The relation of two step-sisters is unusual. When the Honourable Mrs. Carlyon came to Rome twenty years ago, a young widow and the mother of a little girl named Laura, she did not foresee the complications which her second marriage was to produce. She was a good woman in her way, and if she had guessed what it would mean to be the step-mother of Adele Braccio she might have hesitated before marrying Camillo of that name, commonly known as the Prince of Gerano. For the Prince had also been married before, and his first wife had left him this one child, Adele, who was only a year and a half older than little Laura Carlyon. No children were born to the Gerano couple, and the two girls were brought up together as though they were sisters. The Prince and Princess were deeply attached to each other and to them both, so that for many years Casa Gerano was justly looked upon as a model household.
Mrs. Carlyon was very poor when she came to Rome. Her husband had been a careless, good-humoured, and rather reckless younger son, and when he broke his neck in coming down the Gross Glockner he left his widow about as much as men of his stamp generally leave to their families; to wit, a fearful and wonderful confusion of unpaid debts and a considerable number of promises to pay money, signed by persons whose promises were not of much consequence, even when clearly set down on paper. It seems to be a peculiarity of poor and good-natured men that they will lend whatever money they have to impecunious friends in distress rather than use it for the paying of the just debts they owe their tailors.
Gerano was rich. It does not by any means follow that Mrs. Carlyon married him for his money, though she could not have married him without it. She fell in love with him. He, on his part, having made a marriage of interest when he took his first wife, and having led by no means a very peaceful existence with the deceased Princess, considered that he had earned the right to please himself, and accordingly did so. Moreover, Mrs. Carlyon was a Catholic, which singularly facilitated matters in the eyes of Gerano's numerous relations. Jack Carlyon had been of the Church of England; and though anything but a practising believer, if he believed in anything at all, he had nevertheless absolutely insisted that his daughter should be brought up in his own creed. On this one point he had displayed all the tenacity he possessed, and the supply then seemed to be exhausted so far as other matters were concerned. His wife was a very conscientious woman, altogether superior to him in character, and she continued to respect his wishes, even after his death. Laura, she said, should choose for herself when she was old enough. In the meantime she should go to the English Church. The consequence was that the little girl had an English nurse and afterwards an English governess, while Adele was taken care of and taught by Catholics. Under these circumstances, and as the step-sisters were not related by blood or even by race, it is not strange that they should have grown up to be as different as possible, while living under the same roof and calling the same persons father and mother.
The question of religion alone could certainly not have brought about the events here to be chronicled, and it may be as well to say at once that this history is not in the least concerned with matters of faith, creed, or dogma, which are better left to those good men whose business it is to understand them. The main and striking points of contrast were these. Adele was barely more than pretty. Laura was all but beautiful. Adele was a great heiress, and Laura had nothing or next to nothing to expect at her mother's death. Adele was quick-witted, lively, given to exaggeration in her talk, and not very scrupulous as to questions of fact. Laura was slow to decide, but tenacious of her decisions, and, on the whole, very truthful.
In appearance, so far as generalities were concerned, the contrast between the two girls was less marked. Both were of the dark type, but Laura's complexion was paler than Adele's and her hair was blacker, as well as thicker and more glossy. Laura's eyes were large, very deep set, and dark. There was something strange in their look, something quite unusual, and which might almost be called holy, if that were not too strong a word to use in connexion with a woman of the world. Spicca, the melancholy duellist, who was still alive at that time, used to say that no one could possibly be as good as Laura Carlyon looked; a remark which showed that he was acquainted with the sayings of a great English wit, and was not above making use of them. Probably some part of the effect produced by Laura's eyes was due to the evenly perfect whiteness of her skin and the straight black brows which divided them from the broad low forehead. For her hair grew low, and she wore it in a simple fashion without that abundance of little curls which even then were considered almost essential to woman's beauty. Her pallor, too, was quite natural, for she had a good constitution and had rarely even had a headache. In figure she was well proportioned, of average height and rather strongly made, with large, firm, well-shaped hands. On the whole, a graceful girl, but not in that way remarkable among others of her own age. In her face, and altogether in her presence, the chief attraction lay in the look of her eyes, which made one forget to notice the well-chiselled nose—a little short perhaps—the really beautiful mouth, and the perfect teeth. The chin, too, was broad and firm—too firm, some might have said, for one so young. Considering all these facts together, most people agreed that Laura was not far from being a great beauty.
Adele was somewhat shorter than her step-sister, and more inclined to be stout. Her black eyes were set nearer together, and her eyebrows almost met, while her lustreless hair curled naturally in a profusion of tiny ringlets upon her forehead. The small fine nose reminded one of a ferret, and the white teeth looked sharp and pointed when the somewhat thin lips parted and showed them; but she was undoubtedly pretty, and something more than pretty. Her face had colour and animation, she carried her small head well, and her gestures were graceful and easy. She was fluent, too, in conversation and ready at all times with a quick answer. Any one could see, in spite of her plump figure, that she was of a very nervous constitution, restless, unsettled, and easily moved, capable of considerable determination when really affected. She never understood Laura, nor did Laura really understand her.
In the natural course of events, social and domestic, it became necessary to choose a husband for Adele so soon as she made her first appearance in society. At that time Laura was not yet seventeen. Gerano had already looked about him and had made up his mind. He was a little dark-eyed man, grey, thin and nervous, but gifted with an unusually agreeable manner, a pleasant tone of voice, a frank glance, and an extremely upright character—a man much liked in the world and a good deal respected.
He had determined that if possible his daughter should marry Don Francesco Savelli, a worthy young person, his father's eldest son, heir to a good estate and a still better name, and altogether a most desirable husband from all points of view. Gerano met with no serious difficulty in bringing about what he wished, and in due time Don Francesco was affianced to Donna Adele, and was privileged to visit at the Palazzo Braccio almost as often as he pleased. He thus saw Laura Carlyon often, and he very naturally fell in love with her. He had no particular inclination to marry Donna Adele, but obeyed his father blindly, as a matter of course, just as Adele obeyed Gerano. That was a part of the old Roman system. Laura, however, did not fall in love with Francesco. She was perhaps too young yet, or it is quite possible that Francesco was too dull and uninteresting a personage in her eyes. But Adele saw these things, and was very angry when she was quite sure that her future husband would have greatly preferred to marry her step-sister. She may be pardoned for having been jealous, for the situation was hardly bearable.
Francesco did not, indeed, make love to Laura. Even had he been rash enough for that, he was in reality too much a gentleman at heart to have done such a thing. He knew very well that he was to marry Adele, whether he cared for her or not, and he behaved with great propriety and with not a little philosophy. The virtue of resignation had been carefully developed in him from his childhood, and Francesco's parents now reaped their reward: he would not have thought of opposing them by word or deed.
But he could not hide what he felt. Like many good young men, he was sensitive, and if he alternately blushed and turned pale when Laura spoke to him, it was not his fault. His father and mother could assuredly not expect him to control the circulation of his blood when it chose to rise above the line of his collar, or seemed to sink to the level of his boots. Adele was, however, at first very angry, and then very jealous, and at last hated her step-sister with all her heart, as young women can hate under circumstances of great provocation.
Meanwhile, Laura remained calmly unconscious of all that was happening. Francesco Savelli's outward and worldly advantages did not appeal to her in the least. The fact that he was fair had no interest for her any more than the fact that the old Prince of Gerano was dark. She talked to the young man a little, when the conversation was general, just as she talked to every one else, when she had anything to say, because she was not naturally shy. But she never attempted to manufacture remarks when nothing came to her lips, because she was not yet called upon to do so. Nor was her silence by any means golden, so far as Savelli was concerned. When she was not speaking to him, she took no notice of him. His hair might be as yellow as mustard and his eyes as blue as periwinkles, as his admirers said; she did not care. If possible, Adele hated her even more for caring so little.
In due time Francesco Savelli married Adele Braccio and took her to live under his father's roof. After the great event peace descended once more upon the household for a time, and Laura Carlyon saw much less of her adorer. Not, indeed, that there had been any open conflict between the step-sisters, nor even a declaration of war. Laura had attributed Adele's coldness to her excitement about the marriage, natural enough under the circumstances, and had not been hurt by it, while Adele had carefully kept her jealousy to herself; but when the two met afterwards, Laura felt that she was immeasurably far removed from anything like intimacy or real friendship with the bride, and she was surprised that Francesco should pay so much attention to herself.
The young couple came to the Palazzo Braccio at regular intervals, and at all these family gatherings Savelli spent his time in making conversation for Laura. He was a very worthy young man, as has been said, and his talents were not of the highest order, but he did his best, and succeeded at least in making Laura think him passably agreeable. She was willing to hear him talk, and Adele noted the fact. When she drove home from her father's house with her husband, he was generally abstracted and gave random answers to her questions or observations. At the end of a year it was clear that he still loved Laura in a hopeless, helpless, sentimental fashion of his own, and Adele hated her more than ever. A second year and a third went by, and Laura had been some time in society; still the situation remained unchanged. The world said that the young Savelli were a very happy couple, but it always looked at Laura Carlyon with an odd expression, as though it knew something strange about her; something not quite right, which it was willing to tolerate for the sake of the amusement to be got by watching her. The world is the generic appellation of all those who go down to the sea of society in long gowns or white ties, and live and move and have their being therein. Other people do not count, even when they are quite bad, although they may have very big names and a great deal of money. The world, therefore, wagged its head and said that Laura Carlyon was in love with her brother-in-law, or, to be quite accurate, with her step-brother-in-law, because she was dark and his hair was so exceedingly yellow. The world also went on to say that Donna Adele behaved very kindly about it, and that it was so good of Francesco Savelli to talk to Laura just as if there were nothing wrong; for, it added, if he were to avoid her, there would certainly be gossip before long. No one who does not live in society need attempt to follow this sequence of ideas. As usual, too, nobody took the least trouble to find out the origin of the story, but everybody was quite sure of having heard it at first hand from the one person who knew.
The Princess of Gerano took her daughter everywhere. She had conscientiously done her duty towards Adele, and was sincerely fond of her besides; but she loved Laura almost as much as the good mother in the story-book loves her only child when the latter has done something particularly disgraceful. She was at first annoyed and then made seriously anxious by the young girl's total failure in society, from the social point of view. Laura was beautiful, good, and accomplished. Ugly, spiteful, and stupid girls succeeded better than she, though some of them had no better prospect of a dowry. The good lady sought in vain the cause of the trouble, but failed to find it out. Had she been born in Rome, she would doubtless have had many kind friends to help her in the solution of the difficulty. But though she bore a Roman name, and had adopted Roman customs and had led a Roman life for nearly twenty years, she was tacitly looked upon as a foreigner, and her daughter was treated in the same way, though she, at least, spoke the language as her own. Moreover, the girl was not a Catholic, and that was an additional disadvantage where matrimony was concerned. It became evident to the Princess that she was not likely to find a husband for her daughter—certainly not such a husband as she had dreamed that Laura might love, and who was to love her and make her happy.
It must not be supposed that Gerano himself would have been indifferent if he had known the real facts of the case. But he did not. Like many elderly Romans, he hardly ever went into society and took very little interest in its doings. He was very much concerned with the administration of his fortune, and for his own daughter's welfare in her new surroundings. He spent a good deal of time at his club, and was often in the country, even in the height of the season. He supposed that no one asked for Laura's hand because she was dowerless, and he was sincerely sorry for it; but it did not enter his mind to provide her with a suitable portion out of his abundance. He was too conscientious for that. What he had inherited from his father must go down intact to his child and to her children—a son had already been born to the young Savelli—and to divide the property, or to take from it anything like a fortune for Laura, would be little short of actual robbery in the eyes of a Braccio.
Laura herself was perhaps less disturbed by the coldness she encountered than her mother was for her sake. She had a certain contempt for young girls of her age and younger, whose sole idea was to be married as soon as possible and with the greatest advantage to themselves. She was not very vain and did not expect great admiration on the one hand, nor any particular dislike on the other. Her character, too, was one that must develop slowly, if it were ever to attain its mature growth. She doubtless had moments of annoyance and even of depression; for few young girls, and certainly no women, are wholly unconscious of neglect in society. But although she was naturally inclined to melancholy, as her eyes clearly showed, she was not by nature morbid, and assuredly not more than usually imaginative.
The result of all this was, that she bore herself with considerable dignity in the world, was generally believed to be older than she was, and was to be seen more often dancing or talking with the foreigners at parties than with the Romans.
"Who is that, Ghisleri?" asked Lord Herbert Arden of his old friend, one evening early in the season, as he caught sight of Laura for the first time.
"An English Roman girl," answered the Italian. "The daughter of the Princess of Gerano by her first marriage—Miss Carlyon."
Lord Herbert had not been in Rome for three or four years, and was, moreover, by no means acquainted with all Roman society.
"Will you introduce me?" he asked, looking up at Ghisleri.
Ghisleri led him across the room, introduced him and left the two together, he being at that time very particularly engaged in another quarter.
The contrast between the two men was very strong. Lord Herbert Arden was almost, if not quite, a cripple, the victim in his infancy of a serving-woman's carelessness. The nurse had let him fall, had concealed the accident as long as she could, and the boy had grown up misshapen and feeble. In despite of this, however, he was eminently a man at whom every one looked twice. No one who had seen him could ever forget the extreme nobility and delicacy of his pale face. Each feature completed and gave dignity to the next—the broad, highly modelled forehead, the prominent brow, the hollows at the temples, the clear, steady brown eyes, the aquiline nose and sensitive nostrils, the calm, straight mouth, and the firm, clearly cut chin—all were in harmony. And yet in all the crowd that thronged the great drawing-rooms there was hardly a man with whom the young Englishman would not have exchanged face and figure, if only he might stand at the height of other men, straight and square, and be free forever from the halting gait which made life in the world so hard for him. He was very human, and made no great pretence of resignation, nor indeed of any other virtue.
Pietro Ghisleri was a very different personage except, perhaps, in point of humanity. He had seen and enjoyed much, if he had suffered much also, and his face bore the traces of past pleasure and of past pain, though he was not more than two-and-thirty years of age. It was a strong face, too, and not without signs of superior intelligence and resolution. The keen blue eyes had that trick of fixing themselves in conversation, which belongs to combative temperaments. At other times they were sad in expression, and often wore a weary look. Ghisleri's complexion might almost have been called weather-beaten; for frequent and long exposure to sun and weather had permanently changed its original colouring, which had been decidedly fair. To adopt the simple style of his passport, he might be described as six feet high, eyes blue, hair and moustache brown, nose large, mouth normal, chin prominent, face somewhat bony—particular sign, a scar on the left temple. Like his old friend Lord Herbert, he was one of the dozen men who always attract attention in a crowded room. But of all those who looked at him, having known him long, very few understood his character in the least, and all would have been very much surprised if they could have guessed his thoughts, especially on that particular evening when he introduced Arden to Miss Carlyon. As for the rest, he was alone in the world, his own master, the last of a Tuscan family that had refused to bear a title when titles meant something and had not seen any reason for changing its mind in the course of three or four centuries. He had a small fortune, sufficient for his wants, and a castle somewhere, considerably the worse for war and wear.
"I cannot dance, you see," said Arden, seating himself beside Laura, "and I am afraid that I am not very brilliant in conversation. Are you a very good-natured person?"
Laura turned her sad eyes upon her new acquaintance, and immediately felt a thrill of sympathy for him, and of interest in his remarkable face.
"No one ever told me," she answered. "Do you think you could find out? I should like to know."
"What form of sin do you most affect?" asked Arden, with a smile. "Do you more often do the things you ought not to do, or do you leave undone the things which you ought to do?"
"Oh, I leave the good things undone, of course!" answered Laura. "I suppose everybody does, as a rule."
"You are decidedly good-natured, particularly so in making that last remark. I am less afraid of you than I was when I sat down."
The young girl looked at him again. His conversation was so far not like that of the Englishmen she had known hitherto.
"Were you afraid of me?" she asked, beginning to smile.
"A little, I confess."
"Why? And if you were, why did you make Signor Ghisleri introduce you to me?"
"Because nobody likes to own to being afraid. Besides, Ghisleri is a very old friend of mine, and I can trust him not to lead me into danger."
"Have you known him long?" asked Laura. "I have often wondered what he is really like. I mean his character, you know, and what he thinks about."
"He thinks a great deal. He is one of the most complicated characters I ever knew, and I am not at all sure that I understand him yet, though we have known each other ten years. He is a good friend and a rather indifferent enemy, I should say. His chief apparent peculiarity is that he hates gossip. You will not find it easy to get from him a disagreeable remark about any one. Yet he is not good-natured."
"Perhaps he is afraid to say what he thinks," suggested the young girl.
"I doubt that," answered Arden, with a smile. "He has not a particularly angelic reputation, I believe, but I never heard any one say that he was timid."
"As you pretend to be," added Laura. "Do you know? You have not answered my question. Why were you afraid of me, if you really were?"
Lord Herbert answered one question by another, and the conversation continued pleasantly enough. It was a relief to him to find a young and beautiful girl of his own nationality in surroundings with which neither he nor she were really in sympathy. In the course of half an hour they both felt as though they had known one another a long time. The admiration Arden had felt for Laura at first sight had considerably increased, and she on her side had half forgotten that he was a cripple. Indeed, when he was seated, his deformities were far less noticeable than when he stood or painfully moved about from place to place.
The two talked of a variety of subjects, but, with the exception of the few words spoken about Ghisleri, there was no more reference to personalities for a long time.
"I am keeping you away from the dancing," Arden said at last, as he realised that the room was almost empty and that he had been absorbing the beautiful Miss Carlyon's attention longer than might be pleasant to her.
"Not at all," answered Laura. "I do not dance much."
"Why not? Do you not like dancing?" He asked the question in a tone of surprise.
"On the contrary. But I am not taken out very often—perhaps because they think me a foreigner. It is natural enough."
"Very unnatural, it seems to me. Besides, I believe you are exaggerating, so as not to make me feel uncomfortable. It is of no use, you know; I am not at all sensitive. Shall we go into the ball-room?"
"No; I would rather not, just yet."
"Shall I go and get Ghisleri to take you back?" inquired Arden, with a little smile.
"Why?"
"Because I might make you look ridiculous," answered the cripple, quietly.
He watched her, and saw a quick, pained look pass over her face. It was at that particular moment that he began to love her, as he afterwards remembered. She turned her eyes upon him as she answered after a moment's hesitation.
"Lord Herbert, will you please never say anything like that to me again?"
"Certainly not, if it offends you."
"It does not offend me. I do not mean that."
"What, then? Please tell me. I am not at all sensitive."
"It pains me. I do not like to fancy that any one can think such things of me, much less. … " she stopped short and looked down, slowly opening and shutting her fan.
"Much less?"
Laura hesitated for some seconds, as though choosing her words with more than ordinary care.
"Much less one whom it might pain to think them," she said at last.
The smile that had been on Arden's face faded away in the silence that followed, and his lips moved a little as though he felt some kind of emotion, while his large thin hands closed tightly upon his withered knee.
"Have I said too much?" she asked, suddenly breaking the long pause.
"Or not quite enough, perhaps," he answered in a low voice.
Again they were both silent, and they both wondered inwardly that in less than an hour's acquaintance they should have reached something like a crisis. At last Laura rose slowly and deliberately, intending to give her companion time to get to his feet.
"Will you give me your arm?" she said when he stood beside her. "I want to introduce you to my mother."
Arden bent his head and held up his right arm for her hand. He was considerably shorter than she. Then they walked away together, she erect and easy in her girlish gait, he weak-kneed and awkward, seeming to unjoint half his body at every painful step, helping himself along at her side with the stick he held in his free hand—a strangely assorted couple, the world said, as they went by.
"My mother's name is Gerano, Princess of Gerano," said Laura, by way of explanation, as they came within sight of her.
"And is your father—I mean, is Prince Gerano—living?" asked Arden. He had almost forgotten her name and her nationality in the interest he felt in herself.
"Yes; but he rarely goes into society. I am very fond of him," she added, scarcely knowing why. "Mother," she said, as they came up to the Princess, "Lord Herbert Arden."
The Princess smiled and held out her hand. At that moment Pietro Ghisleri came up. He had not been seen since he had left Laura and Arden together. By a coincidence, doubtless, the Contessa dell' Armi had disappeared at about the same time: she had probably gone home, as she was not seen again in the ball-room that evening. But the world in its omniscience knew that there was a certain boudoir beyond the supper-room, where couples who did not care to dance were left in comparative peace for a long time. The world could have told with precision the position of the small sofa on which Ghisleri and the lovely Contessa invariably spent an hour when they met in that particular house.
"Will you give me a turn, Miss Carlyon?" asked Ghisleri, as Arden began to talk with the Princess.
"Yes." Laura was really fond of a certain amount of dancing when a good partner presented himself.
"What do you think of my friend?" inquired Pietro, as they moved away together.
"I like him very much. He interests me."
"Then you ought to be grateful to me for bringing him to you."
"Do you expect gratitude in a ball-room?" Laura laughed a little, more in pleasant anticipation of the waltz than at what she said.
"A little more than in the average asylum for the aged and infirm, which most people call home," returned Ghisleri, carelessly.
"You have no home. How can you talk about it in that way?"
"For the sake of talking; shall we dance instead?"
A moment later they were in the thick of the crowd.
"There are too many people; please take me back," said Laura, after one turn.
"Will you come and talk in the conservatory?" asked Ghisleri as they reached the door.
"No; I would rather not."
"You were talking a long time with Arden. I saw you come out of the drawing-room together. Why will you not sit five minutes with me?"
"Lord Herbert is different," said Laura, quietly. "He is an Englishman, and I am English."
"Oh! is that the reason?"
He led her back and left her with her mother. Arden was still there.
In spite of his own declarations to the contrary, Lord Herbert Arden was a very sensitive man. When he said he was not, he was perhaps trying to deceive himself, but the attempt was at best only partially successful. Few men in his circumstances can escape the daily sting that lies in comparing their unfortunate outward personality with the average symmetry of the human race. Women seem to feel deformity less than men, or perhaps one only thinks so because they bear it more bravely; it is hard to say. If Darwin is right, men are far more vain of their appearance than women; and there are many who believe that a woman's passive courage is greater than a man's. Be that as it may, the particular sufferer who made Laura Carlyon's acquaintance at the ball was in reality as sensitive a man in almost all respects as could be met with anywhere in ordinary life. When he discovered that he was seriously in love with Laura Carlyon, his existence changed suddenly, and for the worse, so far as his comfort was concerned.
He reviewed the situation as calmly as he could, when a fortnight or more had passed and he had seen her a dozen times at her step-father's house and in the world. One main fact was now quite clear to him. She was not what is called popular in society; she had not even any intimate friends. As for his own chances, he did not like to think of them. Though only the younger brother of a peer of high rank, he was entitled to expect a large fortune from an uncle on his mother's side, who had never made any secret of his intentions in regard to his property, and who, being over eighty years of age, could not be expected to live much longer in the ordinary course of nature. At present his modest portion was quite sufficient for himself, but he doubted whether it would suffice for his needs if he married. That, however, was of minor importance. The great fortune was safe and he was an exceedingly good match from a financial point of view. Miss Carlyon was poor, as he knew from Ghisleri, and Ghisleri had very probably told her that Arden was rich, or would be before long. He refused to believe that Laura, of her own free will, might marry him for his money; but it was intolerable to think that her mother and step-father might try to force her into the match from considerations of interest. He was not just to the Princess of Gerano, but he knew her very slightly as yet and had no means of forming a positive opinion.
In the meantime he had been introduced to Donna Adele Savelli, who had received him with the greatest warmth, protesting her love for the English people and everything English, and especially for her step-mother and step-sister. He had also renewed his acquaintance with young Savelli, whom he had known slightly during a former visit to Rome, and who now, he thought, met him rather coldly. He attributed Adele's gushing manner to a desire to bring about a marriage, and he did not attempt to account for Don Francesco's stiffness; but he liked neither the one manifestation nor the other, for both wounded him in different degrees.
Above all other difficulties, the one which was most natural to his delicately organised nature was of a purely disinterested kind. He feared lest Laura, who evidently felt both pity and sympathy for him, should take the two together for genuine love and sacrifice herself in a life which would by and by become unbearable to her. He could not but see that at every meeting she grew more interested in his conversation, until when he was present, she scarcely paid any attention to any one else. Such a friendship, if it could have been a real friendship, might have made Arden happy so long as it lasted; but on his side, at least, nothing of the kind was possible. He knew that he was hopelessly in love, and to pretend the contrary to himself was real pain. He guessed with wonderful keenness the direction Laura's heart was taking, and he was appalled by the vision of the misery which must spread over her young life if, after she had married him, she should be roused to the great truth that pity and love are not the same, though they be so near akin as to be sometimes mistaken one for the other.
His weak health suffered and he grew more and more restless. It would have been a satisfaction to speak out a hundredth part of what he felt to Ghisleri. But he was little given to making confidences, and Ghisleri was, or seemed to be, the last man to invite them. They met constantly, however, and talked upon all sorts of topics.
One day Ghisleri came to breakfast with Arden in his rooms at the hotel, looking more weather-beaten than usual, for he was losing the tan from his last expedition in the south, and there were deep black shadows under his eyes. Moreover, he was in an abominably bad humour with everything and with everybody except his friend. Arden knew that he never gambled, and he also knew the man well enough to guess at the true cause of the disturbance. There was something serious the matter.
They sat down to breakfast and began to talk of politics and the weather, as old friends do when they are aware that there is something wrong. Ghisleri spoke English perfectly, with an almost imperceptible accent, as many Italians do nowadays.
"Come along with me, Arden," he said at last, as though losing patience with everything all at once. "Let us go to Paris or Timbuctoo. This place is not fit to live in."
"What is the matter with it?" asked Arden, in a tone of amusement.
"The matter with it? It is dull, to begin with. Secondly, it is a perfect witches' caldron of scandal. Thirdly, we are all as bad as we can be. There are three points at least."
"My dear fellow, I do not see them in the same light. Take some more hock."
"Oh, you—you are amusing yourself! Thank you—I will—half a glass. Of course you like Rome—you always did—you foreigners always will. You amuse yourselves—that is it."
"I see you dancing every night as though you liked it," observed Arden.
"No doubt!"
Ghisleri suddenly grew thoughtful and a distant look came into his eyes, while the shadows seemed to deepen under them, till they were almost black. He had eaten hardly anything, and now, regardless of the fact that the meal was not half over, he lit a cigarette and leaned back in his chair as though he had finished.
"You are not looking well, Arden," he said at last. "You must take care of yourself. Take my advice. We will go somewhere together for a couple of months."
"There is nothing I should like better, but not just at present. I will stay in Rome until the weather is a little warmer."
Arden was not in the least conscious that his expression changed as he thought of the reason which kept him in the city and which might keep him long. But Ghisleri, who had been watching for that particular hesitation of manner and for that almost imperceptible darkening of the eyes, knew exactly what both meant.
"Oh, very well," he answered indifferently. "We can go later. People always invent absurd stories if one goes away in the middle of the season without any apparent object."
The remark was a little less than general, and Arden was at once confirmed in his suspicion that something unpleasant had happened in Ghisleri's life, most probably in connection with the Contessa dell' Armi. His friend was in such a savage humour that he might almost become communicative. Arden was a very keen-sighted man, and not without tact, and he thought the opportunity a good one for approaching a subject which had long been in his mind. But he had been in earnest when he had told Laura that he knew Ghisleri's character to be what he called complicated, and he was aware that Pietro's intelligence was even more penetrating than his own. He was therefore very cautious.
"You say that Rome is such a great place for gossip," he began, in answer to Ghisleri's last observation. "I suppose you know it by experience, but I cannot say that we strangers hear much of it."
"Perhaps not," admitted Ghisleri, rather absently.
"No, we do not hear much scandal. For instance, I go rather often to the Gerano's. I do not remember to have heard there a single spiteful story, except, perhaps,"—Arden stopped cautiously.
"Precisely," said Pietro, "the exceptions are rare in that house. But then, the Prince is generally away, and both the Princess and her daughter are English, and especially nice people."
Arden helped himself to something that chanced to be near him, and glanced at his companion's rather impenetrable face. He knew that at the present moment the latter was perfectly sincere in what he said, but he knew also that Ghisleri spoke of most people in very much the same tone. It was something which Arden could never quite understand.
"Do you think," he began presently, "that the fact of their being English has anything to do with Miss Carlyon's unpopularity here?"
"My dear fellow, how should I know?" asked Ghisleri, with something almost like a laugh.
"You do know, of course. I wish you would tell me. As an Englishman, the mother interests me."
"From the point of view of our international relations, I see, collecting information for an article in the Nineteenth Century, or else your brother is going to speak on the subject in the Lords. What do you think about the matter yourself? If I can put you right, I will."
"What an extraordinary man you are!" exclaimed Arden. "You always insist upon answering one question by another."
"It gives one time to think," retorted Ghisleri. "These cigarettes are distinctly bad; give me one of yours, please. I never can understand why the government monopoly here should exist, and if it does why they should not give us Russian—"
"My dear Ghisleri," said Arden, interrupting him, "we were talking about the Princess Gerano."
"Were we? Oh, yes, and Miss Carlyon, too, I remember. Do you like them?"
"Very much; and I think every one should. That is the reason why I am surprised that Miss Carlyon should not receive much more attention than she does. I fancy it is because she is English. Do you think I am right?"
"No," said Ghisleri, slowly, at last answering the direct question, "I do not think you are."
"Then what in the world is the reason? The fact is clear enough. She knows it herself."
"Probably some absurd bit of gossip. Who cares? I am sorry for her, though."
"How can there be any scandal about a young girl of her age?" asked Arden, incredulously.
"In this place you can start a story about a baby a year old," answered Ghisleri. "It will be remembered, repeated, and properly adorned, and will ultimately ruin the innocent woman when she is grown up. Nobody seems to care for chronology here—anachronism is so much more convenient."
"Why are you so absurdly reticent with me, Ghisleri?" asked Arden, with some impatience. "You talk as though we had not known each other ten years."
"On the contrary," answered Pietro, "if we were acquaintances of yesterday, I would not talk at all. That is just the difference. As it is, and because we are rather good friends, I tell you what I believe to be the truth. I believe—well, I will allow that I know, that there is a story about Miss Carlyon, which is commonly credited, and which is a down-right lie. I will not tell you what it is. It does not, strictly speaking, affect her reputation, but it has made her unpopular—since you have used that word. Ask any of the gossips, if you care enough—I am not going to repeat such nonsense. It never does any good to repeat other peoples' lies."
Arden was silent, and his long white fingers played uneasily upon the edge of the table. It had been a hard matter to extract the information, but such as it was he knew that it was absolutely reliable. When Ghisleri spoke at all about such things, he spoke the truth, and when he said that he would positively say no more, his decision was always final. Arden had discovered that in the early days of their acquaintance. Perhaps Pietro went to absurd lengths in this direction, and there were people who called it affectation and made him out to be an even worse man than he was, but his friend knew that it was genuine in its way. He was all the more disturbed by what he had heard, and it was a long time before he spoke again.
Ghisleri smoked in silence and drank three cups of coffee while Arden was drinking one. He looked at that time like a man who was living upon his nerves, so to say, instead of upon proper nourishment.
An hour later the two men went out together, Arden taking Pietro with him in his carriage. The air was bright and keen and the afternoon sunlight was already turning yellow with the gold of the coming evening. The carriage was momentarily blocked at the corner of the Pincio near the entrance, by one that was turning out of the enclosure opposite the band stand. It chanced to be the Princess of Gerano's landau, and she and her daughter were seated in it, closely wrapped in their furs. It was Arden's victoria that had to pull up to let the Princess drive across, and by a coincidence the Savelli couple were in the one which hers would have to follow in the descending line after crossing the road.
Francesco Savelli bowed, smiled, and waved his hat, evidently to Laura rather than to her mother. With a rather forced smile Adele slowly bent her head. Arden bowed at the same moment, and looked from one carriage to the other. Ghisleri followed his example, and there was the very faintest expression of amusement on his face, which Arden of course could not see. A number of men on foot lined the side of the road close to the carriage.
"People always come back to their first loves!" said a low voice at Arden's elbow.
He turned quickly and saw several men watching the Savelli across his victoria. He knew none of them, and it was impossible to guess which had spoken. Ghisleri, being on the right side, as Arden's guest, could not have heard the words. Having just noticed the rather striking contrast between Francesco Savelli's demonstrative greeting and his wife's almost indifferent nod, it naturally struck the Englishman that the remark he had overheard might refer to the person he was himself watching at that moment. Donna Adele Savelli's expression might very well be taken for one of jealousy, but her husband's behaviour was assuredly too marked for anything more than friendship. Arden coupled the words with the facts and concluded that he had discovered the story of which Ghisleri had spoken. Francesco Savelli was said to be in love with Laura Carlyon. That was evidently the gossip; but he had seen Laura's face, too, and it was quite plain that she was wholly indifferent. On the whole, though the tale reflected little credit on Savelli, it was not at all clear why it should make Laura unpopular, unless people said that she encouraged the man, which they probably did, thought Lord Herbert Arden, who was a man of the world.
The more he considered the matter the more convinced he became that he was right, and the conviction was on the whole a relief. He had been uneasy for some time, and Ghisleri's guarded words had not satisfied him; chance, however, had done what Ghisleri would not do, and the mystery was solved. The Princess of Gerano was at home that evening, and Arden of course went to the palace early, and was the last to leave.
Three times between half-past ten and half-past two o'clock Laura and he installed themselves side by side at some distance from the drawing-room, and each time their conversation lasted over half an hour. It was not a set ball, but one of the regular weekly informal dances of which there are so many in Rome during the season. The first interruption of Arden's talk appeared in the shape of Don Francesco Savelli, who asked Laura for a turn. Oddly enough she glanced at Lord Herbert's face before accepting, and the action sent a strange thrill to his heart. He struggled to his feet as she rose to go away with Savelli, and then sank back again and remained some time where he was, absently watching the people who passed. His face was very pale and weary now that the excitement of conversation had subsided, and he felt that if he was not positively ill, he was losing the little strength he had with every day that passed. Late hours, heated rooms, and strong emotions were not the best tonics for his feeble physical organisation, and he knew it. At last he made an effort, got up, and moved about in the crowd, exchanging a few words now and then with a passing acquaintance, but too preoccupied and perhaps too tired to talk long with indifferent people. He nodded as Ghisleri passed him with the Contessa dell' Armi on his arm, and he thought there was a bad light in his friend's eyes, though Pietro was looking better than in the afternoon. The two had evidently been dancing together, for the Contessa's white neck heaved a little, as though she were still out of breath. She was a short, slight woman of exquisite figure, very fair, with deep violet eyes and small classic features, almost hard in their regularity; evidently wilful and dominant in character. Arden watched the pair as they went on in search of a vacant sofa just big enough for two.
They had scarcely sat down and he could see that Ghisleri was beginning to talk, when Anastase Gouache appeared and stood still before them. To Arden's surprise the Contessa welcomed him with a bright smile and pointed to a chair at her side of the sofa. Anastase Gouache was a celebrated painter who had married a Roman lady of high birth, and was a very agreeable man, but Arden had not expected that he would be invited so readily to interrupt so promising a conversation. Ghisleri's face expressed nothing. He appeared to join in the talk for a few minutes and then rose and left the Contessa with Gouache. She looked after him, and Arden thought she grew a shade paler and frowned. A faint smile appeared on the Englishman's face and was gone again in an instant as Ghisleri came near him, returning again to the ball-room. Ghisleri had glanced at him as he passed and had seen that he was not talking to a lady.
"May I have the next dance, Miss Carlyon?" asked Pietro, when he found Laura in a corner with Francesco Savelli. "Thanks," he said, as she nodded graciously, and he passed on.
"Will you give me the dance after the next?" he inquired a few minutes later, coming up with Donna Adele, who was moving away on young Frangipani's arm.
"Certainly, caro Ghisleri," she answered, with alacrity, "as many as you please."
"You are very good," he said, with a slight bow, and withdrew to a window near Laura to wait until the waltz began. He could see Arden through the open door from the place where he stood.
When the dance was over he led Laura out and took one turn through the rooms, making a few commonplace remarks on the way. Coming back, he stopped as though by accident close to Lord Herbert.
"I am afraid you will think me very rude if I ask you to let me leave you," he said. "I am engaged for the next dance—it is a quadrille—and I must find a vis-à-vis."
Arden of course heard and presented himself immediately in Ghisleri's place. Laura was quite ready to go back with him to the sofa in the corner, and they resumed their conversation almost at the point at which it had been interrupted by Francesco Savelli. Neither of them ever knew that Ghisleri had brought them together again by a little social skill, just beyond what most people possess. Arden looked after him, half believing that he had only given Laura an excuse for leaving her in order to return to the Contessa dell' Armi, who was now surrounded by half a dozen men, beginning with old Spicca, who, as has been said, was still alive in those days, and ending with the little Vicomte de Bompierre, a young French attaché with a pleasant voice, a bright smile, and an incipient black moustache. But to Arden's surprise Ghisleri took quite a different direction, and began to speak to one man after another, evidently trying to secure a vis-à-vis for the square dance.
"You must not let me bore you, or rather you must not bore yourself with me," said Arden to Laura, after a short pause in the conversation. "You are altogether much too good to me."
"You never bore me," answered the young girl. "You are one of the few people who do not."
Arden smiled a little sadly.
"I am glad to be one of the 'few people,'" he said, "even if I am the last."
"You are too modest." She tried to laugh, but the effort was not very successful.
"No, I am not. I have much more vanity than you would suppose, or think possible, considering how little I have to be vain of."
"Opinions may differ about that," answered Laura, looking into his eyes. "You have much that many men might envy, and probably do."
"What, for instance?"
Laura hesitated, and then smiled, without effort this time.
"You are very good looking," she said after a moment.
"No one has ever told me that before," he answered. A very slight flush rose in his pale face.