CONTENTS
Cover
About the Book
Also by Ben Okri
Title Page
Epigraph
My Mother Sleeps
Begin With a Leap
More Fishes than Stars
From the Chronicles
Dreaming by the Water of Leith
A Love Song
The Sign
A Wedding Prayer
Virgil in Brindisi
Talisman for the Journey
Lines in Potentis
The Soul of Nations
The Screamer
Mining Diamonds
The World is Rich
The Blue Cloth (Mozambique)
The Golden House of Sand
Solidified Volcanic Lava, Olduvai Gorge, 1.2 million years ago
The Forgotten Odysseus
The Ruin and the Forest
Piano
The Rhino
Wild
Dark Light
Towards the Sublime
Clouds
The Core
To the Full Moon
The Crystalline Quartz, Olduvai Gorge, 2 million years ago
The Difficulty of Seeing
On Klee
The Fifth Circle
Carpe Diem: A Love Song
The Poisoned Oracle
Migrations
The Age of Magic
Nostalgia
Venus at her Toilette; after Velasquez
Modena
On the Oblique in Horace
Basalt Stone, Olduvai Gorge, 1.8 million years ago
I Sing a New Freedom
As Clouds Do Drift
New Year Poem: O that Abstract Garden
A Vision of Ti (At Saqqara, Egypt)
Heraclitus’ Golden River
O Lion, Roam No More
Copyright
As acclaimed for his poetic vision as for the beauty of his language, in these poems Okri captures both the tenderness and the fragility, as well as the depths and the often hidden directions of our lives. To him, the ‘wild’ is an alternative to the familiar, where energy meets freedom, where art meets the elemental, where chaos can be honed. The wild is our link to the stars...
Ranging across a wide variety of subjects, from the autobiographical to the philosophical, from war to love, from nature to the difficulty of truly seeing, these poems reconfigure the human condition, in unusual light, through their mastery of tone and condensed brilliance.
Also by Ben Okri:
Fiction
Flowers and Shadows
The Landscapes Within
Incidents at the Shrine
Stars of the New Curfew
The Famished Road
Songs of Enchantment
Astonishing the Gods
Dangerous Love
Infinite Riches
In Arcadia
Starbook
Tales of Freedom
Non-Fiction
Birds of Heaven
A Way of Being Free
A Time for New Dreams
Poetry
An African Elegy
Mental Fight
‘One thunderbolt strikes root through everything.’
Heraclitus
Material in this collection has previously appeared as follows:
‘As Clouds Do Drift’ (2010), ‘I Sing a New Freedom’ (2009 – one of the world’s first Twitter poems) and ‘New Year Poem: O that Abstract Garden’ (2011) on Twitter and www.riderbooks.co.uk; ‘Dark Light’ on Granta.com (2011); ‘Heraclitus’ Golden River’ in Ode magazine (2007); ‘Lines in Potentis’ commissioned for the London Assembly (Dec 2002); ‘Migrations’ commissioned by the Barbican Centre (1999) & published in Tin House 49 (2011); verses from ‘More Fishes than Stars’ set to music by Harper Simon on Harper Simon (Universal Music, 2009) and verses from ‘The Core’ on iTunes; ‘On Klee’ in Birds of Heaven (Orion, 1995); ‘On the Oblique in Horace’ in The Horatian magazine (1998); ‘Solidified Volcanic Lava, Olduvai Gorge’ in Daily Telegraph (2011); ‘The Blue Cloth (Mozambique)’ on Work in Progress, BBC Radio 3; ‘The Golden House of Sand’ as ‘Children of the Dream’ in Guardian (21 Aug 2003); ‘The Ruin and the Forest’ in London magazine (July 2002); and ‘The Soul of Nations’ in Guardian (20 Jan 1999).
My mother is sleeping
On my battered armchair.
It is night, and I have
Become a child again.
I remember her in my childhood years
Sleeping in dark corners
Where the rats chew the garri sacks
In our hot little room,
Or on wooden chairs in the green
Darkness, or on cement platforms
Near the gutter of the unforgiving
Street, through the unhappy nights
And the suffering years.
The remembrance rouses
In me dreams of strength,
And dreams of fear.
I watch over her as she gently sleeps.
The soft dreams flutter her eyelids.
Her quiet breathing, and the blessedness
Of kindly eyes that are shut tight
And the parted lips soothe
My anxious soul.
She is travel-weary
And has found her son.
How patiently she stayed awake
All those years, watching over us
In our heaving worrisome sleep
Of childhood, watching our
Future become our past.
Now that she sleeps
In my battered armchair
I know that she dreams well.
I am watching over her.
My turn has come round at last.
For Beezy Bailey and Brian Eno
Someone said begin with a leap.
And so I leapt over the great
Sleep, with a heavy stone
In my head. But I was light
As a song, or an African
Bird, one you might
See in the safari of dreams.
So when I leapt over,
Where did I land?
These are questions for the sand.
It turns out the great sleep
Is a giant wall that’s made
Of inverted flowers,
Or songs that are sung
Inside out, if you know
What I mean.
When they wring you dry,
With pain and life and death,
When they break your legs
With blades and with feathers,
When they squeeze the mystery
Out of you, all that’s left
Is that stone, heavy as the earth.
Then they ask you to leap
Over your own death,
Without much hope;
And how do you do that,
In the sea or on land
Without drowning, without
Singing your protest in a sound?
These are questions for the sand.
But my hour drew near.
All the things I made
Were full of fear.
The flames and the birds
Were all that I could hear.
And as the night came on,
With pollen settling on the glass
Ceiling, and darkness grew
From all the lonely songs
In millions of lonely places,
And as the wings of death
Surrounded this ledge where
We stood before the great abyss,
That’s when someone
Said, ‘Begin with a leap.’
And like a lioness,
Like a piercing trumpet
Note, like the first colour of dawn,
Or like the brilliant tail-feathers
Of a love-struck peacock, or even
Like a shy kiss that starts a fire,
A touch that makes
A generation, or like rain
That covers the dry fields
With the music of the oracle,
I leapt right over the great sleep,
With a magnet in my heart.
For Harper Simon