THE Marchioness carefully draped the dust-cloth over the head of an andiron and, before putting the question to the parlour-maid, consulted, with the intensity of a near-sighted person, the ornate French clock in the centre of the mantelpiece. Then she brushed her fingers on the voluminous apron that almost completely enveloped her slight person.
"Well, who is it, Julia?"
"It's Lord Temple, ma'am, and he wants to know if you're too busy to come to the 'phone. If you are, I'm to ask you something."
The Marchioness hesitated. "How do you know it is Lord Eric? Did he mention his name?"
"He did, ma'am. He said 'this is Tom Trotter speaking, Julia, and is your mistress disengaged?' And so I knew it couldn't be any one else but his Lordship."
"And what are you to ask me?"
"He wants to know if he may bring a friend around tonight, ma'am. A gentleman from Constantinople, ma'am."
"A Turk? He knows I do not like Turks," said the Marchioness, more to herself than to Julia.
"He didn't say, ma'am. Just Constantinople."
The Marchioness removed her apron and handed it to Julia. You would have thought she expected to confront Lord Temple in person, or at least that she would be fully visible to him despite the distance and the intervening buildings that lay between. Tucking a few stray locks of her snow-white hair into place, she approached the telephone in the hall. She had never quite gotten over the impression that one could be seen through as well as heard over the telephone. She always smiled or frowned or gesticulated, as occasion demanded; she was never languid, never bored, never listless. A chat was a chat, at long range or short; it didn't matter.
"Are you there? Good evening, Mr. Trotter. So charmed to hear your voice." She had seated herself at the little old Italian table.
Mr. Trotter devoted a full two minutes to explanations.
"Do bring him with you," cried she. "Your word is sufficient. He must be delightful. Of course, I shuddered a little when you mentioned Constantinople. I always do. One can't help thinking of the Armenians. Eh? Oh, yes,—and the harems."
Mr. Trotter: "By the way, are you expecting Lady Jane tonight?"
The Marchioness: "She rarely fails us, Mr. Trotter."
Mr. Trotter: "Right-o! Well, good-bye,—and thank you. I'm sure you will like the baron. He is a trifle seedy, as I said before,—sailing vessel, you know, and all that sort of thing. By way of Cape Town,—pretty well up against it for the past year or two besides,—but a regular fellow, as they say over here."
The Marchioness: "Where did you say he is stopping?"
Mr. Trotter: "Can't for the life of me remember whether it's the 'Sailors' Loft' or the 'Sailors' Bunk.' He told me too. On the water-front somewhere. I knew him in Hong Kong. He says he has cut it all out, however."
The Marchioness: "Cut it all out, Mr. Trotter?"
Mr. Trotter, laughing: "Drink, and all that sort of thing, you know. Jolly good thing too. I give you my personal guarantee that he—"
The Marchioness: "Say no more about it, Mr. Trotter. I am sure we shall all be happy to receive any friend of yours. By the way, where are you now—where are you telephoning from?"
Mr. Trotter: "Drug store just around the corner."
The Marchioness: "A booth, I suppose?"
Mr. Trotter: "Oh, yes. Tight as a sardine box."
The Marchioness: "Good-bye."
Mr. Trotter: "Oh—hello? I beg your pardon—are you there? Ah, I—er—neglected to mention that the baron may not appear at his best tonight. You see, the poor chap is a shade large for my clothes. Naturally, being a sailor-man, he hasn't—er—a very extensive wardrobe. I am fixing him out in a—er—rather abandoned evening suit of my own. That is to say, I abandoned it a couple of seasons ago. Rather nobby thing for a waiter, but not—er—what you might call—"
The Marchioness, chuckling: "Quite good enough for a sailor, eh? Please assure him that no matter what he wears, or how he looks, he will not be conspicuous."
After this somewhat ambiguous remark, the Marchioness hung up the receiver and returned to the drawing-room; a prolonged search revealing the dust-cloth on the "nub" of the andiron, just where she had left it, she fell to work once more on the velvety surface of a rare old Spanish cabinet that stood in the corner of the room.
"Don't you want your apron, ma'am?" inquired Julia, sitting back on her heels and surveying with considerable pride the leg of an enormous throne seat she had been rubbing with all the strength of her stout arms.
Her mistress ignored the question. She dabbed into a tiny recess and wriggled her finger vigorously.
"I can't imagine where all the dust comes from, Julia," she said.
"Some of it comes from Italy, and some of it from Spain, and some from France," said Julia promptly. "You could rub for a hundred years, ma'am, and there'd still be dust that you couldn't find, not to save your soul. And why not? I'd bet my last penny there's dust on that cabinet this very minute that settled before Napoleon was born, whenever that was."
"I daresay," said the Marchioness absently.
More often than otherwise she failed to hear all that Julia said to her, or in her presence rather, for Julia, wise in association, had come to consider these lapses of inattention as openings for prolonged and rarely coherent soliloquies on topics of the moment. Julia, by virtue of long service and a most satisfying avoidance of matrimony, was a privileged servant between the hours of eight in the morning and eight in the evening. After eight, or more strictly speaking, the moment dinner was announced, Julia became a perfect servant. She would no more have thought of addressing the Marchioness as "ma'am" than she would have called the King of England "mister." She had crossed the Atlantic with her mistress eighteen years before; in mid-ocean she celebrated her thirty-fifth birthday, and, as she had been in the family for ten years prior to that event, even a child may solve the problem that here presents a momentary and totally unnecessary break in the continuity of this narrative. Julia was English. She spoke no other language. Beginning with the soup, or the hors d'œuvres on occasion, French was spoken in the house of the Marchioness. Physically unable to speak French and psychologically unwilling to betray her ignorance, Julia became a model servant. She lapsed into perfect silence.
The Marchioness seldom if ever dined alone. She always dined in state. Her guests,—English, Italian, Russian, Belgian, French, Spanish, Hungarian, Austrian, German,—conversed solely in French. It was a very agreeable way of symphonizing Babel.
The room in which she and the temporarily imperfect though treasured servant were employed in the dusk of this stormy day in March was at the top of an old-fashioned building in the busiest section of the city, a building that had, so far, escaped the fate of its immediate neighbours and remained, a squat and insignificant pygmy, elbowing with some arrogance the lofty structures that had shot up on either side of it with incredible swiftness.
It was a large room, at least thirty by fifty feet in dimensions, with a vaulted ceiling that encroached upon the space ordinarily devoted to what architects, builders and the Board of Health describe as an air chamber, next below the roof. There was no elevator in the building. One had to climb four flights of stairs to reach the apartment.
From its long, heavily curtained windows one looked down upon a crowded cross-town thoroughfare, or up to the summit of a stupendous hotel on the opposite side of the street. There was a small foyer at the rear of this lofty room, with an entrance from the narrow hall outside. Suspended in the wide doorway between the two rooms was a pair of blue velvet Italian portières of great antiquity and, to a connoisseur, unrivaled quality. Beyond the foyer and extending to the area wall was the rather commodious dining-room, with its long oaken English table, its high-back chairs, its massive sideboard and the chandelier that is said to have hung in the Doges' Palace when the Bridge of Sighs was a new and thriving avenue of communication.
At least, so stated the dealer's tag tucked carelessly among the crystal prisms, supplying the observer with the information that, in case one was in need of a chandelier, its price was five hundred guineas. The same curious-minded observer would have discovered, if he were not above getting down on his hands and knees and peering under the table, a price tag; and by exerting the strength necessary to pull the sideboard away from the wall, a similar object would have been exposed.
In other words, if one really wanted to purchase any article of furniture or decoration in the singularly impressive apartment of the Marchioness, all one had to do was to signify the desire, produce a check or its equivalent, and give an address to the competent-looking young woman who would put in an appearance with singular promptness in response to a couple of punches at an electric button just outside the door, any time between nine and five o'clock, Sundays included.
The drawing-room contained many priceless articles of furniture, wholly antique—(and so guaranteed), besides rugs, draperies, tapestries and stuffs of the rarest quality. Bronzes, porcelains, pottery, things of jade and alabaster, sconces, candlesticks and censers, with here and there on the walls lovely little "primitives" of untold value. The most exotic taste had ordered the distribution and arrangement of all these objects. There was no suggestion of crowding, nothing haphazard or bizarre in the exposition of treasure, nothing to indicate that a cheap intelligence revelled in rich possessions.
You would have sat down upon the first chair that offered repose and you would have said you had wandered inadvertently into a palace. Then, emboldened by an interest that scorned politeness, you would have got up to inspect the riches at close range,—and you would have found price-marks everywhere to overcome the impression that Aladdin had been rubbing his lamp all the way up the dingy, tortuous stairs.
You are not, however, in the shop of a dealer in antiques, price-marks to the contrary. You are in the home of a Marchioness, and she is not a dealer in old furniture, you may be quite sure of that. She does not owe a penny on a single article in the apartment nor does she, on the other hand, own a penny's worth of anything that meets the eye,—unless, of course, one excepts the dust-cloth and the can of polish that follows Julia about the room. Nor is it a loan exhibit, nor the setting for a bazaar.
The apartment being on the top floor of a five-story building, it is necessary to account for the remaining four. In the rear of the fourth floor there was a small kitchen and pantry from which a dumb-waiter ascended and descended with vehement enthusiasm. The remainder of the floor was divided into four rather small chambers, each opening into the outer hall, with two bath-rooms inserted. Each of these rooms contained a series of lockers, not unlike those in a club-house. Otherwise they were unfurnished except for a few commonplace cane bottom chairs in various stages of decrepitude.
The third floor represented a complete apartment of five rooms, daintily furnished. This was where the Marchioness really lived.
Commerce, after a fashion, occupied the two lower floors. It stopped short at the bottom of the second flight of stairs where it encountered an obstacle in the shape of a grill-work gate that bore the laconic word "Private," and while commerce may have peeped inquisitively through and beyond the barrier it was never permitted to trespass farther than an occasional sly, surreptitious and unavailing twist of the knob.
The entire second floor was devoted to work-rooms in which many sewing machines buzzed during the day and went to rest at six in the evening. Tables, chairs, manikins, wall-hooks and hangers thrust forward a bewildering assortment of fabrics in all stages of development, from an original uncut piece to a practically completed garment. In other words, here was the work-shop of the most exclusive, most expensive modiste in all the great city.
The ground floor, or rather the floor above the English basement, contained the salon and fitting rooms of an establishment known to every woman in the city as
DEBORAH'S.
To return to the Marchioness and Julia.
"Not that a little dust or even a great deal of dirt will make any different to the Princess," the former was saying, "but, just the same, I feel better, if I know we've done our best."
"Thank the Lord, she don't come very often," was Julia's frank remark. "It's the stairs, I fancy."
"And the car-fare," added her mistress. "Is it six o'clock, Julia?"
"Yes, ma'am, it is."
The Marchioness groaned a little as she straightened up and tossed the dust-cloth on the table. "It catches me right across here," she remarked, putting her hand to the small of her back and wrinkling her eyes.
"You shouldn't be doing my work," scolded Julia. "It's not for the likes of you to be—"
"I shall lie down for half an hour," said the Marchioness calmly. "Come at half-past six, Julia."
"Just Lady Jane, ma'am? No one else?"
"No one else," said the other, and preceded Julia down the two flights of stairs to the charming little apartment on the third floor. "She is a dear girl, and I enjoy having her all to myself once in a while."
"She is so, ma'am," agreed Julia, and added. "The oftener the better."
At half-past seven Julia ran down the stairs to open the gate at the bottom. She admitted a slender young woman, who said, "Thank you," and "Good evening, Julia," in the softest, loveliest voice imaginable, and hurried up, past the apartment of the Marchioness, to the fourth floor. Julia, in cap and apron, wore a pleased smile as she went in to put the finishing touches on the coiffure of her mistress.
"Pity there isn't more like her," she said, at the end of five minutes' reflection. Patting the silvery crown of the Marchioness, she observed in a less detached manner: "As I always says, the wonderful part is that it's all your own, ma'am."
"I am beginning to dread the stairs as much as any one," said the Marchioness, as she passed out into the hall and looked up the dimly lighted steps. "That is a bad sign, Julia."
A mass of coals crackled in the big fireplace on the top floor, and a tall man in the resplendent livery of a footman was engaged in poking them up when the Marchioness entered.
"Bitterly cold, isn't it, Moody?" inquired she, approaching with stately tread, her lorgnon lifted.
"It is, my lady,—extremely nawsty," replied Moody. "The trams are a bit off, or I should 'ave 'ad the coals going 'alf an hour sooner than—Ahem! They call it a blizzard, my lady."
"I know, thank you, Moody."
"Thank you, my lady," and he moved stiffly off in the direction of the foyer.
The Marchioness languidly selected a magazine from the litter of periodicals on the table. It was La Figaro, and of recent date. There were magazines from every capital in Europe on that long and time-worn table.
A warm, soft light filled the room, shed by antique lanthorns and wall-lamps that gave forth no cruel glare. Standing beside the table, the Marchioness was a remarkable picture. The slight, drooping figure of the woman with the dust-cloth and creaking knees had been transformed, like Cinderella, into a fairly regal creature attired in one of the most fetching costumes ever turned out by the rapacious Deborah, of the first floor front!
The foyer curtains parted, revealing the plump, venerable figure of a butler who would have done credit to the lordliest house in all England.
"Lady Jane Thorne," he announced, and a slim, radiant young person entered the room, and swiftly approached the smiling Marchioness.
"AM I late?" she inquired, a trace of anxiety in her smiling blue eyes. She was clasping the hand of the taut little Marchioness, who looked up into the lovely face with the frankest admiration.
"I have only this instant finished dressing," said her hostess. "Moody informs me we're in for a blizzard. Is it so bad as all that?"
"What a perfectly heavenly frock!" cried Lady Jane Thorne, standing off to take in the effect. "Turn around, do. Exquisite! Dear me, I wish I could—but there! Wishing is a form of envy. We shouldn't wish for anything, Marchioness. If we didn't, don't you see how perfectly delighted we should be with what we have? Oh, yes,—it is a horrid night. The trolley-cars are blocked, the omnibuses are stalled, and walking is almost impossible. How good the fire looks!"
"Cheerful, isn't it? Now you must let me have my turn at wishing, my dear. If I could have my wish, you would be disporting yourself in the best that Deborah can turn out, and you would be worth millions to her as an advertisement. You've got style, figure, class, verve—everything. You carry your clothes as if you were made for them and not the other way round."
"This gown is so old I sometimes think I was made for it," said the girl gaily. "I can't remember when it was made for me."
Moody had drawn two chairs up to the fire.
"Rubbish!" said the Marchioness, sitting down. "Toast your toes, my dear."
Lady Jane's gown was far from modish. In these days of swift-changing fashions for women, it had become passé long before its usefulness or its beauty had passed. Any woman would have told you that it was a "season before last model," which would be so distantly removed from the present that its owner may be forgiven the justifiable invention concerning her memory.
But Lady Jane's figure was not old, nor passé, nor even a thing to be forgotten easily. She was straight, and slim, and sound of body and limb. That is to say, she stood well on her feet and suggested strength rather than fragility. Her neck and shoulders were smooth and white and firm; her arms shapely and capable, her hands long and slender and aristocratic. Her dark brown hair was abundant and wavy;—it had never experienced the baleful caress of a curling-iron. Her firm, red lips were of the smiling kind,—and she must have known that her teeth were white and strong and beautiful, for she smiled more often than not with parted lips. There was character, intelligence and breeding in her face.
She wore a simple black velvet gown, close-fitting,—please remember that it was of an antiquity not even surpassed, as things go, by the oldest rug in the apartment,—with a short train. She was fully a head taller than the Marchioness, which isn't saying much when you are informed that the latter was at least half-a-head shorter than a woman of medium height.
On the little finger of her right hand she wore a heavy seal ring of gold. If you had known her well enough to hold her hand—to the light, I mean,—you would have been able to decipher the markings of a crest, notwithstanding the fact that age had all but obliterated the lines.
Dinner was formal only in the manner in which it was served. Behind the chair of the Marchioness, Moody posed loftily when not otherwise employed. A critical observer would have taken note of the threadbare condition of his coat, especially at the elbows, and the somewhat snug way in which it adhered to him, fore and aft. Indeed, there was an ever-present peril in its snugness. He was painfully deliberate and detached.
From time to time, a second footman, addressed as McFaddan, paused back of Lady Jane. His chin was not quite so high in the air as Moody's; the higher he raised it the less it looked like a chin. McFaddan, you would remark, carried a great deal of weight above the hips. The ancient butler, Cricklewick, decanted the wine, lifted his right eyebrow for the benefit of Moody, the left in directing McFaddan, and cringed slightly with each trip upward of the dumb-waiter.
The Marchioness and Lady Jane were in a gay mood despite the studied solemnity of the three servants. As dinner has no connection with this narrative except to introduce an effect of opulence, we will hurry through with it and allow Moody and McFaddan to draw back the chairs on a signal transmitted by Cricklewick, and return to the drawing-room with the two ladies.
"A quarter of nine," said the Marchioness, peering at the French clock through her lorgnon. "I am quite sure the Princess will not venture out on such a night as this."
"She's really quite an awful pill," said Lady Jane calmly. "I for one sha'n't be broken-hearted if she doesn't venture."
"For heaven's sake, don't let Cricklewick hear you say such a thing," said the Marchioness in a furtive undertone.
"I've heard Cricklewick say even worse," retorted the girl. She lowered her voice to a confidential whisper. "No longer ago than yesterday he told me that she made him tired, or something of the sort."
"Poor Cricklewick! I fear he is losing ambition," mused the Marchioness. "An ideal butler but a most dreary creature the instant he attempts to be a human being. It isn't possible. McFaddan is quite human. That's why he is so fat. I am not sure that I ever told you, but he was quite a slim, puny lad when Cricklewick took him out of the stables and made a very decent footman out of him. That was a great many years ago, of course. Camelford left him a thousand pounds in his will. I have always believed it was hush money. McFaddan was a very wide-awake chap in those days." The Marchioness lowered one eye-lid slowly.
"And, by all reports, the Marquis of Camelford was very well worth watching," said Lady Jane.
"Hear the wind!" cried the Marchioness, with a little shiver. "How it shrieks!"
"We were speaking of the Marquis," said Lady Jane.
"But one may always fall back on the weather," said the Marchioness drily. "Even at its worst it is a pleasanter thing to discuss than Camelford. You can't get anything out of me, my dear. I was his next door neighbour for twenty years, and I don't believe in talking about one's neighbour."
Lady Jane stared for a moment. "But—how quaint you are!—you were married to him almost as long as that, were you not?"
"My clearest,—I may even say my dearest,—recollection of him is as a neighbour, Lady Jane. He was most agreeable next door."
Cricklewick appeared in the door.
"Count Antonio Fogazario," he announced.
A small, wizened man in black satin knee-breeches entered the room and approached the Marchioness. With courtly grace he lifted her fingers to his lips and, in a voice that quavered slightly, declared in French that his joy on seeing her again was only surpassed by the hideous gloom he had experienced during the week that had elapsed since their last meeting.
"But now the gloom is dispelled and I am basking in sunshine so rare and soft and—"
"My dear Count," broke in the Marchioness, "you forget that we are enjoying the worst blizzard of the year."
"Enjoying,—vastly enjoying it!" he cried. "It is the most enchanting blizzard I have ever known. Ah, my dear Lady Jane! This is delightful!"
His sharp little face beamed with pleasure. The vast pleated shirt front extended itself to amazing proportions, as if blown up by an invisible though prodigious bellows, and his elbow described an angle of considerable elevation as he clasped the slim hand of the tall young woman. The crown of his sleek black toupee was on a line with her shoulder.
"God bless me," he added, in a somewhat astonished manner, "this is most gratifying. I could not have lifted it half that high yesterday without experiencing the most excruciating agony." He worked his arm up and down experimentally. "Quite all right, quite all right. I feared I was in for another siege. I cannot tell you how delighted I am. Ahem! Where was I? Oh, yes—This is a pleasure, Lady Jane, a positive delight. How charming you are look—"
"Save your compliments, Count, for the Princess," interrupted the girl, smiling. "She is coming, you know."
"I doubt it," he said, fumbling for his snuff-box. "I saw her this afternoon. Chilblains. Weather like this, you see. Quite a distance from her place to the street-cars. Frightful going. I doubt it very much. Now, what was it she said to me this afternoon? Something very important, I remember distinctly,—but it seems to have slipped my mind completely. I am fearfully annoyed with myself. I remember with great distinctness that it was something I was determined to remember, and here I am forgetting—Ah, let me see! It comes to me like a flash. I have it! She said she felt as though she had a cold coming on or something like that. Yes, I am sure that was it. I remember she blew her nose frequently, and she always makes a dreadful noise when she blows her nose. A really unforgettable noise, you know. Now, when I blow my nose, I don't behave like an elephant. I—"
"You blow it like a gentleman," interrupted the Marchioness, as he paused in some confusion.
"Indeed I do," he said gratefully. "In the most polished manner possible, my dear lady."
Lady Jane put her handkerchief to her lips. There was a period of silence. The Count appeared to be thinking with great intensity. He had a harassed expression about the corners of his nose. It was he who broke the silence. He broke it with a most tremendous sneeze.
"The beastly snuff," he said in apology.
Cricklewick's voice seemed to act as an echo to the remark.
"The Right-Honourable Mrs. Priestly-Duff," he announced, and an angular, middle-aged lady in a rose-coloured gown entered the room. She had a very long nose and prominent teeth; her neck was of amazing length and appeared to be attached to her shoulders by means of vertical, skin-covered ropes, running from torso to points just behind her ears, where they were lost in a matting of faded, straw-coloured hair. On second thought, it may be simpler to remark that her neck was amazingly scrawny. It will save confusion. Her voice was a trifle strident and her French execrable.
"Isn't it awful?" she said as she joined the trio at the fireplace. "I thought I'd never get here. Two hours coming, my dear, and I must be starting home at once if I want to get there before midnight."
"The Princess will be here," said the Marchioness.
"I'll wait fifteen minutes," said the new-comer crisply, pulling up her gloves. "I've had a trying day, Marchioness. Everything has gone wrong,—even the drains. They're frozen as tight as a drum and heaven knows when they'll get them thawed out! Who ever heard of such weather in March?"
"Ah, my dear Mrs. Priestly-Duff, you should not forget the beautiful sunshine we had yesterday," said the Count cheerily.
"Precious little good it does today," she retorted, looking down upon him from a lofty height, and as if she had not noticed his presence before. "When did you come in, Count?"
"It is quite likely the Princess will not venture out in such weather," interposed the Marchioness, sensing squalls.
"Well, I'll stop a bit anyway and get my feet warm. I hope she doesn't come. She is a good deal of a wet blanket, you must admit."
"Wet blankets," began the Count argumentatively, and then, catching a glance from the Marchioness, cleared his throat, blew his nose, and mumbled something about poor people who had no blankets at all, God help them on such a night as this.
Lady Jane had turned away from the group and was idly turning the leaves of the Illustrated London News. The smallest intelligence would have grasped the fact that Mrs. Priestly-Duff was not a genial soul.
"Who else is coming?" she demanded, fixing the little hostess with the stare that had just been removed from the back of Lady Jane's head.
Cricklewick answered from the doorway.
"Lord Temple. Baron—ahem!—Whiskers—eh? Baron Wissmer. Prince Waldemar de Bosky. Count Wilhelm Frederick Von Blitzen."
Four young men advanced upon the Marchioness, Lord Temple in the van. He was a tall, good-looking chap, with light brown hair that curled slightly above the ears, and eyes that danced.
"This, my dear Marchioness, is my friend, Baron Wissmer," he said, after bending low over her hand.
The Baron, whose broad hands were encased in immaculate white gloves that failed by a wide margin to button across his powerful wrists, smiled sheepishly as he enveloped her fingers in his huge palm.
"It is good of you to let me come, Marchioness," he said awkwardly, a deep flush spreading over his sea-tanned face. "If I manage to deport myself like the bull in the china shop, pray lay it to clumsiness and not to ignorance. It has been a very long time since I touched the hand of a Marchioness."
"Small people, like myself, may well afford to be kind and forgiving to giants," said she, smiling. "Dear me, how huge you are."
"I was once in the Emperor's Guard," said he, straightening his figure to its full six feet and a half. "The Blue Hussars. I may add with pride that I was not so horribly clumsy in regimentals. After all, it is the clothes that makes the man." He smiled as he looked himself over. "I shall not be at all offended or even embarrassed if you say 'goodness, how you have grown!'"
"The best tailor in London made that suit of clothes," said Lord Temple, surveying his friend with an appraising eye. Out of the corner of the same eye he explored the region beyond the group that now clustered about the hostess. Evidently he discovered what he was looking for. Leaving the Baron high and dry, he skirted the edge of the group and, with beaming face, came to Lady Jane.
"My family is of Vienna," the Baron was saying to the Marchioness, "but of late years I have called Constantinople my home."
"I understand," said she gently. She asked no other question, but, favouring him with a kindly smile, turned her attention to the men who lurked insignificantly in the shadow of his vast bulk.
The Prince was a pale, dreamy young man with flowing black hair that must have been a constant menace to his vision, judging by the frequent and graceful sweep of his long, slender hand in brushing the encroaching forelock from his eyes, over which it spread briefly in the nature of a veil. He had the fingers of a musician, the bearing of a violinist. His head drooped slightly toward his left shoulder, which was always raised a trifle above the level of the right. And there was in his soft brown eyes the faraway look of the detached. The insignia of his house hung suspended by a red ribbon in the centre of his white shirt front, while on the lapel of his coat reposed the emblem of the Order of the Golden Star. He was a Pole.
Count Von Blitzen, a fair-haired, pink-skinned German, urged himself forward with typical, not-to-be-denied arrogance, and crushed the fingers of the Marchioness in his fat hand. His broad face beamed with an all-enveloping smile.
"Only patriots and lovers venture forth on such nights as this," he said, in a guttural voice that rendered his French almost laughable.
"With an occasional thief or varlet," supplemented the Marchioness.
"Ach, Dieu," murmured the Count.
Fresh arrivals were announced by Cricklewick. For the next ten or fifteen minutes they came thick and fast, men and women of all ages, nationality and condition, and not one of them without a high-sounding title. They disposed themselves about the vast room, and a subdued vocal hubbub ensued. If here and there elderly guests, with gnarled and painfully scrubbed hands, preferred isolation and the pictorial contents of a magazine from the land of their nativity, it was not with snobbish intentions. They were absorbing the news from "home," in the regular weekly doses.
The regal, resplendent Countess du Bara, of the Opera, held court in one corner of the room. Another was glorified by a petite baroness from the Artists' Colony far down-town, while a rather dowdy lady with a coronet monopolized the attention of a small group in the centre of the room.
Lady Jane Thorne and Lord Temple sat together in a dim recess beyond the great chair of state, and conversed in low and far from impersonal tones.
Cricklewick appeared in the doorway and in his most impressive manner announced Her Royal Highness, the Princess Mariana Theresa Sebastano Michelini Celestine di Pavesi.
And with the entrance of royalty, kind reader, you may consider yourself introduced, after a fashion, to the real aristocracy of the City of New York, United States of America,—the titled riff-raff of the world's cosmopolis.
NEW YORK is not merely a melting pot for the poor and the humble of the lands of the earth. In its capacious depths, unknown and unsuspected, float atoms of an entirely different sort: human beings with the blood of the high-born and lofty in their veins, derelicts swept up by the varying winds of adversity, adventure, injustice, lawlessness, fear and independence.
Lords and ladies, dukes and duchesses, counts and countesses, swarm to the Metropolis in the course of the speeding year, heralded by every newspaper in the land, fêted and feasted and glorified by a capricious and easily impressed public; they pass with pomp and panoply and we let them go with reluctance and a vociferous invitation to come again. They come and they go, and we are informed each morning and evening of every move they have made during the day and night. We are told what they eat for breakfast, luncheon and dinner; what they wear and what they do not wear; where they are entertained and by whom; who they are and why; what they think of New York and—but why go on? We deny them privacy, and they think we are a wonderful, considerate and hospitable people. They go back to their homes in far-off lands,—and that is the end of them so far as we are concerned.
They merely pause on the lip of the melting pot, briefly peer into its simmering depths, and then,—pass on.
It is not with such as they that this narrative has to deal. It is not of the heralded, the glorified and the toasted that we tell, but of those who slip into the pot with the coarser ingredients, and who never, by any chance, become actually absorbed by the processes of integration but remain for ever as they were in the beginning: distinct foreign substances.
From all quarters of the globe the drift comes to our shores. New York swallows the good with the bad, and thrives, like the cannibal, on the man-food it gulps down with ravenous disregard for consequences or effect. It rarely disgorges.
It eats all flesh, foul or fair, and it drinks good red blood out of the same cup that offers a black and nauseous bile. It conceals its inward revulsion behind a bland, disdainful smile, and holds out its hands for more of the meat and poison that comes up from the sea in ships.
It is the City of Masks.
Its men and women hide behind a million masks; no man looks beneath the mask his neighbour wears, for he is interested only in that which he sees with the least possible effort: the surface. He sees his neighbour but he knows him not. He keeps his own mask in place and wanders among the millions, secure in the thought that all other men are as casual as he,—and as charitable.
From time to time the newspapers come forward with stories that amaze and interest those of us who remain, and always will remain, romantic and impressionable. They tell of the royal princess living in squalor on the lower east side; of the heir to a baronetcy dying in poverty in a hospital somewhere up-town; of the countess who defies the wolf by dancing in the roof-gardens; of the lost arch-duke who has been recognized in a gang of stevedores; of the earl who lands in jail as an ordinary hobo; of the baroness who supports a shiftless husband and their offspring by giving music-lessons; of the retiring scholar who scorns a life of idleness and a coronet besides; of shifty ne'er-do-wells with titles at homes and aliases elsewhere; of fugitive lords and forgotten ladies; of thieves and bauds and wastrels who stand revealed in their extremity as the sons and daughters of noble houses.
In this City of Masks there are hundreds of men and women in whose veins the blood of a sound aristocracy flows. By choice or necessity they have donned the mask of obscurity. They tread the paths of oblivion. They toil, beg or steal to keep pace with circumstance. But the blood will not be denied. In the breast of each of these drifters throbs the pride of birth, in the soul of each flickers the unquenchable flame of caste. The mask is for the man outside, not for the man inside.
Recently there died in one of the municipal hospitals an old flower-woman, familiar for three decades to the thousands who thread their way through the maze of streets in the lower end of Manhattan. To them she was known as Old Peg. To herself she was the Princess Feododric, born to the purple, daughter of one of the greatest families in Russia. She was never anything but the Princess to herself, despite the squalor in which she lived. Her epitaph was written in the bold, black head-lines of the newspapers; but her history was laid away with her mask in a graveyard far from palaces—and flower-stands. Her headstone revealed the uncompromising pride that survived her after death. By her direction it bore the name of Feododric, eldest daughter of His Highness, Prince Michael Androvodski; born in St. Petersburgh, September 12, 1841; died Jan. 7, 1912; wife of James Lumley, of County Cork, Ireland.
It is of the high-born who dwell in low places that this tale is told. It is of an aristocracy that serves and smiles and rarely sneers behind its mask.
When Cricklewick announced the Princess Mariana Theresa the hush of deference fell upon the assembled company. In the presence of royalty no one remained seated.
She advanced slowly, ponderously into the room, bowing right and left as she crossed to the great chair at the upper end. One by one the others presented themselves and kissed the coarse, unlovely hand she held out to them. It was not "make-believe." It was her due. The blood of a king and a queen coursed through her veins; she had been born a Princess Royal.
She was sixty, but her hair was as black as the coat of the raven. Time, tribulation, and a harsh destiny had put each its own stamp upon her dark, almost sinister, face. The black eyes were sharp and calculating, and they did not smile with her thin lips. She wore a great amount of jewellery and a gown of blue velvet, lavishly bespangled and generously embellished with laces of many periods, values and, you could say, nativity.
The Honourable Mrs. Priestly-Duff having been a militant suffragette before a sudden and enforced departure from England, was the only person there with the hardihood to proclaim, not altogether sotto voce, that the "get-up" was a fright.
Restraint vanished the instant the last kiss of tribute fell upon her knuckles. The Princess put her hand to her side, caught her breath sharply, and remarked to the Marchioness, who stood near by, that it was dreadful the way she was putting on weight. She was afraid of splitting something if she took a long, natural breath.
"I haven't weighed myself lately," she said, "but the last time I had this dress on it felt like a kimono. Look at it now! You could not stuff a piece of tissue paper between it and me to save your soul. I shall have to let it out a couple of—What were you about to say, Count Fogazario?"
The little Count, at the Marchioness's elbow, repeated something he had already said, and added:
"And if it continues there will not be a trolley-car running by midnight."
The Princess eyed him coldly. "That is just like a man," she said. "Not the faintest idea of what we were talking about, Marchioness."
The Count bowed. "You were speaking of tissue paper, Princess," said he, stiffly. "I understood perfectly."
Once a week the Marchioness held her amazing salon. Strictly speaking, it was a co-operative affair. The so-called guests were in reality contributors to and supporters of an enterprise that had been going on for the matter of five years in the heart of unsuspecting New York. According to his or her means, each of these exiles paid the tithe or tax necessary, and became in fact a member of the inner circle.
From nearly every walk in life they came to this common, converging point, and sat them down with their equals, for the moment laying aside the mask to take up a long-discarded and perhaps despised reality. They became lords and ladies all over again, and not for a single instant was there the slightest deviation from dignity or form.
Moral integrity was the only requirement, and that, for obvious reasons, was sometimes overlooked,—as for example in the case of the Countess who eloped with the young artist and lived in complacent shame and happiness with him in a three-room flat in East Nineteenth street. The artist himself was barred from the salon, not because of his ignoble action, but for the sufficient reason that he was of ignoble birth. Outside the charmed conclave he was looked upon as a most engaging chap. And there was also the case of the appallingly amiable baron who had fired four shots at a Russian Grand-Duke and got away with his life in spite of the vaunted secret service. It was of no moment whatsoever that one of his bullets accidentally put an end to the life of a guardsman. That was merely proof of his earnestness and in no way reflected on his standing as a nobleman. Nor was it adequate cause for rejection that certain of these men and women were being sought by Imperial Governments because they were political fugitives, with prices on their heads.
The Marchioness, more prosperous than any of her associates, assumed the greater part of the burden attending this singular reversion to form. It was she who held the lease on the building, from cellar to roof, and it was she who paid that important item of expense: the rent. The Marchioness was no other than the celebrated Deborah, whose gowns issuing from the lower floors at prodigious prices, gave her a standing in New York that not even the plutocrats and parvenus could dispute. In private life she may have been a Marchioness, but to all New York she was known as the queen of dressmakers.
If you desired to consult Deborah in person you inquired for Mrs. Sparflight, or if you happened to be a new customer and ignorant, you were set straight by an attendant (with a slight uplifting of the eyebrows) when you asked for Madame "Deborah."
The ownership of the rare pieces of antique furniture, rugs, tapestries and paintings was vested in two members of the circle, one occupying a position in the centre of the ring, the other on the outer rim: Count Antonio Fogazario and Moody, the footman. For be it known that while Moody reverted once a week to a remote order of existence he was for the balance of the time an exceedingly prosperous, astute and highly respected dealer in antiques, with a shop in Madison Avenue and a clientele that considered it the grossest impertinence to dispute the prices he demanded. He always looked forward to these "drawing-rooms," so to speak. It was rather a joy to disregard the aspirates. He dropped enough hs on a single evening to make up for a whole week of deliberate speech.