Cover
About the Author
Also by Kurt Vonnegut
Praise
Dedication
Title Page
Editor’s Note
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Copyright
This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.
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Epub ISBN 9781446498033
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Published by Vintage 2000
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Copyright © Kurt Vonnegut 1990
The right of Kurt Vonnegut to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act, 1988
This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser
First published in Great Britain in 1990 by
Jonathan Cape
Vintage edition 1991
Vintage
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A CIP catalogue record for this book is available from the British Library
ISBN 9780099877103
This work of pure fiction is dedicated to the memory of
‘Vonnegut’s gaiety is unquenchable. If it weren’t for his wild, wide-ranging, gloriously tasteless jokes, his books would be unbearable to read, carrying as they do such a raging sadness locked inside the wit. And not to read him would be to miss out on lessons that need to be learned about the age we live in. In Hocus Pocus, Hartke’s peculiar brother-in-law greets all that happens to him, however tragic, with the words, “I had to laugh like hell”. Vonnegut’s treatment of Armageddon as a particularly slippery banana skin evokes hellish laughter. We chortle grimly as we read him, out of the terrible realisation that what he says is true.’
Sunday Times
‘Hocus Pocus is about the end of nature, and the slow termination of the human species. At the same time, like every novel Vonnegut has written since The Sirens of Titan (1959), Hocus Pocus is, of course, extremely funny. Jokes are told, deadpan and whiplash-sharp; neat, compulsive little anecdotes with stings in the tail jostle one another down the page, urgent deadly and bland, just as it was in the 1960s, when Cat’s Cradle (1963) and God Bless You, Mr Rosewater (1965) made Vonnegut’s reputation as America’s funniest serious writer since Mark Twain. There’s hardly a sentence which fails to tickle the reader in continuing.’
Sunday Correspondent
‘Mr Vonnegut is working much closer to the ground in Hocus Pocus, which has more in common with Anthony Trollope’s book The Way We Live Now than with Arthur C. Clarke’s 2001. It is the most richly detailed and textured of Mr. Vonnegut’s renderings of this particular planet. Unlike many of his major characters, Hartke seems like a real person, and Scipio seems like a real town. Some readers may miss the wilder leaps of imagination and the whimsy, but what is gained is a muscular dignity of voice.’
New York Times Book Review
‘This is a terrible and a funny book. There are no obvious set pieces, there are no funny men, hardly anyone says a funny thing and we get the catchline of a joke rather than the joke itself, yet every opportunity for humour is explored. Vonnegut uses the human tendency to laugh at the unacceptable, to push us through the barriers of propriety, and no one can address such savagery with his tenderness and wit … Vonnegut’s achievement is to have excelled himself.’
Glasgow Herald
Player Piano
The Sirens of Titan
Mother Night
Cat’s Cradle
God Bless You, Mr. Rosewater
Welcome to the Monkey House
Slaughterhouse-Five
Happy Birthday, Wanda June
Breakfast of Champions
Wampeters, Foma & Granfalloons
Slapstick
Jailbird
Palm Sunday
Deadeye Dick
Galápagos
Bluebeard
Fates Worse Than Death
Timequake
Bagombo Snuff Box
Armageddon in Retrospect
The author of this book did not have access to writing paper of uniform size and quality. He wrote in a library housing some eight hundred thousand volumes of interest to no one else. Most had never been read and probably never would be read, so there was nothing to stop him from tearing out their blank endpapers for stationery. This he did not do. Why he did not do this is not known. Whatever the reason, he wrote this book in pencil on everything from brown wrapping paper to the backs of business cards. The unconventional lines separating passages within chapters indicate where one scrap ended and the next began. The shorter the passage, the smaller the scrap.
One can speculate that the author, fishing through trash for anything to write on, may have hoped to establish a reputation for humility or insanity, since he was facing trial. It is equally likely, though, that he began this book impulsively, having no idea it would become a book, scribbling words on a scrap which happened to be right at hand. It could be that he found it congenial, then, to continue on from scrap to scrap, as though each were a bottle for him to fill. When he filled one up, possibly, no matter what its size, he could satisfy himself that he had written everything there was to write about this or that.
He numbered all the pages so there could be no doubt about their being sequential, nor about his hope that someone, undaunted by their disreputable appearance, would read them as a book. He in fact says here and there, with increasing confidence as he nears the end, that what he is doing is writing a book.
There are several drawings of a tombstone. The author made only one such drawing. The others are tracings of the original, probably made by superimposing translucent pieces of paper and pressing them against a sunlit library window-pane. He wrote words on the face of each burial marker, and in one case simply a question mark. These did not reproduce well on a printed page. So they have been set in type instead.
The author himself is responsible for the capitalization of certain words whose initial letters a meticulous editor might prefer to see in lowercase. So, too, did Eugene Debs Hartke choose for reasons unexplained to let numbers stand for themselves, except at the heads of sentences, rather than put them into words: for example, ‘2’ instead of ‘two.’ He may have felt that numbers lost much of their potency when diluted by an alphabet.
To virtually all his idiosyncrasies I, after much thought, have applied what another author once told me was the most sacred word in a great editor’s vocabulary. That word is ‘stet.’
K.V.
MY NAME IS Eugene Debs Hartke, and I was born in 1940. I was named at the behest of my maternal grandfather, Benjamin Wills, who was a Socialist and an Atheist, and nothing but a groundskeeper at Butler University, in Indianapolis, Indiana, in honor of Eugene Debs of Terre Haute, Indiana. Debs was a Socialist and a Pacifist and a Labor Organizer who ran several times for the Presidency of the United States of America, and got more votes than has any other candidate nominated by a third party in the history of this country.
Debs died in 1926, when I was a negative 14 years of age.
The year is 2001 now.
If all had gone the way a lot of people thought it would, Jesus Christ would have been among us again, and the American flag would have been planted on Venus and Mars.
No such luck!
At least the World will end, an event anticipated with great joy by many. It will end very soon, but not in the year 2000, which has come and gone. From that I conclude that God Almighty is not heavily into Numerology.
Grandfather Benjamin Wills died in 1948, when I was a plus 8 years of age, but not before he made sure that I knew by heart the most famous words uttered by Debs, which are:
‘While there is a lower class I am in it. While there is a criminal element I am of it. While there is a soul in prison I am not free.’
I, Debs’ namesake, however, became anything but a bleeding heart. From the time I was 21 until I was 35 I was a professional soldier, a Commissioned Officer in the United States Army. During those 14 years I would have killed Jesus Christ Himself or Herself or Itself or Whatever, if ordered to do so by a superior officer. At the abrupt and humiliating and dishonorable end of the Vietnam War, I was a Lieutenant Colonel, with 1,000s and 1,000s of my own inferiors.
During that war, which was about nothing but the ammunition business, there was a microscopic possibility, I suppose, that I called in a white-phosphorus barrage or a napalm air strike on a returning Jesus Christ.
I never wanted to be a professional soldier, although I turned out to be a good one, if there can be such a thing. The idea that I should go to West Point came up as unexpectedly as the finale of the Vietnam War, near the end of my senior year in high school. I was all set to go to the University of Michigan, and take courses in English and History and Political Science, and work on the student daily paper there in preparation for a career as a journalist.
But all of a sudden my father, who was a chemical engineer involved in making plastics with a half-life of 50,000 years, and as full of excrement as a Christmas turkey, said I should go to West Point instead. He had never been in the military himself. During World War II, he was too valuable as a civilian deep-thinker about chemicals to be put in a soldier suit and turned into a suicidal, homicidal imbecile in 13 weeks.
I had already been accepted by the University of Michigan, when this offer to me of an appointment to the United States Military Academy came out of the blue. The offer arrived at a low point in my father’s life, when he needed something to boast about which would impress our simple-minded neighbors. They would think an appointment to West Point was a great prize, like being picked for a professional baseball team.
So he said to me, as I used to say to infantry replacements fresh off the boat or plane in Vietnam, ‘This is a great opportunity.’
What I would really like to have been, given a perfect world, is a jazz pianist. I mean jazz. I don’t mean rock and roll. I mean the never-the-same-way-twice music the American black people gave the world. I played piano in my own all-white band in my all-white high school in Midland City, Ohio. We called ourselves ‘The Soul Merchants.’
How good were we? We had to play white people’s popular music, or nobody would have hired us. But every so often we would cut loose with jazz anyway. Nobody else seemed to notice the difference, but we sure did. We fell in love with ourselves. We were in ecstasy.
Father should never have made me go to West Point.
Never mind what he did to the environment with his non-biodegradable plastics. Look what he did to me! What a boob he was! And my mother agreed with every decision he ever made, which makes her another blithering nincompoop.
They were both killed 20 years ago in a freak accident in a gift shop on the Canadian side of Niagara Falls, which the Indians in this valley used to call ‘Thunder Beaver,’ when the roof fell in.
There are no dirty words in this book, except for ‘hell’ and ‘God,’ in case someone is fearing that an innocent child might see 1. The expression I will use here and there for the end of the Vietnam War, for example, will be: ‘when the excrement hit the air-conditioning.’
Perhaps the only precept taught me by Grandfather Wills that I have honored all my adult life is that profanity and obscenity entitle people who don’t want unpleasant information to close their ears and eyes to you.
The more alert soldiers who served under me in Vietnam would comment in some amazement that I never used profanity, which made me unlike anybody else they had ever met in the Army. They might ask if this was because I was religious.
I would reply that religion had nothing to do with it. I am in fact pretty much an Atheist like my mother’s father, although I kept that to myself. Why argue somebody else out of the expectation of some sort of an Afterlife?
‘I don’t use profanity,’ I would say, ‘because your life and the lives of those around you may depend on your understanding what I tell you. OK? OK?’
I resigned my commission in 1975, after the excrement hit the air-conditioning, not failing, however, to father a son on my way home, unknowingly, during a brief stopover in the Philippines. I thought surely that the subsequent mother, a young female war correspondent for The Des Moines Register, was using foolproof birth control.
Wrong again!
Booby traps everywhere.
The biggest booby trap Fate set for me, though, was a pretty and personable young woman named Margaret Patton, who allowed me to woo and marry her soon after my graduation from West Point, and then had 2 children by me without telling me that there was a powerful strain of insanity on her mother’s side of her family.
So then her mother, who was living with us, went insane, and then she herself went insane. Our children, moreover, had every reason to suspect that they, too, might go crazy in middle age.
Our children, full-grown now, can never forgive us for reproducing. What a mess.
I realize that my speaking of my first and only wife as something as inhuman as a booby trap risks my seeming to be yet another infernal device. But many other women have had no trouble relating to me as a person, and ardently, too, and my interest in them has gone well beyond the merely mechanical. Almost invariably, I have been as enchanted by their souls, their intellects, and the stories of their lives as by their amorous propensities.
But after I came home from the Vietnam War, and before either Margaret or her mother had shown me and the children and the neighbors great big symptoms of their inherited craziness, that mother-daughter team treated me like some sort of boring but necessary electrical appliance like a vacuum cleaner.
Good things have also happened unexpectedly, ‘manna from Heaven’ you might want to call them, but not in such quantities as to make life a bowl of cherries or anything approaching that. Right after my war, when I had no idea what to do with the rest of my life, I ran into a former commanding officer of mine who had become President of Tarkington College, in Scipio, New York. I was then only 35, and my wife was still sane, and my mother-in-law was only slightly crazy. He offered me a teaching job, which I accepted.
I could accept that job with a clear conscience, despite my lack of academic credentials beyond a mere BS Degree from West Point, since all the students at Tarkington were learning-disabled in some way, or plain stupid or comatose or whatever. No matter what the subject, my old CO assured me, I would have little trouble keeping ahead of them.
The particular subject he wanted me to teach, what’s more, was 1 in which I had excelled at the Academy, which was Physics.
The greatest stroke of luck for me, the biggest chunk of manna from Heaven, was that Tarkington had need of somebody to play the Lutz Carillon, the great family of bells at the top of the tower of the college library, where I am writing now.
I asked my old CO if the bells were swung by ropes.
He said they used to be, but that they had been electrified and were played by means of a keyboard now.
‘What does the keyboard look like?’ I said.
‘Like a piano,’ he said.
I had never played bells. Very few people have that clanging opportunity. But I could play a piano. So I said, ‘Shake hands with your new carillonneur.’
The happiest moments in my life, without question, were when I played the Lutz Carillon at the start and end of every day.
I went to work at Tarkington 25 years ago, and have lived in this beautiful valley ever since. This is home.
I have been a teacher here. I was a Warden for a little while, after Tarkington College officially became Tarkington State Reformatory in June of 1999, 20 months ago.
Now I myself am a prisoner here, but with pretty much the run of the place. I haven’t been convicted of anything yet. I am awaiting trial, which I guess will take place in Rochester, for supposedly having masterminded the mass prison break at the New York State Maximum Security Adult Correctional Institution at Athena, across the lake from here.
It turns out that I also have tuberculosis, and my poor, addled wife Margaret and her mother have been put by court order into a lunatic asylum in Batavia, New York, something I had never had the guts to do.
I am so powerless and despised now that the man I am named after, Eugene Debs, if he were still alive, might at last be somewhat fond of me.
IN MORE OPTIMISTIC times, when it was not widely understood that human beings were killing the planet with the by-products of their own ingenuity and that a new Ice Age had begun in any case, the generic name for the sort of horse-drawn covered wagon that carried freight and settlers across the prairies of what was to become the United States of America, and eventually across the Rocky Mountains to the Pacific Ocean, was ‘Conestoga’ – since the first of these were built in the Conestoga Valley of Pennsylvania.
They kept the pioneers supplied with cigars, among other things, so that cigars nowadays, in the year 2001, are still called ‘stogies’ sometimes, which is short for ‘Conestoga.’
By 1830, the sturdiest and most popular of these wagons were in fact made by the Mohiga Wagon Company right here in Scipio, New York, at the pinched waist of Lake Mohiga, the deepest and coldest and westernmost of the long and narrow Finger Lakes. So sophisticated cigar-smokers might want to stop calling their stinkbombs ‘stogies’ and call them ‘mogies’ or ‘higgies’ instead.
The founder of the Mohiga Wagon Company was Aaron Tarkington, a brilliant inventor and manufacturer who nevertheless could not read or write. He now would be identified as a blameless inheritor of the genetic defect known as dyslexia. He said of himself that he was like the Emperor Charlemagne, ‘too busy to learn to read and write.’ He was not too busy, however, to have his wife read to him for 2 hours every evening. He had an excellent memory, for he delivered weekly lectures to the workmen at the factory that were laced with lengthy quotations from Shakespeare and Homer and the Bible, and on and on.
He sired 4 children, a son and 3 daughters, all of whom could read and write. But they still carried the gene of dyslexia which would disqualify several of their own descendants from getting very far in conventional schemes of education. Two of Aaron Tarkington’s children were so far from being dyslexic, in fact, as to themselves write books, which I have read only now, and which nobody, probably, will ever read again. Aaron’s only son, Elias, wrote a technical account of the construction of the Onondaga Canal, which connected the northern end of Lake Mohiga to the Erie Canal just south of Rochester. And the youngest daughter, Felicia, wrote a novel called Carpathia, about a headstrong, high-born young woman in the Mohiga Valley who fell in love with a half-Indian lock-tender on that same canal.
That canal is all filled in and paved over now, and is Route 53, which forks at the head of the lake, where the locks used to be. One fork leads southwest through the perpetual gloom of the Iroquois National Forest to the bald hilltop crowned by the battlements of the New York State Maximum Security Adult Correctional Institution at Athena, a hamlet directly across the lake from Scipio.
Bear with me. This is history. I am trying to explain how this valley, this verdant cul-de-sac, got to be what it is today.
All 3 of Aaron Tarkington’s daughters married into prosperous and enterprising families in Cleveland, New York, and Wilmington, Delaware – innocently making the threat of dyslexia pandemic in an emerging ruling class of bankers and industrialists, largely displaced in my time by Germans, Koreans, Italians, English, and, of course, Japanese.
The son of Aaron, Elias, remained in Scipio and took over his father’s properties, adding to them a brewery and a steam-driven carpet factory, the first such in the state. There was no water power in Scipio, whose industrial prosperity until the introduction of steam was based not on cheap energy and locally available raw materials but on inventiveness and high standards of workmanship.
Elias Tarkington never married. He was severely wounded at the age of 54 while a civilian observer at the Battle of Gettysburg, top hat and all. He was there to see the debuts of 2 of his inventions, a mobile field kitchen and a pneumatic recoil mechanism for heavy artillery. The field kitchen, incidentally, with slight modifications, would later be adopted by the Barnum & Bailey Circus, and then by the German Army during World War I.
Elias Tarkington was a tall and skinny man with chin whiskers and a stovepipe hat. He was shot through the right chest at Gettysburg, but not fatally.
The man who shot him was 1 of the few Confederate soldiers to reach the Union lines during Pickett’s Charge. That Johnny Reb died in ecstasy among his enemies, believing that he had shot Abraham Lincoln. A crumbling newspaper account I have found here in what used to be the college library, which is now the prison library, gives his last words as follows: ‘Go home, Bluebellies. Old Satan’s daid.’
During my 3 years in Vietnam, I certainly heard plenty of last words by dying American footsoldiers. Not 1 of them, however, had illusions that he had somehow accomplished something worthwhile in the process of making the Supreme Sacrifice.
One boy of only 18 said to me while he was dying and I was holding him in my arms, ‘Dirty joke, dirty joke.’
ELIAS TARKINGTON, THE severely wounded Abraham Lincoln look-alike, was brought home in 1 of his own wagons to Scipio, to his estate overlooking the town and lake.
He was not well educated, and was more a mechanic than a scientist, and so spent his last 3 years trying to invent what anyone familiar with Newton’s Laws would have known was an impossibility, a perpetual-motion machine. He had no fewer than 27 contraptions built, which he foolishly expected to go on running, after he had given them an initial spin or whack, until Judgement Day.
I found 19 of those stubborn, mocking machines in the attic of what used to be their inventor’s mansion, which in my time was the home of the College President, about a year after I came to work at Tarkington. I brought them back downstairs and into the 20th Century. Some of my students and I cleaned them up and restored any parts that had deteriorated during the intervening 100 years. At the least they were exquisite jewelry, with garnets and amethysts for bearings, with arms and legs of exotic woods, with tumbling balls of ivory, with chutes and counterweights of silver. It was as though dying Elias hoped to overwhelm science with the magic of precious materials.
The longest my students and I could get the best of them to run was 51 seconds. Some eternity!
To me, and I passed this on to my students, the restored devices demonstrated not only how quickly anything on Earth runs down without steady infusions of energy. They reminded us, too, of the craftsmanship no longer practiced in the town below. Nobody down there in our time could make things that cunning and beautiful.
Yes, and we took the 10 machines were agreed were the most beguiling, and we put them on permanent exhibit in the foyer of this library underneath a sign whose words can surely be applied to this whole ruined planet nowadays:
THE COMPLICATED FUTILITY OF IGNORANCE
I have discovered from reading old newspapers and letters and diaries from back then that the men who built the machines for Elias Tarkington knew from the first that they would never work, whatever the reason. Yet what love they lavished on the materials that compromised them! How is this for a definition of high art: ‘Making the most of the raw materials of futility’?
Still another perpetual-motion machine envisioned by Elias Tarkington was what his Last Will and Testament called ‘The Mohiga Valley Free Institute.’ Upon his death, this new school would take possession of his 3,000-hectare estate above Scipio, plus half the shares in the wagon company, the carpet company, and the brewery. The other half was already owned by his sister far away. On his deathbed he predicted that Scipio would 1 day be a great metropolis and that its wealth would transform his little college into a university to rival Harvard and Oxford and Heidelberg.
It was to offer a free college education to persons of either sex, and of any age or race or religion, living within 40 miles of Scipio. Those from farther away would pay a modest fee. In the beginning, it would have only 1 full-time employee, the President. The teachers would be recruited right here in Scipio. They would take a few hours off from work each week, to teach what they knew. The chief engineer at the wagon company, for example, whose name was André Lutz, was a native of Liège, Belgium, and had served as an apprentice to a bell founder there. He would teach Chemistry. His French wife would teach French and Watercolor Painting. The brewmaster at the brewery, Hermann Shultz, a native of Leipzig, would teach Botany and German and the flute. The Episcopalian priest, Dr. Alan Clewes, a graduate of Harvard, would teach Latin, Greek, Hebrew, and the Bible. The dying man’s physician, Dalton Polk, would teach Biology and Shakespeare, and so on.
And it came to pass.
In 1869 the new college enrolled its first class, 9 students in all, and all from right here in Scipio. Four were of ordinary college age. One was a Union veteran who had lost his legs at Shiloh. One was a former black slave 40 years old. One was a spinster 82 years old.
The first President was only 26 years old, a schoolteacher from Athena, 2 kilometers by water from Scipio. There was no prison over there back then, but only a slate quarry and a sawmill and a few Subsistence farms. His name was John Peck. He was a cousin of the Tarkingtons’. His branch of the family, however, was and remains unhampered by dyslexia. He has numerous descendants in the present day, 1 of whom, in fact, is a speech writer for the Vice-President of the United States.
Young John Peck and his wife and 2 children and his mother-in-law arrived at Scipio by rowboat, with Peck and his wife at the oars, their children seated in the stern, and their luggage and the mother-in-law in another boat they towed behind.
They took up residence on the third floor of what had been Elias Tarkington’s mansion. The rooms on the first 2 floors would be classrooms, a library, which was already a library with 280 volumes collected by the Tarkingtons, study halls, and a dining room. Many treasures from the past were taken up to the attic to make room for the new activities. Among these were the failed perpetual-motion machines. They would gather dust and cobwebs until 1978, when I found them up there, and realized what they were, and brought them down the stairs again.
One week before the first class was held, which was in Latin, taught by the Episcopalian priest Alan Clewes, André Lutz the Belgian arrived at the mansion with 3 wagons carrying a very heavy cargo, a carillon consisting of 32 bells. He had cast them on his own time and at his own expense in the wagon factory’s foundry. They were made from mingled Union and Confederate rifle barrels and cannonballs and bayonets gathered up after the Battle of Gettysburg. They were the first bells and surely the last bells ever to be cast in Scipio.
Nothing, in my opinion, will ever again be cast in Scipio. No industrial arts of any sort will ever again be practiced here.
André Lutz gave the new college all those bells, even though there was no place to hang them. He said he did it because he was so sure that it would 1 day be a great university with a bell tower and everything. He was dying of emphysema as a result of the fumes from molten metals that he had been breathing since he was 10 years old. He had no time to wait for a place to hang the most wonderful consequence of his having been alive for a little while, which was all those bells, bells, bells.
They were no surprise. They had been 18 months in the making. The founders whose work he supervised had shared his dreams of immortality as they made things as impractical and beautiful as bells, bells, bells.
So all the bells but 1 from a middle octave were slathered with grease to prevent their rusting and stored in 4 ranks in the estate’s great barn, 200 meters from the mansion. The 1 bell that was going to get to sing at once was installed in the cupola of the mansion, with its rope running all the way down to the first floor. It would call people to classes and, if need be, also serve as a fire alarm.
The rest of the bells, it turned out, would slumber in the loft for 30 years, until 1899, when they were hanged as a family, the 1 from the cupola included, on axles in the belfry of the tower of a splendid library given to the school by the Moellenkamp family of Cleveland.
The Moellenkamps were also Tarkingtons, since the founder of their fortune had married a daughter of the illiterate Aaron Tarkington. Eleven of them so far had been dyslexic, and they had all gone to college in Scipio, since no other institution of higher learning would take them in.
The first Moellenkamp to graduate from here was Henry, who enrolled in 1875, when he was 19, and when the school was only 6 years old. It was at that time that its name was changed to Tarkington College. I have found the crumbling minutes of the Board of Trustees meeting at which that name change was made. Three of the 6 trustees were men who had married daughters of Aaron Tarkington, 1 of them the grandfather of Henry Moellenkamp. The other 3 trustees were the Mayor of Scipio, and a lawyer who looked after the Tarkington daughters’ interests in the valley, and the area Congressman, who was surely the sisters’ faithful servant, too, since they were partners with the college in his district’s most important industries.
And according to the minutes, which fell apart in my hands as I read them, it was the grandfather of young Henry Moellenkamp who proposed the name change, saying that ‘The Mohiga Valley Free Institute’ sounded too much like a poorhouse or a hospital. It is my guess that he would not have minded having the place sound like a catchment for the poor, if only he had not suffered the misfortune of having his own grandson go there.
It was in that same year, 1875, that work began across the lake from Scipio, on a hilltop above Athena, on a prison camp for young criminals from big-city slums. It was believed that fresh air and the wonders of Nature would improve their souls and bodies to the point that they would find it natural to be good citizens.
When I came to work at Tarkington, there were only 300 students, a number that hadn’t changed for 50 years. But the rustic work-camp across the lake had become a brutal fortress of iron and masonry on a naked hilltop, the New York State Maximum Security Adult Correctional Institution at Athena, keeping 5,000 of the state’s worst criminals under lock and key.
Two years ago, Tarkington still had only 300 students, but the population of the prison, under hideously overcrowded conditions, had grown to 10,000. And then, 1 cold winter’s night, it became the scene of the biggest prison break in American history. Until then, nobody had ever escaped from Athena.
Suddenly, everybody was free to leave, and to take a weapon from the prison armory, too, if he had use for 1. The lake between the prison and the little college was frozen solid, as easily traversed as the parking lot of a great shopping mall.
What next?
Yes, and by the time André Lutz’s bells were at last made to sing as a carillon, Tarkington College had not only a new library but luxurious dormitories, a science building, an art building, a chapel, a theater, a dining hall, an administration building, 2 new buildings of classrooms, and athletic facilities that were the envy of the institutions with which it had begun to compete in track and fencing and swimming and baseball, which were Hobart, the University of Rochester, Cornell, Union, Amherst, and Bucknell.
These structures bore the names of wealthy families as grateful as the Moellenkamps for all the college had managed to do for offspring of theirs whom conventional colleges had deemed ineducable. Most were unrelated to the Moellenkamps or to anyone who carried the Tarkington gene of dyslexia. Nor were the young they sent to Tarkington necessarily troubled by dyslexia. All sorts of different things were wrong with them, including an inability to write legibly with pen and ink, although what they tried to write down made perfect sense, and stammering so severe as to prevent their saying a word in class, and petit mal, which caused their minds to go perfectly blank for seconds or minutes anywhere, anytime, and so on.
It was simply the Moellenkamps who first challenged the new little college to do what it could for a seemingly hopeless case of plutocratic juvenile incapacity, namely Henry. Not only would Henry graduate with honors from Tarkington. He would go on to Oxford, taking with him a male companion who read aloud to him and wrote down thoughts Henry could only express orally. Henry would become 1 of the most brilliant speakers in a golden age of American purple, bow-wow oratory, and serve as a Congressman and then a United States Senator from Ohio for 36 years.
That same Henry Moellenkamp was author of the lyrics to one of the most popular turn-of-the-century ballads, ‘Mary, Mary, Where Have You Gone?’
The melody of that ballad was composed by Henry’s friend Paul Dresser, brother of the novelist Theodore Dreiser. This was 1 of the rare instances in which Dresser set another man’s words to music instead of his own. And then Henry appropriated that tune and wrote, or rather dictated, new words which sentimentalized student life in this valley.
Thus was ‘Mary, Mary, Where Have You Gone?’ transmogrified into the alma mater of this campus until it became a penitentiary 2 years ago.
History.
Accident after accident has made Tarkington what it is today. Who would dare to predict what it will be in 2021, only 20 years from now? The 2 prime movers in the Universe are Time and Luck.
As the tag line of my favorite dirty joke would have it: ‘Keep your hat on. We could wind up miles from here.’
If Henry Moellenkamp had not come out of his mother’s womb dyslexic, Tarkington College wouldn’t even have been called Tarkington College. It would have gone on being The Mohiga Valley Free Institute, which would have died right along with the wagon factory and the carpet factory and the brewery when the railroads and highways connecting the East and West were built far to the north and south of Scipio – so as not to bridge the lake, so as not to have to penetrate the deep and dark virgin hardwood forest, now the Iroquois National Forest, to the east and south of here.
If Henry Moellenkamp hadn’t come out of his mother’s womb dyslexic, and if that mother hadn’t been a Tarkington and so known about the little college on Lake Mohiga, this library would never have been built and filled with 800,000 bound volumes. When I was a professor here, that was 70,000 more bound volumes than Swarthmore College had! Among small colleges, this library used to be second only to the 1 at Oberlin, which had 1,000,000 bound volumes.
So what is this structure in which I sit now, thanks to Time and Luck? It is nothing less, friends and neighbors, than the greatest prison library in the history of crime and punishment!
It is very lonely in here. Hello? Hello?
I might have said the same sort of thing back when this was an 800,000-bound-volume college library: ‘It is very lonely in here. Hello? Hello?’
I have just looked up Harvard University. It has 13,000,000 bound volumes now. What a read!
And almost every book written for or about the ruling class.
If Henry Moellenkamp hadn’t come out of his mother’s womb dyslexic, there would never have been a tower in which to hang the Lutz Carillon.
Those bells might never have gotten to reverberate in the valley or anywhere. They probably would have been melted up and made back into weapons during World War I.
If Henry Moellenkamp had not come out of his mother’s womb dyslexic, these heights above Scipio might have been all darkness on the cold winter night 2 years ago, with Lake Mohiga frozen hard as a parking lot, when 10,000 prisoners at Athena were suddenly set free.
Instead, there was a little galaxy of beckoning lights up here.
REGARDLESS OF WHETHER Henry Moellenkamp came out of his mother’s womb dyslexic or not, I was born in Wilmington, Delaware, 18 months before this country joined the fighting in World War II. I have not seen Wilmington since. That is where they keep my birth certificate. I was the only child of a housewife and, as I’ve said, a chemical engineer. My father was then employed by E. I. Du Pont de Nemours & Company, a manufacturer of high explosives, among other things.
When I was 2 years old, we moved to Midland City, Ohio, where a washing-machine company named Robo-Magic Corporation was beginning to make bomb-release mechanisms and swivel mounts for machine guns on B-17 bombers. The plastics industry was then in its infancy, and Father was sent to Robo-Magic to determine what synthetic materials from Du Pont could be used in the weapons systems in place of metal, in order to make them lighter.
By the time the war was over, the company had gotten out of the washing-machine business entirely, had changed its name to Barrytron, Limited, and was making weapon, airplane, and motor vehicle parts composed of plastics it had developed on its own. My father had become the company’s Vice-President in Charge of Research and Development.
When I was about 17, Du Pont bought Barrytron in order to capture several of its patents. One of the plastics Father had helped to develop, I remember, had the ability to scatter radar signals, so that an airplane clad in it would look like a flock of geese to our enemies.
This material, which has since been used to make virtually indestructible skateboards and crash helmets and skis and motorcycle fenders and so on, was an excuse, when I was a boy, for increasing security precautions at Barrytron. To keep Communists from finding out how it was made, a single fence topped with barbed wire was no longer adequate. A second fence was put outside that one, and the space between them was patrolled around the clock by humorless, jack-booted armed guards with lean and hungry Dobermans.
When Du Pont took over Barrytron, the double fence, the Dobermans, my father and all, I was a high school senior, all set to go to the University of Michigan to learn how to be a journalist, to serve John Q. Public’s right to know. Two members of my 6-piece band, The Soul Merchants, the clarinet and the string bass, were also going to Michigan.
We were going to stick together and go on making music at Ann Arbor. Who knows? We might have become so popular that we went on world tours and made great fortunes, and been superstars at peace rallies and love-ins when the Vietnam War came along.
Cadets at West Point did not make music. The musicians in the dance band and the marching band were Regular Army enlisted men, members of the servant class.
They were under orders to play music as written, note for note, and never mind how they felt about the music or about anything.
For that matter, there wasn’t any student publication at West Point. So never mind how the cadets felt about anything. Not interesting.
I was fine, but all kinds of things were going wrong with my father’s life. Du Pont was looking him over, as they were looking over everybody at Barrytron, deciding whether to keep him on or not. He was also having a love affair with a married woman whose husband caught him in the act and beat him up.
This was a sensitive subject with my parents, naturally, so I never discussed it with them. But the story was all over town, and Father had a black eye. He didn’t play any sports, so he had to make up a story about falling down the basement stairs. Mother weighed about 90 kilograms by then, and berated him all the time about his having sold all his Barrytron stock 2 years too soon. If he had hung on to it until the Du Pont takeover, he would have had $1,000,000, back when it meant something to be a millionaire. If I had been learning-disabled, he could easily have afforded to send me to Tarkington.
Unlike me, he was the sort of man who had to be in extremis in order to commit adultery. According to the story I heard from enemies at high school, Father had done the jumping-out-of-the-window thing, hippity-hopping like Peter Cottontail across backyards with his pants around his ankles, and getting bitten by a dog, and getting tangled up in a clothesline, and all the rest of it. That could have been an exaggeration. I never asked.
I myself was deeply troubled by our little family’s image problem, which was complicated when Mother broke her nose 2 days after Father got the black eye. To the outside world it looked as though she had said something to Father about the reason he had a black eye, and his reply had been to slug her. I didn’t think he would ever slug her, no matter what.
There is a not quite remote possibility that he really did slug her, of course. Lesser men would have slugged her under similar circumstances. The real truth of the matter became unavailable to historians forever when the falling ceiling of a gift shop on the Canadian side of Niagara Falls killed both participants, as I’ve said, some 20 years ago. They were said to have died instantly. They never knew what hit them, which is the best way to go.
There was no argument about that in Vietnam or, I suppose, on any battlefield. One kid I remember stepped on an antipersonnel mine. The mine could have been one of our own. His best friend from Basic Training asked him what he could do for him, and the kid replied: ‘Turn me off like a light bulb, Sam.’
The dying kid was white. The kid who wanted to help him was black, or light tan, actually. His features were practically white, you would have to say.
A woman I was making love to a few years ago asked me if my parents were still alive. She wanted to know more about me, now that we had our clothes off.
I told her that they had suffered violent deaths in a foreign country, which was true. Canada is a foreign country.
But then I heard myself spinning this fantastic tale of their being on a safari in Tanganyika, a place about which I know almost nothing. I told that woman, and she believed me, that my parents and their guide were shot by poachers who were killing elephants for their ivory and mistook them for game wardens. I said that the poachers put their bodies on top of anthills, so that their skeletons were soon picked clean. They could be positively identified only by their dental work.
I used to find it easy and even exhilarating to lie that elaborately. I don’t anymore. And I wonder now if I didn’t develop that unwholesome habit very young, and because my parents were such an embarrassment, and especially my mother, who was fat enough to be a circus freak. I described much more attractive parents than I really had, in order to make people who knew nothing about them think well of me.
And during my final year in Vietnam, when I was in Public Information, I found it as natural as breathing to tell the press and replacements fresh off the boats or planes that we were clearly winning, and that the folks back home should be proud and happy about all the good things we were doing there.