Emily Dickinson

Poems by Emily Dickinson, Third Series

Published by Good Press, 2019
goodpress@okpublishing.info
EAN 4057664616449

Table of Contents


I. LIFE.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
XXX.
XXXI.
XXXII.
XXXIII.
XXXIV.
XXXV.
XXXVI.
XXXVII.
XXXVIII.
XXXIX.
XL.
XLI.
XLII.
XLIII.
XLIV.
XLV.
XLVI.
XLVII.
XLVIII.
XLIX.
L.
LI.
LII.
LIII.
LIV.
LV.
II. LOVE.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
III. NATURE.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
IV. TIME AND ETERNITY.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
XXX.
XXXI.
XXXII.
XXXIII.
XXXIV.
XXXV.
XXXVI.
XXXVII.
XXXVIII.
XXXIX.
XL.
XLI.
XLII.
XLIII.
XLIV.
XLV.
XLVI.
XLVII.
XLVIII.
XLIX.
L.
LI.
LII.
LIII.
LIV.
LV.
LVI.
LVII.
LVIII.
LIX.

PREFACE.

The intellectual activity of Emily Dickinson was so great that a large and characteristic choice is still possible among her literary material, and this third volume of her verses is put forth in response to the repeated wish of the admirers of her peculiar genius. Much of Emily Dickinson's prose was rhythmic—even rhymed, though frequently not set apart in lines.

Also many verses, written as such, were sent to friends in letters; these were published in 1894, in the volumes of her Letters. It has not been necessary, however, to include them in this Series, and all have been omitted, except three or four exceptionally strong ones, as "A Book," and "With Flowers."

There is internal evidence that many of the poems were simply spontaneous flashes of insight, apparently unrelated to outward circumstance. Others, however, had an obvious personal origin; for example, the verses "I had a Guinea golden," which seem to have been sent to some friend travelling in Europe, as a dainty reminder of letter-writing delinquencies. The surroundings in which any of Emily Dickinson's verses are known to have been written usually serve to explain them clearly; but in general the present volume is full of thoughts needing no interpretation to those who apprehend this scintillating spirit.

M. L. T.

AMHERST, October, 1896.

I. LIFE.

Table of Contents

POEMS.

I.
REAL RICHES.

'T is little I could care for pearls
Who own the ample sea;
Or brooches, when the Emperor
With rubies pelteth me;

Or gold, who am the Prince of Mines;
Or diamonds, when I see
A diadem to fit a dome
Continual crowning me.

II.

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SUPERIORITY TO FATE.

Superiority to fate
Is difficult to learn.
'T is not conferred by any,
But possible to earn

A pittance at a time,
Until, to her surprise,
The soul with strict economy
Subsists till Paradise.

III.

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HOPE.

Hope is a subtle glutton;
He feeds upon the fair;
And yet, inspected closely,
What abstinence is there!

His is the halcyon table
That never seats but one,
And whatsoever is consumed
The same amounts remain.

IV.

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FORBIDDEN FRUIT.
I.

Forbidden fruit a flavor has
That lawful orchards mocks;
How luscious lies the pea within
The pod that Duty locks!

V.

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FORBIDDEN FRUIT.
II.

Heaven is what I cannot reach!
The apple on the tree,
Provided it do hopeless hang,
That 'heaven' is, to me.

The color on the cruising cloud,
The interdicted ground
Behind the hill, the house behind—
There Paradise is found!

VI.

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A WORD.

A word is dead
When it is said,
Some say.
I say it just
Begins to live
That day.

VII.

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To venerate the simple days
Which lead the seasons by,
Needs but to remember
That from you or me
They may take the trifle
Termed mortality!

To invest existence with a stately air,
Needs but to remember
That the acorn there
Is the egg of forests
For the upper air!

VIII.

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LIFE'S TRADES.

It's such a little thing to weep,
So short a thing to sigh;
And yet by trades the size of these
We men and women die!

IX.

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Drowning is not so pitiful
As the attempt to rise.
Three times, 't is said, a sinking man
Comes up to face the skies,
And then declines forever
To that abhorred abode
Where hope and he part company—
For he is grasped of God.
The Maker's cordial visage,
However good to see,
Is shunned, we must admit it,
Like an adversity.

X.

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How still the bells in steeples stand,
Till, swollen with the sky,
They leap upon their silver feet
In frantic melody!

XI.

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If the foolish call them 'flowers,'
Need the wiser tell?
If the savans 'classify' them,
It is just as well!

Those who read the Revelations
Must not criticise
Those who read the same edition
With beclouded eyes!

Could we stand with that old Moses
Canaan denied—