On a fine day, in the early part of June, 1523, a splendid cavalcade, consisting of three hundred well-mounted gentlemen, habited in velvet, and each having a massive gold chain round his neck, entered the Forest of Fontainebleau from the side of Nemours, and proceeded along an avenue bordered by noble trees towards the palace.
For the most part, the persons composing this brilliant troop were young and handsome cavaliers, whose looks and haughty bearing proclaimed their high birth, but there were some veterans among them, whose bronzed visages and martial deportment showed that they had served in many a hard campaign. But all were equally richly attired in the sumptuous livery of their leader—black velvet embroidered with gold—and their pourpoints and the housings of their steeds bore a princely badge, woven in gold, together with a sword wrought in the same material, which denoted that their lord held the office of Constable, one of the highest military dignities of France.
The leader of the troop, a very striking personage, whom it was impossible to regard without interest, was a man of large stature, with handsome, strongly-marked features, very stern in expression. An ample chest and muscular throat indicated the possession of great personal strength, but his frame, though stalwart, was admirably proportioned, and it was easy to discern, from the manner in which he bestrode his steed—a powerful block charger—that he was a consummate horseman. His looks and deportment were those of one accustomed to command. If not absolutely young, he was in the very prime of life, being just thirty-three. His complexion was swarthy, his eyes dark and piercing, and his beard, which he wore exceedingly long, black as jet. His firm-set mouth betokened inflexible resolution, while his towering forehead indicated great sagacity. Though he was magnificently arrayed, his bearing showed that he was not one of the silken gallants who thronged the gay and chivalrous court of François I., and who delighted in the banquet, the masquerade, or the tournay—but a hardy warrior, who had displayed prowess in the field, and could lead hosts to conquest.
Like his followers, this noble-looking personage was Clad in black velvet, but his habiliments were ornamented with precious stones. His girdle was set thick with gems, as was the handle of his poniard, and his plumed toque was ornamented in a similar manner. Around his neck he wore the superb collar of the order of Saint Michael, bestowed upon him by François I., and upon the caparisons of his steed was embroidered a sword, a symbol of the dignity with which he had been invested some eight years ago, on the accession of the Duke d'Angoulême to the throne of France.
This noble warrior, who equalled Roland in bravery and military science, was the illustrious Charles de Bourbon, Constable of France. At this time Bourbon was the most redoubtable person in the kingdom, as well from his daring and ambitious character, as from the power which he derived from his vast possessions. As the second prince of the blood—the Duc d'Alençon being the first—he was not many degrees removed from the throne, which the descendants of his house occupied at a later period. Sprung from Saint Louis, by that monarch's sixth son, he was head of the branch Bourbon-Montpensier, and had espoused Suzanne, daughter of the Duchess Bourbon-Beaujeu, herself the eldest daughter of Louis XI., and widow of Duke Pierre de Bourbon. The Duchess Suzanne had died about six months previously, leaving Bourbon without issue, for her three children had preceded her to the grave.
The Constable de Bourbon's possessions were immense. Whole provinces belonged to him, in which he exercised feudal sovereignty. His titles were Duke de Bourbon, Duke d'Auvergne, Comte de Montpensier, Comte de Forez, Comte de la Marche, Vicomte of Carlat and Murat, and Seigneur of Combrailles and La Roche en Reigniers. In Poitou he had the duchy of Châtelleraut, and in Picardy the earldom of Clermont. These vast possessions, combined with his pretensions to the throne and ambitious character, naturally excited the jealousy of François I. Other causes conspired to heighten the king's dislike of him. The victory of Marignan, which signalised the first campaign of François in Italy, and gained for him the duchy of Milan, was virtually won by Bourbon. Though the Constable did not boast of the achievement, his haughty manner offended the king, who sought on several occasions to lower his pride, but only succeeded in irritating him.
In Louise de Savoie, Duchess d'Angoulême, and mother of the king, Bourbon found an active and powerful enemy. Though she was thirteen years older than the Constable, the duchess had conceived a violent passion for him, and, in order to forward his ambitious views, Bourbon feigned to respond to it. But he soon threw off the mask, and treated her with indifference. For a time, the Duchess d'Angoulême contented herself with brooding over her wrongs, perhaps believing her faithless lover would return, but when he completed his perfidy by uniting himself to Suzanne de Bourbon-Beaujeu, an alliance which greatly increased his wealth and power, by uniting two branches of the family, the hostility of the duchess took a more decided form. By her advice the large pensions bestowed upon Bourbon by the king were recalled, and other indignities were offered him.
Bourbon was too proud to complain of these unworthy proceedings, but his mother-in-law, the haughty old Duchess de Bourbon-Beaujeu, sought an interview with the Duchess d'Angoulême, and bitterly reproached her with the injustice done to her son-in-law. The indignation and menaces of the daughter of Louis XI. produced some effect, and the Duchess d'Angoulême promised that the pensions should be restored. But she did not keep her word.
Bourbon worthily avenged himself by making it manifest that he was independent of court patronage. On the birth of his son he prayed the king to stand sponsor for the child, and François assented. The baptismal ceremony took place at the Château de Moulins, and the entertainments given on the occasion were on a scale of more than regal splendour, the Constable's retinue being larger and more magnificent than that of the king. François was greatly offended at this display, and his mother took advantage of his anger to propose to him a scheme for the complete humiliation of the haughty duke. This was no less than to despoil Bourbon of all his vast possessions—an iniquitous design which she proposed to accomplish by setting up a claim to the succession as direct heiress of the elder branch of the house of Bourbon. The claim was as unjust as iniquitous, but the Chancellor Duprat, who owed his post to her, and who was her confidant and adviser, told her that by suborning the judges, and by using all the influence of the king, it could be established. For a long time François refused to listen to the odious proposition, but his mother persisted, and in the end he yielded. The duchess was aided in her vindictive plan by the numerous enemies whom Bourbon's pride had raised up against him, but chiefly by the king's favourite, the Admiral Bonnivet, the rival and enemy of the Constable.
Bonnivet, of whom we shall have to speak more fully anon, was the handsomest man at court, and distinguished as much for his gallantry as for his remarkable graces of person. Envy of Bourbon's rank and power, apprehension that he might regain his influence over the Duchess d'Angoulême, and through her govern the king, conspired to make Bonnivet dread and detest the Constable, and he became a ready instrument in the duchess's hands, losing no opportunity of inflaming the king's anger against the best and bravest of his nobles. A scornful remark of Bourbon converted Bonnivet into an implacable enemy, and made him eager for the Constable's destruction. A magnificent fête was given by the Admiral at his château in Poitou. Resolved that Bourbon should witness his rival's splendid hospitality, the king took him to Bonnivet's château, and thinking to mortify him, asked him if he did not think it splendid?
“I have only one fault to find, sire,” replied Bourbon. “The cage is too large and too fine for the bird.”
“You are piqued, cousin,” rejoined the king. “You are jealous of the Admiral.”
“I jealous of Bonnivet!” exclaimed Bourbon, with deep scorn. “How could I be jealous of one whose ancestors would have deemed it an honour to be esquires in my house?”
This bitter speech was reported by the king to his favourite, and, as we have said, rendered the latter Bourbon's implacable foe.
From this moment, Bonnivet wanted no urging from the Duchess d'Angoulême to injure Bourbon in the king's opinion. Nothing but the downfal of the Constable would now content him. Moved by his favourite's representations, which were seconded by the wily Duprat, and yielding to his own jealous feelings, the king at last gave consent to a measure which was fraught with disastrous consequences to himself, and nearly cost him his throne. A feudal process was commenced by the Duchess d'Angoulême, designed to dispossess the Constable de Bourbon of his vast territories. This suit, impolitic as well as unjust, was sustained by the king's advocate, Bizet, and by the duchess's advocate, Guillaume Poyet. It was impolitic, we say, for it was undertaken at a juncture when a war with the Emperor Charles V. caused François to require the aid of all his great nobles, and especially of so sagacious a commander as Bourbon. From its importance and long duration, and from the illustrious personages concerned in it, the process excited the attention of all Europe, and the wily Emperor failed not to take advantage of the opportunity of alienating so able a commander as Bourbon, and caused secret overtures to be made to him. Henry VIII., also discerning the great mistake that François had committed, entered into a league with the Emperor to reduce the power of France. Both these monarchs regarded Bourbon as the most important auxiliary they could obtain; but François, insensible to the danger, allowed the process to go on. That the issue would be adverse to the Constable, little doubt could be entertained. The Parliament of Paris showed themselves disposed to comply with the king's wishes, and it was almost certain that a decree would be pronounced in favour of the Duchess d'Angoulême. But before the matter was decided, Suzanne de Bourbon died, leaving the duke, as we have stated, without issue.
This event, which revived the smouldering fire in the breast of the Duchess d'Angoulême, and awakened new hopes, caused her to suspend operations for a time. Bourbon had been a widower for six months, during which he had remained at the Château de Moulins, when he was summoned by the king to Fontainebleau, and set out at once, attended, as was his custom, by a numerous and splendid escort. He rested on the last night of his journey at the Château de Nemours, in order to reach Fontainebleau at noon.
Amid the crowd of nobles and gentlemen who accompanied him were René de Bretagne, Comte de Penthièvre, and Jean de Poitiers, Seigneur de Saint-Vallier, and Comte de Valentinois. The latter belonged to one of the oldest families in France, and had been governor of Dauphiné during the reign of the late king Louis XII. He had raised a large number of men for François I. during the war in Italy, and, like Bourbon, had good cause to complain of the king's neglect and ingratitude. Saint-Vallier's daughter, the beautiful Diane de Poitiers, had recently married Louis de Brézé, Comte de Maulévrier, grand seneschal of Normandy. Saint-Vallier was somewhat stricken in years, his beard and locks were grizzled, and his noble countenance had a grave and melancholy expression, as if he foresaw the misfortunes in store for him. He was a man of the highest honour, and Bourbon, who had great faith in his judgment, generally consulted him. Of the gentlemen in attendance upon the Constable, the two in whom he chiefly confided were the Seigneurs Pompérant and Lurcy, both young men of good family, graceful in exterior, mettlesome, proud, and eager for distinction.
Since the accession of François I., the old feudal château of Philippe Auguste and Saint Louis had been almost entirely demolished, and had given place to a superb palace, reared in the style of the Renaissance. François I. had not as yet completed his grand designs, but he had done enough to make the Palace of Fontainebleau one of the noblest structures in France. Its splendid apartments were full of objects of art, paintings, and sculpture brought from Italy, and its glorious gallery, just completed, was richly decorated. The old walls and moat of the mediaeval chateau had given place to delicious gardens, with broad terraces, parterres, alleys, fountains, lakes, bosquets, and all that could contribute to enjoyment. As Bourbon drew near the palace, and gazed at its magnificent façade, he could not refuse it the meed of admiration it so well deserved.
The approach of the Constable and his suite was watched by a number of arquebusiers, pages, grooms, and serving-men, collected in the outer court, or grouped upon the great horse-shoe stairs leading to the principal entrance of the palace. Various comments were made by these persons on the number and splendour of the Constable's retinue, and the general opinion seemed to be that the king would take offence at the display. Among the observers were two magnificently-attired seigneurs, who, being stationed on the summit of the lofty stairs, commanded a complete view of the scene. Evidently, from the respect with which they were treated, these persons were of the highest rank. The most noticeable of the two—though both were noticeable—was a very distinguished-looking man, in age about thirty-five, though he did not look so much, and possessing features of classical regularity, and a figure of incomparable grace. In stature he was a little above the ordinary height, and his deportment was haughty and commanding. His rich brown locks were shorn close, as was then the mode, and he wore a pointed beard à l'Espagnole. Both for his graceful exterior and fascinating manner he seemed formed to captivate, and indeed almost all those whom he had addressed—and he made the highest dames his mark—had found him irresistible. He was accounted the handsomest, as well as the most accomplished cavalier at court, and excelled all his compeers in manly exercises, as he surpassed them in grace.
This preux chevalier was Guillaume Gouffier de Boisy, Seigneur de Bonnivet, Admiral of France. From the favour bestowed upon him by his royal master, he was called “le Grand Mignon du Roi.” Audacious in love as in war, equally at home in the mêlée or at the masked ball, Bonnivet was the most gallant and profligate personage of the most gallant and profligate court in Europe, he had fought by the side of his royal master at the battle of Marignan, and was subsequently sent by François as ambassador-extraordinary to England, where he distinguished himself at the gorgeous court of Henry VIII. by his unparalleled magnificence. Brave to a fault, rash, enterprising, spiritual, lively, a boon companion, inordinately addicted to gallantry, Bonnivet exactly suited the king. A perfect courtier, he maintained his influence over François, while he strengthened his position by ingratiating himself with the king's mother. His prodigality was excessive, and his audacity in love affairs unparalleled. If we are to believe Brantôme, he resorted to the most extraordinary stratagems in the prosecution of his amours, and had trap-doors contrived in the chambers of his château. He was the secret lover of the king's mistress, the beautiful Comtesse de Châteaubriand, and he even dared to raise his eyes to the Duchess d'Alençon, the king's sister. To Louise de Savoie he was so subservient, that he became little better than her tool, but she requited him by showering favours on his head. It was by her desire that the command of the army of Guienne was bestowed upon him; and he had but recently returned to court, flushed with the successes he had gained over the Spaniards in Fontarabia.
Vain and presumptuous, Bonnivet had offended most of the old commanders, but, being supported by the king and the duchess, he was unassailable.
The person who stood next to Bonnivet, and who watched Bourbon's approach with as much surprise and as much curiosity as the Admiral, was very different in appearance and manner from the royal favourite, though equally richly attired. Though not handsome, he had a striking countenance, and his deportment was proud and martial. He was no other than the renowned Anne de Montmoreney, one of the haughtiest and wealthiest nobles of France, and one of the bravest of her captains. Though he did not envy Bonnivet the king's favour, nor seek to supplant him, he held him in contempt, and would probably have rejoiced in his downfall. Montmorency belonged to a ruder and hardier school than that represented by the Admiral, and had distinguished himself by many feats of arms and personal courage. On account of his valour and military skill he had just been named a marshal of France by the king.
“By Heaven! it is the Constable de Bourbon!” cried Bonnivet. “What brings him to Fontainebleau?”
“I know not,” replied Montmorency, “but I trust he may be restored to the king's favour, and this abominable process abandoned.”
“That is not likely to be the case,” remarked Bonnivet. “If Bourbon humbles himself, the king may overlook his faults—not otherwise.”
“I have yet to learn what faults he has committed,” said Montmorency. “I know he has been unjustly treated, and so I shall not hesitate to tell the king.”
“You had better not say as much to the duchess,” remarked Bonnivet.
“Wherefore not?” demanded the marshal. “If this suit is pressed to an issue, mischievous consequences are sure to follow, and I therefore hope it may be amicably arranged. From Bourbon's appearance here, I augur favourably. If I can help to set the matter right, I will.”
“Take my advice, marshal, and do not meddle in the matter,” said Bonnivet. “You will only incur the duchess's displeasure.”
“I care not for that,” said Montmorency.
“And yet it is to the duchess you owe your bâton. You are ungrateful, monsieur le maréchal.”
These words were not uttered by Bonnivet, but by a singular personage, who had approached them unawares, and listened to their discourse. On turning, Montmorency beheld Triboulet, the king's jester. The court buffoon wore the parti-coloured garb proper to his office, and carried a bauble in his hand. Misshapen in person, he had high shoulders, long arms, large feet and hands, and an immense head. His brow was low, his eyes lighted up by a malicious flame, and his countenance altogether had a cunning and mischievous expression, which inspired fear while it excited mirth.
Immediately behind Triboulet stood a tall, thin man, whose appearance offered a striking contrast to that of the jester. This personage wore a black taffeta robe with loose sleeves, and a silken skull-cap of the same hue, which set off his sallow features. His eyes were thoughtful in expression, and a long grey beard, descending to his girdle, added materially to the gravity of his aspect. This individual was the renowned Cornelius Agrippa, who after many years of travel and strange adventure in Germany, Switzerland, the Low Countries, and England, now formed part of the royal household of France, and occupied the post of physician and astrologer to the Duchess d'Angoulême, who had great faith in his medical and mystic lore. Though the courtiers affected to deride Agrippa's predictions, and sometimes charged him with dealing in the black art, they nevertheless stood in great awe of him.
“Why dost charge me with ingratitude, thou ribald knave?” said Montmorency to the jester.
“Because you turn upon your benefactress,” replied Triboulet.
“Bah! I have got no more than my due,” said Montmorency. “Thou shouldst talk of my ingratitude to the duchess—à propos of the Constable de Bourbon.”
“Her highness has no reason to be grateful to the Constable,” said Triboulet, with a strange grin.
“But the king has,” rejoined Montmorency. “Without him, Marignan would scarce have been won. I would rather lose my marshal's bâton than Bourbon should be deprived of his possessions.”
“The king shall hear of this,” muttered Bonnivet. “Did the stars tell you that Bourbon would come here to-day, learned sir?” he added to Cornelius Agrippa.
“I expected him,” replied the philosopher.
“Then possibly you know his errand?” continued Bonnivet, with an incredulous smile.
“I know it,” replied Agrippa, gravely. “I could tell you why he comes, and what will befal him, but I care not to read the future to those who mock my lore. The star of Bourbon is temporarily obscured. But it will break out with added splendour. This day is the turning-point of his destiny. If he stays here he will be great—but if he departs he will be greater.”
“How are we to interpret that, compère?” inquired Triboulet,
“As you will,” rejoined Agrippa, contemptuously. “The words of wisdom are unintelligible to fools. But mark me, messeigneurs,” he added to Bonnivet and Montmoreney. “The destinies of the king, the duchess, and the Constable, are this day linked together—but the influencing power resides in Bourbon.”
“Why in him? Explain your meaning, doctor!” demanded Bonnivet.
“I have said all I care to say,” replied Agrippa. “But here comes the Constable. Will you stay and bid him welcome?”
“No, I will in, and inform the king of his arrival,” said Bonnivet.
“You will find his majesty in the grand gallery,” said Agrippa. “I left him there, not many minutes since, with the Comtesse de Chateaubriand.”
“I will go thither,” replied Bonnivet, hastening across the vestibule.
“Methinks the Constable is like a wild beast about to fall into a trap,” remarked Triboulet to the astrologer. “Were I the king, if I once caught him, I would not let him go.”
“Neither would I,” replied Agrippa, significantly. “But his majesty cannot read the future.”
By this time Bourbon had dismounted from his charger, and was received with the ceremony due to his exalted rank by the chamberlain, who descended the stairs to meet him. Pages, esquires and gentlemen bowed as the haughty Constable mounted the steps, and when he readied the summit the Marshal de Montmoreney advanced to meet him, and a very cordial greeting passed between them.
“I am right glad to see you here again, prince,” said the marshal. “I hope we shall soon gather fresh laurels together in the Milanese.”
“I should rejoice to fight by your side,” replied Bourbon. “But I know not why I have been sent for by the king.”
“Have you been sent for?” said Montmoreney, surprised. “I thought you came of your own accord. So much the better. You will be well received. The king is in a very gracious humour—and so is the duchess.”
“Ah! the duchess!” exclaimed Bourbon, with an expression of deep disgust.
“You do not speak of her highness as she speaks of you, prince,” observed Triboulet. “I have heard her sigh and seen her change colour at the mention of your name.”
Bourbon made no reply to this remark, but graciously returned the salutation addressed to him by Cornelius Agrippa. A slight sign from the astrologer, who was standing within the vestibule, drew him towards him.
“I would fain have a word with your highness,” said Agrippa, as the Constable approached him. “I have been consulting your horoscope.”
“Ha! what have you found therein, good doctor?” asked Bourbon, who was by no means free from superstition.
“Much,” replied Agrippa, gravely. “This is a critical hour with you, prince—the most critical hour of your existence, since it forms the turning-point of your career. According as you now act, so will your future destiny be influenced. Comply with certain propositions which will be made you, and which will in no respect affect your honour, and your position will be assured, and you will be elevated to almost supreme power. Decline them—”
“What then?” demanded Bourbon, fixing his dark eyes searchingly upon the astrologer.
“Decline them, I repeat,” pursued Agrippa, “and you will incur great perils—very great perils—but you will baffle the schemes of your enemies, and obtain brilliant successes.”
“You promise this, doctor?” cried Bourbon, eagerly.
“The stars promise it you, prince, not I,” returned Agrippa. “But I have more to tell, if you have courage to hear it,” he added, gravely.
“Say on!—let me know all,” cried Bourbon.
“You will not long enjoy your triumph. You will meet a warrior's death before the walls of a great city.”
“The very death I covet,” said the Constable. “Take this, doctor,” he added, detaching a gem from his doublet, and giving it him. “Your prognostication decides me.”
“A word more and I have done,” said Agrippa, lowering his tone. “You will gain friends as powerful as those you will lose. There are other monarchs who can better appreciate your noble qualities than the King of France.”
Bourbon looked at the astrologer, as if he would fain question him further, but the latter signified by a glance that he had nothing more to impart, and the Constable left him and followed the chamberlain, who led him across the vestibule towards the doors of the grand gallery, before which ushers and a guard of halberdiers were stationed.
The magnificent gallery which we are now about to enter had only just been completed, and formed the principal ornament of the palace, though it was subsequently eclipsed by another and yet more magnificent gallery reared by Henri II. The gallery of François I., which still exists, though reft of some of its ancient splendour, was of great length, admirably proportioned, and possessed a superb plafond, painted by the best Italian masters, and supported by a grand gilt cornice. The walls were adorned with colossal figures of goddesses and nymphs carved in oak, and between these statues were introduced admirable paintings. On either side were lofty windows with deep embrasures, embellished like the walls with carvings and paintings. The windows on the left looked on an exquisite orange-garden, while those on the right commanded a spacious court, with a fountain, a chef-d'ouvre of art, in the midst of it.
At the upper end of the grand gallery a brilliant party was now assembled. Chief among them, not merely in point of rank, but for his lofty stature, majestic and graceful deportment, and splendid habiliments, was François I. At this period, the king, who was still under thirty, was in the full éclat of his manly beauty. So lofty was his stature, that he towered above the tallest of his courtiers, and his person was strongly but admirably proportioned. With his remarkable physiognomy, rendered familiar by the breathing portrait of Titian, all are acquainted. All can conjure up that countenance, so handsome, intellectual, refined, haughty, sarcastic, of which perhaps the sole fault was that the principal feature was too prominent—a peculiarity which caused the monarch to be popularly surnamed François le grand nez. The king's eyes were dark and full of fire, and his clear skin was set off by a pointed beard. His brown locks were cut short, in consequence of a severe wound he had received on the head, and as a matter of course the fashion had been followed by his courtiers. His teeth were magnificent, and were constantly displayed, his countenance being rarely without a smile. His expression was jovial and good humoured, though somewhat proud and sarcastic; his deportment full of majesty, but he was so affable that he set all who approached him at ease. Familiarity, however, was never attempted with François, even by his greatest favourites. In a word, he fully merited the appellation to which he aspired, and which was universally bestowed upon him, of the First Gentleman in Europe.
François I. was not remarkable merely for his personal accomplishments and graces. His mental qualifications were of a very high order. If not erudite or profound, he was well read. He was fond of poetry, and was himself a poet. He delighted in romances of chivalry, “Lancelot du Lac,” “Garin le Lorrain,” and took for his model the peerless “Amadis de Gaule.” In consequence of his predilection for them, the favourite books with the gallants and dames of his court were “Gérard de Nevers,” “Pierre de Provence et la Belle Magueloune,” and “Petit Jehan de Saintré.” Not merely was François I. a lover of literature, and a patron of poets and men of learning, but he warmly encouraged the arts, and his court was frequented by the best painters, sculptors, and architects, whom he brought from Italy.
Endowed with some of the highest and noblest qualities, by nature frank, loyal, and chivalrous, though fiery and impetuous, passionately fond of war, and always thirsting for military renown, François was a perfect type of the nation over which he ruled, and next to Henri IV., who to a certain extent based himself upon him, is the best loved of the French monarchs. His splendid person and noble features, his kingly deportment, his accomplishments, his martial tastes, his courage, his address in the tilt-yard and in the management of arms of all kinds, pike, rapier, two-handed sword, his unequalled skill and grace in horsemanship, his jovial humour, his bonhomie, his devotion to the fair sex, are dwelt upon with satisfaction, and his faults overlooked or forgotten. The following poetical portrait of him is far too brightly coloured:
C'est luy qui a grâce et parler de maître,
Digne d'avoir sur tous droit et puissance,
Qui sans nommer, se peut assez connoître.
C'est luy qui a de tout la comioissance.
De sa beauté il est blanc et vermeil,
Les cheveux bruns, de grande et belle taille;
En terre il est comme au ciel le soleil.
Hardi, vaillant, sage et preux en bataille,
Il est bénin, doux, humble en sa grandeur,
Fort et puissant, et plein de patience.
The faults of François I. were profligacy and prodigality More than once he exhausted his treasury by the immense sums he lavished upon his mistresses and his favourites. So completely did he yield to his love of pleasure, that the greater part of his life which was not occupied in the field was spent in sybaritic enjoyments. Though not tyrannical, he was capricious and vindictive, and not unfrequently strained the royal prerogative to the utmost.
On this occasion the splendid person of the king was displayed to the utmost advantage by his magnificent attire. His habiliments were of white and blue—the colours of the Comtesse de Châteaubriand. His doublet, of azure velvet slashed and puffed with white silk, glittered with diamonds, and his girdle was ornamented with rubies and emeralds. Over his doublet he wore a white brocade mantle, trimmed with minever, and so fashioned as to display the puffed sleeves of his jerkin. The handle and sheath of his poniard were studded with gems, as was also the guard of his long rapier. His sky-blue velvet toque was encircled by a white plume, and ornamented by diamonds. The perfect symmetry of his lower limbs was displayed by his white silk hose, and below the knee he wore the Garter, with which he had been invested by Henry VIII. prior to their meeting at the Field of the Cloth of Gold. His buskins, of blue velvet slashed with white satin, like his doublet, were ornamented with pearls. He was vain of his small feet and finely-formed hands, and his fingers were loaded with magnificent rings. Around his neck he wore the collar of the order of Saint Michael.
The court of François I., as we have intimated, was not only attended by the first nobles, but by the most beautiful women of the kingdom, and, though distinguished more than any other of the period for splendour, refinement, and chivalry, was not remarkable for strictness and decorum, though the fair fame of his neglected consort, Queen Claude, was never impeached. But this devout and discreet princess was queen only in name. The hands that really held the reins of government were those of the Duchess d'Angoulême, while the king's affections were estranged by his mistresses.
The Comtesse de Châteaubriand, who at this time held absolute sway over the fickle heart of the amorous monarch, was in sooth a most lovely and fascinating creature. Françoise de Foix, daughter of Jean de Foix, Vicomte de Lautrec, and first cousin of the heroic Gaston de Foix, surnamed “le Foudre d'Italie” was early united to the Comte Laval de Chateaubriand, whose jealousy of her beauty induced him to immure her in a solitary chateau in Brittany. His precautions, however, were unavailing. François having heard of the incomparable charms of the countess, compelled her jealous spouse to bring her to court, and at once became passionately enamoured of her. The nature of Françoise de Foix was unambitious, and she might not have exercised the influence she possessed over the king beneficially but for her brothers, the elder of whom, Odet de Foix, Seigneur de Lautrec—a brave but not a successful leader—she made a marshal of France; while the Comte de Lesparre, the younger, also owed his advancement to her.
Françoise de Foix was tall, slender, and exquisitely proportioned. Her features were of extreme delicacy, her eyes large and of a tender blue, her eyebrows beautifully pencilled, her locks blonde, and her complexion ravishingly fair. Her attire was of white brocade, her long stomacher being covered with gems, while the girdle that encircled her narrow waist was studded with precious stones. Over her gown she wore a surcoat of azure satin embroidered with gold, and having loose hanging sleeves. A magnificent head-dress of goldsmith's work confined her blonde tresses, and set off her lovely countenance. Françoise de Foix was as fascinating in manner as she was charming in person, and her royal lover seemed spellbound by her attractions. She was not, however, more faithful to him than she had been to her husband, but she had the art to conceal her infidelities, and never incurred his suspicions. Unable to brook his dishonour, the Comte de Châteaubriand had withdrawn wholly from court, and secluded himself in his lonely château in Brittany, where he meditated a terrible revenge, which he afterwards consummated. The end of the lovely countess was very tragical.
From the contemplation of the bewitching Françoise de Foix we must turn to another lovely woman, who formed part of the assemblage in the gallery. This was the king's sister, Marguerite de Valois, Duchess d'Alençon—La Marguerite des Marguerites, as she was styled by her royal brother, who tenderly loved her. Graceful of person, beautiful of feature, amiable in disposition, a model of virtue in a depraved court, united to a husband she could not respect, and who was incapable of appreciating her merits, yet to whom she was faithful, highly accomplished, learned, and witty, the Duchess d'Alençon was the chief ornament of the court of François I.
About two years subsequent to the period of our history Marguerite was liberated from her husband by death, and espoused in her second nuptials Henri d'Albret, King of Navarre—a consort in all respects better suited to her. As Queen of Navarre, her court was thronged by poets, savants, and men of letters. Clement Marot thus eulogises her:
Entre autres dons de grâces immortelles,
Madame écrit si haut et doucement,
Que je m'étonne, en voyant choses telles,
Qu'on n'en reçoit plus d'ebanissement.
Puis quand je l'ouis parler si sagement,
Et que je vois sa plume travailler,
Je tourne bride, et m'ébanis comment
On est si sot de s'en émerveiller.
Ronsard, then a handsome page, thus addresses her:
Ainsi tu fus, ô princesse,
Ançois plutôt, ô déesse,
Tu fus certes tout l'honneur
Des princesses de notre âge,
Soit en force de courage,
Ou soit en royal bonheur.
By some she was styled the Tenth Muse and the Fourth Grace. Her Nouvelles, which obtained a wonderful celebrity in her own day, may be classed with the Decameron of Boccaccio.
Marguerite was dressed in crimson velvet, richly embroidered, and her head-dress was of goldsmith's work, like that of the Comtesse de Châteaubriand. If she was not so fascinating as the latter syren, she possessed infinitely more dignity, and her features had an expression which nothing but purity can impart.
Many other beautiful and high-born dames and demoiselles were present, but we do not think it necessary to describe them, neither can we do more than allude to the brilliant collection of young seigneurs, all magnificently arrayed, by whom the king was attended.
“So you are resolved to go to Italy, sire,” observed the Comtesse de Châteaubriand to the king, who was standing near an open window, gazing into the orange-garden. “Nothing that I can say will detain you.”
“I must win back the duchy of Milan, which your brother, the Maréchal de Lautrec, has suffered Prospero Colonna and Pescara to wrest from me,” rejoined François. “Had I been there, this would not have happened. I have been idle far too long, and must conduct the war in person.”
“I trust it will be a brief campaign,” sighed the countess.
“Doubt it not, ma mie,” replied the king. “The duchy shall soon again be mine. During the winter I will hold my court at Milan, and you shall come thither, if you list.”
“I would I might accompany you during the campaign, sire! Let me go with you, I entreat you!”
“No, that cannot be. You could not cross the Alps with the army. But you shall follow speedily. Nay, content you, mignonne. You shall go with me as far as Lyons.”
At this moment, Bonnivet, who had come quickly down the gallery, approached them.
“You have some news for us?” said the king, looking inquiringly at him. “Any tidings from Bayonne, or from the Milanese?”
“None, sire,” replied the Admiral. “I merely come to announce to you a most unexpected visitor. Not to keep you a moment in suspense, I will add that the Prince Mal-endurant has just arrived at the palace.”
“The Constable de Bourbon arrived here!” exclaimed the countess.
“His arrival is not unexpected,” replied the king, smiling. “In fact, I sent for him.”
“You sent for him, sire!” exclaimed Bonnivet, surprised, and exchanging a glance with the countess. “I did not suppose you would adopt such a course. If I had been aware of it, I would have counselled you against it.”
“And so would I,” added the countess.
“For that very reason, I did not mention my design,” remarked François. “What will you say, ma mie, if I should be reconciled to the Constable?” he added to the countess.
“I shall say that your majesty is not true to yourself,” she replied, unable to conceal her vexation.
“Reconciliation with Bourbon is impossible, unless the Duchess d'Angoulême will forego her claim—and she will never do that!” cried Bonnivet.
“Hum!” exclaimed François. “One cannot tell what may happen. I always pay the greatest deference to my mother's wishes, and, as she has expressed a desire to see the Constable, I have sent for him.”
“It is strange I should hear nothing of this before, sire,” remarked Françoise de Foix, in a tone of pique.
“Not so strange as you think, mignonne,” replied the king. “The duchess bound me to secresy.”
“What can be the meaning of this?” thought Bonnivet. “The duchess hates Bourbon too deeply to make terms with him.”
“I see it!” mentally ejaculated the countess, instinctively arriving at the truth. “Her love for Bourbon has been suddenly revived. But will he accept her terms? If I know him, he will not.”
“Here comes the Constable,” remarked François, as the tall and majestic figure of Bourbon was seen moving slowly down the gallery. He was preceded by the chamberlain, and followed by Saint-Vallier and René de Bretagne.
“He has not lost his insolent deportment,” remarked the Admiral. “I ought to have informed your majesty that he has brought with him an escort of three hundred gentlemen.”
The observations told, and a frown of displeasure passed over the king's brow. But it fled before Bourbon came up, and gave way to a gracious smile.
“Welcome, cousin,” he cried, in a voice that bespoke cordiality. “I am right glad to see you again at Fontainebleau.”
At the same time he advanced towards the Constable, and embraced him affectionately.
“Sire, your kindness overwhelms me,” said Bourbon, moved by the warmth of the reception.
“You have been absent from court far too long, cousin—far too long,” pursued the king. “Our sister the Duchess d'Alençon, and the Comtesse de Chateaubriand, will tell you how much we have missed you.”
“It is not my fault that I have been absent, sire,” replied Bourbon. “Your majesty will own that I had good reasons for keeping away.”
“I wish you had come, notwithstanding, cousin,” rejoined François. “A few words of personal explanation would have helped to set matters right. But you shall not depart till we have settled our differences.”
“Then I must tarry long, sire,” observed Bourbon, smiling sternly. “Your majesty, I hear, has been pleased to style me le Prince Mal-endurant, and I own that the appellation is merited, but I am not altogether as patient as you imagine.”
“I do not wonder at it, cousin. Heaven knows, you have had good cause for anger! And if you have exhibited a patience worthy of the long-enduring patriarch himself, I admire you the more for it. But if I inflict injuries, I know how to repair them, and your wrongs shall be redressed.”
“You own I have been wronged, sire?” exclaimed Bourbon. “That is something.”
“Foi de gentilhomme! I will make you amends, cousin,” cried the king. “You shall be abundantly satisfied.”
Bourbon's sternness could not fail to give way before these and many other equally gracious expressions. It was evident that François desired to conciliate his offended visitor, and as he employed his irresistible fascination of manner to that end, he succeeded. The king next addressed himself to Saint-Vallier and René de Bretagne, greeting them both with marked condescension and kindness, and, while he was thus engaged, Bourbon paid his devoirs to the Duchess d'Alençon and the Comtesse de Châteaubriand. By the latter he was coldly received, but Marguerite de Valois accorded him a welcome as gracious as that of her royal brother. A haughty salutation passed between the Constable and Bonnivet.
“I must have a few words with you in private, cousin,” said the king, turning to Bourbon, as soon as he had concluded his brief discourse with Saint-Vallier. “Come with me, I pray you.”
The Constable bowed, and he and the king quitted the gallery, and entering a corridor on the left, proceeded to a suite of magnificent apartments which François himself had recently constructed. The most friendly understanding seemed already re-established between them. François treated the Constable like a brother, and placed his arm affectionately upon his shoulder.
“I will now avow the truth to you, cousin,” he said. “This process has been a great pain to me, but there is only one way of settling it. Methinks you can readily guess that mode.”
“No, sire, I confess I am completely puzzled,” replied Bourbon.
“You are duller than I thought,” said the king. “The matter rests with the Duchess d'Angoulême. You must talk it over with her.”
“With the duchess, sire!” exclaimed Bourbon. “Impossible! You must hold me excused.”
“Nay, I insist, cousin,” rejoined François.
“The interview will be productive of no good, sire, and will rather aggravate existing difficulties. Again, I pray you to excuse me.”
“Nay, I am resolved, cousin. I know what is for your good. Come with me to my mother's private cabinet. She expects you.”
“Expects me!” cried Bourbon. “Then this is a preconcerted scheme. I warn your majesty it will fail.”
“I will listen to no more objections,” said François. “You will thank me for my firmness anon.”
BOURBON yielded with an ill grace, and entered an ante-chamber with the king, in which several gentlemen and pages were assembled. Two ushers were stationed at a door at the farther end of the chamber. At the king's approach this door was thrown open, and Bourbon found himself in the presence of the person he most hated on earth.
The Duchess d'Angoulême was seated at a table, engaged in converse with the Chancellor Duprat, who arose on the king's entrance with Bourbon, and made a profound obeisance, but the duchess retained her seat.