"Cephas! here is a letter for you, and it is from Shady Dale! I know you will be happy now."
For several years Sophia had listened calmly to my glowing descriptions of Shady Dale and the people there. She was patient, but I could see by the way she sometimes raised her eyebrows that she was a trifle suspicious of my judgment, and that she thought my opinions were unduly coloured by my feelings. Once she went so far as to suggest that I was all the time looking at the home people through the eyes of boyhood—eyes that do not always see accurately. She had said, moreover, that if I were to return to Shady Dale, I would find that the friends of my boyhood were in no way different from the people I meet every day. This was absurd, of course—or, rather, it would have been absurd for any one else to make the suggestion; for at that particular time, Sophia was a trifle jealous of Shady Dale and its people. Nevertheless, she was really patient. You know how exasperating a man can be when he has a hobby. Well, my hobby was Shady Dale, and I was not ashamed of it. The man or woman who cannot display as much of the homing instinct as a cat or a pigeon is a creature to be pitied or despised. Sophia herself was a tramp, as she often said. She was born in a little suburban town in New York State, but never lived there long enough to know what home was. She went to Albany, then to Canada, and finally to Georgia; so that the only real home she ever knew is the one she made herself—out of the raw material, as one might say.
Well, she came running with the letter, for she is still active, though a little past the prime of her youth. I returned the missive to her with a faint show of dignity. "The letter is for you," I said. She looked at the address more carefully, and agreed with me. "What in the world have I done," she remarked, "to receive a letter from Shady Dale?"
"Why, it is the simplest thing in the world," I replied. "You have been fortunate enough to marry me."
"Oh, I see!" she cried, dropping me a little curtsey; "and I thank you kindly!"
The letter was from an old friend of mine—a school-mate—and it was an invitation to Sophia, begging her to take a day off, as the saying is, and spend it in Shady Dale.
"Your children," the letter said, "will be glad to visit their father's old home, and I doubt not we can make it interesting for the wife." The letter closed with some prettily turned compliments which rather caught Sophia. But her suspicions were still in full play.
"I know the invitation is sent on your account, and not on mine," she said, holding the letter at arm's length.
"Well, why not? If my old friend loves me well enough to be anxious to give my wife and children pleasure, what is there wrong about that?"
"Oh, nothing," replied Sophia. "I've a great mind to go."
"If you do, my dear, you will make a number of people happy—yourself and the children, and many of my old friends."
"He declares," said Sophia, "that he writes at the request of his wife. You know how much of that to believe."
"I certainly do. Imagine me, for instance, inviting to visit us a lady whom you had never met."
Whereupon Sophia laughed. "I believe you'd endorse any proposition that came from Shady Dale," she declared.
She accepted the invitation more out of curiosity than with any expectation of enjoying herself; but she stayed longer than she had intended; and when she came back her views and feelings had undergone a complete change. "Cephas, you ought to be ashamed of yourself for not going to see those people," she declared. "Why, they are the salt of the earth. I never expected to be treated as they treated me. If it wasn't for your business, I would beg you to go back there and live. They are just like the people you read about in the books—I mean the good people, the ideal characters—the men and women you would like to meet." Here she paused and sighed. "Oh, I wouldn't have missed that visit for anything. But what amazes me, Cephas, is that you've never put in your books characters such as you find in Shady Dale."
The suggestion was a fertile one; it had in it the active principle of a germ; and it was not long before the ferment began to make itself felt. The past began to renew itself; the sun shone on the old days and gave them an illumination which they lacked when they were new. Time's perspective gave them a mellower tone, and they possessed, at least for me, that element of mystery which seems to attach to whatever is venerable. It was as if the place, the people, and the scenes had taken the shape of a huge picture, with just such a lack of harmony and unity as we find in real life.
Let those who can do so continue to import harmony and unity into their fabrications and call it art. Whether it be art or artificiality, the trick is beyond my powers. I can only deal with things as they were; on many occasions they were far from what I would have had them to be; but as I was powerless to change them, so am I powerless to twist individuals and events to suit the demands or necessities of what is called art.
Such a feat might be possible if I were to tell the simple story of Nan and Gabriel and Tasma Tid during the days when they roamed over the old Bermuda hills, and gazed, as it were, into the worlds that existed only in their dreams: for then the story would be both fine and beautiful. It would be a wonderful romance indeed, with just a touch of tragic mystery, gathered from the fragmentary history of Tasma Tid, a child-woman from the heart of Africa, who had formed a part of the cargo of the yacht Wanderer, which landed three hundred slaves on the coast of Georgia in the last months of 1858. You may find the particulars of the case of the Wanderer in the files of the Savannah newspapers, and in the records of the United States Court for that district; but the tragic history of Tasma Tid can be found neither in the newspapers nor in the court records.
But for this one touch of mystery and tragedy, this chronicle, supposing it to deal only with the childhood and early youth of Nan and Gabriel, would resolve itself into a marvellous fairy tale, made up of the innocent dreams and hopes and beliefs, and all the extraordinary inventions and imaginings of childhood. And even mystery and tragedy have their own particular forms of simplicity, so that, with Tasma Tid in the background the tale would be artless enough to satisfy the most artful. For, even if the reader, seated on the magic cloak of some competent story-teller, were transported to the heart of Africa, where the mountains, with their feet in the jungle, reach up and touch the moon, or to China, or the Islands of the Sea, the hero of the tale would be the same. His name is Dilly Bal, and he carries on his operations wherever there are stars in the sky. He is a restless and a roving creature, flitting to and fro between all points of the compass.
When King Sun crawls into his trundle bed and begins to snore, Dilly Bal creeps forth from Somewhere, or maybe from Nowhere, which is just on the other side, fetching with him a long broom, which he swishes about to such purpose that the katydids hear it and are frightened. They hide under the leaves and are heard no more that night. That is why you never hear them crying and disputing when you chance to be awake after midnight.
But Dilly Bal knows nothing of the katydids; he has his own duties to perform, and his own affairs to attend to; and these, as you will presently see, are very pressing. It is his business, as well as his pleasure, to be the Housekeeper of the Sky, which he dusts and tidies and puts in order. It is a part of his duty to see that the stars are safely bestowed against the moment when old King Sun shall emerge from his tent, and begin his march over the world. And then, in the dusk of the evening, Dilly Bal must take each star from the bag in which he carries it, polish it bright, and put it in its proper place.
Sometimes, as you may have observed, a star will fall while Dilly Bal is handling it. This happens when he is nervous for fear that King Sun, instead of going to bed in his tent, has crept back and is watching from behind the cloud mountains. Sometimes a star falls quite by accident, as when Lucindy or Patience drops a plate in the kitchen. You will be sure to know Dilly Bal when you see him, for, in handling the stars and dusting the sky, his clothes get full of yellow cobwebs, which he never bothers himself to brush off.
But Dilly Bal's most difficult job is with the Moon. Regularly the Moon blackens her face in a vain effort to hide from King Sun. If she used smut or soot, Dilly Bal's task would not be so difficult; but she has found a lake of pitch somewhere in Africa, and in this lake she smears her face till it is so black her best friends wouldn't know her. The pitch is such sticky stuff that it is days and days before it can be rubbed off. The truth is, Dilly Bal never does succeed in getting all the pitch off. At her brightest, the Moon shows signs of it. So said Tasma Tid, and so we all firmly believed.
Yes, indeed! If this chronicle could be confined to the childhood and youth of those children, Dilly Bal would be the hero first and last. He was so real to all of us that we used to wander out to the old Bermuda fields almost every fine afternoon, and sit there until the light had faded from the sky, watching Dilly Bal hanging the stars on their pegs. The Evening Star was such a large and heavy one that Dilly Bal always replaced it before dark, so as to be sure not to drop it.
Once when we stayed out in the Bermuda fields later than usual, a big star fell from its place, and went flying across the sky, leaving a long and brilliant streamer behind it. At first, Nan thought that Dilly Bal had tried to hang the Evening Star on the wrong peg, but when she looked in the west, there was the big star winking at her and at all of us as hard as it could.
The pity of it was that Nan and Gabriel, and all their young friends, had finally to come in contact with the hard practical affairs of the world. As for Tasma Tid, contact had no special influence on her. She was to all appearance as unchangeable as the pyramids, and as mysterious as the Sphinx. But it was different with Nan and Gabriel, and, indeed, with all the rest. Their story soon ceased to be a simple one. In some directions, it appeared to be a hopeless tangle, catching a great many other persons in its loops and meshes; so that, instead of a simple, entrancing story, all aglow with the glamour of romance, they had troubles that were grievous, and their full share of dulness and tediousness, which are the essential ingredients of everyday life.
After all, it is perhaps fortunate that the marvellous dreams of Nan and Gabriel, and the quaint imaginings of Tasma Tid are not to be chronicled. The spinning of this glistening gossamer once begun would have no end, for Nan was an expert dreamer both night and day, and in the practice of this art, Gabriel was not far behind her; while Tasma Tid, who was Nan's maid and bodyguard, could frame her face in her hands, and tell you stories from sunrise to sundown and far into the night.
Tasma Tid, though she was only a child in stature and nature, was growner in years, as she said, than some of the grownest grown folks that they knew. She was a dwarf by race, and always denied bitterly, sometimes venomously, that she was a negro, declaring that in her country the people were always at war with the blacks. Her color was dark brown, light enough for the blood tints to show in her face, and her hair was straight and glossy black. From the Wanderer, she soon found herself in the slave market at Malvern, and there she fell under the eye of Dr. Randolph Dorrington, Nan's father, who bought her forthwith. He thought that a live doll would please his daughter. The dwarf said that her name was Tasma Tid in her country, and she would answer to no other.
It was a very fortunate bargain all around, especially for Nan, for in the African woman she found both a playmate and a protector. Tasma Tid was far above the average negro in intelligence, in courage and in cunning. She was as obstinate as a mule, and no matter what obstacles were thrown in her way, her own desires always prevailed in the end, a fact that will explain her early appearance in the slave market. Those of her owners who failed to understand her were not willing to see her spoil on their hands, like a barrel of potatoes or a basket of shrimps. The African was uncanny when she chose to be, outspoken, vicious, and tender-hearted, her nature being compounded of the same qualities and contradictions as those which belong to the great ladies of the earth, who, with opportunity always at their elbows, have contrived to create a great stir in the world.
When Dr. Dorrington fetched Tasma Tid home, he called out to Nan from his gig: "I have brought you a live doll, daughter; come and see how you like it."
Nan went running—she never learned how to walk until she was several years older—and regarded Tasma Tid with both surprise and sympathy. The African, seeing only the sympathy, leaped from the gig, seized Nan around the waist, lifted her from the ground, ran this way and that, and then released her with a loud and joyous laugh.
"What do you mean by that?" cried Nan, somewhat taken aback.
"She stan' fer we howdy," the African answered.
"Well, let's see you tell popsy howdy," suggested Nan, indicating her father.
"Uh-uh! he we buckra."
From that hour Tasma Tid attached herself to Nan, following her everywhere with the unquestioning fidelity of a dog. She sat on the floor of the dining-room while Nan ate her meals, and slept on a pallet by the child's bed at night. If the African was sweeping the yard, a task she sometimes consented to perform, she would fling the brushbroom away and go with Nan if the child started out at the gate. At first this constant attendance was somewhat annoying to Nan, for she was an independent lass; but presently, when she found that Tasma Tid was a most accomplished and versatile playfellow, as well as the depositary of hundreds of curious fables and quaint tales of the wildwood, Nan's irritation disappeared.
As for Gabriel—Gabriel Tolliver—he was almost as indispensable as the African woman. Children learn a good many things, as they grow older, and I have heard that Nan and Gabriel were thought to be queer, and that all who were much in their company were also thought to be queer. No one knows why. It was a simple statement, and simple statements are readily believed, because no one takes the trouble to inquire into them. A man who has views different from those of the majority is called eccentric; if he insists on promulgating them, he is known as a crank. In the case of Nan and Gabriel, it may be said by one who knows, that, while they were different from the majority of children, they were neither queer nor eccentric.
They, and those whom they chose as companions, were children at a time when the demoralisation of war was about to begin—when it was already casting its long shadow before it—and when their elders were discussing as hard as ever they could the questions of State rights, the true interpretation of the Constitution, squatter sovereignty, the right of secession—every question, in short, except the one at issue. In this way, and for this reason, the two children and their companions were thrown back upon themselves.
Of those who formed this merry little company, not one went to the academies that had been established in the town early enough to be its most ancient institutions. Nan was taught by her father, Randolph Dorrington, and Gabriel and I said our lessons to his grandmother, Mrs. Lucy Lumsden. Thus it happened that we were through with our school tasks before the children in the two academies had begun their morning recess.
"We would never have been such good friends," said Nan on one occasion, "if I hadn't wanted to go to your house, Gabriel, to see how your grandmother wavies her hair. I saw Cephas, and asked him to go along with me." Child as she was, Nan had her little vanities. She desired above all things that her hair should fall away from her brow in little rippling waves, like those that shone in the silver-grey hair of Gabriel's grandmother.
"Why, my grandmother doesn't wavie her hair at all," protested Gabriel.
"Of course not," replied Nan, with a toss of the hand; "I found that out for myself. And I was very sorry; I want my hair to wavie like hers and yours."
"Well, if your hair was to wavie like mine," said Gabriel, "you'd have a mighty hard time combing it in the morning."
"Don't you remember," Nan went on in a reminiscent way, "that she made you shake hands with me that day? It was funny the way you came up and held out your arm. If I had jumped at you and said Boo! I don't know what would have happened." Gabriel grew very red at this, but Nan ignored his embarrassment. "You had syrup on your fingers, you know, and then we all had some in a saucer. Yes, and we all sopped our bread in the same saucer, and Cephas here got the syrup on his face and in his hair."
It never occurred to me in those days that Nan was beautiful, or that Gabriel was handsome, but looking back in the light of experience, it is easy to remember that they had in their features all the promises that the long and slow-moving years were to fulfil. I was struck, however, by one peculiarity of Nan's face. When her countenance was at rest, it gave out a hint of melancholy, and there was an appealing look in her brown eyes; but when she smiled or laughed, the sombre face broke up into numberless dimples. Apart from her countenance, there was a charm about her which I have never been able to trace to its source, and which of course is beyond description; and this charm remained, and made itself felt whether the appearance of melancholy had its dwelling-place in her eyes, which were large, and lustrous, and full of tenderness, or whether her face was brilliant with smiles. She had a deserved reputation as a tomboy, but she carried off her tricksy whims with a daintiness that preserved them from all hint of coarseness; and if sometimes she was rude, she had a way of righting herself that none could resist.
As for Gabriel, he was always large for his age. He was strong and healthy, possessing every physical excuse for roughness and boisterousness; but association with his grandmother, who was one of the gentlest of gentlewomen, had toned him down and smoothed the rough edges. His hair was dark and curly, and his face gave promise of great strength of character—a promise which, it may be said here, was fulfilled to the letter. He was as whimsical as Nan, and, in addition, had moods to which she was a stranger.
These things did not occur to Cephas the Child, but are the fruits of his memory and experience. He only knew at that time that Nan and Gabriel were both very good to him. He was considerably younger than either of them, and he often wondered then, and has wondered since, why they were such good friends of his, and why they were constantly hunting him up if he failed to make his appearance. Perhaps because he was so full of unadulterated mischief. Gabriel, with all his gravity, was full of a quaint humour, and Nan hunted for cause for laughter in everything; and she was never more beautiful than when this same laughter had shaken her tawny hair about her face.
We had travelled widely. Nan had been to Malvern with her father, and had seen sights—railway trains, omilybuses, as she called them, a great big hotel, and "oodles" of crippled persons; yes, and besides the crippled persons, there was a blind man standing on the corner with a big card hanging from his neck; and that very day, she had eaten "reesins" until she never wanted 'em any more, as she said. Gabriel and Cephas had not gone so far; but once upon a time, they went to Halcyondale, and, among other things, had seen Major Tomlin Perdue kill sparrows with a pistol. Nan had been anxious to go with them at the time, but when she heard about the slaughter of the sparrows, she was very glad she had stayed at home, for what did a grown man as old as Major Perdue want to kill the poor little brown sparrows for? Nan's question was never answered. Gabriel and Cephas had only seen in the transaction the enviable skill of the Major; whereas Nan thought of nothing but the poor little birds that had been slain for a holiday show. "They may have been singing sparrows, or snow-birds," mourned Nan. True enough; but Gabriel and Cephas had thought of nothing but the skill of the marksman with his duelling pistols. Tasma Tid also had her point of view. "Wey you no fetcha dem lil bud home fer we supper?" She was hardly satisfied when she was told that the little birds, all put together, would have made hardly more than a mouthful.
The serene repose of Shady Dale no doubt stood for dulness and lack of progress in that day and time. In all ages of the world, and in all places, there are men of restless but superficial minds, who mistake repose and serenity for stagnation. No doubt then, as now, the most awful sentence to be passed on a community was to say that it was not progressive. But when you examine into the matter, what is called progress is nothing more nor less than the multiplication of the resources of those who, by means of dicker and barter, are trying all the time to overreach the public and their fellows, in one way and another. This sort of thing now has a double name; it is called civilisation, as well as progress, and those who take things as they find them in their morning newspaper, without going to the trouble to reflect for themselves, are no doubt duly impressed by terms that are large enough to fill both the ear and mouth at one and the same time.
Well, whatever serene repose stands for, Shady Dale possessed it in an eminent degree, and the people there had their full share of the sorrows and troubles of this world, as Madame Awtry, or Miss Puella Gillum, or Neighbour Tomlin, or even that cheerful philosopher, Mr. Billy Sanders, could have told you; but of these Nan and Gabriel and Cephas knew nothing except in a vague, indefinite way. They heard hints of rumours, and sometimes they saw their elders shaking their heads as they gossiped together, but the youngsters lived in a world of their own, a world apart, and the vague rumours were no more interesting to them than the reports of canals on Mars are to the average person to-day. He reads in his newspaper that the markings in Mars are supposed to be canals; whereat he smiles and reflects that these canals can do him no harm. Nan and Gabriel and Cephas were as far from contemporary troubles as we are from Mars. The most serious trouble they had was not greater than that which they discovered one day on the Bermuda hill. As they were sitting on the warm grass, wondering how long before peaches would be ripe, they saw a field mouse cutting up some queer capers. Nan was not very friendly with mice, and she instinctively gathered up her skirts; but she did not run; her curiosity was ever greater than her fear. Presently we found that the troubles of Mother Mouse were very real. A tremendous black beetle had invaded her nest, and had seized one of her children, a little bit of a thing, naked and red and about the size of a half-ripe mulberry. We tried hard to rescue the mouse from the beetle, but soon found that it was quite dead. Cephas crushed the beetle, which was as venomous-looking a bug as they had ever seen. Was the beetle preparing to eat the mouse? Tasma Tid said yes, but Gabriel thought not. His idea was that the Mother Mouse had attacked the beetle, which was blindly crawling about, and had fallen in the nest accidentally. The beetle, striving to defend itself, had seized the mouse between its pinchers, and held it there until it was quite dead.
But the Bermuda fields were not the only resource of the children. There were seasons when Uncle Plato, who was Meriwether Clopton's carriage-driver, came to town with the big waggon to haul home the supplies necessary for the plantation; loads of bagging and rope; cases of brogan shoes, and hats for the negroes; and bales on bales of osnaburgs and blankets. The appearance of the Clopton waggon on the public square was hailed by these youngsters with delight. They always made a rush for it, and, in riding back and forth with Uncle Plato, they spent some of the most delightful moments of their lives.
And then in the fall season, there was the big gin running at the Clopton place, with old Beck, the blind mule, going round and round, turning the cogged and pivoted post that set the machinery in motion. But the youngsters rarely grew tired of riding back and forth with Uncle Plato. He was the one person in the world who catered most completely to their whims, who was most responsive to their budding and eager fancies, and who entered most enthusiastically into the regions created and peopled by Nan's skittish and fantastic imagination.
These children had their critics, as may well be supposed, especially Nan, who did not always conform to the rules and theories which have been set up for the guidance of girls; but Uncle Plato, along with Gabriel and Cephas, accepted her as she was, with all her faults, and took as much delight in her tricksy and capricious behaviour, as if he were responsible for it all. She and her companions furnished Uncle Plato with what all story-tellers have most desired since hairy man began to shave himself with pumice-stone, and squat around a common hearth—a faithful and believing audience. Uncle Æsop, it may be, cared less for his audience than for the opportunity of lugging in a dismal and perfunctory moral. Uncle Plato, like Uncle Remus, concealed his behind text and adventure, conveying it none the less completely on that account. Not one of his vagaries was too wild for the acceptance of his small audience, and the elusiveness of his methods was a perpetual delight to Nan, as hers was to Uncle Plato, though he sometimes shook his head, and pretended to sigh over her innocent evasions.
Once when we were all riding back and forth from the Clopton Place to Shady Dale, Nan asked Uncle Plato if he could spell.
"Tooby sho I kin, honey. What you reckon I been doin' all deze long-come-shorts ef I dunner how ter spell? How you speck I kin git 'long, haulin' an' maulin', ef I dunner how ter spell? Why, I could spell long 'fo' I know'd my own name."
"Long-come-shorts, what are they?" asked Nan.
"Rainy days an' windy nights," responded Uncle Plato, throwing his head back, and closing his eyes.
"Let's hear you spell, then," said Nan.
"Dee-o-egg, dog," was the prompt response. Nan looked at Uncle Plato to see if he was joking, but he was solemnity itself. "E-double-egg, egg!" he continued.
"Now spell John A. Murrell," said Nan. Murrell, the land pirate, was one of her favourite heroes at this time.
Uncle Plato pretended to be very much shocked. "Why, honey, dat man wuz rank pizen. En spozen he wa'nt, how you speck me ter spell sump'n er somebody which I ain't never laid eyes on? How I gwineter spell Johnny Murrell, an' him done dead dis many a long year ago?"
"Well, spell goose, then," said Nan, seeing a flock of geese marching stiffly in single file across a field near the road.
Uncle Plato looked at them carefully enough to take their measure, and then shook his head solemnly. "Deyer so many un um, honey, dey'd be monstus hard fer ter spell."
"Well, just spell one of them then," Nan suggested.
"Which un, honey?"
"Any one you choose."
Uncle Plato studied over the matter a moment, and again shook his head. "Uh-uh, honey; dat ain't nigh gwine ter do. Ef you speck me fer ter spell goose, you got ter pick out de one you want me ter spell."
"Well, spell the one behind all the rest."
Again Uncle Plato shook his head. "Dat ar goose got half-grown goslin's, an' I ain't never larnt how ter spell goose wid half-grown goslin's. You ax too much, honey."
"Then spell the one next to head." Nan was inexorable.
"Dat ar ain't no goose," replied Uncle Plato, with an air of triumph; "she's a gander."
"I don't believe you know how to spell goose," said Nan, with something like scorn.
"Don't you fool yo'se'f, honey," remarked Uncle Plato in a tone of confidence. "You git me a great big fat un, not too ol', an' not too young, an' fill 'er full er stuffin', an' bake 'er brown in de big oven, an' save all de drippin's, an' put 'er on de table not fur fum whar I mought be settin' at, an' gi' me a pone er corn bread, an' don't have no talkin' an' laughin' in de game—an' ef I don't spell dat goose, I'll come mighty nigh it, I sholy will. Ef I don't spell 'er, dey won't be nuff lef' fer de nex' man ter spell. You kin 'pen' on dat, honey."
Nan suddenly called Uncle Plato's attention to the carriage horses, which were hitched to the waggon. She said she knew their names well enough when they were pulling the carriage, but now—
"Haven't you changed the horses, Uncle Plato?" she asked.
"How I gwine change um, honey?"
"I mean, haven't you changed their places?"
"No, ma'am!" he answered with considerable emphasis. "No, ma'am; ef I wuz ter put dat off hoss in de lead, you'd see some mighty high kickin'; you sho would."
"Oh, let's try it!" cried Nan, with real eagerness.
"Dem may try it what choosen ter try it," responded Uncle Plato, dryly, "but I'll ax um fer ter kindly le' me git win' er what deyer gwine ter do, an' den I'll make my 'rangerments fer ter be somers out'n sight an' hearin'."
"Well, if you haven't made the horses swap places," remarked Nan, "I'll bet you a thrip that the right-hand horse is named Waffles, and the left-hand one Battercakes."
At once Uncle Plato became very dignified. "Well-'um, I'm mighty glad fer ter hear you sesso, kaze ef dey's any one thing what I want mo' dan anudder, it's a thrip's wuff er mannyfac terbacker. Ez fer de off hoss, dat's his name—Waffles—you sho called it right. But when it comes ter de lead hoss, anybody on de plantation, er off'n it, I don't keer whar dey live at, ef dey yever so much ez hear er dat lead hoss, will be glad fer ter tell you dat he goes by de name er Muffins." He held out his hand for the thrip.
"Well, what is the difference?" said Nan, drawing back as if to prevent him from taking the thrip.
"De diffunce er what?" inquired Uncle Plato.
"And you expect me to give you money you haven't won," declared Nan. "What's the difference between Battercakes and Muffins? A muffin is a battercake if you pour three big spoonfuls in a pan and spread it out, and a battercake is a muffin if you pen it up in a tin-thing like a napkin ring. Anybody can tell you that, Uncle Plato—yes, anybody."
What reply the old negro would have made to this bit of home-made casuistry will never be known. That it would have been reasonable, if not entirely adequate, may well be supposed, but just as he had given his head a preliminary shake, the rattle of a kettle-drum was heard, and above the rattle a fife was shrilling.
The shrilling fife, and the roll and rattle of the drums! These were sounds somewhat new to Shady Dale in 1860; but presently they were to be heard all over the land.
"I can see dem niggers right now!" exclaimed Uncle Plato, as we hustled out of his waggon. "Riley playin' de fife, Green beatin' on de kittledrum, an' Ike Varner bangin' on de big drum. Ef de white folks pay much 'tention ter dem niggers, dey won't be no livin' in de same county wid um. But dey better not come struttin' 'roun' me!"
The drums were beating the signal for calling together the men whose names had been signed to the roll of a company to be called the Shady Dale Scouts, and the meeting was for the purpose of organizing and electing officers. All this was accomplished in due time; but meanwhile Nan and Gabriel and Cephas, as well as Tasma Tid and all the rest of the children in the town, went tagging after the fife and drums listening to Riley play the beautiful marching tunes that set Nan's blood to tingling. Riley was a master hand with the fife, and we had never known it, had never even suspected it! Nan thought it was very mean in Riley not to tell somebody that he could play so beautifully.
Well, in a very short time, the company was rigged out in the finest uniforms the children had even seen. All the men, even the privates, had plumes in their hats and epaulettes of gold on their shoulders; and on their coats they wore stripes of glowing red, and shiny brass buttons without number. And at least twice a week they marched through the streets and out into the Bermuda fields, where they had their drilling grounds. These were glorious days for the youngsters. Nan was so enthusiastic that she organised a company of little negroes, and insisted on being the captain. Gabriel was the first lieutenant, and Cephas was the second. When the company was ready to take the field, it was discovered that Nan would also have to be orderly sergeant and color-bearer. But she took on herself the duties and responsibilities of these positions without a murmur. She wore a paper hat of the true Napoleonic cut, and carried in one hand her famous sword-gun, and the colors in the other. The oldest private in Nan's company was nine; the youngest was four, and had as much as he could do to keep up with the rest. The uniforms of these sun-seasoned troops was the regulation plantation fatigue dress—a shirt coming to the knees. Two or three of the smaller privates had evidently fallen victims to the pot-liquor and buttermilk habits, for their bellies stuck out black and glistening from rents in their shirts.
Their accoutrements prefigured in an absurd way the resources of the Confederacy at a later date. They were armed with broomsticks, and what-not. The file-leader had an old pair of tongs, which he snapped viciously when Nan gave the word to fire. The famous sword-gun, with which Nan did such execution, had once seen service as an umbrella handle.
One afternoon, as Nan was drilling her troops, she chanced to glance down the road, and saw a waggon coming along. Deploying her company across the highway, she went forward in person to reconnoitre. She soon discovered that the waggon was driven by Uncle Plato. Running back to her veterans, she placed herself in front of them, and calmly awaited events. Slowly the fat horses dragged the waggon along, when suddenly Nan cried "Halt!" whereupon the drummer, obeying previous instructions, began to belabour his tin-pan, while Nan levelled her famous sword-gun at Uncle Plato. "Bang!" she exclaimed, and then, "Why didn't you fall off the waggon?" she cried, as Uncle Plato remained immovable. "Why, you don't know any more about real war than a baby," she said scornfully.
If the truth must be told, Uncle Plato had been dozing, and when he awoke he viewed the scene before him with astonishment. There was no need to cry "Halt!" or exclaim "Bang!" for as soon as the drummer began to beat his tin-pan, the horses stood still and craned their necks forward, with a warning snort, trying to see what this strange and unnatural proceeding meant. Uncle Plato had involuntarily tightened the reins when he was so rudely awakened, and the horses took this for a hint that they must avoid the danger, and, as the shortest way is the best way, they began to back, and had the waggon nearly turned around before Uncle Plato could tell them a different tale.
"Ef I'd 'a' fell out'n de waggon, honey, who gwine ter pick me up?" he asked, laughing.
"Why, no one is picked up in war!"
"Is dis war, honey?"
"Of course it is," Nan declared.
"Does bofe sides hafter take part in de rucus?" asked Uncle Plato, making a terrible face at the little negroes.
"Why, of course," said Nan.
Seeing the scowl, Nan's veteran troops began to edge slowly toward the nearest breach in the fence. Uncle Plato seized his whip and pretended to be clambering from the waggon. At this a panic ensued, and Nan's army dispersed in a jiffy. The seasoned troops dropped their arms and fled. The four-year-old became lost or entangled in a thick growth of jimson weed, seeing which, Uncle Plato cried out in terrible voice, "Ketch um dar! Fetch um here!"
Then and there ensued a wild scene of demoralisation and anarchy; loud shrieks and screams filled the air; the dogs barked, the hens cackled, and the neighbours began to put their heads out of the windows. Mrs. Absalom, who had charge of the Dorrington household, and who had raised Nan from a baby, came to the door—the defeat of the troops occurred right at Nan's own home—crying, "My goodness gracious! has the yeth caved in?" Then, seeing the waggon crosswise the road, and mistaking Nan's shrieks of laughter for cries of pain, she bolted from the house with a white face.
Mrs. Absalom's reactions from her daily alarms about Nan usually resulted in bringing her into open and direct war with everybody in sight or hearing, except the child; but on this occasion, her fright had been so serious that when Nan, somewhat sobered, ran to her the good woman was shaking.
"Why, Nonny!" cried Nan, hugging her, "you are all trembling."
"No wonder," said Mrs. Absalom in a subdued voice; "I saw you under them waggon wheels as plain as I ever saw anything in my life. I'm gittin' old, I reckon."
And yet there were some people who wondered how Nan could endure such a foster-mother as Mrs. Absalom.
But the complete rout of Nan's army made no change in the general complexion of affairs. The Shady Dale Scouts continued to perfect themselves in the tactics of war, and after awhile, when the great controversy began to warm up—the children paid no attention to the passage of time—the company went into camp. This was a great hour for the youngsters. Here at last was something real and tangible. The marching and the countermarching through the streets and in the old field were very well in their way, but Nan and Gabriel and the rest had grown used to these man[oe]uvres, and they longed for something new. This was furnished by the camp, with its white tents, and the grim sentinels pacing up and down with fixed bayonets. No one, not even an officer, could pass the sentinels without giving the password, or calling for the officer of the guard.
All this, from the children's point of view, was genuine war; but to the members of the company it was a veritable picnic. The citizens of the town, especially the ladies, sent out waggon loads of food every day—boiled ham, barbecued shote, chicken pies, and cake; yes, and pickles. Nan declared she didn't know there were as many pickles in the world, as she saw unloaded at the camp.
Mr. Goodlett, who was Mrs. Absalom's husband, went out to the camp, looked it over with the eye of an expert, and turned away with a groan. This citizen had served both in the Mexican and the Florida wars, and he knew that these gallant young men would have a rude awakening, when it came to the real tug of war.
"Doesn't it look like war, Mr. Ab?" Nan asked, running after the veteran.
Mr. Goodlett looked at the bright face lifted up to his, and frowned, though a smile of pity showed itself around his grizzled mouth. He was a very deliberate man, and he hesitated before he spoke. "You think that looks like war?" he asked.
"Why, of course. Isn't that the way they do when there's a war?"
"What! gormandise, an' set in the shade? Why, it ain't no more like war than sparrergrass is like jimson weed—not one ioter." With that, he sighed and went on his way.
But when did the precepts of age and experience ever succeed in chilling the enthusiasm of youth? With the children, it was "O to be a soldier boy!" and Nan and her companions continued to linger around the edges of the spectacle, taking it all in, and enjoying every moment. And the Scouts themselves continued to live like lords, eating and drilling, and dozing during the day, and at night dancing to the sweet music of Flavian Dion's violin. Nan and Gabriel thought it was fine, and, as well as can be remembered, Cephas was of the same opinion. As for Tasma Tid, she thought that the fife and drums, and the general glare and glitter of the affair were simply grand, very much nicer than war in her country, where the Arab slave-traders crept up in the night and seized all who failed to escape in the forest, killing right and left for the mere love of killing. Compared with the jungle war, this pageant was something to be admired.
And many of the older citizens held views not very different from those of the children, for enthusiasm ran high. The Shady Dale Scouts went away arrayed in their holiday uniforms. Many of them never returned to their homes again, but those that did were arrayed in rags and tatters. Their gallantry was such that the Shady Dale Scouts, disguised as Company B, were always at the head of their regiment when trouble was on hand. But all this is to anticipate.
Before, during, and after the war, Shady Dale presented always the same aspect of serene repose. It was, as you may say, a town with a history. Then, as now, there were towns all about that had no such fortunate appendage behind them to explain their origin. No one could tell what they were begun for; no one could say whether they had for their nucleus an old field or a cross-roads grocery, or whether a party of immigrants pitched their tents there because the grass was fine and the water abundant. There is one city in Georgia, and it is the most prosperous of all, that was built on the idea that the cattle-paths and the old government roads afford the most convenient and picturesque contours for the streets; and to this day, the thoroughfares of that city afford a most interesting study to those who are interested in either topography or human nature; for it is possible to go to that city, and, with half an eye, discover the places where the waggons and other vehicles turned aside nearly a hundred years ago to avoid the mudholes, the fallen trees, and other temporary obstructions. They have been preserved in the conformation of the streets.
Shady Dale is no city, and it may be that its public-spirited citizens stretch the meaning of the term when they call it a town. Nevertheless, the community has a well-defined history. When Raleigh Clopton, shortly after the signing of the treaty of peace between the United States and Great Britain, crossed the Oconee, and settled on the lands of the hostile Creeks, his friends declared that he was tempting Providence; and so it seemed; but the event proved that from first to last, his adventure was under the direct guidance of Providence. He demonstrated anew the truth of two ancient maxims: he who risks nothing, gains nothing; heaven helps those who help themselves. Raleigh Clopton risked everything and gained the most beautiful domain in all the land. He had, indeed, one stormy interview with General McGillivray, the great Creek chief and statesman, but after that all was peace and prosperity.
General McGillivray was one of the most remarkable men of his time, and his time was during an era of remarkable men. He possessed a genius that enabled him to cope successfully with the ablest statesmen of his day. He drew Washington into a secret treaty with the Creek Nation, and when McGillivray died, the Father of his country referred to him as "my friend," and deplored his taking off. Courageous and adventurous himself, McGillivray was no doubt attracted by the attitude and personality of the fearless Virginian. He became the warm friend of Raleigh Clopton, and marked that friendship by deeding to the first white settler two thousand acres of land lying between the Little River hills on one side, and the meadows of Murder Creek on the other. Moreover, he named the estate Shady Dale, and aided Raleigh Clopton to establish a trading-post where the court-house of the town now stands; and on a pine near by, he caused to be made the semblance of a broken arrow, a token that between the Creeks and the Master of Shady Dale a lasting peace had been established.
This was the beginning. When the multifarious and long-disputed treaties between the United States and the Creek Nation had been signed, and a general peace was assured, Raleigh Clopton communicated with his friends in Wilkes, Burke, Columbia and Richmond counties—the choice spirits who had fought by his side in the bloodiest battles of the War for Independence—informed them of his good fortune, and invited them to share it. The response was all that he could have desired. His old friends and comrades lost no time in joining him—the Dorringtons, the Tomlins, the Gaithers, the Awtrys, the Terrells, the Odoms, the Lumsdens, and, later, the friends and relatives of these. For the most part they were men of substance and character.
Well, perhaps not all. There are black sheep in every flock, and wherever the nature of Adam survives, there we may behold wisdom and folly dancing to the same tune, and sin and repentance occupying the same couch. So it has been from the first, and so it will be to the end. But, take them all in all, making due allowance for the tendencies of human nature, the men and women who responded to the invitation of Raleigh Clopton may be described as the salt of the earth. They had all, women and men, been subjected to the trials and hardships of a war in which no quarter was asked or given; and their experiences had given them a strength of character, and a versatility in dealing with unexpected events, that could hardly be matched elsewhere. To each of those who responded to his invitation, Raleigh Clopton gave a part of his domain, and laid out their settlement for them.
This was the origin of Shady Dale. But to set forth its origin is not to describe its beauty, which is of a character that refuses to submit to description. You go down to the old town from the city, and you say to yourself and your friends that you are enjoying the delights of the country. You visit it from the plantations, and you feel that you are breathing the kind of atmosphere that should be found in the social life of a large, refined and perfectly homogeneous community. But whether you go there from the city, or from the plantations, you are inevitably impressed with a sense of the attractiveness of the place; you fall under the spell of the old town—it was old even in the old times of the sixties. And yet if you were called upon to define the nature of the spell, what could you say? What name could you give to the tremulous beauty that hovers about and around the place, when the fresh green leaves of the great trees are fluttering in the cool wind, and everything is touched and illumined by the tender colours of spring? Under what heading in the catalogue of things would you place the vivid richness which animates the town and the landscape all around when the summer is at its height? And how could you describe the harmony that time has brought about between the fine old houses and the setting in which they are grouped?
All these things are elusive; they make themselves keenly felt, but they do not lend themselves to analysis.