(With apologies to Dr. Conan Doyle, and his excellent book,
'A Study in Scarlet'.)
I dropped in on my friend, Sherlaw Kombs, to hear what he had to say about the Pegram mystery, as it had come to be called in the newspapers. I found him playing the violin with a look of sweet peace and serenity on his face, which I never noticed on the countenances of those within hearing distance. I knew this expression of seraphic calm indicated that Kombs had been deeply annoyed about something. Such, indeed, proved to be the case, for one of the morning papers had contained an article eulogising the alertness and general competence of Scotland Yard. So great was Sherlaw Kombs's contempt for Scotland Yard that he never would visit Scotland during his vacations, nor would he ever admit that a Scotchman was fit for anything but export.
He generously put away his violin, for he had a sincere liking for me, and greeted me with his usual kindness.
'I have come,' I began, plunging at once into the matter on my mind, 'to hear what you think of the great Pegram mystery.'
'I haven't heard of it,' he said quietly, just as if all London were not talking of that very thing. Kombs was curiously ignorant on some subjects, and abnormally learned on others. I found, for instance, that political discussion with him was impossible, because he did not know who Salisbury and Gladstone were. This made his friendship a great boon.
'The Pegram mystery has baffled even Gregory, of Scotland Yard.'
'I can well believe it,' said my friend, calmly. 'Perpetual motion, or squaring the circle, would baffle Gregory. He's an infant, is Gregory.'
This was one of the things I always liked about Kombs. There was no professional jealousy in him, such as characterises so many other men.
He filled his pipe, threw himself into his deep-seated armchair, placed his feet on the mantel, and clasped his hands behind his head.
'Tell me about it,' he said simply.
'Old Barrie Kipson,' I began, 'was a stockbroker in the City. He lived in Pegram, and it was his custom to—'
'COME IN!' shouted Kombs, without changing his position, but with a suddenness that startled me. I had heard no knock.
'Excuse me,' said my friend, laughing, 'my invitation to enter was a trifle premature. I was really so interested in your recital that I spoke before I thought, which a detective should never do. The fact is, a man will be here in a moment who will tell me all about this crime, and so you will be spared further effort in that line.'
'Ah, you have an appointment. In that case I will not intrude,' I said, rising.
'Sit down; I have no appointment. I did not know until I spoke that he was coming.'
I gazed at him in amazement. Accustomed as I was to his extraordinary talents, the man was a perpetual surprise to me. He continued to smoke quietly, but evidently enjoyed my consternation.
'I see you are surprised. It is really too simple to talk about, but, from my position opposite the mirror, I can see the reflection of objects in the street. A man stopped, looked at one of my cards, and then glanced across the street. I recognised my card, because, as you know, they are all in scarlet. If, as you say, London is talking of this mystery, it naturally follows that he will talk of it, and the chances are he wished to consult with me upon it. Anyone can see that, besides there is always—Come in!
There was a rap at the door this time.
A stranger entered. Sherlaw Kombs did not change his lounging attitude.
'I wish to see Mr. Sherlaw Kombs, the detective,' said the stranger, coming within the range of the smoker's vision.
'This is Mr. Kombs,' I remarked at last, as my friend smoked quietly, and seemed half-asleep.
'Allow me to introduce myself,' continued the stranger, fumbling for a card.
'There is no need. You are a journalist,' said Kombs.
'Ah,' said the stranger, somewhat taken aback, 'you know me, then.'
'Never saw or heard of you in my life before.'
'Then how in the world—'
'Nothing simpler. You write for an evening paper. You have written an article slating the book of a friend. He will feel badly about it, and you will condole with him. He will never know who stabbed him unless I tell him.'
'The devil!' cried the journalist, sinking into a chair and mopping his brow, while his face became livid.
'Yes,' drawled Kombs, 'it is a devil of a shame that such things are done. But what would you? as we say in France.'
When the journalist had recovered his second wind he pulled himself together somewhat. 'Would you object to telling me how you know these particulars about a man you say you have never seen?'
'I rarely talk about these things,' said Kombs with great composure. 'But as the cultivation of the habit of observation may help you in your profession, and thus in a remote degree benefit me by making your paper less deadly dull, I will tell you. Your first and second fingers are smeared with ink, which shows that you write a great deal. This smeared class embraces two sub-classes, clerks or accountants, and journalists. Clerks have to be neat in their work. The ink smear is slight in their case. Your fingers are badly and carelessly smeared; therefore, you are a journalist. You have an evening paper in your pocket. Anyone might have any evening paper, but yours is a Special Edition, which will not be on the streets for half-an-hour yet. You must have obtained it before you left the office, and to do this you must be on the staff. A book notice is marked with a blue pencil. A journalist always despises every article in his own paper not written by himself; therefore, you wrote the article you have marked, and doubtless are about to send it to the author of the book referred to. Your paper makes a speciality of abusing all books not written by some member of its own staff. That the author is a friend of yours, I merely surmised. It is all a trivial example of ordinary observation.'
'Really, Mr. Kombs, you are the most wonderful man on earth. You are the equal of Gregory, by Jove, you are.'
A frown marred the brow of my friend as he placed his pipe on the sideboard and drew his self-cocking six-shooter.
'Do you mean to insult me, sir?'
'I do not—I—I assure you. You are fit to take charge of Scotland Yard tomorrow ——. I am in earnest, indeed I am, sir.'
'Then heaven help you,' cried Kombs, slowly raising his right arm.
I sprang between them.
'Don't shoot!' I cried. 'You will spoil the carpet. Besides, Sherlaw, don't you see the man means well. He actually thinks it is a compliment!'
'Perhaps you are right,' remarked the detective, flinging his revolver carelessly beside his pipe, much to the relief of the third party. Then, turning to the journalist, he said, with his customary bland courtesy—
'You wanted to see me, I think you said. What can I do for you, Mr Wilber Scribbings?'
The journalist started.
'How do you know my name?' he gasped.
Kombs waved his hand impatiently.
'Look inside your hat if you doubt your own name.'
I then noticed for the first time that the name was plainly to be seen inside the top-hat Scribbings held upside down in his hands.
'You have heard, of course, of the Pegram mystery—'
'Tush,' cried the detective; 'do not, I beg of you, call it a mystery. There is no such thing. Life would become more tolerable if there ever was a mystery. Nothing is original. Everything has been done before. What about the Pegram affair?'
'The Pegram—ah—case has baffled everyone. The Evening Blade wishes you to investigate, so that it may publish the result. It will pay you well. Will you accept the commission?'
'Possibly. Tell me about the case.'
'I thought everybody knew the particulars. Mr. Barrie Kipson lived at Pegram. He carried a first-class season ticket between the terminus and that station. It was his custom to leave for Pegram on the 5.30 train each evening. Some weeks ago, Mr. Kipson was brought down by the influenza. On his first visit to the City after his recovery, he drew something like £300 in notes, and left the office at his usual hour to catch the 5.30. He was never seen again alive, as far as the public have been able to learn. He was found at Brewster in a first-class compartment on the Scotch Express, which does not stop between London and Brewster. There was a bullet in his head, and his money was gone, pointing plainly to murder and robbery.'
'And where is the mystery, might I ask?'
'There are several unexplainable things about the case. First, how came he on the Scotch Express, which leaves at six, and does not stop at Pegram? Second, the ticket examiners at the terminus would have turned him out if he showed his season ticket; and all the tickets sold for the Scotch Express on the 21st are accounted for. Third, how could the murderer have escaped? Fourth, the passengers in the two compartments on each side of the one where the body was found heard no scuffle and no shot fired.'
'Are you sure the Scotch Express on the 21st did not stop between London and Brewster?'
'Now that you mention the fact, it did. It was stopped by signal just outside of Pegram. There was a few moments' pause, when the line was reported clear, and it went on again. This frequently happens, as there is a branch line beyond Pegram.'
Mr. Sherlaw Kombs pondered for a few moments, smoking his pipe silently.
'I presume you wish the solution in time for tomorrow's paper?'
'Bless my soul, no. The editor thought if you evolved a theory in a month you would do well.'
'My dear sir, I do not deal with theories, but with facts. If you can make it convenient to call here tomorrow at 8 a.m. I will give you the full particulars early enough for the first edition. There is no sense in taking up much time over so simple an affair as the Pegram case. Good afternoon, sir.'
Mr. Scribbings was too much astonished to return the greeting. He left in a speechless condition, and I saw him go up the street with his hat still in his hand.
Sherlaw Kombs relapsed into his old lounging attitude, with his hands clasped behind his head. The smoke came from his lips in quick puffs at first, then at longer intervals. I saw he was coming to a conclusion, so I said nothing.
Finally he spoke in his most dreamy manner. 'I do not wish to seem to be rushing things at all, Whatson, but I am going out tonight on the Scotch Express. Would you care to accompany me?'
'Bless me!' I cried, glancing at the clock, 'you haven't time, it is after five now.'
'Ample time, Whatson—ample,' he murmured, without changing his position. 'I give myself a minute and a half to change slippers and dressing-gown for boots and coat, three seconds for hat, twenty-five seconds to the street, forty-two seconds waiting for a hansom, and then seven minutes at the terminus before the express starts. I shall be glad of your company.'
I was only too happy to have the privilege of going with him. It was most interesting to watch the workings of so inscrutable a mind. As we drove under the lofty iron roof of the terminus I noticed a look of annoyance pass over his face.
'We are fifteen seconds ahead of our time,' he remarked, looking at the big clock. 'I dislike having a miscalculation of that sort occur.'
The great Scotch Express stood ready for its long journey. The detective tapped one of the guards on the shoulder.
'You have heard of the so-called Pegram mystery, I presume?'
'Certainly, sir. It happened on this very train, sir.'
'Really? Is the same carriage still on the train?'
'Well, yes, sir, it is,' replied the guard, lowering his voice, 'but of course, sir, we have to keep very quiet about it. People wouldn't travel in it, else, sir.'
'Doubtless. Do you happen to know if anybody occupies the compartment in which the body was found?'
'A lady and gentleman, sir; I put 'em in myself, sir.'
'Would you further oblige me,' said the detective, deftly slipping half-a-sovereign into the hand of the guard, 'by going to the window and informing them in an offhand casual sort of way that the tragedy took place in that compartment?'
'Certainly, sir.'
We followed the guard, and the moment he had imparted his news there was a suppressed scream in the carriage. Instantly a lady came out, followed by a florid-faced gentleman, who scowled at the guard. We entered the now empty compartment, and Kombs said:
'We would like to be alone here until we reach Brewster.'
'I'll see to that, sir,' answered the guard, locking the door.
When the official moved away, I asked my friend what he expected to find in the carriage that would cast any light on the case.
'Nothing,' was his brief reply.
'Then why do you come?'
'Merely to corroborate the conclusions I have already arrived at.'
'And might I ask what those conclusions are?'
'Certainly,' replied the detective, with a touch of lassitude in his voice. 'I beg to call your attention, first, to the fact that this train stands between two platforms, and can be entered from either side. Any man familiar with the station for years would be aware of that fact. This shows how Mr. Kipson entered the train just before it started.'
'But the door on this side is locked,' I objected, trying it.
'Of course. But every season ticket-holder carries a key. This accounts for the guard not seeing him, and for the absence of a ticket. Now let me give you some information about the influenza. The patient's temperature rises several degrees above normal, and he has a fever. When the malady has run its course, the temperature falls to three-quarters of a degree below normal. These facts are unknown to you, I imagine, because you are a doctor.'
I admitted such was the case.
'Well, the consequence of this fall in temperature is that the convalescent's mind turns towards thoughts of suicide. Then is the time he should be watched by his friends. Then was the time Mr. Barrie Kipson's friends did not watch him. You remember the 21st, of course. No? It was a most depressing day. Fog all around and mud under foot. Very good. He resolves on suicide. He wishes to be unidentified, if possible, but forgets his season ticket. My experience is that a man about to commit a crime always forgets something.'
'But how do you account for the disappearance of the money?'
'The money has nothing to do with the matter. If he was a deep man, and knew the stupidness of Scotland Yard, he probably sent the notes to an enemy. If not, they may have been given to a friend. Nothing is more calculated to prepare the mind for self-destruction than the prospect of a night ride on the Scotch express, and the view from the windows of the train as it passes through the northern part of London is particularly conducive to thoughts of annihilation.'
'What became of the weapon?'
'That is just the point on which I wish to satisfy myself. Excuse me for a moment.'
Mr. Sherlaw Kombs drew down the window on the right hand side, and examined the top of the casing minutely with a magnifying glass. Presently he heaved a sigh of relief, and drew up the sash.
'Just as I expected,' he remarked, speaking more to himself than to me. 'There is a slight dent on the top of the window-frame. It is of such a nature as to be made only by the trigger of a pistol falling from the nerveless hand of a suicide. He intended to throw the weapon far out of the window, but had not the strength. It might have fallen into the carriage. As a matter of fact, it bounced away from the line and lies among the grass about ten feet six inches from the outside rail. The only question that now remains is where the deed was committed, and the exact present position of the pistol reckoned in miles from London, but that, fortunately, is too simple to even need explanation.'
'Great heavens, Sherlaw!' I cried. 'How can you call that simple? It seems to me impossible to compute.'
We were now flying over Northern London, and the great detective leaned back with every sign of ennui, closing his eyes. At last he spoke wearily:
'It is really too elementary, Whatson, but I am always willing to oblige a friend. I shall be relieved, however, when you are able to work out the ABC of detection for yourself, although I shall never object to helping you with the words of more than three syllables. Having made up his mind to commit suicide, Kipson naturally intended to do it before he reached Brewster, because tickets are again examined at that point. When the train began to stop at the signal near Pegram, he came to the false conclusion that it was stopping at Brewster. The fact that the shot was not heard is accounted for by the screech of the air-brake, added to the noise of the train. Probably the whistle was also sounding at the same moment. The train being a fast express would stop as near the signal as possible. The air-brake will stop a train in twice its own length. Call it three times in this case. Very well. At three times the length of this train from the signal-post towards London, deducting half the length of the train, as this carriage is in the middle, you will find the pistol.'
'Wonderful!' I exclaimed.
'Commonplace,' he murmured.
At this moment the whistle sounded shrilly, and we felt the grind of the air-brakes.
'The Pegram signal again,' cried Kombs, with something almost like enthusiasm. 'This is indeed luck. We will get out here, Whatson, and test the matter.'
As the train stopped, we got out on the right-hand side of the line. The engine stood panting impatiently under the red light, which changed to green as I looked at it. As the train moved on with increasing speed, the detective counted the carriages, and noted down the number. It was now dark, with the thin crescent of the moon hanging in the western sky throwing a weird half-light on the shining metals. The rear lamps of the train disappeared around a curve, and the signal stood at baleful red again. The black magic of the lonesome night in that strange place impressed me, but the detective was a most practical man. He placed his back against the signal-post, and paced up the line with even strides, counting his steps. I walked along the permanent way beside him silently. At last he stopped, and took a tape-line from his pocket. He ran it out until the ten feet six inches were unrolled, scanning the figures in the wan light of the new moon. Giving me the end, he placed his knuckles on the metals, motioning me to proceed down the embankment. I stretched out the line, and then sank my hand in the damp grass to mark the spot.
'Good God!' I cried, aghast, 'what is this?'
'It is the pistol,' said Kombs quietly.
It was!!
Journalistic London will not soon forget the sensation that was caused by the record of the investigations of Sherlaw Kombs, as printed at length in the next day's Evening Blade. Would that my story ended here. Alas! Kombs contemptuously turned over the pistol to Scotland Yard. The meddlesome officials, actuated, as I always hold, by jealousy, found the name of the seller upon it. They investigated. The seller testified that it had never been in the possession of Mr Kipson, as far as he knew. It was sold to a man whose description tallied with that of a criminal long watched by the police. He was arrested, and turned Queen's evidence in the hope of hanging his pal. It seemed that Mr. Kipson, who was a gloomy, taciturn man, and usually came home in a compartment by himself, thus escaping observation, had been murdered in the lane leading to his house. After robbing him, the miscreants turned their thoughts towards the disposal of the body—a subject that always occupies a first-class criminal mind before the deed is done. They agreed to place it on the line, and have it mangled by the Scotch Express, then nearly due. Before they got the body half-way up the embankment the express came along and stopped. The guard got out and walked along the other side to speak with the engineer. The thought of putting the body into an empty first-class carriage instantly occurred to the murderers. They opened the door with the deceased's key. It is supposed that the pistol dropped when they were hoisting the body in the carriage.
The Queen's evidence dodge didn't work, and Scotland Yard ignobly insulted my friend Sherlaw Kombs by sending him a pass to see the villains hanged.
In some natures there are no half-tones; nothing but raw primary colours. John Bodman was a man who was always at one extreme or the other. This probably would have mattered little had he not married a wife whose nature was an exact duplicate of his own.
Doubtless there exists in this world precisely the right woman for any given man to marry and vice versâ; but when you consider that a human being has the opportunity of being acquainted with only a few hundred people, and out of the few hundred that there are but a dozen or less whom he knows intimately, and out of the dozen, one or two friends at most, it will easily be seen, when we remember the number of millions who inhabit this world, that probably, since the earth was created, the right man has never yet met the right woman. The mathematical chances are all against such a meeting, and this is the reason that divorce courts exist. Marriage at best is but a compromise, and if two people happen to be united who are of an uncompromising nature there is trouble.
In the lives of these two young people there was no middle distance. The result was bound to be either love or hate, and in the case of Mr. and Mrs. Bodman it was hate of the most bitter and arrogant kind.
In some parts of the world incompatibility of temper is considered a just cause for obtaining a divorce, but in England no such subtle distinction is made, and so until the wife became criminal, or the man became both criminal and cruel, these two were linked together by a bond that only death could sever. Nothing can be worse than this state of things, and the matter was only made the more hopeless by the fact that Mrs. Bodman lived a blameless life, and her husband was no worse, but rather better, than the majority of men. Perhaps, however, that statement held only up to a certain point, for John Bodman had reached a state of mind in which he resolved to get rid of his wife at all hazards. If he had been a poor man he would probably have deserted her, but he was rich, and a man cannot freely leave a prospering business because his domestic life happens not to be happy.
When a man's mind dwells too much on any one subject, no one can tell just how far he will go. The mind is a delicate instrument, and even the law recognises that it is easily thrown from its balance. Bodman's friends—for he had friends—claim that his mind was unhinged; but neither his friends nor his enemies suspected the truth of the episode, which turned out to be the most important, as it was the most ominous, event in his life.
Whether John Bodman was sane or insane at the time he made up his mind to murder his wife, will never be known, but there was certainly craftiness in the method he devised to make the crime appear the result of an accident. Nevertheless, cunning is often a quality in a mind that has gone wrong.
Mrs. Bodman well knew how much her presence afflicted her husband, but her nature was as relentless as his, and her hatred of him was, if possible, more bitter than his hatred of her. Wherever he went she accompanied him, and perhaps the idea of murder would never have occurred to him if she had not been so persistent in forcing her presence upon him at all times and on all occasions. So, when he announced to her that he intended to spend the month of July in Switzerland, she said nothing, but made her preparations for the journey. On this occasion he did not protest, as was usual with him, and so to Switzerland this silent couple departed.
There is an hotel near the mountain-tops which stands on a ledge over one of the great glaciers. It is a mile and a half above the level of the sea, and it stands alone, reached by a toilsome road that zigzags up the mountain for six miles. There is a wonderful view of snow-peaks and glaciers from the verandahs of this hotel, and in the neighbourhood are many picturesque walks to points more or less dangerous.
John Bodman knew the hotel well, and in happier days he had been intimately acquainted with the vicinity. Now that the thought of murder arose in his mind, a certain spot two miles distant from this inn continually haunted him. It was a point of view overlooking everything, and its extremity was protected by a low and crumbling wall. He arose one morning at four o'clock, slipped unnoticed out of the hotel, and went to this point, which was locally named the Hanging Outlook. His memory had served him well. It was exactly the spot, he said to himself. The mountain which rose up behind it was wild and precipitous. There were no inhabitants near to overlook the place. The distant hotel was hidden by a shoulder of rock. The mountains on the other side of the valley were too far away to make it possible for any casual tourist or native to see what was going on on the Hanging Outlook. Far down in the valley the only town in view seemed like a collection of little toy houses.
One glance over the crumbling wall at the edge was generally sufficient for a visitor of even the strongest nerves. There was a sheer drop of more than a mile straight down, and at the distant bottom were jagged rocks and stunted trees that looked, in the blue haze, like shrubbery.
"This is the spot," said the man to himself, "and to-morrow morning is the time."
John Bodman had planned his crime as grimly and relentlessly, and as coolly, as ever he had concocted a deal on the Stock Exchange. There was no thought in his mind of mercy for his unconscious victim. His hatred had carried him far.
The next morning after breakfast, he said to his wife: "I intend to take a walk in the mountains. Do you wish to come with me?"
"Yes," she answered briefly.
"Very well, then," he said; "I shall be ready at nine o'clock."
"I shall be ready at nine o'clock," she repeated after him.
At that hour they left the hotel together, to which he was shortly to return alone. The spoke no word to each other on their way to the Hanging Outlook. The path was practically level, skirting the mountains, for the Hanging Outlook was not much higher above the sea than the hotel.
John Bodman had formed no fixed plan for his procedure when the place was reached. He resolved to be guided by circumstances. Now and then a strange fear arose in his mind that she might cling to him and possibly drag him over the precipice with her. He found himself wondering whether she had any premonition of her fate, and one of his reasons for not speaking was the fear that a tremor in his voice might possibly arouse her suspicions. He resolved that his action should be sharp and sudden, that she might have no chance either to help herself or to drag him with her. Of her screams in that desolate region he had no fear. No one could reach the spot except from the hotel, and no one that morning had left the house, even for an expedition to the glacier—one of the easiest and most popular trips from the place.
Curiously enough, when they came within sight of the Hanging Outlook, Mrs. Bodman stopped and shuddered. Bodman looked at her through the narrow slits of his veiled eyes, and wondered again if she had any suspicion. No one can tell, when two people walk closely together, what unconscious communication one mind may have with another.
"What is the matter?" he asked gruffly. "Are you tired?"
"John," she cried, with a gasp in her voice, calling him by his Christian name for the first time in years, "don't you think that if you had been kinder to me at first, things might have been different?"
"It seems to me," he answered, not looking at her, "that it is rather late in the day for discussing that question."
"I have much to regret," she said quaveringly. "Have you nothing?"
"No," he answered.
"Very well," replied his wife, with the usual hardness returning to her voice. "I was merely giving you a chance. Remember that."
Her husband looked at her suspiciously.
"What do you mean?" he asked, "giving me a chance? I want no chance nor anything else from you. A man accepts nothing from one he hates. My feeling towards you is, I imagine, no secret to you. We are tied together, and you have done your best to make the bondage insupportable."
"Yes," she answered, with her eyes on the ground, "we are tied together—we are tied together!"
She repeated these words under her breath as they walked the few remaining steps to the Outlook. Bodman sat down upon the crumbling wall. The woman dropped her alpenstock on the rock, and walked nervously to and fro, clasping and unclasping her hands. Her husband caught his breath as the terrible moment drew near.
"Why do you walk about like a wild animal?" he cried. "Come here and sit down beside me, and be still."
She faced him with a light he had never before seen in her eyes—a light of insanity and of hatred.
"I walk like a wild animal," she said, "because I am one. You spoke a moment ago of your hatred of me; but you are a man, and your hatred is nothing to mine. Bad as you are, much as you wish to break the bond which ties us together, there are still things which I know you would not stoop to. I know there is no thought of murder in your heart, but there is in mine. I will show you, John Bodman, how much I hate you."
The man nervously clutched the stone beside him, and gave a guilty start as she mentioned murder.
"Yes," she continued, "I have told all my friends in England that I believed you intended to murder me in Switzerland."
"Good God!" he cried. "How could you say such a thing?"
"I say it to show how much I hate you—how much I am prepared to give for revenge. I have warned the people at the hotel, and when we left two men followed us. The proprietor tried to persuade me not to accompany you. In a few moments those two men will come in sight of the Outlook. Tell them, if you think they will believe you, that it was an accident."
The mad woman tore from the front of her dress shreds of lace and scattered them around. Bodman started up to his feet, crying, "What are you about?" But before he could move toward her she precipitated herself over the wall, and went shrieking and whirling down the awful abyss.
The next moment two men came hurriedly round the edge of the rock, and found the man standing alone. Even in his bewilderment he realised that if he told the truth he would not be believed.
Lurine, was pretty, petite, and eighteen. She had a nice situation at the Pharmacie de Siam, in the Rue St. Honoré. She had no one dependent upon her, and all the money she earned was her own. Her dress was of cheap material perhaps, but it was cut and fitted with that daintiness of perfection which seems to be the natural gift of the Parisienne, so that one never thought of the cheapness, but admired only the effect, which was charming. She was book-keeper and general assistant at the Pharmacie, and had a little room of her own across the Seine, in the Rue de Lille. She crossed the river twice every day—once in the morning when the sun was shining, and again at night when the radiant lights along the river's bank glittered like jewels in a long necklace. She had her little walk through the Gardens of the Tuileries every morning after crossing the Pont Royal, but she did not return through the gardens in the evening, for a park in the morning is a different thing to a park at night. On her return she always walked along the Rue de Tuileries until she came to the bridge. Her morning ramble through the gardens was a daily delight to her, for the Rue de Lille is narrow, and not particularly bright, so it was pleasant to walk beneath the green trees, to feel the crisp gravel under her feet, and to see the gleaming white statues in the sunlight, with the sparkle on the round fountain pond, by the side of which she sometimes sat. Her favorite statue was one of a woman that stood on a pedestal near the Rue de Rivoli. The arm was thrown over her head, and there was a smile on the marble face which was inscrutable. It fascinated the girl as she looked up to it, and seemed to be the morning greeting to her busy day's work in the city. If no one was in sight, which was often the case at eight o'clock in the morning, the girl kissed the tips of her fingers, and tossed the salute airily up to the statue, and the woman of stone always smiled back at her the strange mystical smile which seemed to indicate that it knew much more of this world and its ways than did the little Parisienne who daily gazed up at her.
Lurine was happy, as a matter of course, for was not Paris always beautiful? Did not the sun shine brightly? And was not the air always clear? What more, then, could a young girl wish? There was one thing which was perhaps lacking, but that at last was supplied; and then there was not a happier girl in all Paris than Lurine. She almost cried it aloud to her favorite statue the next morning, for it seemed to her that the smile had broadened since she had passed it the morning before, and she felt as if the woman of stone had guessed the secret of the woman of flesh.
Lurine had noticed him for several days hovering about the Pharmacie, and looking in at her now and then; she saw it all, but pretended not to see. He was a handsome young fellow with curly hair, and hands long, slender, and white as if he were not accustomed to doing hard, manual labor. One night he followed her as far as the bridge, but she walked rapidly on, and he did not overtake her. He never entered the Pharmacie, but lingered about as if waiting for a chance to speak with her. Lurine had no one to confide in but the woman of stone, and it seemed by her smile that she understood already, and there was no need to tell her, that the inevitable young man had come. The next night he followed her quite across the bridge, and this time Lurine did not walk so quickly. Girls in her position are not supposed to have normal introductions to their lovers, and are generally dependent upon a haphazard acquaintance, although that Lurine did not know. The young man spoke to her on the bridge, raising his hat from his black head as he did so.
"Good evening!" was all he said to her.
She glanced sideways shyly at him, but did not answer, and the young man walked on beside her.
"You come this way every night," he said. "I have been watching you.
Are you offended?"
"No," she answered, almost in a whisper.
"Then may I walk with you to your home?" he asked.
"You may walk with me as far as the corner of the Rue de Lille," she replied.
"Thank you!" said the young fellow, and together they walked the short distance, and there he bade her good night, after asking permission to meet her at the corner of the Rue St. Honoré, and walk home with her, the next night.
"You must not come to the shop," she said.
"I understand," he replied, nodding his head in assent to her wishes. He told her his name was Jean Duret, and by-and-by she called him Jean, and he called her Lurine. He never haunted the Pharmacie now, but waited for her at the corner, and one Sunday he took her for a little excursion on the river, which she enjoyed exceedingly. Thus time went on, and Lurine was very happy. The statue smiled its enigmatical smile, though, when the sky was overcast, there seemed to her a subtle warning in the smile. Perhaps it was because they had quarrelled the night before. Jean had seemed to her harsh and unforgiving. He had asked her if she could not bring him some things from the Pharmacie, and gave her a list of three chemicals, the names of which he had written on a paper.
"You can easily get them," he had said; "they are in every Pharmacie, and will never be missed."
"But," said the girl in horror, "that would be stealing."
The young man laughed.
"How much do they pay you there?" he asked. And when she told him, he laughed again and said,
"Why, bless you, if I got so little as that I would take something from the shelves every day and sell it."
The girl looked at him in amazement, and he, angry at her, turned upon his heel and left her. She leaned her arms upon the parapet of the bridge, and looked down into the dark water. The river always fascinated her at night, and she often paused to look at it when crossing the bridge, shuddering as she did so. She cried a little as she thought of his abrupt departure, and wondered if she had been too harsh with him. After all, it was not very much he had asked her to do, and they did pay her so little at the Pharmacie. And then perhaps her lover was poor, and needed the articles he had asked her to get. Perhaps he was ill, and had said nothing. There was a touch on her shoulder. She looked round. Jean was standing beside her, but the frown had not yet disappeared from his brow.
"Give me that paper," he said, abruptly.
She unclosed her hand, and he picked the paper from it, and was turning away.
"Stop!" she said, "I will get you what you want, but I will myself put the money in the till for what they cost."
He stood there, looking at her for a moment, and then said—"Lurine, I think you are a little fool. They owe you ever so much more than that. However, I must have the things," and he gave her back the paper with the caution—"Be sure you let no one see that, and be very certain that you get the right things." He walked with her as far as the corner of the Rue de Lille. "You are not angry with me?" he asked her before they parted.
"I would do anything for you," she whispered, and then he kissed her good night.
She got the chemicals when the proprietor was out, and tied them up neatly, as was her habit, afterwards concealing them in the little basket in which she carried her lunch. The proprietor was a sharp-eyed old lynx, who looked well after his shop and his pretty little assistant.
"Who has been getting so much chlorate of potash?" he asked, taking down the jar, and looking sharply at her.
The girl trembled.
"It is all right," she said. "Here is the money in the till."
"Of course," he said. "I did not expect you to give it away for nothing. Who bought it?"
"An old man," replied the girl, trembling still, but the proprietor did not notice that—he was counting the money, and found it right.
"I was wondering what he wanted with so much of it. If he comes in again look sharply at him, and be able to describe him to me. It seems suspicious." Why it seemed suspicious Lurine did not know, but she passed an anxious time until she took the basket in her hand and went to meet her lover at the corner of the Rue des Pyramides. His first question was—
"Have you brought me the things?"
"Yes," she answered. "Will you take them here, now?"
"Not here, not here," he replied hurriedly, and then asked anxiously,
"Did anyone see you take them?"
"No, but the proprietor knows of the large package, for he counted the money."
"What money?" asked Jean.
"Why, the money for the things. You didn't think I was going to steal them, did you?"
The young man laughed, and drew her into a quiet corner of the Gardens of the Tuileries.
"I will not have time to go with you to the Rue de Lille to-night," he said.
"But you will come as usual to-morrow night?" she asked, anxiously.
"Certainly, certainly." he replied, as he rapidly concealed the packages in his pockets.
The next night the girl waited patiently for her lover at the corner where they were in the habit of meeting, but he did not come. She stood under the glaring light of a lamp-post so that he would recognize her at once. Many people accosted her as she stood there, but she answered none, looking straight before her with clear honest eyes, and they passed on after a moment's hesitation. At last she saw a man running rapidly down the street, and as he passed a brilliantly-lighted window she recognized Jean. He came quickly towards her.
"Here I am," she cried, running forward. She caught him by the arm, saying, "Oh, Jean, what is the matter?"
He shook her rudely, and shouted at her—"Let me go, you fool!" But she clung to him, until he raised his fist and struck her squarely in the face. Lurine staggered against the wall, and Jean ran on. A stalwart man who had spoken to Lurine a few moments before, and, not understanding her silence, stood in a doorway near watching her, sprang out when he saw the assault, and thrust his stick between the feet of the flying man, flinging him face forward on the pavement. The next instant he placed his foot upon Jean's neck holding him down as if he were a snake.
"You villain!" he cried. "Strike a woman, would you?"
Jean lay there as if stunned, and two gens d'armes came pantingly upon the scene.
"This scoundrel," said the man, "has just assaulted a woman. I saw him."
"He has done more than that," said one of the officers, grimly, as if, after all, the striking of a woman was but a trivial affair.
They secured the young man, and dragged him with them. The girl came up to them and said, falteringly—
"It is all a mistake, it was an accident. He didn't mean to do it."
"Oh, he didn't, and pray how do you know?" asked one of the officers.
"You little devil," said Jean to the girl, through his clinched teeth, "it's all your fault."
The officers hurried him off.
"I think," said one, "that we should have arrested the girl; you heard what she said."
"Yes," said the other, "but we have enough on our hands now, if the crowd find out who he is."
Lurine thought of following them, but she was so stunned by the words that her lover had said to her, rather than by the blow he had given her that she turned her steps sadly towards the Pont Royal and went to her room.
The next morning she did not go through the gardens, as usual, to her work, and when she entered the Pharmacie de Siam, the proprietor cried out, "Here she is, the vixen! Who would have thought it of her? You wretch, you stole my drugs to give to that villain!"
"I did not," said Lurine, stoutly. "I put the money in the till for them."
"Hear her! She confesses!" said the proprietor.
The two concealed officers stepped forward and arrested her where she stood as the accomplice of Jean Duret, who, the night before, had flung a bomb in the crowded Avenue de l'Opéra.
Even the prejudiced French judges soon saw that the girl was innocent of all evil intent, and was but the victim of the scoundrel who passed by the name of Jean Duret. He was sentenced for life; she was set free. He had tried to place the blame on her, like the craven he was, to shield another woman. This was what cut Lurine to the heart. She might have tried to find an excuse for his crime, but she realized that he had never cared for her, and had but used her as his tool to get possession of the chemicals he dared not buy.