CONTENTS

Cover

About the Book

Also by Ben Okri

Title Page

Epigraph

My Mother Sleeps

Begin With a Leap

More Fishes than Stars

From the Chronicles

Dreaming by the Water of Leith

A Love Song

The Sign

A Wedding Prayer

Virgil in Brindisi

Talisman for the Journey

Lines in Potentis

The Soul of Nations

The Screamer

Mining Diamonds

The World is Rich

The Blue Cloth (Mozambique)

The Golden House of Sand

Solidified Volcanic Lava, Olduvai Gorge, 1.2 million years ago

The Forgotten Odysseus

The Ruin and the Forest

Piano

The Rhino

Wild

Dark Light

Towards the Sublime

Clouds

The Core

To the Full Moon

The Crystalline Quartz, Olduvai Gorge, 2 million years ago

The Difficulty of Seeing

On Klee

The Fifth Circle

Carpe Diem: A Love Song

The Poisoned Oracle

Migrations

The Age of Magic

Nostalgia

Venus at her Toilette; after Velasquez

Modena

On the Oblique in Horace

Basalt Stone, Olduvai Gorge, 1.8 million years ago

I Sing a New Freedom

As Clouds Do Drift

New Year Poem: O that Abstract Garden

A Vision of Ti (At Saqqara, Egypt)

Heraclitus’ Golden River

O Lion, Roam No More

Copyright

About the Book

As acclaimed for his poetic vision as for the beauty of his language, in these poems Okri captures both the tenderness and the fragility, as well as the depths and the often hidden directions of our lives. To him, the ‘wild’ is an alternative to the familiar, where energy meets freedom, where art meets the elemental, where chaos can be honed. The wild is our link to the stars...

Ranging across a wide variety of subjects, from the autobiographical to the philosophical, from war to love, from nature to the difficulty of truly seeing, these poems reconfigure the human condition, in unusual light, through their mastery of tone and condensed brilliance.

Also by Ben Okri:

Fiction

Flowers and Shadows

The Landscapes Within

Incidents at the Shrine

Stars of the New Curfew

The Famished Road

Songs of Enchantment

Astonishing the Gods

Dangerous Love

Infinite Riches

In Arcadia

Starbook

Tales of Freedom

Non-Fiction

Birds of Heaven

A Way of Being Free

A Time for New Dreams

Poetry

An African Elegy

Mental Fight

‘One thunderbolt strikes root through everything.’

Heraclitus

Material in this collection has previously appeared as follows:

‘As Clouds Do Drift’ (2010), ‘I Sing a New Freedom’ (2009 – one of the world’s first Twitter poems) and ‘New Year Poem: O that Abstract Garden’ (2011) on Twitter and www.riderbooks.co.uk; ‘Dark Light’ on Granta.com (2011); ‘Heraclitus’ Golden River’ in Ode magazine (2007); ‘Lines in Potentis’ commissioned for the London Assembly (Dec 2002); ‘Migrations’ commissioned by the Barbican Centre (1999) & published in Tin House 49 (2011); verses from ‘More Fishes than Stars’ set to music by Harper Simon on Harper Simon (Universal Music, 2009) and verses from ‘The Core’ on iTunes; ‘On Klee’ in Birds of Heaven (Orion, 1995); ‘On the Oblique in Horace’ in The Horatian magazine (1998); ‘Solidified Volcanic Lava, Olduvai Gorge’ in Daily Telegraph (2011); ‘The Blue Cloth (Mozambique)’ on Work in Progress, BBC Radio 3; ‘The Golden House of Sand’ as ‘Children of the Dream’ in Guardian (21 Aug 2003); ‘The Ruin and the Forest’ in London magazine (July 2002); and ‘The Soul of Nations’ in Guardian (20 Jan 1999).

MY MOTHER SLEEPS

My mother is sleeping

On my battered armchair.

It is night, and I have

Become a child again.

I remember her in my childhood years

Sleeping in dark corners

Where the rats chew the garri sacks

In our hot little room,

Or on wooden chairs in the green

Darkness, or on cement platforms

Near the gutter of the unforgiving

Street, through the unhappy nights

And the suffering years.

The remembrance rouses

In me dreams of strength,

And dreams of fear.

I watch over her as she gently sleeps.

The soft dreams flutter her eyelids.

Her quiet breathing, and the blessedness

Of kindly eyes that are shut tight

And the parted lips soothe

My anxious soul.

She is travel-weary

And has found her son.

How patiently she stayed awake

All those years, watching over us

In our heaving worrisome sleep

Of childhood, watching our

Future become our past.

Now that she sleeps

In my battered armchair

I know that she dreams well.

I am watching over her.

My turn has come round at last.

BEGIN WITH A LEAP

For Beezy Bailey and Brian Eno

Someone said begin with a leap.

And so I leapt over the great

Sleep, with a heavy stone

In my head. But I was light

As a song, or an African

Bird, one you might

See in the safari of dreams.

So when I leapt over,

Where did I land?

These are questions for the sand.

It turns out the great sleep

Is a giant wall that’s made

Of inverted flowers,

Or songs that are sung

Inside out, if you know

What I mean.

When they wring you dry,

With pain and life and death,

When they break your legs

With blades and with feathers,

When they squeeze the mystery

Out of you, all that’s left

Is that stone, heavy as the earth.

Then they ask you to leap

Over your own death,

Without much hope;

And how do you do that,

In the sea or on land

Without drowning, without

Singing your protest in a sound?

These are questions for the sand.

But my hour drew near.

All the things I made

Were full of fear.

The flames and the birds

Were all that I could hear.

And as the night came on,

With pollen settling on the glass

Ceiling, and darkness grew

From all the lonely songs

In millions of lonely places,

And as the wings of death

Surrounded this ledge where

We stood before the great abyss,

That’s when someone

Said, ‘Begin with a leap.’

And like a lioness,

Like a piercing trumpet

Note, like the first colour of dawn,

Or like the brilliant tail-feathers

Of a love-struck peacock, or even

Like a shy kiss that starts a fire,

A touch that makes

A generation, or like rain

That covers the dry fields

With the music of the oracle,

I leapt right over the great sleep,

With a magnet in my heart.

MORE FISHES THAN STARS

For Harper Simon