The fire on the hearth has almost gone out in New England; the hearth has gone out; the family has lost its center; age ceases to be respected; sex is only distinguished by a difference between millinery bills and tailors' bills; there is no more toast-and-cider; the young are not allowed to eat mince-pies at ten o'clock at night; half a cheese is no longer set to toast before the fire; you scarcely ever see in front of the coals a row of roasting apples, which a bright little girl, with many a dive and start, shielding her sunny face from the fire with one hand, turns from time to time; scarce are the gray-haired sires who strop their razors on the family Bible, and doze in the chimney-corner. A good many things have gone out with the fire on the hearth.
I do not mean to say that public and private morality have vanished with the hearth. A good degree of purity and considerable happiness are possible with grates and blowers; it is a day of trial, when we are all passing through a fiery furnace, and very likely we shall be purified as we are dried up and wasted away. Of course the family is gone, as an institution, though there still are attempts to bring up a family round a “register.” But you might just as well try to bring it up by hand, as without the rallying-point of a hearthstone. Are there any homesteads nowadays? Do people hesitate to change houses any more than they do to change their clothes? People hire houses as they would a masquerade costume, liking, sometimes, to appear for a year in a little fictitious stone-front splendor above their means. Thus it happens that so many people live in houses that do not fit them. I should almost as soon think of wearing another person's clothes as his house; unless I could let it out and take it in until it fitted, and somehow expressed my own character and taste. But we have fallen into the days of conformity. It is no wonder that people constantly go into their neighbors' houses by mistake, just as, in spite of the Maine law, they wear away each other's hats from an evening party. It has almost come to this, that you might as well be anybody else as yourself.
Am I mistaken in supposing that this is owing to the discontinuance of big chimneys, with wide fireplaces in them? How can a person be attached to a house that has no center of attraction, no soul in it, in the visible form of a glowing fire, and a warm chimney, like the heart in the body? When you think of the old homestead, if you ever do, your thoughts go straight to the wide chimney and its burning logs. No wonder that you are ready to move from one fireplaceless house into another. But you have something just as good, you say. Yes, I have heard of it. This age, which imitates everything, even to the virtues of our ancestors, has invented a fireplace, with artificial, iron, or composition logs in it, hacked and painted, in which gas is burned, so that it has the appearance of a wood-fire. This seems to me blasphemy. Do you think a cat would lie down before it? Can you poke it? If you can't poke it, it is a fraud. To poke a wood-fire is more solid enjoyment than almost anything else in the world. The crowning human virtue in a man is to let his wife poke the fire. I do not know how any virtue whatever is possible over an imitation gas-log. What a sense of insincerity the family must have, if they indulge in the hypocrisy of gathering about it. With this center of untruthfulness, what must the life in the family be? Perhaps the father will be living at the rate of ten thousand a year on a salary of four thousand; perhaps the mother, more beautiful and younger than her beautified daughters, will rouge; perhaps the young ladies will make wax-work. A cynic might suggest as the motto of modern life this simple legend,—“just as good as the real.” But I am not a cynic, and I hope for the rekindling of wood-fires, and a return of the beautiful home light from them. If a wood-fire is a luxury, it is cheaper than many in which we indulge without thought, and cheaper than the visits of a doctor, made necessary by the want of ventilation of the house. Not that I have anything against doctors; I only wish, after they have been to see us in a way that seems so friendly, they had nothing against us.
My fireplace, which is deep, and nearly three feet wide, has a broad hearthstone in front of it, where the live coals tumble down, and a pair of gigantic brass andirons. The brasses are burnished, and shine cheerfully in the firelight, and on either side stand tall shovel and tongs, like sentries, mounted in brass. The tongs, like the two-handed sword of Bruce, cannot be wielded by puny people. We burn in it hickory wood, cut long. We like the smell of this aromatic forest timber, and its clear flame. The birch is also a sweet wood for the hearth, with a sort of spiritual flame and an even temper,—no snappishness. Some prefer the elm, which holds fire so well; and I have a neighbor who uses nothing but apple-tree wood,—a solid, family sort of wood, fragrant also, and full of delightful suggestions. But few people can afford to burn up their fruit trees. I should as soon think of lighting the fire with sweet-oil that comes in those graceful wicker-bound flasks from Naples, or with manuscript sermons, which, however, do not burn well, be they never so dry, not half so well as printed editorials.
Few people know how to make a wood-fire, but everybody thinks he or she does. You want, first, a large backlog, which does not rest on the andirons. This will keep your fire forward, radiate heat all day, and late in the evening fall into a ruin of glowing coals, like the last days of a good man, whose life is the richest and most beneficent at the close, when the flames of passion and the sap of youth are burned out, and there only remain the solid, bright elements of character. Then you want a forestick on the andirons; and upon these build the fire of lighter stuff. In this way you have at once a cheerful blaze, and the fire gradually eats into the solid mass, sinking down with increasing fervor; coals drop below, and delicate tongues of flame sport along the beautiful grain of the forestick. There are people who kindle a fire underneath. But these are conceited people, who are wedded to their own way. I suppose an accomplished incendiary always starts a fire in the attic, if he can. I am not an incendiary, but I hate bigotry. I don't call those incendiaries very good Christians who, when they set fire to the martyrs, touched off the fagots at the bottom, so as to make them go slow. Besides, knowledge works down easier than it does up. Education must proceed from the more enlightened down to the more ignorant strata. If you want better common schools, raise the standard of the colleges, and so on. Build your fire on top. Let your light shine. I have seen people build a fire under a balky horse; but he wouldn't go, he'd be a horse-martyr first. A fire kindled under one never did him any good. Of course you can make a fire on the hearth by kindling it underneath, but that does not make it right. I want my hearthfire to be an emblem of the best things.
It must be confessed that a wood-fire needs as much tending as a pair of twins. To say nothing of fiery projectiles sent into the room, even by the best wood, from the explosion of gases confined in its cells, the brands are continually dropping down, and coals are being scattered over the hearth. However much a careful housewife, who thinks more of neatness than enjoyment, may dislike this, it is one of the chief delights of a wood-fire. I would as soon have an Englishman without side-whiskers as a fire without a big backlog; and I would rather have no fire than one that required no tending,—one of dead wood that could not sing again the imprisoned songs of the forest, or give out in brilliant scintillations the sunshine it absorbed in its growth. Flame is an ethereal sprite, and the spice of danger in it gives zest to the care of the hearth-fire. Nothing is so beautiful as springing, changing flame,—it was the last freak of the Gothic architecture men to represent the fronts of elaborate edifices of stone as on fire, by the kindling flamboyant devices. A fireplace is, besides, a private laboratory, where one can witness the most brilliant chemical experiments, minor conflagrations only wanting the grandeur of cities on fire. It is a vulgar notion that a fire is only for heat. A chief value of it is, however, to look at. It is a picture, framed between the jambs. You have nothing on your walls, by the best masters (the poor masters are not, however, represented), that is really so fascinating, so spiritual. Speaking like an upholsterer, it furnishes the room. And it is never twice the same. In this respect it is like the landscape-view through a window, always seen in a new light, color, or condition. The fireplace is a window into the most charming world I ever had a glimpse of.
Yet direct heat is an agreeable sensation. I am not scientific enough to despise it, and have no taste for a winter residence on Mount Washington, where the thermometer cannot be kept comfortable even by boiling. They say that they say in Boston that there is a satisfaction in being well dressed which religion cannot give. There is certainly a satisfaction in the direct radiance of a hickory fire which is not to be found in the fieriest blasts of a furnace. The hot air of a furnace is a sirocco; the heat of a wood-fire is only intense sunshine, like that bottled in Lacrimae Christi. Besides this, the eye is delighted, the sense of smell is regaled by the fragrant decomposition, and the ear is pleased with the hissing, crackling, and singing,—a liberation of so many out-door noises. Some people like the sound of bubbling in a boiling pot, or the fizzing of a frying-spider. But there is nothing gross in the animated crackling of sticks of wood blazing on the earth, not even if chestnuts are roasting in the ashes. All the senses are ministered to, and the imagination is left as free as the leaping tongues of flame.
The attention which a wood-fire demands is one of its best recommendations. We value little that which costs us no trouble to maintain. If we had to keep the sun kindled up and going by private corporate action, or act of Congress, and to be taxed for the support of customs officers of solar heat, we should prize it more than we do. Not that I should like to look upon the sun as a job, and have the proper regulation of its temperature get into politics, where we already have so much combustible stuff; but we take it quite too much as a matter of course, and, having it free, do not reckon it among the reasons for gratitude. Many people shut it out of their houses as if it were an enemy, watch its descent upon the carpet as if it were only a thief of color, and plant trees to shut it away from the mouldering house. All the animals know better than this, as well as the more simple races of men; the old women of the southern Italian coasts sit all day in the sun and ply the distaff, as grateful as the sociable hens on the south side of a New England barn; the slow tortoise likes to take the sun upon his sloping back, soaking in color that shall make him immortal when the imperishable part of him is cut up into shell ornaments. The capacity of a cat to absorb sunshine is only equaled by that of an Arab or an Ethiopian. They are not afraid of injuring their complexions.
White must be the color of civilization; it has so many natural disadvantages. But this is politics. I was about to say that, however it may be with sunshine, one is always grateful for his wood-fire, because he does not maintain it without some cost.
Yet I cannot but confess to a difference between sunlight and the light of a wood-fire. The sunshine is entirely untamed. Where it rages most freely it tends to evoke the brilliancy rather than the harmonious satisfactions of nature. The monstrous growths and the flaming colors of the tropics contrast with our more subdued loveliness of foliage and bloom. The birds of the middle region dazzle with their contrasts of plumage, and their voices are for screaming rather than singing. I presume the new experiments in sound would project a macaw's voice in very tangled and inharmonious lines of light. I suspect that the fiercest sunlight puts people, as well as animals and vegetables, on extremes in all ways. A wood-fire on the hearth is a kindler of the domestic virtues. It brings in cheerfulness, and a family center, and, besides, it is artistic. I should like to know if an artist could ever represent on canvas a happy family gathered round a hole in the floor called a register. Given a fireplace, and a tolerable artist could almost create a pleasant family round it. But what could he conjure out of a register? If there was any virtue among our ancestors,—and they labored under a great many disadvantages, and had few of the aids which we have to excellence of life,—I am convinced they drew it mostly from the fireside. If it was difficult to read the eleven commandments by the light of a pine-knot, it was not difficult to get the sweet spirit of them from the countenance of the serene mother knitting in the chimney-corner.
When the fire is made, you want to sit in front of it and grow genial in its effulgence. I have never been upon a throne,—except in moments of a traveler's curiosity, about as long as a South American dictator remains on one,—but I have no idea that it compares, for pleasantness, with a seat before a wood-fire. A whole leisure day before you, a good novel in hand, and the backlog only just beginning to kindle, with uncounted hours of comfort in it, has life anything more delicious? For “novel” you can substitute “Calvin's Institutes,” if you wish to be virtuous as well as happy. Even Calvin would melt before a wood-fire. A great snowstorm, visible on three sides of your wide-windowed room, loading the evergreens, blown in fine powder from the great chestnut-tops, piled up in ever accumulating masses, covering the paths, the shrubbery, the hedges, drifting and clinging in fantastic deposits, deepening your sense of security, and taking away the sin of idleness by making it a necessity, this is an excellent ground to your day by the fire.
To deliberately sit down in the morning to read a novel, to enjoy yourself, is this not, in New England (I am told they don't read much in other parts of the country), the sin of sins? Have you any right to read, especially novels, until you have exhausted the best part of the day in some employment that is called practical? Have you any right to enjoy yourself at all until the fag-end of the day, when you are tired and incapable of enjoying yourself? I am aware that this is the practice, if not the theory, of our society,—to postpone the delights of social intercourse until after dark, and rather late at night, when body and mind are both weary with the exertions of business, and when we can give to what is the most delightful and profitable thing in life, social and intellectual society, only the weariness of dull brains and over-tired muscles. No wonder we take our amusements sadly, and that so many people find dinners heavy and parties stupid. Our economy leaves no place for amusements; we merely add them to the burden of a life already full. The world is still a little off the track as to what is really useful.
I confess that the morning is a very good time to read a novel, or anything else which is good and requires a fresh mind; and I take it that nothing is worth reading that does not require an alert mind. I suppose it is necessary that business should be transacted; though the amount of business that does not contribute to anybody's comfort or improvement suggests the query whether it is not overdone. I know that unremitting attention to business is the price of success, but I don't know what success is. There is a man, whom we all know, who built a house that cost a quarter of a million of dollars, and furnished it for another like sum, who does not know anything more about architecture, or painting, or books, or history, than he cares for the rights of those who have not so much money as he has. I heard him once, in a foreign gallery, say to his wife, as they stood in front of a famous picture by Rubens: “That is the Rape of the Sardines!” What a cheerful world it would be if everybody was as successful as that man! While I am reading my book by the fire, and taking an active part in important transactions that may be a good deal better than real, let me be thankful that a great many men are profitably employed in offices and bureaus and country stores in keeping up the gossip and endless exchange of opinions among mankind, so much of which is made to appear to the women at home as “business.” I find that there is a sort of busy idleness among men in this world that is not held in disrepute. When the time comes that I have to prove my right to vote, with women, I trust that it will be remembered in my favor that I made this admission. If it is true, as a witty conservative once said to me, that we never shall have peace in this country until we elect a colored woman president, I desire to be rectus in curia early.
The fireplace, as we said, is a window through which we look out upon other scenes. We like to read of the small, bare room, with cobwebbed ceiling and narrow window, in which the poor child of genius sits with his magical pen, the master of a realm of beauty and enchantment. I think the open fire does not kindle the imagination so much as it awakens the memory; one sees the past in its crumbling embers and ashy grayness, rather than the future. People become reminiscent and even sentimental in front of it. They used to become something else in those good old days when it was thought best to heat the poker red hot before plunging it into the mugs of flip. This heating of the poker has been disapproved of late years, but I do not know on what grounds; if one is to drink bitters and gins and the like, such as I understand as good people as clergymen and women take in private, and by advice, I do not know why one should not make them palatable and heat them with his own poker. Cold whiskey out of a bottle, taken as a prescription six times a day on the sly, is n't my idea of virtue any more than the social ancestral glass, sizzling wickedly with the hot iron. Names are so confusing in this world; but things are apt to remain pretty much the same, whatever we call them.
Perhaps as you look into the fireplace it widens and grows deep and cavernous. The back and the jambs are built up of great stones, not always smoothly laid, with jutting ledges upon which ashes are apt to lie. The hearthstone is an enormous block of trap rock, with a surface not perfectly even, but a capital place to crack butternuts on. Over the fire swings an iron crane, with a row of pot-hooks of all lengths hanging from it. It swings out when the housewife wants to hang on the tea-kettle, and it is strong enough to support a row of pots, or a mammoth caldron kettle on occasion. What a jolly sight is this fireplace when the pots and kettles in a row are all boiling and bubbling over the flame, and a roasting spit is turning in front! It makes a person as hungry as one of Scott's novels. But the brilliant sight is in the frosty morning, about daylight, when the fire is made. The coals are raked open, the split sticks are piled up in openwork criss-crossing, as high as the crane; and when the flame catches hold and roars up through the interstices, it is like an out-of-door bonfire. Wood enough is consumed in that morning sacrifice to cook the food of a Parisian family for a year. How it roars up the wide chimney, sending into the air the signal smoke and sparks which announce to the farming neighbors another day cheerfully begun! The sleepiest boy in the world would get up in his red flannel nightgown to see such a fire lighted, even if he dropped to sleep again in his chair before the ruddy blaze. Then it is that the house, which has shrunk and creaked all night in the pinching cold of winter, begins to glow again and come to life. The thick frost melts little by little on the small window-panes, and it is seen that the gray dawn is breaking over the leagues of pallid snow. It is time to blow out the candle, which has lost all its cheerfulness in the light of day. The morning romance is over; the family is astir; and member after member appears with the morning yawn, to stand before the crackling, fierce conflagration. The daily round begins. The most hateful employment ever invented for mortal man presents itself: the “chores” are to be done. The boy who expects every morning to open into a new world finds that to-day is like yesterday, but he believes to-morrow will be different. And yet enough for him, for the day, is the wading in the snowdrifts, or the sliding on the diamond-sparkling crust. Happy, too, is he, when the storm rages, and the snow is piled high against the windows, if he can sit in the warm chimney-corner and read about Burgoyne, and General Fraser, and Miss McCrea, midwinter marches through the wilderness, surprises of wigwams, and the stirring ballad, say, of the Battle of the Kegs:—
I should like to know what heroism a boy in an old New England farmhouse—rough-nursed by nature, and fed on the traditions of the old wars did not aspire to. “John,” says the mother, “You'll burn your head to a crisp in that heat.” But John does not hear; he is storming the Plains of Abraham just now. “Johnny, dear, bring in a stick of wood.” How can Johnny bring in wood when he is in that defile with Braddock, and the Indians are popping at him from behind every tree? There is something about a boy that I like, after all.
The fire rests upon the broad hearth; the hearth rests upon a great substruction of stone, and the substruction rests upon the cellar. What supports the cellar I never knew, but the cellar supports the family. The cellar is the foundation of domestic comfort. Into its dark, cavernous recesses the child's imagination fearfully goes. Bogies guard the bins of choicest apples. I know not what comical sprites sit astride the cider-barrels ranged along the walls. The feeble flicker of the tallow-candle does not at all dispel, but creates, illusions, and magnifies all the rich possibilities of this underground treasure-house. When the cellar-door is opened, and the boy begins to descend into the thick darkness, it is always with a heart-beat as of one started upon some adventure. Who can forget the smell that comes through the opened door;—a mingling of fresh earth, fruit exhaling delicious aroma, kitchen vegetables, the mouldy odor of barrels, a sort of ancestral air,—as if a door had been opened into an old romance. Do you like it? Not much. But then I would not exchange the remembrance of it for a good many odors and perfumes that I do like.
It is time to punch the backlog and put on a new forestick.
The log was white birch. The beautiful satin bark at once kindled into a soft, pure, but brilliant flame, something like that of naphtha. There is no other wood flame so rich, and it leaps up in a joyous, spiritual way, as if glad to burn for the sake of burning. Burning like a clear oil, it has none of the heaviness and fatness of the pine and the balsam. Woodsmen are at a loss to account for its intense and yet chaste flame, since the bark has no oily appearance. The heat from it is fierce, and the light dazzling. It flares up eagerly like young love, and then dies away; the wood does not keep up the promise of the bark. The woodsmen, it is proper to say, have not considered it in its relation to young love. In the remote settlements the pine-knot is still the torch of courtship; it endures to sit up by. The birch-bark has alliances with the world of sentiment and of letters. The most poetical reputation of the North American Indian floats in a canoe made of it; his picture-writing was inscribed on it. It is the paper that nature furnishes for lovers in the wilderness, who are enabled to convey a delicate sentiment by its use, which is expressed neither in their ideas nor chirography. It is inadequate for legal parchment, but does very well for deeds of love, which are not meant usually to give a perfect title. With care, it may be split into sheets as thin as the Chinese paper. It is so beautiful to handle that it is a pity civilization cannot make more use of it. But fancy articles manufactured from it are very much like all ornamental work made of nature's perishable seeds, leaves, cones, and dry twigs,—exquisite while the pretty fingers are fashioning it, but soon growing shabby and cheap to the eye. And yet there is a pathos in “dried things,” whether they are displayed as ornaments in some secluded home, or hidden religiously in bureau drawers where profane eyes cannot see how white ties are growing yellow and ink is fading from treasured letters, amid a faint and discouraging perfume of ancient rose-leaves.
The birch log holds out very well while it is green, but has not substance enough for a backlog when dry. Seasoning green timber or men is always an experiment. A man may do very well in a simple, let us say, country or backwoods line of life, who would come to nothing in a more complicated civilization. City life is a severe trial. One man is struck with a dry-rot; another develops season-cracks; another shrinks and swells with every change of circumstance. Prosperity is said to be more trying than adversity, a theory which most people are willing to accept without trial; but few men stand the drying out of the natural sap of their greenness in the artificial heat of city life. This, be it noticed, is nothing against the drying and seasoning process; character must be put into the crucible some time, and why not in this world? A man who cannot stand seasoning will not have a high market value in any part of the universe. It is creditable to the race, that so many men and women bravely jump into the furnace of prosperity and expose themselves to the drying influences of city life.