Born in Florence, Roberto Calasso lives in Milan, where he is publisher of Adelphi. He is the author of The Ruin of Kasch and The Marriage of Cadmus and Harmony, which was the winner of France’s Prix Veillon and the Prix du Meilleur Livre Etranger.
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ISBN 9780099750710
FOR JOSEPH
ALSO BY ROBERTO CALASSO
The Marriage of Cadmus and Harmony
The Ruin of Kasch
The world is like the impression left by the telling of a story.
Yogavāsiṣṭha, 2.3.11
Ideae enim nihil aliud sunt, quam narrationes sive historiae naturae mentales.
Spinoza, Cogitata metaphysica, 1.6
Contents
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
A Note on Sanskrit Pronunciation
Glossary
akṣamālā
I
Suddenly an eagle darkened the sky. Its bright black, almost violet feathers made a moving curtain between clouds and earth. Hanging from its claws, likewise immense and stiff with terror, an elephant and a turtle skimmed the mountaintops. It seemed the bird meant to use the peaks as pointed knives to gut its prey. Only occasionally did the eagle’s staring eye flash out from behind the thick fronds of something held tight in its beak: a huge branch. A hundred strips of cowhide would not have sufficed to cover it.
Garuḍa flew and remembered. It was only a few days since he had hatched from his egg and already so much had happened. Flying was the best way of thinking, of thinking things over. Who was the first person he’d seen? His mother, Vinatā. Beautiful in her tininess, she sat on a stone, watching his egg hatch, determinedly passive. Hers was the first eye Garuḍa held in his own. And at once he knew that that eye was his own. Deep inside was an ember that glowed in the breeze. The same he could feel burning beneath his own feathers.
Then Garuḍa looked around. Opposite Vinatā, likewise sitting on a stone, he saw another woman, exactly like his mother. But a black bandage covered one eye. And she too seemed absorbed in contemplation. On the ground before her, Garuḍa saw, lay a great tangle, slowly heaving and squirming. His perfect eye focused, to understand. They were snakes. Black snakes, knotted, separate, coiled, uncoiled. A moment later Garuḍa could make out a thousand snakes eyes, coldly watching him. From behind came a voice: “They are your cousins. And that woman is my sister, Kadrū. We are their slaves.” These were the first words his mother spoke to him.
Vinatā looked up at the huge expanse that was Garuḍa and said: “My child, it’s time for you to know who you are. You have been born to a mother in slavery. But I was not born into slavery. I and my sister Kadrū were brides of Kaśyapa, the great ṛṣi, the seer. Slow, strong, and taciturn, Kaśyapa understood everything. He loved us, but apart from the absolute essentials took no care of us. He would sit motionless for hours, for days—and we had no idea what he was doing. He held up the world on the shell of his head. My sister and I longed to be doing something with ourselves. An angry energy drove us from within. At first we vied for Kaśyapa’s attention. But then we realized that he looked on us as clouds do: equally benevolent and indifferent to both. One day he called us together: it was time for him to withdraw into the forest, he said. But he didn’t want to leave without granting us a favor. Immediately we thought of ourselves all alone, amid these marshes, these woods, these brambles, these dunes. Kadrū needed no prompting: she asked for a thousand children, of equal splendor. Kaśyapa agreed. I too was quick to decide: I asked for just two children, but more beautiful and powerful than Kadrū’s. Kaśyapa raised his heavy eyelids: ‘You will have one and a half,’ he said. Then he set off with his stick. We never saw him again.”
Vinatā went on: “My child, I have kept watch over your egg for five hundred years. I didn’t want the same thing to happen to you as happened to your brother Aruṇa. Impatience got the better of me, and I opened his egg too soon. Only then did I understand what a ṛṣi from a distant land, a pale and angular seer, will say one day: that impatience is the only sin. Thus was the lower half of Aruṇa’s body left unformed. No sooner had he seen me than my first child cursed me. I would be my sister’s slave for five hundred years. And at the end of that time I would be saved by my other child, by you. This said, Aruṇa ascended toward the sun. Now you can see him cross the sky every day. He is Sūrya’s charioteer. He will never speak to me again.”
Vinatā went on: “We were the only human beings, myself and Kadrū, with a thousand black snakes about us, all of them the same, and your egg maturing imperceptibly in a pot of steaming clay. Already we loathed each other, we two sisters. But we couldn’t do without each other. One evening we were squatting down on the shore of the ocean. You know that I am also called Suparṇī, Aquilina, and perhaps that’s why I’m your mother. There’s nothing my eye doesn’t see. Kadrū has only one eye, she lost the other at Dakṣa’s sacrifice—oh, but that’s a story you could hardly know . . . Yet she too has very keen sight. One evening we were heading in the same direction, bickering and bored as ever, our eyes scanning the waters of the ocean, seeking out the creatures of the deep, the pearls. A diffuse glow in the depths led us on. We didn’t know where it came from. Then we turned to gaze at the ocean’s end, where sea joins sky. Two different lights. A sharp line separated them, the only sharp line in a world that was all vain profusion. Suddenly we saw something take shape against the light: a white horse. It raised its hooves over waters and sky, suspended there. Thus we discovered amazement. Beside the bright horse we glimpsed something dark: a log? its tail? Everything else was so distinct. That was what the world was made of, as we saw it: the expanse of the waters, the expanse of the sky, that white horse.”
Garuḍa stopped her: “Who was the horse?” “I knew nothing at the time,” Vinatā said. “Now I know only that this question will haunt us forever, until time itself dissolves. And that final moment will be announced by a white horse. All I can tell you now, of the horse, is what it is called and how it was born. The horse is called Uccaịśravas. It was born when the ocean was churned.” Listening to his mother, Garu̩a was like a schoolboy who for the first time hears something mentioned that will loom over his whole life. He said: “Mother, I shall not ask you any more about the horse, but how did it happen, what was the churning of the ocean?” Vinatā said: “That’s something you’ll have to know about, and you’ll soon understand why. You are my son—and you were born to ransom me. Children are born to ransom their parents. And there is only one way I can be ransomed by giving the soma to the Snakes. The soma is a plant and a milky liquid. You will find it in the sky; Indra watches over it, all the gods watch over it, and other powerful beings too. It’s the soma you must win. The soma is my ransom.”
Vinatā had withdrawn deep within herself. She spoke with her eyes on the ground, almost unaware of the majestic presence of her son, his feathers quivering. But she roused herself and began talking again, as though to a child, struggling both to be clear and to say only the little that could be said at this point: “In the beginning, not even the gods had the soma. Being gods wasn’t enough. Life was dull, there was no enchantment. The Devas, the gods, looked with hatred on the other gods, the Asuras, the antigods, the first-born, who likewise felt keenly the absence of the soma. Why fight at all, if the desirable substance wasn’t there to fight for? The gods meditated and sharpened their senses, but there would come the day when they wanted just to live. Gloomily, they met together on Mount Meru, where the peak passes through the vault of the heavens to become the only part of this world that belongs to the other. The gods were waiting for something new, anything. Viṣṇu whispered to Brahmā, then Brahmā explained to the others. They had to stir the churn of the ocean, until the soma floated up, as butter floats up from milk. And this task could not be undertaken in opposition to the Asuras, but only with their help. The pronouncement ran contrary to everything the Devas had previously thought. But in the end, what did they have to lose, given that their lives were so futile? Now they thought: Anything, so long as there be a trial, a risk, a task.”
Vinatā fell silent. Garuḍa respected her silence for a long time. Then he said: “Mother, Mother, you still haven’t told me how you became a slave to your sister.” “We were looking at the white horse. The more it enchanted me, the greater the rancor I felt for my sister. I said: ‘Hey, One-Eye, can you see what color that horse is?’ Kadrū didn’t answer. The black bandage leaned forward. Then I said: ‘Want to bet? The one who gets the horse’s color right will be mistress of the other.’ The following morning, at dawn, we were together again, watching the sky. And once again the horse appeared against the background of sea and sky. I shouted: ‘It’s white.’ Silence. I repeated: ‘Kadrū, don’t you think it’s white?’ To this day I have never seen such a malignant look in her eye. Kadrū said: ‘It’s got a black tail.’ ‘We’ll go and see,’ I said, ‘and whichever of us is wrong will be the other’s slave.’ ‘So be it,’ Kadrū said.
“Then we split up. Later I learned that Kadrū had tried to corrupt her children. She had asked them to hang on to the horse’s tail, to make it look black. The Snakes refused. For the first time Kadrū showed her fury. She said: ‘You’ll all be exterminated . . .’ One day you’ll realize,” Vinatā went on in a quieter voice, “that nothing can be exterminated, because everything leaves a residue, and every residue is a beginning . . . But it’s too soon to be telling you any more . . . Just remember this for now: Kadrū’s curse was powerful. One far-off day it will happen: the Pāṇḍavas and the Kauravas will fight, almost to the point of extinction, their own and that of the peoples allied to them, so that a sacrifice of the Snakes may fail, so that people recognize that the Snakes cannot be exterminated. That will happen at the last possible moment . . . Kadrū is calamitous, her word is fatal.” Vinatā’s eyes were two slits. “But where was I? Now we had to get to the horse. We took flight, side by side. The creatures of the deep flashed their backs above the waters, surprised to see these two women in flight. We paid no attention. The only thing in the world that mattered to us was our game. When we reached the horse, I stroked its white rump. ‘As you see,’ I said to Kadrū. ‘Wait,’ said One-Eye. And she showed me a few black hairs her deft fingers had picked out from among all the white ones of the creature’s tail. For no apparent reason, they were wrapped around a pole. Some say that those hairs were Snakes, faithful to their mother. Or that there was only one black hair, the Snake Karkoṭaka. Others say that Uccaiḥśravas has black hairs mixed in with the white. It’s a dispute that will never be settled. ‘I’ve beaten you. The sea is my witness. Now you are my slave,’ said Kadrū. It was then that I sensed, in a sudden rending, what debt is, the debt of life, of any life. For five hundred years I would feel its weight.”
“I’ll go and win this soma, Mother,” said Garuḍa with his most solemn expression. “But first I must eat.” They were squatting down face-to-face. Garuḍa, a mountain of feathers; Vinatā, a minute, sinuous creature. “Go to the middle of the ocean,” said Vinatā. “There you’ll find the land of the Niṣādas. You can eat as many of them as you want. They don’t know the Vedas. But remember: Never kill a Brahmān. A Brahmān is fire, is a blade, is poison. Under no circumstances, even if seized by anger, must you hurt a Brahmān.” Garuḍa listened, ever more serious. “But what is a brahman, Mother?” he said. “How do I recognize one?” So far Garuḍa had seen nothing but black, coiled snakes and those two women who hated each other. He did not know what his father looked like. A brahman? What on earth can that be? wondered Garuḍa. “If you feel a firebrand in your throat,” said Vinatā “that’s a brahman. Or if you realize you’ve swallowed a hook.” Garuḍa stared straight at her and thought: “So you can’t tell a brahman until you’ve almost swallowed him.” But already he was stretching his wings, eager to be gobbling up the Niṣādas. Caught by surprise, the Niṣādas didn’t even see Garuḍa coming. Blinded by wind and dust, they were sucked by the thousands into a dark cavity that opened behind his beak. They plunged down there as if into a well. But one of them managed to hang on to that endless wall. With his other hand he held a young woman with snaky hair light by the waist, dangling in the void. Garuḍa, who was gazing ahead with his beak half open, just enough to swallow up swarms of Niṣādas, suddenly felt something burning in his throat. “That’s a brahman,” he thought. So he said: “Brahman, I don’t know you, but I don’t mean you any harm. Come out of my throat.” And from Garuḍa’s throat came a shrill, steady voice: “I’ll never come out unless I can bring this Niṣāda woman with me, she’s my bride.” “I’ve no objections,” said Garuḍa. Soon he saw them climbing onto his beak, taking care, fearful of getting hurt. Garuḍa was intrigued and thought: “Finally I’ll know what a brahman looks like.” He saw them sliding down his feathers. The brahman was thin, bony, dusty, his hair woven in a plait, his eyes sunken and vibrant. His long, determined fingers never let go of the wrist of the Niṣāda woman, whose beauty immediately reminded Garuḍa of his mother and his treacherous aunt Kadrū. This left him bewildered, while he rellected that quite probably he had already swallowed up thousands of women like her. But by now those two tiny beings were hurrying off, upright, agile, impatient, as if the whole world were opening before them. Garuḍa was more puzzled than ever. He felt an urgent need to talk to his father, whom he’d still not seen. As his wings stretched, another whirlwind devastated the earth.
Kaśyapa was watching a line of ants. He paid no attention to his son, nor to the crashing that announced his arrival. But Garuḍa wasn’t eager to speak either. He was watching Kaśyapa, his wrinkled, polished skull, his noble arms hanging down in abandon. He studied him for a while. He thought: “Now I know what a brahman is. A brahman is one who feeds himself by feeding on himself.” After a day’s silence, Kaśyapa looked up at Garuḍa. He said: “How is your mother?” then immediately went on to something else, as if he already knew the answer. “Seek out the elephant and the turtle who are quarreling in a lake. They will be your food. The Niṣādas aren’t enough for you. Then go and eat them on Rauhiṇa, that’s a tree near here, a friend of mine. But be careful not to offend the Vālakhilyas . . .”
“Who can these Vālakhilyas be?” thought Garuḍa, flying along, the elephant and the turtle tight in his claws. “No sooner does one thing seem to get clearer than another, bigger thing turns up that’s completely obscure.” While Garuḍa was thinking this over, puzzled again, his wing skimmed the huge tree Rauhiṇa. “By all means rest on a branch and eat,” said the tree’s voice. “Before you were born you sat here on me, along with a companion of yours, exactly like yourself. Perched on opposite branches, at the same height, you never left each other. You were already eating my fruit back then. And your companion watched you, though he didn’t eat. You couldn’t fly about the world then, because I was the world.” Garuḍa settled on a branch. Surrounded by the foliage that enfolded his feathers, he felt at home and couldn’t understand why. Of his birthplace he could remember only sand, stone, and snakes. Whereas this tree protected him on every side with swathes of emerald that softened the merciless light of the sky. Hmm . . . In the meantime he might as well devour the elephant and the turtle, now on their backs on this branch that was a hundred leagues long. He concentrated a moment. He was choosing the spot where he would sink his beak—when there came a sudden crash. The branch had snapped. Shame and guilt overcame Garuḍa. He knew at once that he had done something awful, without having meant to. And it was all the more awful because he had not meant it. A vortex opened up in the tree, and Garuḍa flew out with the broken branch in his beak, the elephant and the turtle still in his claws. He was lost. He didn’t know where to go. He sensed he was in danger of making a fatal mistake. From the branch came a hiss. At first he thought it was the wind. But the hissing went on, peremptory and fearfully shrill. He looked at the twigs. Upside down among the leaves, like bats, dangled scores of brahmans, each no taller than the phalanx of a thumb. Their bodies were perfectly formed and almost transparent, like flies’ wings. Used as they were to hanging motionless, the flight was upsetting them terribly. Garuḍa thought: “Oh, the Vālakhilyas . . .” He was sure it was they, sure of the enormity of his crime. “Noble Vālakhilyas,” said Garuḍa, “the last thing I want is to hurt you.” He was answered by a mocking rustle. “That’s what you all say . . .” Now he made out a voice. “The indestructible is tiny and tenuous as a syllable. You should know that, being made of syllables yourself. The tiny is negligible. So it is neglected . . .” “Not by me,” said Garuḍa. And now he began to fly in the most awkward fashion, taking the greatest possible care not to shake the branch he held in his beak. Despondent, he studied the mountains, looking for a clearing large and soft enough for him to put down the Vālakhilyas. But he couldn’t find one. Perhaps he would waste away in the sky, circling forever. It was then that a huge mountain, the Gandhamādana, began to take shape ahead, and Garuḍa thought that he might attempt a last exploration. He was flying around the summit, slowly and cautiously, when he recognized the polished head of his father, Kaśyapa, sitting by a pond on the slopes of the Gandhamādana. Garuḍa hovered over him, without making a sound. Kaśyapa said nothing, paid no attention, though the whole of Gandhamādana was veiled in shadow. Then he said: “Child, don’t be distressed, and don’t do anything rash that you might regret. The Vālakhilyas drink the sun, they could burn your fire . . .” Garuḍa was still hovering above his father, terrified. Then he heard Kaśyapa’s voice change. He was speaking to the Vālakhilyas, on familiar terms, whispering. “Garuḍa is about to perform a great deed. Take your leave of him now, I beg you, if you still think well of me . . .” A little later, Garuḍa saw the Vālakhilyas detaching themselves from the branch, like tiny, dry leaves, gray and dustly. They turned slowly in the air and slowly settled next to Kaśyapa. Soon they had disappeared among the blades of grass, heading toward the Himālaya.
Garuḍa had watched the scene unfold with overwhelming anxiety. Now he felt moved. Long after the last of the Vālakhilyas had disappeared in the vegetation, he said: “Father, you saved me.” Without looking up. Kaśyapa answered: “I saved you because I saved myself. Listen to the story. One day I had to celebrate a sacrifice. I had told Indra and the other gods to find me some wood. Indra was coming back from the forest, loaded with logs. He was feeling proud of his strength, and he knew he would be back first. As he was walking along, his eyes fell on a puddle. Something was moving in it: the Vālakhilyas. They were trying to ford it, which was hard going for them. Moving in single file, they held a blade of grass on their shoulders, like a log, and at the same time were struggling to get out of the mud. Indra stopped to watch and was seized with laughter. He was drunk with himself. Just as they were about to get out, he pushed those Vālakhilyas back in the puddle with his heel. And laughed.
“The following day I got a visit from the Valākhilyas. They said: ‘We’ve come to give you half our tapas, the heat that has baked our minds since times long past. It’s the purest tapas, never corroded by the world, never poured out into the world. Now we want to pour some into you so that you can pour out your seed and generate a being who will be a new Indra, who will be the scourge of Indra, the arrogant, the uncivilized, the cowardly Indra. Such a one shall be your son.’ ‘Indra was brought into the world by the will of Brahmā. He cannot be ousted by another Indra,’ I objected. ‘Then he shall be an Indra of the birds. And he shall be the scourge of Indra.’ I agreed.
“That night I felt the Vālakhilyas tapas flowing into me. I became transparent and manifold, a veil and a bundle of burning arrows. Your mother, Vinatā, took fright when I came to her bed. The following morning she told me how, while pleasure had been invading her pores and curling her nails, something dark had raised her to a mattress of leaves, on the top of a huge tree—and she had seen a glow flare up from beneath. Down the trunk ran drop after drop of a clear liquid. She felt sure that that liquid came from an inexhaustible reserve.”
Engrossed in his father’s tale, Garuḍa had almost forgotten that he was still hovering in the air, claws sinking ever deeper into the elephant and the turtle, who had long been waiting to be eaten. Not to mention that cumbersome branch, still clenched in his beak. Garuḍa didn’t dare do anything further on his own account. If he dropped the branch on one of the nearby mountains, even the most barren, and crushed so much as a single brahman, hidden in the vegetation, what then? “Thinking paralyzes,” thought Garuḍa, motionless in the sky. Kaśyapa was eager to put an end to his son’s wretched predicament. He would have plenty of time, billions of passing moments, to reflect on his crime: that broken branch. Now his father could help him. “Fly away, Garuḍa,” he said. “Go north. When you find a mountain covered with nothing but ice and riddled with caves like dark eye sockets, you can leave the branch there. That’s the only place where there’s no risk of killing a brahman. And there you can finally eat up the elephant and the turtle.” Garuḍa flew off at once.
“So many things happening, so many stories one inside the other, with every link hiding yet more stories . . . And I’ve hardly hatched from my egg,” thought an exultant Garuḍa, heading north. At last a place with no living creatures. He would stop and think things over there. “No one has taught me anything. Everything has been shown to me. It will take me all my life to begin to understand what I’ve been through. To understand, for example, what it means to say that I am made of syllables . . .” He was even happier, drenched in joy, when a barrier of pale blue ice and snow filled his field of vision, a sight that would have blinded any other eye. The branch of the tree Ranhiṇa fell with a thud, then down plunged the elephant and the turtle just a moment before Garuḍa’s beak forced a way into flesh already wrapped in a gleaming sepulchre.
“And now the theft, the deed . . . ,” said Garuḍa. Around him on an endless white carpet lay the stripped remains of the elephant and the turtle. He rose in flight, off to win the soma.
At that very moment one of the gods noticed something odd in the celestial stasis: the garlands had lost their fragrance, a thin layer of dust had settled on the buds. “The heavens are wearing out like the earth . . .” was the silent fear of more than one god. It was a moment of pure terror. What came after was no more than a superfluous demonstration. The rains of fire, the meteors, the whirlwinds, the thunder. Indra burled his lightning bolt as Garuḍa invaded the sky. The lightning bounced off his feathers. “How can that be?” said Indra to Bṛhaspati, chief priest of the gods. “This is the lightning that split the heart of Vṛtra. Garuḍa tosses it aside like a straw.” Sitting on a stool, Bṛhaspati had remained impassive throughout, from the moment the sky had begun to shake. “Garuḍa is made not of feathers but of meters. You cannot hurt a meter. Garuḍa is gāyatrī and triṣṭubh and jagatī. Garuḍa is the hymn. The hymn that cannot be scratched. And then: remember that puddle, those tiny beings you found so funny, with their blade of grass . . . Garuḍa is, in part, their child.”
Still raging though the battle was, its outcome was clear from the start. The gods knew they were going to lose. They hurried to get away. But what infuriated them most were the whirlwinds of dust unleashed in the heavens by every flap of Garuḍa’s wings. Dust in the heavens . . . It was the ultimate humiliation . . . Even the guardians of the soma were overcome. In vain they loosed their arrows. Just one of Garuḍa’s feathers spun majestic in the sky, severed by an arrow from Kṛśānu, the footless archer. Garuḍa took no notice of his enemies. The trial still before him was far harder. On the summit of the heavens he found a metal wheel, its sharp spokes spinning without cease. Behind the wheel he could just see a glow: a gold cup, or rather two cups, one turned upside down upon the other, their rims jagged and sharp. And these cups likewise were moving. They opened and closed in a rocking motion. When they closed, their rims fit perfectly together. Between the wheel and the cups hissed two Snakes. Garuḍa tossed dust in the Snakes’ eyes and concentrated. He must slip between the wheel’s blades, he would have to get his beak between the rims of the two cups, he would have to snatch the glow he had glimpsed within. Then escape. But everything had to happen in no more than the blinking of an eye. On that tiny fraction of time depended the fate of his mother, indeed of the world. Garuḍa did it. It didn’t occur to him to drink the soma that dripped from his beak as he headed back to earth. He was thinking of the Snakes, and of his mother.
Indra tried to stop Garuḍa as he flew toward the earth. He found an accommodating and contrite expression. “There’s no point in our being enemies,” said Indra. “We are too powerful to be enemies,” he added. Then he started to cajole: “Ask me anything you want. I have something I want to ask you: don’t let the Snakes get hold of the soma.” “But I have to ransom my mother,” said the obstinate Garuḍa. “To ransom your mother all you have to do is deliver the soma to the Snakes. You don’t have to do any more than that. But I don’t want the Snakes to possess the soma. I’ll tell you what to do . . .” “If that’s how things stand . . .” said Garuḍa. He was intimidated by Indra’s self-confidence, and his reasonableness too. “After all,” thought Garuḍa, “this is the king of the gods talking.”
“And now tell me what you want. . . .” said Indra. He was growing insistent. “That the Snakes be my food, forever and ever,” said Garuḍa. Whatever it took, he didn’t want to risk swallowing a brahman again. And then he liked eating the Snakes. But now he fell silent a moment, out of shyness. He was about to announce his deepest desire, something he had never uttered before: “I would like to study the Vedas.” “So be it,” said Indra.
The Snakes had arranged themselves in a circle to await Garuḍa’s return. They saw him coming like a black star, a point expanding on the horizon, until his beak laid down a delicate plant, damp with sap, upon the darbha grass. “This is the soma, Snakes. This is my mother’s ransom. I deliver it to you. But before you drink of this celestial liquid, I would advise a purificatory bath.” In disciplined devotion, the Snakes slithered off toward the river. For a moment, the only moment of tranquillity the earth would ever know, the soma was left, alone, on the grass. A second later Indra’s rapacious hand had swooped from the heavens, and already it was gone. Gleaming with water, aware of the gravity of the moment, the Snakes could be seen returning through the tall grass. They found nothing but a place where the grass had been bent slightly. Hurriedly they licked at the darbha grass where Garuḍa had laid the soma. From that moment on the Snakes have had forked tongues.
Garuḍa said: “Mother, I’ve paid your ransom. You’re free now. Climb on my back.” They wandered over forests and plains, over the ocean, leisurely and blithe. Every now and then Garuḍa would fly down to earth to snatch bunches of Snakes in his beak. On his back, Vinatā bubbled with pleasure. Then Garuḍa took leave of his mother. He said his time had come. Once again he flew to the tree Rauhiṇa. He hid among the tree’s branches to study the Vedas.
Buried deep among the tree Rauhiṇa’s branches, Garuḍa read the Vedas. It was years before he raised his beak. Those beings he had terrorized in the heavens, who had scattered like dust at his arrival, who had tried in vain to fight him, he knew who they were now: with reverence he scanned their names and those of their descendants. The Ādityas, the Vasus, the Rudras, Varuṇa, Mitra, Aryaman, Bhaga, Tvaṣṭṛ, Pūṣan, Vivasvat, Savitṛ, Indra, Viṣṇu, Dhātṛ, Aṃśa, Anumati, Dhiṣaṇā, Soma, Bṛhaspati, Guńgū, Sūrya, Svasti, Uṣas, Āyu, Sarasvatī. And others too. Thirty-three in all. But each had many names—and some gods could be replaced by others. The names whirled in silence. Perfectly motionless. Garuḍa experienced a sense of vertigo and intoxication. The hymns blazed within him. Finally he reached the tenth book of the Ṛg Veda. And here he smelled a shift in the wind. Along with the names came a shadow now, a name never uttered. What had been affirmative tended to the interrogative. The voice that spoke was more remote. It no longer celebrated. It said what is. Now Garuḍa was reading hymn one hundred and twenty-one in triṣṭubh meter. There were nine stanzas, each one ending with the same question: “Who (Ka) is the god to whom we should offer our sacrifice?” Estuary to a hidden ocean, that syllable (ka) would go on echoing within him as the essence of the Vedas. Garuḍa stopped and shut his eyes. He had never felt so uncertain, and so close to understanding. Never felt so light, in that sudden absence of names. When he opened his eyes, he realized that the nine stanzas were followed by another, this one separated by a space that was slightly larger. The writing was a little more uneven, minute. A tenth stanza, without any question. And here there was a name, the only name in the hymn, the only answer. Garuḍa couldn’t remember ever having seen that name before: Prajāpati.
II
Prajāpati was alone. He didn’t even know whether he existed or not. “So to speak,” iva. (As soon as one touches on something crucial, it’s as well to qualify what one has said with the particle iva, which doesn’t tie us down.) There was only the mind, manas. And what is peculiar about the mind is that it doesn’t know whether it exists or not. But it comes before everything else. “There is nothing before the mind.” Then, even prior to establishing whether it existed or not, the mind desired. It was continuous, diffuse, undefined. Yet, as though drawn to something exotic, something belonging to another species of life, it desired what was definite and separate, what had shape. A Self, ātman—that was the name it used. And the mind imagined that Self as having consistency. Thinking, the mind grew red hot. It saw thirty-six thousand fires flare up, made of mind, made with mind. Suspended above the fires were thirty-six thousand cups, and these too were made of mind.
Prajāpati lay with his eyes closed. Between head and breast an ardor burned within him, like water seething in silence. It was constantly transforming something: it was tapas. But what was it transforming? The mind. The mind was what transformed and what was transformed. It was the warmth, the hidden flame behind the bones, the succession and dissolution of shapes sketched on darkness—and the sensation of knowing that that was happening. Everything resembled something else. Everything was connected to something else. Only the sensation of conseriousness resembled nothing at all. And yet all resemblanees llowed back and forth within it. It was the “indistinct wave.” Each resemblance was a crest of that wave. At the time, “this world was nothing but water.” And then? “In the midst of the waves a single seer.” Already the waters were the mind. But why that eye? Within the mind came that split that precedes all others, that implies all others. There was consciousness and there was an eye watching consciousness. In the same mind were two beings. Who might become three, thirty, three thousand. Eyes that watched eyes that watched eyes. But that first step was enough in itself. All the other eyes were there in that “one seer” and in the waters.
The waters yearned. Alone, they burned. “They burned their heat.” A golden shell took shape in the wave. “This, the one, was born from the strength of the heat.” And inside the shell, over the are of a year, the body of Prajāpati took shape. But “the year didn’t exist” then. Time appeared as the organ of a single being, nesting inside that being, who drifted on the waters, with no support. After a year the being began to emit syllables, which were the earth, the air, the distant sky. Already he knew he was Father Time. Prajāpati was granted a life of a thousand years: he looked out before him, beyond the cresting waves, and far, far away glimpsed a strip of earth, the faint line of a distant shore. His death.
Prajāpati was the one “self-existing” being, svayaṃbhū. But this did not make him any less vulnerable than any creature born. He had no knowledge, didn’t have qualities. He was the first self-made divinity. He didn’t know the meters, not in the beginning. Then he felt a simmering somewhere inside. He saw a chant—and finally let it out. Where from? From the suture in his skull.
Born of the waters’ desiring, Prajāpati begat “all this,” idaṃ sarvam, but he was the only one who couldn’t claim to have a progenitor—not even a mother. If anything he had many mothers, for the waters are an irreducible feminine plural. The waters were his daughters too, as though from the beginning it was important to show that in every essential relationship generation is reciprocal.
The mind: a flow restricted by no bank or barrier, crossed by flashes that fade away. A circle would have to be drawn, a frame, a templum. “Settle down,” Prajāpati told himself. But everything pitched about. “Need a solid base,” pratiṣṭha, he said. “Otherwise my children will wander around witless. If nothing stays the same, how can they ever calculate anything? How can they see the equivalences?” As he was thinking this, he lay on a lotus leaf, delicate and flimsy, blown along by the breeze, which was himself. He thought: “The waters are the foundation of all there is. But the waters are the doctrine too, the Vedas. Too difficult. Who of those to be born will understand? Need to hide, to cover at least a small part of the waters. Need earth.” In the shape of a boar he dove into the deep. Surfacing, his snout was smeared with mud. He began to spread it out on the lotus leaf, with loving care. “This is the earth,” he said. “Now I’ve spread it, I’ll need some stones to keep it still.” He disappeared again. Then he arranged a frame of white stones around the now dry mud. “You will be its guardians,” he said. Now the earth was taut as a cowhide. Tired as he was, Prajāpati lay down on it. For the first time he touched the earth. And for the first time the earth was burdened with a weight.
The dried slime covering the lotus leaf set in a thin layer. Yet it sufficed to give some impression of stability. The white stones sketched out an enclosure, allowed one to get one’s bearings. It was this, more than anything else, that was reassuring, that invited thought. Beneath, immediately beneath, flowed the waters, as ever.
While Prajāpati’s back lay glued to the earth, time stretched out within him. One by one, his joints were coated, inside and out, by a corrosive patina: past and future.
In his solitude, Prajāpati, the Progenitor, thought: “How can I reproduce?” He concentrated inside, and a warmth radiated from within. Then he opened his mouth. Out came Agni, Fire, the devourer. Prajāpati looked. With his open mouth he had created, and now an open mouth was coming toward him. Could it really want to eat him, its own creator, so soon? He couldn’t believe it. But now Prajāpati knew terror. He looked around. The earth was bare. Grasses, trees, they were only in his mind. “So who can it want to eat? There’s no one but me,” he repeated. Terror left him speechless. Then Prajāpati knew the first anguish and the first doubt. He must invent a food for the creature he had made if he wasn’t to end up in Agni’s mouth. Prajāpati rubbed his hands together to conjure up an offering. But all that appeared was some soggy stuff, matted with hairs. Agni wouldn’t want that. He rubbed his hands together again—and out came a white, liquid substance. “Should I offer it? Or maybe not?” thought Prajāpati, paralyzed by terror. Then the wind rose and a light filled the sky. Agni devoured the offering and was gone.
Prajāpati sensed he had a companion, a “second” being, dvitīya, within him. It was a woman, Vāc, Word. He let her out. He looked at her. Vāc “rose like a continuous stream of water.” She was a column of liquid, without beginning or end. Prajāpati united with her. He split her into three parts. Three sounds came out of his throat in his amorous thrust: a, ka, ho. A was the earth, ka the space between, ho the sky. With those three syllables the discontinuous stormed into existence. From eight drops were born the Vasus, from eleven the Rudras, from twelve the Ādityas. The world, which didn’t yet exist, was already full of gods. Thirty-one born from as many drops, then Sky and Earth: which made thirty-three. Plus there was ka, the space between, where Prajāpati was. Thirty-four. Silently, Vāc slipped back into Prajāpati, into the cavity that was ever her home.
When creating the gods, Prajāpati decided to issue them forth into this world because the worlds below, in the depths of the sky, were pitted and impracticable as a dense thicket. The earth had the advantage of being insignificant. Everything still to be built. There was a clearing—and the wind whistling through empty space.
But no sooner had they appeared than the gods were gone. To seek the sky? They took no notice of the Progenitor. They turned their backs on him at once. The earth was just a point of departure, beneath consideration, a desolate way station. Prajāpati was left behind, alone again, last not first. Something held him back, something still there waiting for him: Mṛtyu, Death. One of his own creatures.
In the dusty clearing, Prajāpati watched Death. Death watched Prajāpati, symmetrical, motionless as his adversary. Each was waiting for the right moment to overcome the other. Prajāpati practiced tapas. He generated heat within himself. Now and then, in that dark period of silent affliction, Prajāpati raised his arms. Upon which a globe of light would rise from his armpits and shoot off to bury itself in the vault of the sky. So the stars were born.
The first equivalences were the sampads that flashed across Prajāpati’s mind as he was dueling with Death. A sampad is a “falling together,” a chain of equivalences. How did they reveal themselves? Prajāpati was staring straight ahead, at Death. All around him, the world. The two combatants gazed at each other, studied each other. But didn’t move. Each was surrounded by a supporting army. Wooden spoons, a wooden sword, sticks, bowls: such was Prajāpati’s army. Frayed and frail. Around Death were a lute, an anklet, some powder puffs for making up.
How long would this tension last? As he waited, Prajāpati ran through everything that served as a frame to Death, a frame that amounts to everything that is. It was a long way to run. He penetrated the frame, in its scrolls and flourishes—and the density of decoration would sometimes hide Death from him. He thought: “This is like that, this corresponds to that, this is equivalent to that, this is that.” A vibration, a tension, a euphoria flooded his mind. If this is that, then that corresponds to this other thing—he went on. Slender bonds wrapped themselves like ribbons around this and that. The bonds stretched, invisible to many, but not to the one who put them there. With a sentinel’s eye, Prajāapati went on watching Death. But with the eye that wanders, that evokes images, numbers, and words, he went on getting things to “fall together,” sometimes things that were far apart, getting them to coincide. And the further apart they were, the more exhilarated he felt. The existent world—prickly, numb, empty—let itself be covered, taken, gathered, enveloped, in the mesh of a fabric. Oh, still a loose mesh, for sure . . . Yet this made it all the more exciting, that the mesh was at once so loose and so fine, as though to avoid upsetting the blind breathing of the whole. But Death? Still crouched there, waiting. Prajāpati thought: “If he kills me, what will be left?” Until now, this thought had terrified him. Prajāpati knew that everything proceeded from himself. Imagining himself as not existing meant imagining all existence nonexistent. But now he looked around. Then he saw himself from without: an exhausted, weary, wrinkled old being. All about him, everything was still new, so that looking around he could now see how every dapple of vegetation, every outline of a rock, concealed a number, a word, an equivalence: a mental state that clung and mingled with another state. As if every state were a number. As if every number were a state. This was the first equivalence, origin of all others. Then Prajāpati thought: “If I were gone, perhaps these things would no longer fall together? Perhaps the sampads would dissolve? But how could Death hurt the equivalences? How could she strike them?” Where was their body, for her to wound? They occupied no space, they couldn’t be touched. They surfaced in the mind, but where from? As he thought all this, Prajāpati felt a fever, release. He thought: “If the sampads elude me, who am myself thinking them, they will be all the more elusive for Death, who knows nothing of them. Death can kill me, but she cannot kill the equivalences.” He wasn’t aware that a clear, dry voice was issuing from his mouth. He was speaking to Death, after their long silence. Prajāpati said: “I’ve beaten you. Go ahead and kill me. Whether I am alive or not, the equivalences shall be forever.”
In the end, Mṛtyu withdrew to the women’s hut at the western edge of the sacrificial clearing. He was beaten, humiliated, but not entirely undone. Prajāpati stared out at the empty arena, the clumps of shriveled grass around the edges. He knew now that this solitude, every solitude, is illusory, is inhabited. There is always an intruder—a guest?—hiding in the women’s hut.
The brahmans of the Vedic period followed the example of Prajāpati, who had dueled long with Death, vying with him in sacrifices—Prajāpati, who had been about to give up the game for lost, exhausted, inadequate, when the sampads flashed across his mind, numerical equivalence, geometry stamped on light, and then he saw how the vast dispersion of all that lived, but above all that died, could be articulated in relationships that did not deteriorate. What the mind sees, when it grasps a connection, it sees forever. The mind may perish, together with the body that sustains it, but the relationship remains, and is indelible. By creating an edifice of such connections, the brahmans imagined, as their forefather Prajāpati once had, that they had beaten Death. They persuaded themselves that evil was inexactitude. And thus died the more serene.
To bring forth “this,” idam, was a long torment for Prajāpati. And likewise to have it become “all this,” idaṃ sarvam, including the flies and the gadflies for which he was later reproached. Little by little he was overcome by a tremendous lassitude. A being would appear, and immediately some joint of his would come loose. The lymph shrank in his body like water in a puddle under a scorching sun. As his joints were coming apart, came apart, one after another, he gazed at bits of himself, spread out on the grass, like alien and incongruous objects. Suddenly he realized that all that was left of him was his heart. Beating, begrimed. As he struggled to see himself in that scrap of flesh, he realized he no longer recognized himself. He shrieked like a lunatic: “Self! Self, ātman!” Impassive, the waters heard him. Slowly they turned toward Prajāpati, as though to some relative fallen upon hard times. They gave him back his torso, so that it might once again protect his heart. Then they offered up a sacrificial ceremony to him, the agnihotra. It might turn out useful, someday, they said—if Prajāpati should ever wish to reassemble himself in his entirety.
As his children were hurrying away, Prajāpati had glimpsed a head of tawny, waving hair, a white shoulder, a shape that cast a spell. “Oh, if only she would come back . . . ,” he thought. “I would like to join myself to her . . .” Everyone else had gone. Generating creatures seemed the most pointless of procedures. Before they appeared, he experienced a tension, a spasm within. But the creatures appeared only to disappear, in a cloud of dust. Then, in his loneliness, Prajāpati took a bowl and filled it with rice, barley, fruit, butter, honey. He looked like a beggar fussing with his few belongings. He offered his bowl to the void. “May that which is dear to me come back into me . . . ,” he whispered. It was a windless night. Directly above the bowl he had placed on the ground trembled the light of Rohiṇī, the Tawny One, who ever so slightly shook her hair. One day they would call her Aldebaran.
One question tormented the Progenitor: Why were his children so irreverent, why had they fled from him? And the gods too, why did they pretend not to know him? There was no one to explain, everybody had gone. Prajāpati was left with the corrosive sensation—something that had always dogged him—of not really existing. He looked around in perplexity. All creatures were sure they existed except him, who had given them their existence. Without him, “this” would never have been, but now he felt superfluous in respect to the world, like milk spilled while being carried from one fire to another, milk that one then tosses away on an ants’ nest. Scarcely had he given birth to the other beings when Prajāpati realized he wasn’t needed.
The world was dense. Prajāpati empty, feverish. He lay on his back, unable to get up. Even his breathing grew heavier. He felt all the breaths that had animated him drift away and disappear. There were seven of them, and he bade farewell to each one, calling them by name. He felt he had “run the whole race.” No one came near to moisten his lips. The gods left Prajāpati to die like an old man people have no more time for than a bundle of rags.
Of all Prajāpati’s body, the only part left attached was the sacrificial stone. It alone stood upright amid the desolation. In the silence, the wind blew little eddies of sand off it. There was no end to them. That sand is what has been lost of Prajāpati, forever.