For a moment neither spoke, then Gypsy Nan broke the silence with a bitter laugh. She threw back the bedclothes, and, gripping at the edge of the bed, sat up.
"The White Moll!" The words rattled in her throat. A fleck of blood showed on her lips. "Well, you know now! You're going to help me, aren't you? I—I've got to get out of here—get to a hospital."
Rhoda Gray laid her hands firmly on the other's shoulders.
"Get back into bed," she said steadily. "Do you want to make yourself worse? You'll kill yourself!"
Gypsy Nan pushed her away.
"Don't make me use up what little strength I've got left in talking," she cried out piteously, and suddenly wrung her hands together. "I'm wanted by the police. If I'm caught, it's—it's that 'chair.' I couldn't have a doctor brought here, could I? How long would it be before he saw that Gypsy Nan was a fake? I can't let you go and have an ambulance, say, come and get me, can I, even with the disguise hidden away? They'd say this is where Gypsy Nan lives. There's something queer here. Where is Gypsy Nan? I've got to get away from here—away from Gypsy Nan—don't you understand? It's death one way; maybe it is the other, maybe it'll finish me to get out of here, but it's the only thing left to do. I thought some one, some one that I could trust, never mind who, would have come to-day, but-but no one came, and—and maybe now it s too late, but there's just the one chance, and I've got to take it." Gypsy Nan tore at the shawl around her throat as though it choked her, and flung it from her shoulders. Her eyes were gleaming with an unhealthy, feverish light. "Don't you see? We get out on the street. I collapse there. You find me. I tell you my name is Charlotte Green. That's all you know. There isn't much chance that anybody at the hospital would recognize me. I've got money. I take a private room. Don't you understand?"
Rhoda Gray's face had gone a little white. There was no doubt about the woman's serious condition, and yet—and yet—She stood there hesitant. There must be some other way! It was not likely even that the woman had strength enough to walk down the stairs to begin with. Strange things had come to her in this world of shadow, but none before like this. If the law got the woman it would cost the woman her life; if the woman did not receive immediate and adequate medical assistance it would cost the woman her life. Over and over in her brain, like a jangling refrain, that thought repeated itself. It was not like her to stand hesitant before any emergency, no matter what that emergency might be. She had never done it before, but now...
"For God's sake," Gypsy Nan implored, "don't stand there looking at me! Can't you understand? If I'm caught, I go out. Do you think I'd have lived in this filthy hole if there had been any other way to save my life? Are you going to let me die here like a dog? Get me my clothes; oh, for God's sake, get them, and give me the one chance that's left!"
A queer little smile came to Rhoda Gray's lips, and her shoulders straightened back.
"Where are your clothes?" she asked.
"God bless you!" The tears were suddenly streaming down the grimy face. "God bless the White Moll! It's true! It's true—all they said about her!" The woman had lost control of herself.
"Nan, keep your nerve!" ordered Rhoda Gray almost brutally. It was the White Moll in another light now, cool, calm, collected, efficient. Her eyes swept Gypsy Nan. The woman, who had obviously flung herself down on the bed fully dressed the night before, was garbed in coarse, heavy boots, the cheapest of stockings which were also sadly in need of repair, a tattered and crumpled skirt of some rough material, and, previously hidden by the shawl, a soiled, greasy and spotted black blouse. Rhoda Gray's forehead puckered into a frown. "What about your hands and face-they go with the clothes, don't they?"
"It'll wash off," whispered Gypsy Nan. "It's just some stuff I keep in a box-over there—the ceiling-" Her voice trailed off weakly, then with a desperate effort strengthened again. "The door! I forgot the door! It isn't locked! Lock the door first! Lock the door! Then you take the candle over there on the washstand, and—and I'll show you. You—you get the things while I'm undressing. I—I can help myself that much."
Rhoda Gray crossed quickly to the door, turned the key in the lock, and retraced her steps to the washstand that stood in the shadows against the wall on the opposite side from the bed, and near the far end of the garret. Here she found the short stub of a candle that was stuck in the mouth of a gin bottle, and matches lying beside it. She lighted the candle, and turned inquiringly to Gypsy Nan.
The woman pointed to the end of the garret where the roof sloped sharply down until, at the wall itself, it was scarcely four feet above the floor.
"Go down there. Right to the wall—in the center," instructed Gypsy Nan weakly. And then, as Rhoda Gray obeyed: "Now push up on that wide board in the ceiling."
Rhoda Gray, already in a stooped position, reached up, and pushed at a rough, unplaned board. It swung back without a sound, like a narrow trap-door, until it rested in an upright position against the outer frame of the house, disclosing an aperture through which, by standing erect, Rhoda Gray easily thrust her head and shoulders.
She raised the candle then through the opening—and suddenly her dark eyes widened in amazement. It was a hiding place, not only ingenious, but exceedingly generous in expanse. As far as one could reach the ceiling metamorphosed itself into a most convenient shelf. And it had been well utilized! It held a most astounding collection of things. There was a cashbox, but the cashbox was apparently wholly inadequate—there must have been thousands of dollars in those piles of banknotes that were stacked beside it! There was a large tin box, the cover off, containing some black, pastelike substance—the "stuff," presumably, that Gypsy Nan used on her face and hands. There was a bunch of curiously formed keys, several boxes of revolver cartridges, an electric flashlight, and a great quantity of the choicest brands of tinned and bottled fruits and provisions—and a little to one side, evidently kept ready for instant use, a suit of excellent material, underclothing, silk stockings shoes and hat were neatly piled together.
Rhoda Gray took the clothing, and went back to the bedside. Gypsy Nan had made little progress in disrobing. It seemed about all the woman could do to cling to the edge of the cot and sit upright.
"What does all this mean, Nan," she asked tensely; "all those things up there—that money?"
Gypsy Nan forced a twisted smile.
"It means I know how bad I am, or I wouldn't have let you see what you have," she answered heavily. "It means that there isn't any other way. Hurry! Get these things off! Get me dressed!"
But it took a long time. Gypsy Nan seemed with every moment to grow weaker. The lamp on the chair went out for want of oil. There was only the guttering candle in the gin bottle to give light. It threw weird, flickering shadows around the garret; it seemed to enhance the already deathlike pallor of the woman, as, using the pitcher of water and the basin from the washstand now, Rhoda Gray removed the grime from Gypsy Nan's face and hands.
It was done at last—and where there had once been Gypsy Nan, haglike and repulsive, there was now a stylishly, even elegantly, dressed woman of well under middle age. The transformation seemed to have acted as a stimulant upon Gypsy Nan. She laughed with nervous hilarity she even tried valiantly to put on a pair of new black kid gloves, but, failing in this, pushed them unsteadily into the pocket of her coat.
"I'm—I'm all right," she asserted fiercely, as Rhoda Gray, pausing in the act of gathering up the discarded garments, regarded her anxiously. "Bring me a package of that money after you've put those things away—yes, and you'll find a flashlight there. We'll need it going down the stairs."
Rhoda Gray made no answer. There was no hesitation now in her actions, as, to the pile of clothing in her arms, she added the revolver that lay on the blanket, and, returning to the little trap-door in the ceiling, hid them away; but her brain was whirling again in a turmoil of doubt. This was madness, utter, stark, blind madness, this thing that she was doing! It was suicide, literally that, nothing less than suicide for one in Gypsy Nan's condition to attempt this thing. But the woman would certainly die here, too, with out medical assistance—only there was the police! Rhoda Gray's face, as she stood upright in the little aperture again, throwing the wavering candle-rays around her, seemed suddenly to have grown pinched and wan. The police! The police! It was her conscience, then, that was gnawing at her—because of the police! Was that it? Well, there was also, then, another side. Could she turn informer, traitor, become a female Judas to a dying woman, who had sobbed and thanked her Maker because she had found some one whom she believed she could trust? That was a hideous and an abominable thing to do! "You swore it! You swore you'd see me through!"—the words came and rang insistently in her ears. The sweet, piquant little face set in hard, determined lines. Mechanically she picked up the flashlight and a package of the banknotes, lowered the board in the ceiling into place, and returned to Gypsy Nan.
"I'm ready, if there is no other way," she said soberly, as she watched the other tuck the money away inside her waist. "I said I would see you through, and I will. But I doubt if you are strong enough, even with what help I can give you, to get down the stairs, and even if you can, I am afraid with all my soul of the consequences to you, and—"
Gypsy Nan blew out the candle, and staggered to her feet.
"There isn't any other way." She leaned heavily on Rhoda Gray's arm. "Can't you see that? Don't you think I know? Haven't you seen enough here to convince you of that? I—I'm just spilling the dice for—for perhaps the last time—but it's the only chance—the only chance. Go on!" she urged tremulously. "Shoot the glim, and get me to the door. And—and for the love of God, don't make a sound! It's all up if we're seen going out!"
The flashlight's ray danced in crazy gyrations as the two figures swayed and crept across the garret. Rhoda Gray unlocked the door, and, as they passed out, locked it again on the outside.
"Hide the key!" whispered Gypsy Nan. "See—that crack in the floor under the partition! Slip it in there!"
The flashlight guiding her, Rhoda Gray stooped down to where, between the rough attic flooring and the equally rough boarding of the garret partition, there was a narrow space. She pushed the key in out of sight; and then, with her arm around Gypsy Nan's waist, and with the flashlight at cautious intervals winking ahead of her through the darkness, she began to descend the stairs.
It was slow work, desperately slow, both because they dared not make the slightest noise, and because, too, as far as strength was concerned, Gypsy Nan was close to the end of her endurance. Down one flight, and then the other, they went, resting at every few steps, leaning back against the wall, black shadows that merged with the blackness around them, the flashlight used only when necessity compelled it, lest its gleam might attract the attention of some other occupant of the house. And at times Gypsy Nan's head lay cheek to Rhoda Gray's, and the other's body grew limp and became a great weight, so heavy that it seemed she could no longer support it.
They gained the street door, hung there tensely for a moment to make sure they were not observed by any chance passer-by, then stepped out on the sidewalk. Gypsy Nan spoke then:
"I—I can't go much farther," she faltered. "But—but it doesn't matter now we're out of the house—it doesn't matter where you find me—only let's try a few steps more."
Rhoda Gray had slipped the flashlight inside her blouse.
"Yes," she said. Her breath was coming heavily. "It's all right, Nan. I understand."
They walked on a little way up the block, and then Gypsy Nan's grasp suddenly tightened on Rhoda Gray's arm.
"Play the game!" Gypsy Nan's voice was scarcely audible. "You'll play the game, won't you? You'll—you'll see me through. That's a good name—as good as any—Charlotte Green—that's all you know—but—but don't leave me alone with them—you—you'll come to the hospital with me, won't you—I—"
Gypsy Nan had collapsed in a heap on the sidewalk.
Rhoda Gray glanced swiftly around her. In the squalid tenement before which she stood there would be no help of the kind that was needed. There would be no telephone in there by means of which she could summon an ambulance. And then her glance rested on a figure far up the block under a street lamp—a policeman. She bent hurriedly over the prostrate woman, whispered a word of encouragement, and ran in the officer's direction.
As she drew closer to the policeman, she called out to him. He turned and came running toward, and, as he reached her, after a sharp glance into her face, touched his helmet respectfully.
"What's wrong with the White Moll to-night?" he asked pleasantly.
"There's—there's a woman down there"—Rhoda Gray was breathless from her run—"on the sidewalk. She needs help at once."
"Drunk?" inquired the officer laconically.
"No, I'm sure it's anything but that," Rhoda Gray answered quickly. "She appears to be very sick. I think you had better summon an ambulance without delay."
"All right!" agreed the officer. "There's a patrol box down there in the direction you came from. We'll have a look at her on the way." He started briskly forward with Rhoda Gray beside him. "Who is she d'ye know?" he asked.
"She said her name was Charlotte Green," Rhoda Gray replied. "That's all she could, or would, say about herself."
"Then she ain't a regular around here, or I guess you'd know her!" grunted the policeman.
Rhoda Gray made no answer.
They reached Gypsy Nan. The officer bent over her, then picked her up and carried her to the tenement doorway.
"I guess you're right, all right! She's bad! I'll send in a call," he said, and started on the run down the street.
Gypsy Nan had lost consciousness. Rhoda Gray settled herself on the doorstep, supporting the woman's head in her lap. Her face had set again in grim, hard, perplexed lines. There seemed something unnatural, something menacingly weird, something even uncanny about it all. Perhaps it was because it seemed as though she could so surely foresee the end. Gypsy Nan would not live through the night. Something told her that. The woman's masquerade, for whatever purpose it had been assumed, was over. "You'll play the game, won't you? You'll see me through?" There seemed something pitifully futile in those words now!
The officer returned.
"It's all right," he said. "How's she seem?"
Rhoda Gray shook her head.
A passer-by stopped, asked what was the matter—and lingered curiously. Another, and another, did the same. A little crowd collected. The officer kept them back. Came then the strident clang of a gong and the rapid beat of horses' hoofs. A white-coated figure jumped from the ambulance, pushed his way forward, and bent over the form in Rhoda Gray's lap. A moment more, and they were carrying Gypsy Nan to the ambulance.
Rhoda Gray spoke to the officer:
"I think perhaps I had better go with her."
"Sure!" said the officer.
She caught snatches of the officer's words, as he made a report to the doctor:
"Found her here in the street...Charlotte Green...nothing else...the White Moll, straight as God makes 'em...she'll see the woman through." He turned to Rhoda Gray. "You can get in there with them, miss."
It took possibly ten minutes to reach the hospital, but, before that time, Gypsy Nan, responding in a measure to stimulants, had regained consciousness. She insisted on clinging to Rhoda Gray's hand as they carried in the stretcher.
"Don't leave me!" she pleaded. And then, for the first time, Gypsy Nan's nerve seemed to fail her. "I—oh, my God—I—I don't want to die!" she cried out.
But a moment later, inside the hospital, as the admitting officer began to ask questions of Rhoda Gray, Gypsy Nan had apparently recovered her grip upon herself.
"Ah, let her alone!" she broke in. "She doesn't know me any more than you do. She found me on the street. But she was good to me, God bless her!"
"Your name's Charlotte Green? Yes?" The man nodded. "Where do you live?"
"Wherever I like!" Gypsy Nan was snarling truculently now. "What's it matter where I live? Don't you ever have any one come here without a letter from the pastor of her church!" She pulled out the package of banknotes. "You aren't going to get stuck. This'll see you through whatever happens. Give me a—a private room, and"—her voice was weakening rapidly—"and"—there came a bitter, facetious laugh—"the best you've got." Her voice was weakening rapidly.
They carried her upstairs. She still insisted on clinging to Rhoda Gray's hand.
"Don't leave me!" she pleaded again, as they reached the door of a private room, and Rhoda Gray disengaged her hand gently.
"I'll stay outside here," Rhoda Gray promised. "I won't go away without seeing you again."
Rhoda Gray sat down on a settee in the hall. She glanced at her wrist watch. It was five minutes of eleven. Doctors and nurses came and went from the room. Then a great quiet seemed to settle down around her. A half hour passed. A doctor went into the room, and presently came out again. She intercepted him as he came along the corridor.
He shook his head.
She did not understand his technical explanation. There was something about a clot and blood stoppage. But as she resumed her seat, she understood very fully that the end was near. The woman was resting quietly now, the doctor had said, but if she, Rhoda Gray, cared to wait, she could see the other before leaving the hospital.
And so she waited. She had promised Gypsy Nan she would.
The minutes dragged along. A quarter of an hour passed. Still another. Midnight came. Fifteen minutes more went by, and then a nurse came out of the room, and, standing by the door, beckoned to Rhoda Gray.
"She is asking for you," the nurse said. "Please do not stay more than a few minutes. I shall be outside here, and if you notice the slightest change, call me instantly."
Rhoda Gray nodded.
"I understand," she said.
The door closed softly behind her. She was smiling cheerily as she crossed the room and bent over Gypsy Nan.
The woman stretched out her hand.
"The White Moll!" she whispered. "He told the truth, that bull did—straight as they make 'em, and—"
"Don't try to talk," Rhoda Gray interrupted gently. "Wait until you are a little stronger."
"Stronger!" Gypsy Nan shook her head. "Don't try to kid me! I know. They told me. I'd have known it anyway. I'm going out."
Rhoda Gray found no answer for a moment. A great lump had risen in her throat. Neither would she have needed to be told; she, too, would have known it anyway—it was stamped in the gray pallor of the woman's face. She pressed Gypsy Nan's hand.
And then Gypsy Nan spoke again, a queer, yearning hesitancy in her voice:
"Do—do you believe in God?"
"Yes," said Rhoda Gray simply.
Gypsy Nan closed her eyes.
"Do—do you think there is a chance—even at the last—if—if, without throwing down one's pals, one tries to make good?"
"Yes," said Rhoda Gray again.
"Is the door closed?" Gypsy Nan attempted to raise herself on her elbow, as though to see for herself.
Rhoda Gray forced the other gently back upon the pillows.
"It is closed," she said. "You need not be afraid."
"What time is it?" demanded Gypsy Nan.
Rhoda Gray looked at her watch.
"Twenty-five minutes after twelve," she answered.
"There's time yet, then," whispered Gypsy Nan. "There's time yet." She lay silent for a moment, then her hand closed tightly around Rhoda Gray's. "Listen!" she said. "There's more about—about why I lived like that than I told you. And—and I can't tell you now—I can't go out like a yellow cur—I'm not going to snitch on anybody else just because I'm through myself. But—but there's something on to-night that I'd—I'd like to stop. Only the police, or anybody else, aren't to know anything about it, because then they'd nip my friends. See? But you can do it—easy. You can do it alone without anybody knowing. There's time yet. They weren't going to pull it until half past one—and there won't be any danger for you. All you've got to do is get the money before they do, and then see that it goes back where it belongs to-morrow. Will you? You don't want to see a crime committed to-night if—if you can stop it, do you?"
Rhoda Gray's face was grave. She hesitated for a moment.
"I'll have to know more than that before I can answer you, Nan," she said.
"It's the only way to stop it!" Gypsy Nan whispered feverishly. "I won't split on my pals—I won't—I won't! But I trust you. Will you promise not to snitch if I tell you how to stop it, even if you don't go there yourself? I'm offering you a chance to stop a twenty-thousand-dollar haul. If you don't promise it's got to go through, because I've got to stand by the ones that were in it with me. I—I'd like to make good—just—once. But I can't do it any other way. For God's sake, you see that, don't you?"
"Yes," said Rhoda Gray in a low voice; "but the promise you ask for is the same as though I promised to try to get the money you speak of. If I knew what was going on, and did nothing, I would be an accomplice to the crime, and guilty myself."
"But I can't do anything else!" Gypsy Nan was speaking with great difficulty. "I won't get those that were with me in wrong—I won't! You can prevent a crime to-night, if you will—you—you can help me to—to make good."
Rhoda Gray's lips tightened, "Will you give me your word that I can do what you suggest—that it is feasible, possible?"
"Yes," said Gypsy Nan. "You can do it easily, and—and it's safe. It—it only wants a little nerve, and—and you've got that."
"I promise, then," said Rhoda Gray.
"Thank God!" Gypsy Nan pulled fiercely at Rhoda Gray's wrist. "Come nearer-nearer! You know Skarbolov, old Skarbolov, who keeps the antique store—on the street—around the corner from my place?" Rhoda Gray nodded.
"He's rich!" whispered Gypsy Nan. "Think of it! Him—rich! But he gets the best of the Fifth Avenue crowd just because he keeps his joint in that rotten hole. They think they're getting the real thing in antiques! He's a queer old fool. Afraid people would know he had money if he kept it in the bank—afraid of a bank, too. Understand? We found out that every once in a while he'd change a lot of small bills for a big one—five-hundred-dollar bills—thousand-dollar bills. That put us wise. We began to watch him. It took months to find where he hid it. We've spent night after night searching through his shop. You can get in easily. There's no one there—upstairs is just a storage place for his extra stock. There's a big padlock on the back door, but there's a false link in the chain—count three links to the right from the padlock—we put it there, and—"
Gypsy Nan's voice had become almost inaudible. She pulled at Rhoda Gray's wrist again, urging her closer.
"Listen—quick! I—my strength!" she panted. "An antique he never sells—old escritoire against rear wall—secret drawer—take out wide middle drawer—reach in and rub your hand along the top—you'll feel the spring. We waited to—to get—get counterfeits—put counterfeits there—understand? Then he'd never know he'd been robbed—not for a long time anyway—discovered perhaps when he was dead—old wife—suffer then—I—got to make good—make good—I—" She came up suddenly on both her elbows, the dark eyes staring wildly. "Yes, yes!" she whispered. "Seven-three-nine! Look out!" Her voice rang with sudden terror, rising almost to a scream. "Look out! Can't you understand, you fool! I've told you! Seven-three-nine! Seven-three..."
Rhoda Gray's arms had gone around the other's shoulders. She heard the door open-and then a quick, light step. There wasn't any other sound now. She made way mechanically for the nurse. And then, after a moment, she rose from her knees. The nurse answered her unspoken question.
"Yes; it's over."
Mechanically Rhoda Gray thrust the paper into the pocket of her skirt. The door swung open. A tall man, well dressed, as far as could be seen in the uncertain light, a slouch hat pulled far down over his eyes, stood on the threshold, surveying the interior of the garret.
The Adventurer rose composedly to his feet—and moved slightly back out of the direct radius of the candlelight.
There was silence for a moment, and then the man in the doorway laughed unpleasantly.
"Hello!" he flung out harshly. "Who's the dude, Nan?"
Rhoda Gray, on the edge of the bed, shrugged her shoulders. The Adventurer was standing quite at his ease, his soft hat tucked under his right arm, his hand thrust into the side pocket of his coat. She could no longer see his face distinctly.
"Well?" There was a snarl in the man's voice as he advanced from the doorway. "You heard me, didn't you? Who is he?"
"Why don't youse ask him yerself?" inquired Rhoda Gray truculently. "I dunno."
"You don't, eh?" The man had halted close to where the candle stood on the floor between himself and the Adventurer. "Well, then, I guess we'll find out!" He was peering in the Adventurer's direction, and now there came a sudden savage scowl to his face. "It seems to me I've seen those clothes somewhere before, and I guess now we'll take a look at your face so that there won't be any question about recognition the next time we meet."
The Adventurer laughed softly.
"There will be none on my part," he said calmly. "It's Danglar, isn't it? I am surely not mistaken. Parson Danglar, alias—ah! Please don't do that!"
It seemed to Rhoda Gray that it happened in the space of time it might take a watch to tick: The newcomer stooping to the floor, and lifting the candle with the obvious intention of thrusting it into the Adventurer's face—a glint of metal, as the Adventurer whipped a revolver from the side pocket of his coat—and then, how they got there she could not tell, it was done so adroitly and swiftly, the thumb and forefinger of the Adventurer's left hand had closed on the candle wick and snuffed it out, and the garret was in darkness.
There was a savage oath, a snarl of rage from the man whom the Adventurer had addressed as Danglar; then an instant s silence; and then the Adventurer's voice—from the doorway:
"I beg of you not to vent your disappointment on the lady—Danglar. I assure you that she is in no way responsible for my visit here, and, as far as that goes, never saw me before in her life. Also, it is only fair to tell you, in case you should consider leaving here too hurriedly, that I am really not at all a bad shot—even in the dark. I bid you good-night, Danglar—and you my dear lady!"
Danglar's voice rose again in a flood of profane rage. He stumbled and moved around in the dark.
"Damn it!" he shouted. "Where are the matches? Where's the lamp? This cursed candle's put enough to the bad already! Do you hear? Where's the lamp?"
"It's over dere on de floor, bust to pieces," mumbled Rhoda Gray. "Youse'll find the matches on de washstand, an—"
"What's the idea?" There was a sudden, steel-like note dominating the angry tones. "What are you handing me that hog-wash language for? Eh? It's damned queer! There's been damned queer doings around here ever since last night! See? What's the idea?"
Rhoda Gray felt her face whiten in the darkness. It was the slip she had feared; the slip that she had had to take the chance of making, and which, if it were not retrieved, and instantly retrieved, now that it was made, meant discovery, and after that—She shivered a little.
"You needn't lose your head, just because you've lost your temper!" she said tartly, in a guarded whisper. "The door into the hall is still wide open, isn't it?"
"Oh, all right!" he said, his tones a sort of sullen admission that her retort was justified. "But even now your voice sounds off color."
Rhoda Gray bridled.
"Does it?" she snapped at him. "I've got a cold. Maybe you'd get one too, and maybe your voice would be off color, if you had to live in a dump like this, and—"
"Oh, all right, all right!" he broke in hurriedly. "For Heaven's sake don't start a row! Forget it! See? Forget it!" He walked over to the door, peered out, swore savagely to himself, shut the door, held the candle up to circle the garret, and scowled as its rays fell upon the shattered pieces of the lamp in the corner then, returning, he set the candle down upon the chair and began to pace restlessly, three or four steps each way, up and down in front of the bed.
Rhoda Gray, from the edge of the bed, shifted back until her shoulders rested against the wall. Danglar, too, was dressed like a gentleman—but Danglar's face was not appealing. The little round black eyes were shifty, they seemed to possess no pupils whatever, and they roved constantly; there was a hard, unyielding thinness about the lips, and the face itself was thin, almost gaunt, as though the skin had had to accommodate itself to more than was expected of it, and was elastically stretched over the cheek-bones.
"Well, I'm listening!" jerked out the man abruptly. "You knew our game at Skarbolov's was queered. You got the 'seven-three-nine,' didn't you?"
"Yes, of course, I got it," answered Rhoda Gray. "What about it?"
"For two weeks now, yes, more than two weeks"—the man's voice rasped angrily—"things have been going wrong, and some one has been butting in and getting away with the goods under our noses. We know now, from last night, that it must have been the White Moll, for one, though it's not likely she worked all alone. Skeeny dropped to the fact that the police were wise about Skarbolov's, and that's why we called it off, and the 'seven-three-nine' went out. They must have got wise through shadowing the White Moll. See? Then they pinch her, but she makes her get-away, and comes here, and, if the dope I've got is right, you hand Rough Rorke one, and help her to beat it again. It looks blamed funny—doesn't it?—when you come to consider that there's a leak somewhere!"
"Is that so!" Rhoda Gray flashed back. "And did you know before last night that it was the White Moll who was queering our game?"
"If I had," the man gritted between his teeth, "I'd—"
"Well, then, how did you expect me to know it?" demanded Rhoda Gray heatedly. "And if the White Moll happens to know Gypsy Nan, as she knows everybody else through her jellies and custards and fake charity, and happens to be near here when she gets into trouble, and beats it for here with the police on her heels, and asks for help, what do you expect Gypsy Nan's going to do if she wants to stand any chance of sticking around these parts—as Gypsy Nan?"
The man paused in his walk, and, jerking back his hat, drew his hand nervously across his forehead.
"You make me tired!" said Rhoda Gray wearily. "Do you think you could find the door without too much trouble?"
Danglar resumed his pacing back and forth, but more slowly now.
"Oh, I know! I know, Bertha!" he burst out heavily. "I'm talking through my hat. You've got the roughest job of any of us, old girl. Don't mind what I'm saying. Something's badly wrong, and I'm half crazy. It's certain now that the White Moll's the one that's been doing us, and what I really came down here for to-night was to tell you that your job from now on was to get the White Moll. You helped her last night. She doesn't know you are anybody but Gypsy Nan, and so you're the one person in New York she'll dare try to communicate with sooner or later. Understand? That's what I came for, not to talk like a fool—but that fellow I found here started me off. Who is he? What did he want?"
"He wanted the White Moll, too," said Rhoda Gray, with a short laugh.
"Oh, he did, eh!" Danglar's lips twisted into a sudden, merciless smile. "Well, go on! Who is he?"
"I don't know who he is," Rhoda Gray answered a little impatiently. "He said he was an adventurer—if you can make anything out of that. He said he got the White Moll away from Rough Rorke last night, after Rorke had arrested her; and then he doped the rest out the same as you have—that he could find the White Moll again through Gypsy Nan. I don't know what he wanted her for."
"That's better!" snarled Danglar, the merciless smile still on his lips. "I thought she must have had a pal, and we know now who her pal is. It's open and shut that she's sitting so tight she hasn't been able to get into touch with him, and that's what's worrying Mr. Adventurer."
Rhoda Gray, save for a nod of her head, made no answer.
Danglar laughed suddenly, as though in relief; then, coming closer to the bed, plunged his hand into his coat pocket, and tossed handful of jewelry carelessly into Rhoda Gray's lap.
"I feel better than I did!" he said, and laughed again. "It's a cinch now that we'll get them both through you, and it s a cinch that the White Moll won't cut in to-night. Put those sparklers away with the rest until we get ready to 'fence' them."
Rhoda Gray did not speak. Mechanically, as though she were living through some hideous nightmare, she began to scoop up the gems from her lap and allow them to trickle back through her fingers. They flashed and scintillated brilliantly, even in the meager light. They seemed alive with some premonitory, baleful fire.
"Yes, there's some pretty slick stuff there," said Danglar, with an appraising chuckle; "but there'll be something to-night that'll make all that bunch look like chicken-feed. The boys are at work now, and we'll have old Hayden-Bond's necklace in another hour. Skeeny's got the Sparrow tied up in the old room behind Shluker's place, and once we're sure there's no back-fire anywhere, the Sparrow will chirp his last chirp." He laughed out suddenly, and, leaning forward, clapped Rhoda Gray exultantly on the shoulder. "It was like taking candy from a kid! The Sparrow and the old man fell for the sick-mother, needing-her-son-all-night stuff without batting a lid; but the Sparrow hasn't been holding the old lady's hand at the bedside yet. We took care of that."
Again Rhoda Gray made no comment. She wondered, as she gripped at the rings and brooches in hand, so fiercely that the settings pricked into the flesh, if her face mirrored in any way the cold, sick misery that had suddenly taken possession of her soul. The Sparrow! She knew the Sparrow; she knew the Sparrow's sick mother. That part of it was true. The Sparrow did have an old mother who was sick. A fine old lady—finer than the son—Finch, her name was. Indirectly, she knew old Hayden-Bond, the millionaire, and—Almost subconsciously she was aware that Danglar was speaking again.
"I guess luck's breaking our way again," he grinned. "The old boy paid a hundred thousand cold for that necklace. You know how long we've been waiting to get our hooks on it, and we've never had our eyes off his house for two months. Well, it pays to wait, and it pays to do things right. It broke our way at last to-night, all right, all right! To-day's Saturday—and the safety deposit vaults aren't open on Sunday. Mrs. Hayden-Bond's been away all week visiting, but she comes back to-morrow, and there's some swell society fuss fixed for to-morrow night, and she wants her necklace to make a splurge, so she writes Mr. H-hyphen-B, and out it comes from the safety deposit vault, and into the library safe. The old man isn't long on social stunts, and he's got pretty well set in his habits; one of those must-have-nine-hours'-sleep bugs, and he's always in bed by ten—when his wife'll let him. She being away to-night, the boys were able to get to work early. They ought to be able to crack that box without making any noise about it in an hour and a half at the outside." He pulled out his watch-and whistled low under his breath. "It's a quarter after eleven now," he said hurriedly, and moved abruptly toward the door. "I can't stick around here any longer. I've got to be on deck where they can slip me the 'white ones,' and then there's Skeeny waiting for the word to bump off the Sparrow." He jerked his hand suddenly toward the jewels in her lap. "Salt those away before any more adventurers blow in!" he said, half sharply, half jocularly. "And don't let the White Moll slip you—at any cost. Remember! She's bound to come to you again. Play her—and send out the call. You understand, don't you? There's never been a yip out of the police. Our methods are too good for that. Look at the Sparrow to-night. Where there's no chance taken of suspicion going anywhere except where we lead it, there's no chance of any trouble—for us! But this cursed she-fiend's another story. We're not planting plum trees for her to pick any more of the fruit. Understand?"
She answered him mechanically.
"Yes," she said.
"All right, then; that end of it is up to you," he said significantly. "You're clever, clever as the devil, Bertha. Use your brains now—we need 'em. Good-night, old girl. See you later."
"Good-night," said Rhoda Gray dully.
The door closed. The short, ladder-like steps to the hallway below creaked once, and then all was still. Danglar did have on rubber-soled shoes. She sat upright, her hands, clenched now, pressed hard against her throbbing temples. It wasn't true! None of this was true—this hovel of a place, those jewels glinting like evil eyes in her lap; her existence itself wasn't true; it was only her brain now, sick like her soul, that conjured up these ugly phantoms with horrible, plausible ingenuity. And then an inner voice seemed to answer her with a calmness that was hideous in its finality. It was true. All of it was true. Those words of Danglar, and their bald meaning, were true. Men did such things; men made in the image of their Maker did such things. They were going to kill a man to-night—an innocent man whom they had made their pawn.
She swept the jewels from her lap to the blanket, and rising, seized the candle, went to the door, looked out, and, holding the candle high above her head, peered down the stairs. Yes, he was gone. There was no one there.
She locked the door again, returned to the bed, set the candle down upon the chair, and stood there, her face white and drawn, staring with wide, tormented eyes about her. Murder. Danglar had spoken of it with inhuman callousness—and had laughed at it. They were going to take a man's life. And there was only herself, already driven to extremity, already with her own back against the wall in an effort to save herself, only herself to carry the burden of the responsibility of doing something-to save a man's life.
It seemed to plumb the depths of irony and mockery. She could not make a move as Gypsy Nan. It would only result in their turning upon her, of the discovery that she was not Gypsy Nan at all, of the almost certainty that it would cost her her own life without saving the Sparrow's. That way was closed to her from the start. As the White Moll, then? Outside there in the great city, every plain-clothes man, every policeman on every beat, was staring into every woman's face he met—searching for the White Moll.
She wrung her hands in cruel desperation. Even to her own problem she had found no solution, though she had wrestled with it all last night, and all through the day; no solution save the negative one of clinging to this one refuge that remained to her, such as it was, temporarily. She had found no solution to that; what solution was there to this! She had thought of leaving the city as Gypsy Nan, and then somewhere far away, of sloughing off the character of Gypsy Nan, and of resuming her own personality again under an assumed name. But that would have meant the loss of everything she had in life, her little patrimony, the irredeemable stamp of shame upon the name she once had owned; and also the constant fear and dread that at any moment the police net, wide as the continent was wide, would close around her, as, sooner or later, it was almost inevitable that it would close around her. It had seemed that her only chance was to keep on striving to play the role of Gypsy Nan, because it was these associates of Gypsy Nan who were at the bottom of the crime of which she, Rhoda Gray, was held guilty, and because there was always the hope that in this way, through confidences to a supposed confederate, she could find the evidence that would convict those actually guilty, and so prove her own innocence. But in holding to the role of Gypsy Nan for the purpose of receiving those criminal confidences, she had not thought of this—that upon her would rest the moral responsibility of other crimes of which she would have knowledge, and, least of all, that she should be faced with what lay before her now, to-night, at the first contact with those who had been Gypsy Nan's confederates.
What was she to do? Upon her, and upon her alone, depended a man's life, and, adding to her distraction, she knew the man—the Sparrow, who had already done time; that was the vile ingenuity of it all. And there would le corroborative evidence, of course; they would have seen to that. If the Sparrow disappeared and was never heard of again, even a child would deduce the assumption that the proceeds of the robbery had disappeared with him.
Her brain seemed to grow panicky. She was standing here helplessly. And time, the one precious ally that she possessed, was slipping away from her. She could not go to the police as Gypsy Nan—and, much less, as the White Moll! She could not go to the police in any case, for the "corroborative" evidence, that obviously must exist, unless Danglar and those with him were fools, would indubitably damn the Sparrow to another prison term, even supposing that through the intervention of the police his life were saved. What was she to do?
And then, for a moment, her eyes lighted in relief. The Adventurer! She thrust her hand into the pocket of her skirt, and drew out the torn piece of paper, and studied the telephone number upon it—and slowly the hurt and misery came back into her eyes again. Who was he? He had told her. An adventurer. He had given her to understand that he, if she had not been just a few minutes ahead of him, would have taken that money from Skarbolov's escritoire last night. Therefore he was a crook. Danglar had said that some one had been getting in ahead of them lately and snatching the plunder from under their noses; and Danglar now believed that it had been the White Moll. A wan smile came to her lips. Instead of the White Moll, it appeared to be quite obvious that it was the Adventurer. It therefore appeared to be quite as obvious that the man was a professional thief, and an extremely clever one, at that. She dared not trust him. To enlist his aid she would have to explain the gang's plot; and while the Adventurer might go to the Sparrow's assistance, he might also be very much more interested in the diamond necklace that was involved, and not be entirely averse to Danglar's plan of using the Sparrow as a pawn, who, in that case, would make a very convenient scapegoat for the Adventurer—instead of Danglar! She dared not trust the man. She could not absolve her conscience by staking another's life on a hazard, on the supposition that the Adventurer might do this or that. It was not good enough.
She was quick in her movements now. Subconsciously her decision had been made. There was only one way—only one. She gathered up the jewels from the bed and thrust them, with the Adventurer's torn piece of paper, into her pocket. And now she reached for the little notebook that she had hidden under the blanket. It contained the gang's secret code, and she had found it in the cash box in Gypsy Nan's strange hiding place that evening. Half running now, carrying the candle, she started toward the lower end of the attic, where the roof sloped down to little more than shoulder high. "Seven-Three-Nine!" Danglar had almost decoded the message word for word in the course of his conversation. In the little notebook, set against the figures, were the words: "Danger. The game is off. Make no further move." It was only one of many, that arbitrary arrangement of figures, each combination having its own special significance; but, besides these, there was the key to a complete cipher into which any message might be coded, and—But why was her brain swerving off at inconsequential tangents? What did a coder or code book, matter at the present moment?
She was standing under the narrow trap-door in the low ceiling now, and now she pushed it up, and lifting the candle through the opening, set it down on the inner surface of the ceiling, which, like some vast shelf, Gypsy Nan had metamorphosed into that exhaustive storehouse of edibles, of plunder—a curious and sinister collection that was eloquent of a gauntlet long flung down against the law. She emptied the pocket of her skirt, retaining only the revolver, and substituted the articles she had removed with the tin box that contained the dark compound Gypsy Nan, and she herself, as Gypsy Nan, had used to rob her face of youthfulness, and give it the grimy, dissolute and haggard aspect which was so simple and yet so efficient a disguise.
She worked rapidly now, changing her clothes. She could not go, or act, as Gypsy Nan; and so she must go in her own character, go as the White Moll—because that was the lesser danger, the one that held the only promise of success. There wasn't any other way. She could not very well refuse to risk her capture by the police, could she, when by so doing she might save another's life? She could not balance in cowardly selfishness the possibility of a prison term for herself, hideous as that might be, against the penalty of death that the Sparrow would pay if she remained inactive. But she could not leave here as the White Moll. Somewhere, somewhere out in the night, somewhere away from this garret where all connection with it was severed, she must complete the transformation from Gypsy Nan to the White Moll. She could only prepare for that now as best she could.