Canon® EOS 6D Digital Field Guide

Table of Contents

Quick Tour

Key Canon EOS 6D Controls

The Canon EOS 6D Menu System

Setting the date and time

Setting the image quality

Choosing a Shooting Mode

Getting Sharp Focus

Putting it All Together

Chapter 1: A Map of the Canon EOS 6D

The Controls on the Canon EOS 6D

The front of the camera

The top of the camera

The back of the camera

The side of the camera

Lens Controls

The Viewfinder Display

The Camera Menus

Chapter 2: Camera Setup and Image Playback

Setting Image Quality and Processing RAW Images In-Camera

JPEG format

RAW capture

RAW+JPEG

Processing RAW images in-camera

Improving Image Quality

Reducing digital noise in-camera

Correcting vignetting and color fringing

Working with Folders and Files

Creating and selecting folders

Setting and changing file numbering

Changing Setup Options

Changing general setup options

Changing playback options

Erasing and Protecting Images and Movies

Erasing images and movies

Protecting images and movies

Chapter 3: Working with Exposure

Setting Exposure Objectives

Defining exposure goals

Practical exposure considerations

Choosing an Exposure Mode

Basic Zone exposure modes

Creative Zone exposure modes

Setting the ISO Sensitivity

Metering Light and Adjusting Exposures

Using metering modes

Evaluating exposures

Modifying and bracketing exposures

Creative Exposure Techniques

Making multiple-exposure images

Shooting High Dynamic Range images

Selecting a Drive Mode

Chapter 4: Getting Sharp Focus

Understanding the Autofocus System

Cross-type sensors

High- and standard-precision sensors

Setting Up and Using Autofocus

Choosing an autofocus mode and point

Focusing on action

Chapter 5: Getting Great Color

Working with Color

Choosing a Color Space

Comparing color spaces

Setting the color space

Setting the White Balance

Setting a Custom white balance

Setting a specific color temperature

Fine-tuning white balance

Working with Picture Styles

Choosing and customizing Picture Styles

Registering a new Picture Style

Using the Picture Style Editor

Chapter 6: Customizing the Canon EOS 6D

Custom Function Groups

Custom Function Menus

C.Fn I: Exposure

C.Fn II: Autofocus/Drive

C.Fn III: Operation/Others

Setting Custom Functions

Registering Custom Modes

Customizing My Menu

Chapter 7: Using the Live View Shooting Mode

About Live View Mode

Live View Mode Features and Functions

Focus options

Aspect ratio

Exposure simulation

Silent shooting modes

Metering timer

Using a flash

Working with Live View Mode

Setting up to shoot

Using the Quick Control button

Using metering modes

Shooting in Live View mode

Chapter 8: Recording and Watching Movies

About Movies

Video standards

Video on the 6D

Preparing to Record

Choosing the resolution and exposure mode

The Movie menu settings

Focusing options

Setting the ideal shutter speed

Color, audio, and lighting settings

Recording a Movie

Starting the recording

Tips for recording better movies

Playing Back Movies on the Camera

Chapter 9: Working with Flash

Deciding Whether to Use Flash

Calculating Flash Exposure

Using E-TTL II Technology

Using Off-camera Flashes

Radio versus optical Speedlite systems

Multicamera remote shooting

Working with Canon Speedlites

Setting Up Wireless Flashes

Chapter 10: Using the Canon EOS 6D Wireless Features

Wi-Fi Capabilities

Wi-Fi settings

Sharing images and video on the web

The Canon EOS Remote App

GPS Features and Functions

GPS settings

Image geotagging

The Canon Map Utility

Appendix A: How to Use the Gray Card and Color Checker

Credits

Acquisitions Editor

Carol Kessel

Project Editor

Amanda Gambill

Technical Editor

George Maginnis

Copy Editor

Lauren Kennedy

Special Help

Katharine Dvorak

Editorial Director

Robyn Siesky

Business Manager

Amy Knies

Senior Marketing Manager

Sandy Smith

Vice President and Executive Group Publisher

Richard Swadley

Vice President and Executive Publisher

Barry Pruett

Project Coordinator

Sheree Montgomery

Graphics and Production Specialists

Jennifer Goldsmith
Jennifer Mayberry

Quality Control Technician

Jessica Kramer

Proofreading and Indexing

Lindsay Amones
Melissa Cossell

Jessica Kramer
Potomac Indexing, LLC

About the Author

Michael Corsentino is an award-winning, contemporary wedding and portrait photographer, Adobe Photoshop and Lightroom expert, Capture One Pro Certified Professional, author, contributing writer for Photoshop User magazine, and columnist for Shutter Magazine and Resource Magazine. Based in Northern California and shooting digitally since 1999, Michael shot his first image when he was 12-years-old and hasn’t put his camera down since.

Michael is equally passionate about educating photographers, and loves to share his lighting and posing secrets, post-processing techniques, timesaving workflow strategies, and shooting philosophy at his workshops and speaking engagements. Learn more at www.michaelcorsentino.com and www.corsentinoblog.com, or follow Michael on twitter: @Corsentino.

To my dear mother, Stephanie. Without your beautiful love, caring, and lifelong support of my artistic dreams I wouldn’t be who I am today. Thank you so much!

To my father, Joseph. Thank you for igniting the spark that turned into a wonderful lifelong love affair with the art, science, and magic of photography.

Acknowledgments

To my fine editing team at Wiley Publishing: Thanks so much for your insight, skillful editing, and continuous support and encouragement.

I owe a huge debit of gratitude to Carol Kessel, my awesome acquisitions editor, for her always-calming demeanor, handholding during the process, and gentle, yet firm guidance. She kept me on track, told me everything would be okay when I was stressed, organized all the details involved in producing this book, and was always quick to reply to my many, many questions.

Equally important in the production of this project is Amanda Gambill, my project editor. Thank you, Amanda, for your attention to detail, for helping to organize my scattered brain, and for your patience while explaining the various processes to me at least twice. Your contributions definitely made this a better book and made me look better!

Big thanks to the awesome team at www.borrowlenses.com for putting a 6D in my hands for the length of this project. This was above and beyond, and much appreciated.

A special shout out goes to my buddy, Dennis Urbiztondo. Thank you so much for your contributions to this book, for your amazing friendship, and for your endless patience and support. You are one of a kind and I’m honored to call you my friend. Everyone should be lucky enough to have a friend like you.

Finally, eternal thanks to my mother Stephanie for her boundless love and support, and for infusing me with her love of the arts at an early age. Throughout my life, your encouragement, endless laughter, work ethic, class, and belief in my dreams, have been my guiding light!

Introduction

Welcome to the Canon EOS 6D Digital Field Guide. This book was written and designed to help you get the most from Canon’s newest (and lightest) full-frame dSLR. This 20.2-megapixel camera delivers the excellent image quality you’ve come to expect from Canon, and speedy performance at 4.5 frames per second. Under the hood of the 6D, is the latest iteration of Canon’s venerable DIGIC processor, DIGIC 5+, which is 17 times faster than the DIGIC 4 processor. Of course, you also get 14-bit files that provide smooth tonal gradations and rich color. The 6D also introduces the best low-light ISO performance to date, a huge boon for event shooters. Also exciting are the many built-in dSLR Wi-Fi features, such as posting images directly from the camera to popular social media sites — another first for Canon.

A multitude of carry over and trickle-down features from Canon’s 5DMKII, 5DMKIII, and 7D give 6D owners a lot of bang for their buck considering the 6D’s price as of this writing is $1,400 less than a 5D MKIII. Two of these features — multiple exposures and HDR (High Dynamic Range) shooting — are not only fun but also practical. The HDR image series can be processed in the camera or later in an HDR program of your choice.

The 6D is a fully capable still photography camera, but it is also an exciting storytelling tool with onboard high-resolution, and low noise video capture. There are two compression methods available for video recording, and audio levels can be controlled manually during recording. The Time code feature for movies offers four setup options, giving you flexibility when arranging clips.

For professional photographers, the 6D is a great primary or secondary camera; it’s versatile enough to shoot demanding assignments, handle low light with ease, and keep on ticking with a shutter rated at 100,000 actuations. For aspiring professionals, the full-frame 6D is the ideal camera to help take their work and creative expression to the next level. The camera offers a full complement of creative and automatic options, intuitive controls, and a menu system that is easy to understand and navigate — all in a lightweight package with solid build quality at a relatively low cost.

Because the intended audience for the 6D is beginner to advanced amateur, this book reflects these levels. However, I know that some experienced photographers will buy this book, too, so I’ve tried to strike a balance and make the material useful to them as well.

Feel free to jump around the book at will, and reference random chapters in whole or in part. This is a great way to work when you’re using the book to find a specific topic or feature. However, to lay a solid foundation for your experience with the 6D, and photography in general, I recommend that you read Chapters 1 through 5 first. These chapters cover important topics designed to help you learn about the camera from the ground up. They also cover essential basics, such as understanding and achieving great exposures and focus, best practices, setting up a good workflow, and getting great color. From there, you can explore Live View and Movie shooting, working with flash, and the 6D Wi-Fi functions in any order you want.

The team at Wiley and I hope that you enjoy reading and using this book as much as we enjoyed creating it for you.

Quick Tour

Whether you just got your Canon EOS 6D or you’ve been using it for a while, it’s important to set up the camera for the image quality and program settings that suit your preferences and skill level. This Quick Tour gives you a brief look at the 6D’s key controls and provides the basics for quickly setting up and using the camera.

The 6D is versatile and fun to use. You can begin by using one of the automated modes or leverage a full range of creative options using the semi-automatic and manual modes — the choice is yours. As you gain experience, you gain the power and skills you need to take image creation with the 6D to the next level.

The sophisticated, yet simple-to-use capabilities of the Canon EOS 6D don’t disappoint. Exposure: ISO 400, f/5.6, 1/1600 second with the Lensbaby Composer.

Key Canon EOS 6D Controls

The camera controls you’ll use most often are easily within reach. The following main controls can be used together or separately to control key functions on the 6D:

Mode dial. This dial enables you to choose an exposure mode and is grouped into two Zones: Basic and Creative. The Basic Zone is great for beginners who don’t yet have a solid grasp of how to set exposure properly on their own. It’s comprised of the following automatic modes: Scene Intelligent Auto (  ), Creative Auto (  ), and Special Scene (  ). The second section on the Mode dial includes the Creative Zone exposure modes, which consist of Program Auto Exposure (AE for short) (  ), Shutter-priority AE (  ), Aperture-priority AE (  ), Manual (  ), and Bulb (  ), as well as two Custom modes, (  ) and (  ), which users can use to program their favorite settings. Creative Zone exposure modes give you significantly more control over exposure settings; therefore, they are appropriate for more experienced or adventurous users. For the purpose of this Quick Tour, select Program AE (  ) to get up and running quickly. Program AE mode (  ) is fully automatic, but unlike the Basic Zone modes, it allows you to override the settings the camera determines to be optimum, and gives you access to all menu items and most camera features.

QT.1 The Mode dial.

Quick Control dial  ), Multi-controller  ), and Set button  ). When shooting in any one of the Creative Zone exposure modes — Program AE (  ), Shutter-priority AE (  ), Aperture-priority AE (  ), Manual (  ), Bulb (  ), and the two custom modes ( ) and ( ) — you use the Quick Control dial (  ) to make adjustments to the ISO, and autofocus (AF), drive, and metering modes. Each setting is represented by a corresponding icon displayed on camera’s top LCD panel. When you use the camera’s menus, you’ll use the Quick Control dial (  ) as well as the Multi-controller (  ) to navigate through the menu system, view options, and make selections. The Quick Control dial (  ) enables you to rotate through options and the Multi-controller (  ) allows you to move up, down, left, and right. With the Quick Control dial (  ), you can navigate the shooting controls and set almost all the relevant ones without having to access the menu system. Pressing the Set button (  ) confirms your choices.

QT.2 The Quick Control dial, Set button, and Multi-controller.

Main dial () and shutter button. Use the Main dial (  ) to move among camera menu tabs, make selections on the Quick Control screen, change the aperture in Aperture-priority AE shooting mode (  ), and change the shutter speed in Manual shooting mode (  ). Half-press the shutter release button to set the focus and exposure. Continue holding the shutter button down halfway to lock both the exposure and focus, allowing you to recompose without losing these readings. Press the shutter button fully to capture the image.

QT.3 The shutter button and Main dial.

Live View shooting ()/Movie shooting switch (). Use this switch to change from shooting still images to movies. In Movie shooting mode use the Start/Stop button (  ) in the center to start and stop movie recording.

Quick Control button (). This button is on the back of the camera, and is handy for quick access to the camera settings you change most often as you shoot. Press the Quick Control button (  ), and then use the Multi-controller (  ) to select the setting you want to change. Turn the Main dial (  ) or Quick Control dial (  ) to adjust the setting. The number of settings you can adjust depends entirely on the shooting mode you choose. In the Creative Zone exposure modes — Program AE (  ), Shutter-priority AE (  ), Aperture-priority AE (  ), Manual (  ), Bulb (  ), and the two Custom modes (  ) and (  ) — you can adjust more camera settings than you can in the Basic Zone modes. When shooting in one of the Creative Zone modes, you can adjust White balance, Metering modes, Flash exposure compensation, and Picture Styles, just to name a few.

QT.4 The Quick Control screen.

The Canon EOS 6D Menu System

You set up much of the camera using the camera’s menus. To help you navigate through the menus, similar settings are grouped and color-coded. Settings that affect shooting are located on the four Shooting menu tabs, which are highlighted in red when they’re selected. The two Live View shooting menu tabs are next, and they’re highlighted in red when selected. Following are three Playback menus, which are highlighted in blue when they’re selected; three Setup menus, which are highlighted in yellow when they’re selected; one Custom Functions menu, which is highlighted in orange when it’s selected; and, last, one user settings menu tab (My Menu settings), which is highlighted in green when it’s selected.

QT.5 The Canon EOS 6D menus.

It’s important to note that available camera menus and their options change according to the shooting mode being used. In the automatic, or Basic Zone exposure modes, there are fewer options on camera menus than there are in the semiautomatic and manual modes in the Creative Zone exposure modes. Also, the menus change when you’re in the Movie shooting (  ) and Live View shooting (  ) modes. So if you can’t find one of the options mentioned in this book, first check to see what shooting mode the camera is in, and then switch to one of the Creative Zone exposure modes — Program AE (  ), Shutter-priority AE (  ), Aperture-priority AE (  ), Manual (  ), Bulb (  ), or one of the two Custom modes (  ) and (  ) — and check the menus again.

To use the camera menus, follow these steps:

1. Press the Menu button () on the back of the camera.

2. Turn the Main dial () to move to the camera menu tab that you want. You can also press the left or right parts of the Multi-controller (  ) to move among the camera’s menu tabs.

3. Turn the Quick Control dial (), or press the top and bottom parts of the Multi-controller () to move up and down through available menu options.

4. Press the Set button () to display the sub-options or open additional screens.

5. Turn the Quick Control dial () again, or press the top and bottom parts of the Multi-controller () to move up and down through the available menu options.

6. Press the Set button () to confirm your choices.

Setting the date and time

The camera asks you to set up the date and time the first time you turn it on. Once set, the date and time are included in the EXIF (Exchangeable Image File Format) data for every image you make. The EXIF data contains all the information about a picture, including the exposure information, camera settings, and the date and time you shot the picture. You can see this information when you view your images in ImageBrowser, a program on the EOS Solution Disk that comes with the camera. The date and time provides a handy record that you can use to recall when you took pictures, and it can help you organize images on your computer. You may need to reset the date and time if the battery runs out of power.

QT.6 The Date/Time/Zone menu screen.

To set the date and time, follow these steps:

1. On the Setup menu 2 tab (), select Date/Time, and then press the Set button (). The Date/Time screen appears with the month control selected.

2. Press the Set button () to activate the month control. The camera adds up and down arrows to the month control.

3. Press the up or down parts of the Multi-controller () until the number of the current month appears, and then press the Set button ().

4. Press the right part of the Multi-controller () to move to the next control, and then repeat Steps 2 and 3 to set the day, year, hour, minute, and second.

5. Select your Time zone by using the Multi-controller () to highlight the Time zone selection option. Highlighted option names appear at the top of the menu screen. Press the Set button (  ) to activate the Time zone options submenu, displaying an arrow above and below the highlighted field. Press the top or bottom of the Multi-controller (  ) to scroll through the available Time zones. Once the desired Time zone is displayed, press the Set button (  ) to confirm the Time zone selection.

6. To account for daylight saving time, use the Multi-controller () to highlight the Daylight Savings Time enable/disable option, which appears to the left of the Time zone setting, and then press the Set button () to activate the Daylight Savings Time submenu. An arrow appears above and below the highlighted field. Press the top or bottom of the Multi-controller (  ) to choose Daylight Savings Time enable (  ) or Daylight Savings Time disable (  ). Press the Set button (  ) to confirm your selection.

7. Press the left or right part of the Multi-controller () to navigate to the OK button, and then press the Set button () to confirm your selections.

Setting the image quality

Choosing the image-recording quality is an important decision because it affects the following:

The maximum size at which you can print your images. The higher the image quality, the larger the print you can make.

The number of images that you can store on the memory card. The higher the image quality, the fewer images you can store on the card. Given that memory card prices have become much more affordable in recent years and their size has increased, it’s worth getting a large memory card and taking advantage of the highest quality images the 6D can deliver.

The burst rate. This is the maximum number of images captured when you shoot a series of images in rapid succession.

TIP The higher the image quality, the lower the burst rate. However, even at the Large/Fine quality, the burst rate using an 8GB memory card is 73 images. I recommend choosing the Large/Fine recording quality to get the highest quality JPEG images. Also, if you’re an experienced photographer, I recommend you shoot RAW to get the best image quality possible.

Here’s how to set the image quality using the Quick Control button  ) (you also access and set image quality settings under the Shooting menu 1 tab):

1. Press the Quick Control button () on the back of the camera. The Quick Control screen appears.

2. Press the Multi-controller () to select the Image-recording quality control located at the lower right of the screen, and then press the Set button (). This control displays the currently selected image-recording quality as an icon; for example, a quarter-circle icon with the letter L appears if the camera is set to Large/Fine JPEG recording. The Quality screen appears after you press the Set button (  ).

3. Press the left or right parts of the Multi-controller () to select the recording quality you want for JPEG capture or select the None symbol () if you don’t want JPEGs captured, and then press the Set button (). Use the Main dial (  ) to select the recording quality you want for RAW capture, or the None symbol (  ) if you don’t want any RAW files captured. RAW and JPG files can be captured together simultaneously, which is sometimes a good option. As you move through the settings, the image dimensions in pixels and the number of images that you can store on the memory card installed are displayed at the top of the screen. The icons next to the letters on the Quality screen indicate the amount of compression. A quarter circle with a smooth edge, Large Fine (  ), indicates low compression for high image quality while a jagged icon edge, Large Normal (  ), indicates high compression for low image quality.

QT.7 The Image quality menu screen.

Choosing a Shooting Mode

While Chapter 3 is the best place to learn about the 6D’s shooting modes in depth, here is a high-level summary to help you choose one:

When you want to set it and forget it, choose a shooting mode from the Basic Zone section of the Mode dial. These include the Scene Intelligent Auto (  ), Creative Auto (  ), and Special Scene (  ) modes. You can choose the image-quality settings and a few other options. Just press the Quick Control button (  ) to display the Quick Control screen that shows the adjustments you can make when using automated modes.

When you want more control with minimal adjustments, set the Mode dial to Creative Auto mode (). Then press the Quick Control button (  ) on the back of the camera to display the Quick Control screen. On this screen, you can choose an Ambience setting that changes the overall contrast and color saturation of your images. You can set the level of the background blur, which is the same as changing the f-stop, only it’s more intuitive. Just follow the onscreen instructions and press the left or right parts of the Multi-Controller (  ) to increase or decrease the level of blur. Then press the bottom part of the Multi-Controller (  ) to highlight the Drive mode options. There are six Drive mode options to choose from: Single shooting (  ), Continuous shooting (  ), Silent single shooting (  ), Silent continuous (  ), Self-timer mode 10 seconds remote (  ), or Self-timer mode 2 seconds remote (  ). Press the right or left sides of the Multi-Controller (  ) to select the desired Drive mode and press the Set button (  ) to confirm your selection.

When you want a lot of (or complete) control over the exposure and camera settings, select a shooting mode from the Creative Zone section of the Mode dial. These include the Program (  ), Shutter-priority AE (  ), Aperture-priority AE (  ), Manual (  ), and Bulb (  ) modes, as well as the two Custom modes (  ) and (  ). In Program AE mode (  ), you can use the camera’s suggested settings, or you can temporarily change the f-stop and shutter speed for one picture simply by turning the Main dial. In Aperture-priority AE mode (  ) and Shutter-priority AE mode (  ), you can control the f-stop and the shutter speed, respectively. In Manual mode (  ), you can set the f-stop and shutter speed yourself. Bulb mode (  ) comes in handy when night shooting things like fireworks, star trails, and so on. However, this mode is best used on a tripod with a remote shutter-release cable. In these shooting modes, you can control all the features of the camera, including the white balance, drive mode, focus and autofocus modes, as well as other settings.

With the shooting mode set on the Mode dial, you can begin shooting. If you set the camera to one of the Creative Zone shooting modes — Program AE (  ), Shutter-priority AE (  ), Aperture-priority AE (  ), Manual (  ), Bulb (  ), or the Custom user settings (  ) and (  ) — be sure to read the next section on focusing.

Getting Sharp Focus

When you’re shooting in the Creative Zone shooting modes — Program AE (  ), Shutter-priority AE (  ), Aperture-priority AE (  ), Manual (  ), or Bulb (  ), or the Custom user settings (  ) and (  ) — you can control where the sharp focus is set in the image, or let the camera work automatically to determine the best place for focus.

In the Basic Zone shooting modes — Scene Intelligent Auto (  ), Creative Auto (  ), and Special Scene (  ) — the camera automatically decides what and where the subject is, and it decides which autofocus (AF) point or points to use. This is called Automatic AF-point Selection. Sometimes the camera correctly identifies the subject, and other times, it does not. Because one major aspect of capturing a successful image is achieving sharp focus, it’s important to know how to control the way the camera focuses.

To ensure that the sharp focus in the image is where you want it, your best option is to use one of the Creative Zone shooting modes — Program AE (  ), Shutter-priority AE (  ), Aperture-priority AE (  ), Manual (  ), Bulb (  ), or the Custom user settings (  ) and (  ) — and manually select the AF point yourself.

Here’s how to select an AF point manually:

1. In the Program AE (), Shutter-priority AE (), Aperture-priority AE (), Manual (), Bulb () shooting modes, and the Custom Shooting modes () and (), press the AF-point Selection button on the top right back of the camera. This button has an icon of a dotted cross inside a rectangle representing the AF points in the viewfinder.

2. Turn the Main dial () until the AF point you want is highlighted in the viewfinder. Use the Main dial (  ) to move the focus point horizontally and the Multi-controller (  ) for vertical movements. Choose an AF point that is on top of the place in the scene that should have sharp focus. For example, in a portrait, choose the AF point that is on top of the person’s eye. As you move through the AF points, each AF point is highlighted until eventually all of them are highlighted. This is the option where the camera automatically chooses the AF point or points to use. Do not choose this option if you want to control the focus yourself. Instead, select an option where only the one AF point you want to use is highlighted.

QT.8 The viewfinder AF points.

3. Press the shutter button halfway to focus, and then press it completely to take the picture. When you press the shutter button halfway, the AF point you selected is highlighted, and a beep sounds when focus is achieved.

Putting it All Together

Now that I’ve covered the basics, it’s time to put it all together and get you shooting. Here are ten simple steps you can follow to make your first exposure:

1. Make sure the battery and media card are installed. Turn the camera on using the On/Off switch next to the Mode dial.

2. Set the Live View ()/Movie shooting () mode switch to the Still images position.

QT.9 The Live View/Movie shooting mode switch.

3. Select a shooting mode using the Mode dial. For this Quick Tour, you’ll use the Program AE mode (  ). This mode is fully automatic but still allows you to make modifications on a single-shot basis, change the camera’s exposure choices, and access all menu items and almost every camera feature.

4. To select the Program AE exposure mode (), push the round button in the center of the Mode dial to unlock it. Continue to hold the button down, and turn the Mode dial until Program AE (  ) and the white tick mark next to the Mode dial are aligned.

5. Choose your preferred image quality setting. This time you’ll use the menus to get there. Press the Menu button (  ) and highlight the Shooting menu 1 tab; then use the Quick Control dial (  ) to select Image quality and press the Set button (  ) to access the Image Quality options screen. Press the left or right parts of the Multi-controller (  ) to select the recording quality you want for JPEG capture or select the None symbol (  ) if you don’t want JPEGs captured. Use the Main dial (  ) to select the recording quality you want for RAW capture or select the None symbol (  ) if you don’t want any RAW files captured. RAW and JPG files can be captured together simultaneously if desired. Select the first JPEG option on the left of the menu — Large/Fine JPG (  ). Press the Set button (  ) to confirm your choice and press the Menu button (  ) again to exit the menu system.

6. Choose a Drive mode to control how many images are captured when you press the shutter button. You use the Quick control menu for this. Press the Quick control button (  ) to activate this menu. Take a minute to look at all the other controls you can access without ever having to dig into the menus.

7. Use the Multi-controller () to navigate to the Drive mode icon. Select it, and then press the Set button (  ) to enter the Drive mode options screen. Use the Quick Control dial (  ) or the Main dial (  ) to choose Single shooting mode (  ). This way the camera will only make a single exposure when you press the shutter button. When you’re ready for rapid-fire shooting, you can switch it back to Continuous shooting mode (  ). Press the Set button (  ) to confirm your setting.

QT.10 The Drive mode options screen in the Quick Control menu.

8. Press the shutter button halfway; make sure the active AF point covers the main part of the scene or subject you’re photographing. You can see which AF point is active by pressing the AF-point selection button (  ) once; the active point will turn red. Press the shutter button halfway to take an exposure reading and focus. Continuing to press the shutter button halfway locks both exposure and focus, and allows you to recompose without losing those readings.

TIP To select an AF point manually, first make sure you’re in one of the Creative Zone shooting modes. Then press the AF-point selection button (  ) and turn the Main dial (  ) to move to and select one of the horizontally oriented AF points or the Multi-controller (  ) to move to and select vertically located AF points. Choose an AF point on top of the place in the scene that you’d like to have sharp focus.

9. Press the Shutter button fully to capture the image. You’ve just made your first image!

10. Press the Playback button () to review your image. Use the Magnify button (  ) to zoom in, the Main dial (  ) to control magnification from 1.5X to 10X, and the Multi-controller (  ) to navigate to the hidden parts of a magnified image.

Pressing the Magnify button (  ) once zooms in on the image. The magnification range on the LCD monitor is 2x, 4x, 8x, and 10x. Use the Main dial (  ) to zoom back out through the magnification levels. Once the entire image is back in full screen view, rotating the Main dial (  ) counterclockwise displays a grid of image thumbnails, first four up and then nine up. This makes finding an image you’d like to review at a larger magnification quick and easy. Use the Multi-controller (  ) or Quick Control dial (  ) to navigate through the thumbnails and to move between thumbnail screens. Press the Set button (  ) once the desired thumbnail is highlighted to view it at 100 percent.