I presume? the double set of dice?

Smith. That’s the rig, Deakin. What you drop on the square you pick up again on the cross. [Just as you did with G. S. and Co.’s own agent and correspondent, the Admiral from Nantz.] You always was a neat hand with the bones, Deakin.

Brodie. The usual terms, I suppose?

Smith. The old discount, Deakin. Ten in the pound for you, and the rest for your jolly companions every one. [That’s the way we does it!]

Brodie. Who has the dice?

Smith. Our mutual friend, the Candleworm.

Brodie. You mean Ainslie?—We trust that creature too much, Geordie.

Smith. He’s all right, Marquis. He wouldn’t lay a finger on his own mother. Why, he’s no more guile in him than a set of sheep’s trotters.

[Brodie. You think so? Then see he don’t cheat you over the dice, and give you light for loaded. See to that, George, see to that; and you may count the Captain as bare as his last grazier.

Smith. The Black Flag for ever! George’ll trot him round to Mother Clarke’s in two twos.] How long’ll you be?

Brodie. The time to lock up and go to bed, and I’ll be with you. Can you find your way out?

Smith. Bloom on, my Sweet William, in peaceful array. Ta-ta.

SCENE VIII

Brodie, Old Brodie; to whom, Mary.

Mary. O Willie, I am glad you did not go with them. I have something to tell you. If you knew how happy I am, you would clap your hands, Will. But come, sit you down there, and be my good big brother, and I will kneel here and take your hand. We must keep close to dad, and then he will feel happiness in the air. The poor old love, if we could only tell him! But I sometimes think his heart has gone to heaven already, and takes a part in all our joys and sorrows; and it is only his poor body that remains here, helpless and ignorant. Come, Will, sit you down, and ask me questions—or guess—that will be better, guess.

Brodie. Not to-night, Mary; not to-night. I have other fish to fry, and they won’t wait.

Mary. Not one minute for your sister? One little minute for your little sister?

Brodie. Minutes are precious, Mary. I have to work for all of us, and the clock is always busy. They are waiting for me even now. Help me with the dad’s chair. And then to bed, and dream happy things. And to-morrow morning I will hear your news—your good news; it must be good, you look so proud and glad. But to-night it cannot be.

Mary. I hate your business—I hate all business. To think of chairs, and tables, and foot-rules, all dead and wooden—and cold pieces of money with the King’s ugly head on them; and here is your sister, your pretty sister, if you please, with something to tell, which she would not tell you for the world, and would give the world to have you guess, and you won’t?—Not you! For business! Fie, Deacon Brodie! But I’m too happy to find fault with you.

Brodie. ‘And me a Deacon,’ as the Procurator would say.

Mary. No such thing, sir! I am not a bit afraid of you—nor a bit angry neither. Give me a kiss, and promise me hours and hours to-morrow morning.

Brodie. All day long to-morrow, if you like.

Mary. Business or none?

Brodie. Business or none, little sister! I’ll make time, I promise you; and there’s another kiss for surety. Come along. (They proceed to push out the chair, L.C.) The wine and wisdom of this evening have given me one of my headaches, and I’m in haste for bed. You’ll be good, won’t you, and see they make no noise, and let me sleep my fill to-morrow morning till I wake?

Mary. Poor Will! How selfish I must have seemed! You should have told me sooner, and I wouldn’t have worried you. Come along.

(She goes out, pushing chair.)

SCENE IX

Brodie

(He closes, locks, and double-bolts both doors)

Brodie. Now for one of the Deacon’s headaches! Rogues all, rogues all! (Goes to clothes-press, and proceeds to change his coat.) On with the new coat and into the new life! Down with the Deacon and up with the robber! (Changing neck-band and ruffles.) Eh God! how still the house is! There’s something in hypocrisy after all. If we were as good as we seem, what would the world be? [The city has its vizard on, and we—at night we are our naked selves. Trysts are keeping, bottles cracking, knives are stripping; and here is Deacon Brodie flaming forth the man of men he is!]—How still it is! . . . My father and Mary—Well! the day for them, the night for me; the grimy cynical night that makes all cats grey, and all honesties of one complexion. Shall a man not have half a life of his own?—not eight hours out of twenty-four? [Eight shall he have should he dare the pit of Tophet.] (Takes out money.) Where’s the blunt? I must be cool to-night, or . . . steady, Deacon, you must win; damn you, you must! You must win back the dowry that you’ve stolen, and marry your sister, and pay your debts, and gull the world a little longer! (As he blows out the lights.) The Deacon’s going to bed—the poor sick Deacon! Allons! (Throws up the window, and looks out.) Only the stars to see me! (Addressing the bed.) Lie there, Deacon! sleep and be well to-morrow. As for me, I’m a man once more till morning. (Gets out of the window.)

TABLEAU II.
Hunt the Runner

The Scene represents the Procurator’s Office.

SCENE I

Lawson, Hunt

[Lawson (entering). Step your ways in, Officer. (At wing.) Mr. Carfrae, give a chair to yon decent wife that cam’ in wi’ me. Nae news?

A voice without. Naething, sir.

Lawson (sitting). Weel, Officer, and what can I do for you?]

Hunt. Well, sir, as I was saying, I’ve an English warrant for the apprehension of one Jemmy Rivers, alias Captain Starlight, now at large within your jurisdiction.

Lawson. That’ll be the highwayman?

Hunt. That same, Mr. Procurator-Fiscal. The Captain’s given me a hard hunt of it this time. I dropped on his marks first at Huntingdon, but he was away North, and I had to up and after him. I heard of him all along the York road, for he’s a light hand on the pad, has Jemmy, and leaves his mark. [I missed him at York by four-and-twenty hours, and lost him for as much more. Then I picked him up again at Carlisle, and we made a race of it for the Border; but he’d a better nag, and was best up in the road; so I had to wait till I ran him to earth in Edinburgh here and could get a new warrant.] So here I am, sir. They told me you were an active sort of gentleman, and I’m an active man myself. And Sir John Fielding, Mr. Procurator-Fiscal, he’s an active gentleman, likewise, though he’s blind as a himage, and he desired his compliments to you, [sir, and said that between us he thought we’d do the trick].

Lawson. Ay, he’ll be a fine man, Sir John. Hand me owre your papers, Hunt, and you’ll have your new warrant quam primum. And see here, Hunt, ye’ll aiblins have a while to yoursel’, and an active man, as ye say ye are, should aye be grinding grist. We’re sair forfeuchen wi’ our burglaries. Non constat de personâ. We canna get a grip o’ the delinquents. Here is the Hue and Cry. Ye see there is a guid two hundred pounds for ye.

Hunt. Well, Mr. Procurator-Fiscal [I ain’t a rich man, and two hundred’s two hundred. Thereby, sir], I don’t mind telling you I’ve had a bit of a worry at it already. You see, Mr. Procurator-Fiscal, I had to look into a ken to-night about the Captain, and an old cock always likes to be sure of his walk; so I got one of your Scotch officers—him as was so polite as to show me round to Mr. Brodie’s—to give me full particulars about the ’ouse, and the flash companions that use it. In his list I drop on the names of two old lambs of my own; and I put it to you, Mr. Procurator-Fiscal, as a genleman as knows the world, if what’s a black sheep in London is likely or not to be keeping school in Edinburgh?

Lawson. Coelum non animum. A just observe.

Hunt. I’ll give it a thought, sir, and see if I can’t kill two birds with one stone. Talking of which, Mr. Procurator-Fiscal, I’d like to have a bit of a confab with that nice young woman as came to pay her rent.

Lawson. Hunt, that’s a very decent woman.

Hunt. And a very decent woman may have mighty queer pals, Mr. Procurator-Fiscal. Lord love you, sir, I don’t know what the profession would do without ’em!

Lawson. Ye’re vera richt, Hunt. An active and a watchful officer. I’ll send her in till ye.

SCENE II

Hunt (solus)

Two hundred pounds reward. Curious thing. One burglary after another, and these Scotch blockheads without a man to show for it. Jock runs east, and Sawney cuts west; everything’s at a deadlock; and they go on calling themselves thief-catchers! [By jingo, I’ll show them how we do it down South! Well, I’ve worn out a good deal of saddle leather over Jemmy Rivers; but here’s for new breeches if you like.] Let’s have another queer at the list. (Reads.) ‘Humphrey Moore, otherwise Badger; aged forty, thick-set, dark, close-cropped; has been a prize-fighter; no apparent occupation.’ Badger’s an old friend of mine, ‘George Smith, otherwise the Dook, otherwise Jingling Geordie; red-haired and curly, slight, flash; an old thimble-rig; has been a stroller; suspected of smuggling; an associate of loose women.’ G. S., Esquire, is another of my flock. ‘Andrew Ainslie, otherwise Slink Ainslie; aged thirty-five; thin, white-faced, lank-haired; no occupation; has been in trouble for reset of theft and subornation of youth; might be useful as king’s evidence.’ That’s an acquaintance to make. ‘Jock Hamilton, otherwise Sweepie,’ and so on. [’Willie M’Glashan,’ hum—yes, and so on, and so on.] Ha! here’s the man I want. ‘William Brodie, Deacon of the Wrights, about thirty; tall, slim, dark; wears his own hair; is often at Clarke’s, but seemingly for purposes of amusement only; [is nephew to the Procurator-Fiscal; is commercially sound, but has of late (it is supposed) been short of cash; has lost much at cock-fighting;] is proud, clever, of good repute, but is fond of adventures and secrecy, and keeps low company.’ Now, here’s what I ask myself: here’s this list of the family party that drop into Mother Clarke’s; it’s been in the hands of these nincompoops for weeks, and I’m the first to cry Queer Street! Two well-known cracksmen, Badger and the Dook! why, there’s Jack in the Orchard at once. This here topsawyer work they talk about, of course that’s a chalk above Badger and the Dook. But how about our Mohock-tradesman? ‘Purposes of amusement!’ What next? Deacon of the Wrights? and wright in their damned lingo means a kind of carpenter, I fancy? Why, damme, it’s the man’s trade! I’ll look you up, Mr. William Brodie, Deacon of the Wrights. As sure as my name’s Jerry Hunt, I wouldn’t take one-ninety-nine in gold for my chance of that ’ere two hundred!

SCENE III

Hunt; to him Jean

Hunt. Well, my dear, and how about your gentleman friend now? How about Deacon Brodie?

Jean