Thanks.

 

 

 

 

 

 

ESTHER OLDENBURG

 

 

 

 

 

 

 

 

 

 

KLAUS RADTKE

 

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Without the active support of Esther Oldenburg and Klaus Radtke, the range of impressive images and topics in this book would have been considerably smaller.… Without the active support of Esther Oldenburg and Klaus Radtke, the range of impressive images and topics in this book would have been considerably smaller. 
My very special thanks go to them!

Without the active support of Esther Oldenburg and Klaus Radtke,

the range of impressive images and topics in this book would have

been considerably smaller.

My very special thanks go to them!

On our "discovery excursions" I received motivation and encouragement from Esther to take a closer look after all. She supported me with many impressive photographs, creative ideas and helpful advice. In a sea of stones, Esther discovered the most wonderful objects with her fine-sighted gaze after only a short time, which she then presented to me with a victorious  smile. On our "discovery excursions" I received motivation and encouragement from Esther to take a closer look after all. She supported me with many impressive photographs, creative ideas and helpful advice. In a sea of stones, Esther discovered the most wonderful objects with her fine-sighted gaze after only a short time, which she then presented to me with a victorious  smile.

On our "discovery excursions" I received moti-

vation and encouragement from Esther to take

a closer look after all. She supported me with

many impressive photographs, creative ideas

and helpful advice. In a sea of stones, Esther

discovered the most wonderful objects with her

fine-sighted gaze after only a short time, which

she then presented to me with a victorious

smile.

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With Klaus I have a long friendship with unforgettable impressions and experiences. The joint excursions to Finland and the intensive photographic encounters have had a decisive influence on my way of seeing. Klaus decided to participate in my book project and gave me deep insights into his inexhaustible picture archive. With Klaus I have a long friendship with unforgettable impressions and experiences. The joint excursions to Finland and the intensive photographic encounters have had a decisive influence on my way of seeing. Klaus decided to participate in my book project and gave me deep insights into his inexhaustible picture archive.

With Klaus I have a long friendship with unfor-

gettable impressions and experiences. The joint

excursions to Finland and the intensive photo-

graphic encounters have had a decisive influ-

ence on my way of seeing. Klaus decided to

participate in my book project and gave me

deep insights into his inexhaustible picture ar-

chive.

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Michael Nagel

 

 

MIRACLES OF

EVERYDAY LIFE

 

Ordinary things - unusual photographs!

 

With pictures and texts by

Michael Nagel

Esther Oldenburg

Klaus Radtke

 

 

 

 

 

 

 

 

 

 

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© 2022 by Michael Nagel

 

Publisher:

 

Cover and Illustration: Michael Nagel

Pictures: Michael Nagel, Esther Oldenburg, Klaus Radtke

Editing: Esther Oldenburg

Proof-Reading: Joachim Graewe

 

Publisher & Print: tredition GmbH, Halenreie 40-44

22359 Hamburg (Germany)

 

ISBN Softcover: 978-3-347-52663-1

ISBN E-Book: 978-3-347-52665-5

 

Notes:

The information in this book has been prepared and compiled by the author

with the greatest care. Nevertheless, errors cannot be completely excluded.

Therefore, the author and publisher point out that neither a guarantee nor the

legal responsibility or any liability for consequences resulting from incorrect

information are assumed. The publisher and author are grateful at any time for

the communication of any errors. The information in this book is published

without regard to any patent protection. This also applies to product names,

which are used without guarantee of free usability. The publisher and author

assume no liability or responsibility for changes resulting from circumstances

beyond their control. Any files and information enclosed or offered for down-

load are for non-commercial use only. The work, including its parts, is protec-

ted by copyright. Any exploitation is prohibited without the consent of the pu-

blisher and the author. This applies in particular to electronic or other repro-

duction, translation, distribution and making available to the public.

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Table of contents

 

 

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Foreword             7… Foreword				  		  	  7
Time to see

Chapter I - Learning to see		  			  8
Perceiving consciously					10


Way of looking						13
Show what you see
Point of view and perspective 
Circle the main subject 
Light and mood 
Making the first selection


A small Workshop 						16
Image composition						18
In the right proportion					20


Chapter II - Getting started					24
Important basic settings					26
Selecting the file format                                                    
Setting the focus point 
Adjusting white balance 
Correct exposure 
Light sensitivity (ISO)
Shooting with the smartphone 
Optional camera app 
Shooting in professional mode
Photographing in aperture priority mode
The effect of aperture

Foreword 7

Time to see

 

Chapter I - Learning to see 8

Perceiving consciously 10

 

 

Way of looking 13

-Show what you see

-Point of view and perspective

-Circle the main subject

-Light and mood

-Making the first selection

 

 

A small Workshop 16

Image composition 18

In the right proportion 20

 

 

Chapter II - Getting started 24

Important basic settings 26

-Selecting the file format

-Setting the focus point

-Adjusting white balance

-Correct exposure

-Light sensitivity (ISO)

-Shooting with the smartphone

-Optional camera app

-Shooting in professional mode

-Photographing in aperture priority mode

-The effect of aperture

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Table of contents

 

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Chapter III - Discover     32… Chapter III - Discover					32
Making preparations 						34


Search and find						36
Driftwood on the shore of a lake 
Fallen tree trunks 
Shapes and lines 																	

Chapter IV - Discover everyday				42
BEACH AND RIVER 						44
Shooting tip for at home 					56
Shooting tip for outdoors 					57
TREES AND ROOTS 						58

A special story							66

LIVING WOOD 						74
Water is Life	 						80

WATER AND WAVES						82

SNOW AND ICE 						90
REFLECTIONS 						98		
SHADOWS 						          104
FROM ABOVE 					          108


Picture credits					        118

Contact						        129

Chapter III - Discover 32

Making preparations 34

 

 

Search and find 36

-Driftwood on the shore of a lake

-Fallen tree trunks

-Shapes and lines

 

Chapter IV - Discover everyday 42

BEACH AND RIVER 44

Shooting tip for at home 56

Shooting tip for outdoors 57

TREES AND ROOTS 58

 

A special story 66

 

LIVING WOOD 74

Water is Life 80

 

WATER AND WAVES 82

 

SNOW AND ICE 90

REFLECTIONS 98

SHADOWS 104

FROM ABOVE 108

 

 

Picture credits 118

 

Contact 129

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Time to see

 

7

Looking back, it was good to take the required time of fifteen months for this exciting topic. This allowed many places to be visited and the objects to be photographed without time pressure.…    Looking back, it was good to take the required time of fifteen months for this exciting topic. This allowed many places to be visited and the objects to be photographed without time pressure.
Years ago, the first thoughts and emotions about this title formed in my head. The trigger of this impulse can be found in my professional environment. I often met people who hoped that by owning a high-tech camera they would automatically get "better" pictures. From a purely technical point of view, this expectation is true, but not in the photographic result. 
Ultimately, social platforms also flood us with lots of images. The impression quickly arises that every motif has already been photographed by someone in the world. Completely in line with the trend of ubiquitous fast-food photography, which is intended exclusively for the moment, is consumed and just as quickly falls into oblivion. 
A good reason to take up the challenge of "photography" anew and leave the photographic mainstream! 
From now on, put the focus more on the everyday things that are worth discovering and capturing by you.

L

ooking back, it was good to take

the required time of fifteen

months for this exciting topic.

This allowed many places to be visi-

ted and the objects to be photogra-

phed without time pressure.

Years ago, the first thoughts and emo-

tions about this title formed in my

head. The trigger of this impulse can

be found in my professional envi-

ronment. I often met people who ho-

ped that by owning a high-tech ca-

mera they would automatically get

"better" pictures. From a purely tech-

nical point of view, this expectation

is true, but not in the photographic

result.

Ultimately, social platforms also

flood us with lots of images. The im-

pression quickly arises that every

motif has already been photographed

by someone in the world. Complete-

ly in line with the trend of ubiquitous

fast-food photography, which is in-

tended exclusively for the moment, is

consumed and just as quickly falls

into oblivion.

A good reason to take up the chal-

lenge of "photography" anew and

leave the photographic mainstream!

From now on, put the focus more on

the everyday things that are worth

discovering and capturing by you.

 

Develop your own perspective to take the motifs out of their contexts and reassign them.… Develop your own perspective to take the motifs out of their contexts and reassign them.
You have already taken the first step towards this realization, otherwise you would not be holding this book in your hands. The next steps require some time and patience until the ability to "see deeper and further" is awakened. The mind must also learn to leave enough room for imaging.
The book is divided into individual subject areas with varying degrees of difficulty that can be targeted. Take the "picture apparatus" at hand that you are familiar with, i.e. the smartphone or camera! 
I hope that you will go on a highly motivated journey of discovery and rediscover photography for yourself in a special, exciting way! 



Michael Nagel

Develop your own perspective to

take the motifs out of their contexts

and reassign them.

You have already taken the first step

towards this realization, otherwise

you would not be holding this book

in your hands. The next steps require

some time and patience until the

ability to "see deeper and further" is

awakened. The mind must also learn

to leave enough room for imaging.

The book is divided into individual

subject areas with varying degrees of

difficulty that can be targeted. Take

the "picture apparatus" at hand that

you are familiar with, i.e. the smart-

phone or camera!

I hope that you will go on a highly

motivated journey of discovery and

rediscover photography for yourself

in a special, exciting way!

 

 

 

Michael Nagel

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I I

I

„The human is an eye-animal“. The fact is that the sense of sight is at the forefront of our conscious perception. Around 78% of all information from our environment is perceived with the eyes. Reason enough to take a longer look at this topic. In the following, you will learn how conscious vision works and learn how to train your fifth sense                  photographically. „The human is an eye-animal“. The fact is that the sense of sight is at the forefront of our conscious perception. Around 78% of all information from our environment is perceived with the eyes. Reason enough to take a longer look at this topic. In the following, you will learn how conscious vision works and learn how to train your fifth sense                  photographically.

„The human is an eye-animal“. The fact is that the sense of

sight is at the forefront of our conscious perception.

Around 78% of all information from our environment is

perceived with the eyes. Reason enough to take a longer

look at this topic. In the following, you will learn how con-

scious vision works and learn how to train your fifth sense

photographically.

LEARNING  to  see LEARNING  to  see

LEARNING to see