First published in Great Britain in 2016 by Electric Monkey,
an imprint of Egmont UK Limited
The Yellow Building, 1 Nicholas Road, London W11 4AN
Text copyright © 2016 Kevin Brooks
The moral rights of the author have been asserted
First e-book edition 2016
ISBN 978 1 4052 7619 1
Ebook ISBN 978 1 7803 1685 7
www.egmont.co.uk
A CIP catalogue record for this title is available from the British Library
All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.
Stay safe online. Any website addresses listed in this book are correct at the time of going to print. However, Egmont is not responsible for content hosted by third parties. Please be aware that online content can be subject to change and websites can contain content that is unsuitable for children. We advise that all children are supervised when using the internet.
Cover
Title Page
Copyright
1. CHRISTMAS EVE
2. LESS THAN NOTHING
3. CHEAP AND NASTY
4. SO MANY OTHER THINGS
5. SOLID GOLD BUTTONS
6. BIG MONKEY TEETH
7. THE SNOW GLOBE
8. A BLOOD-RED NIGHTMARE
9. AT LEAST A MILLION
10. A DEAD BLACK LINE
11. MY EVERY DAY AND NIGHT
12. THE MOTHER
13. MOLOXETINE
14. LET’S GET THIS DONE
15. THE SNARL OF THE BEAST
16. ONE, TWO, THREE
17. KAYLEE
18. THE LONESOME RATTLE
19. 482 METRES
20. SHOCKED WHITE
21. THE DOOR
22. A WORLD OF GREY-BROWN SKELETONS
23. BITS OF BONE AND CLICKY WET THINGS
24. THE MAD WOLF
25. THE SNOW CAVE
26. A FLUORESCENT BIRD OF PARADISE
27. THE GUINEA PIG
28. THIRTY-FIVE HEADS (AND SEVENTY EVIL EYES)
29. THE STRANGE LAD FROM THE BIG HOUSE
30. EVERYTHING’S A MONSTER
31. HALF A HUMAN LEG
32. LIGHTS AT THE END OF THE WORLD
33. A WHIRLING DARKNESS
34. THE HILLBILLY
35. ONE LOST SOUL
36. PSYCHO-STINK
37. A THING OF COLD SILENCE
38. GREAT BLACK TREES
39. DO THEY KNOW IT’S CHRISTMAS?
40. MY SKEWERED SKULL
41. THREE THINGS
42. JUST DEAD
43. AN INNOCENT CHILD
44. RIDING THE STARS
45. FLESH AND BONE ON COLD STEEL
46. THE FEAR
CREDITS
Back series promotional page
I’ve got as far as the hallway now. Coat, hat, boots, gloves . . .
Cold sweat running down my back.
It’s three o’clock in the afternoon, Christmas Eve.
The snowstorm’s getting worse.
My heart’s pounding. I’m shaking, shivering. I feel sick. And every cell in my body is screaming at me to turn round and run.
But I can’t move.
Either way.
I can’t go back.
Can’t go out.
I can’t do it.
It’s impossible.
I can’t go out there.
I’m terrified.
My fear pills are yellow, which isn’t a bad colour for me.
Red is blood (and Santas), black is death, blue is the drowning sea . . .
Yellow is cheese and bananas.
And pills.
I don’t know why I call them fear pills. They’re anti-fear pills really.
I’m chronically afraid of almost everything.
Sometimes I think I can remember being scared when I was still in my mother’s womb. It’s not much more than a distant feeling really – and I have no idea what I could have been frightened of in there, or how – in my unformed state – I could have perceived it.
Unless . . .
Unless.
It’s probably more accurate to say that I sometimes think I can remember being scared when we were still in our mother’s womb. There were two of us in there: me and my sister, Ellamay. We were twins, and I know in my heart that my embryonic fears – if that’s what they were – were as much Ellamay’s as they were mine.
We were scared.
Together.
We were as one.
As we still are now.
And perhaps we knew what was coming. Perhaps we were frightened because we knew one of us was dying . . .
No, I don’t think that’s it.
I don’t think any of us knows what death is until it’s explained to us. And the strange thing about that is that although there must be a pivotal moment in all our lives when we find out for the first time that all living things die, and that at some point in the future our own life will come to an end, I certainly can’t remember the moment when I found out, and I’d be surprised if anyone else can either.
Which is kind of weird, don’t you think?
What I can remember though is the effect that moment had on me.
I don’t know how old I was at the time – four? five? six? – but I clearly remember lying in bed at night with my head beneath the covers trying to imagine death. The total absence of everything. No life, no darkness, no light. Nothing to see, nothing to feel, nothing to know. No time, no where or when, no nothing, for ever and ever and ever and ever . . .
It was terrifying.
It still is.
. . . lying there for hours and hours, staring long and hard into the darkness, searching for that unimaginable emptiness, but all I ever see is a vast swathe of absolute blackness stretching deep into space for a thousand million miles, and I know that’s not enough. I know that when I die there’ll be no blackness and no thousand million miles, there won’t even be nothing, there’ll be less than nothing . . .
And the thought of that still fills my eyes with tears.
But sometimes . . .
Sometimes.
Sometimes it feels as if that memory doesn’t belong to me, that it happened to someone else. Or maybe I read about it in a book or something – a story about a mixed-up kid who lies in bed at night trying to imagine death – and I identified with it so much that over time I gradually convinced myself that I was that mixed-up kid, and his imaginations were mine.
Not that it makes any difference, I suppose.
A memory is a memory, wherever it comes from.
I’ve sunk down to the hallway floor now, and I’m just sitting here with my eyes closed and my back against the wall. I’m trying to breathe steadily, trying to calm my thumping heart, trying to empty my mind.
After a while Ellamay comes to me, her silent voice as comforting as ever.
It’s all right, Elliot. It’ll be okay.
‘I’m scared.’
I know. But you won’t be alone. I’ll be with you all the way.
‘I don’t think I can do it.’
Yes, you can.
‘It’s too much.’
You have to do it, Elliot.
‘I know.’
For Mum.
‘I know.’
For us.
We were born prematurely, at twenty-six weeks. I weighed just under a pound, Ella was even smaller. It was a traumatic birth, and at first the doctors weren’t sure if any of us were going to survive. Mum had lost a lot of blood and was in a really bad way, and while she was rushed off for an emergency operation, Ellamay and I were taken to the neonatal intensive care unit where we were put in incubators and hooked up to all kinds of stuff to keep us alive.
It didn’t work for Ellamay.
She only lived for an hour.
I almost went with her.
Our hearts stopped beating at virtually the same time. But although the doctors and nurses somehow managed to save me, they couldn’t do anything to bring Ella back.
Part of me died with her, and part of her lived on with me.
We’re dead and alive together.
The first time I experienced fear in the outside world – as opposed to the inner world of my mother’s womb – was the first time I woke up in the incubator after Ella had died. It’s a moment that’s as much a part of me as all the other things that make me what I am – my heart, my brain, my flesh, my blood.
I was just lying there – on my back, my eyes open – looking up through the clear-plastic dome of the incubator at the white sky of the ceiling above. Muted sounds were drifting all around me – soft beeps, hushed voices, a low humming – and although I didn’t know what these noises were, I wasn’t scared of them. They were the sounds of my world, as normal to me as the sound of my own stuttered breathing.
Then, all at once, everything changed.
The white sky suddenly darkened as three unknown things appeared out of nowhere and loomed down over me. I didn’t know what they were – moving things, menacing things, things that made strange jabbering noises – wah thah . . . pah banah . . . al tah plah . . . tah yah ah lah . . .
Monsters.
Then one of them moved even closer to me, stooping down over the incubator, getting bigger and bigger all the time . . . and that was when the fear erupted inside me. It was uncontrollable, overwhelming, absolute.
Pure terror.
It was all I was.
The three unknown things that day were my mum, her older sister Shirley, and Dr Gibson, and the funny (peculiar) thing about it is that although they were the first people to scare me to death, they’ve since become the only three people who don’t scare me to death.
They are, to me, the only true people in the world.
Everyone else is a monkem.
The two men in the stolen Land Rover were both dressed as Santa Claus. The Santa disguises had been a last-minute decision, and because it was Christmas Eve most of the local shops and fancy-dress hire places had run out of Father Christmas costumes. The only store that hadn’t sold out was the PoundCrusher at the retail park in Catterick, and the only reason they had any left was that their costumes were so cheap and nasty that Scrooge himself wouldn’t have bought one. The red nylon they were made from was so thin it was virtually see-through, and the stringy white trim on the hats and jackets was glued on rather than stitched. Bits of the trim were already falling off, the loose white threads sticking to the static cling of the flimsy red nylon like dandruff. Both of the costumes were XXL – the only size left in the shop – and since neither of the two men were anywhere near ‘extra extra large’ they’d had to make some rough-and-ready adjustments to their outfits. Extra holes had been made in the belts, sleeves and trouser legs were rolled up, and the Santa hats had been made to fit by wearing beanie hats underneath. The costumes didn’t include Santa boots, so both men were wearing trainers.
The worst time for Mum was the first couple of years of my life when all I did was scream and cry almost constantly. People kept telling her not to worry – it’s perfectly normal for babies to cry all the time – but she knew this was different. I wasn’t just crying like a normal baby, I was bawling and howling, trembling all over, cowering away from just about everything.
‘It’s not right, is it?’ Mum said to Dr Gibson. ‘There’s something seriously wrong with him.’
The Doc looked at me – I was cradled in Mum’s arms – then turned back to Mum. ‘I don’t know what it is, Grace. I honestly don’t. The only irregularities that have shown up on his regular hospital check-ups are a faster-than-average heart rate and high blood pressure, but considering the trauma he went through at birth, it’s perfectly understandable for him to have an instinctive fear of the hospital environment.’
‘But his heart rate and blood pressure go up when you’re examining him too,’ Mum pointed out.
‘Not as much as when he’s at the hospital. And again, it’s only natural for him to be scared of me when he knows I’m going to be prodding him about and sticking needles in him.’
‘No,’ Mum said firmly, shaking her head, ‘there’s more to it than that. I could understand it if he only got upset and agitated when he’s being examined, but there are so many other things that bring it on too – unfamiliar people, strange sounds, cars, birds, dogs, rain, wind, darkness . . . he’s terrified of the dark, Owen. I mean, he’s not just frightened of it – I could understand that – he’s absolutely petrified of it. He’s never once slept without a light on.’
The Doc frowned and scratched his head. ‘Well, physically there doesn’t seem to be anything wrong with him. As I said, the hospital check-ups have all been clear, and you know yourself that I’ve been testing him for everything I can possibly think of – heart, liver, blood, allergies, infections – and I haven’t found anything out of the ordinary.’ He paused, hesitating for a second, glancing at me again. ‘The only thing I can think of at the moment is that the underlying cause of his extreme agitation isn’t directly physical.’
‘What do you mean?’
‘The symptoms we’ve been talking about – increased heart rate, high blood pressure – are classic indicators of fear and anxiety, and while I still think it’s fairly normal for Elliot to have an instinctive fear of the hospital, and – to a lesser extent – me, it’s possible that his problems have a psychological basis rather than a specific physical cause.’
Mum’s face visibly paled.
‘It’s not uncommon, Grace,’ the Doc said, putting a reassuring hand on her arm. ‘Small babies have all kinds of curious problems, and sometimes we simply don’t know what’s wrong with them, and of course they can’t tell us anything themselves until they start talking. But in my experience, by the time they do start talking, the vast majority of them have left these problems behind.’
‘The vast majority?’ Mum said, raising an eyebrow.
‘Elliot’s going to be okay, Grace,’ the Doc said softly. ‘Trust me, everything’s going to be fine.’
Everything wasn’t fine, though. I didn’t leave my problems behind. And by the time I was talking well enough to express my feelings, there was no doubt what was wrong with me.
‘I’m scared, Mummy.’
‘Scared of what, love?’
‘Everything.’
The Santa in the passenger seat of the stolen Land Rover pulled down his stringy white beard and cursed again as he scratched his unshaven chin.
‘This is killing me,’ he said, flicking angrily at the beard. ‘It feels like it’s made of asbestos or something.’
‘Put it back on,’ the Santa in the driver’s seat told him.
‘I don’t see why –’
‘Put it back on.’
The driver’s voice was calm and measured, but there was a chilling edge to it that his companion knew better than to ignore. He’d seen at first hand what his partner could do to people who didn’t take him seriously, and although they were partners – of a kind, at least – he knew that didn’t make any difference. Partner or not, if the man sitting beside him wanted to hurt him, he wouldn’t think twice about doing it.
‘I was only saying,’ he muttered, pulling the elasticated beard back up and refixing it to his face.
‘Yeah, well don’t, okay?’
The Santa in the passenger seat shrugged sulkily then turned away and gazed out of the window.
It was 11.42 a.m.
They were taking the back way to the village, driving across the moors, and the Santa in the passenger seat knew this area like the back of his hand. He used to come up here with his friends when he was a kid, happily ignoring the KEEP OUT! MILITARY FIRING RANGE warning signs to search for anything the army had left behind after their manoeuvres the night before – spent rifle shells, burnt-out flares, even live ammunition, if you were lucky. He knew that on a clear day you could see for miles up here, all the way across to the distant Hambleton Hills, but today the snow was so thick and heavy that visibility was practically nil. The raw moorland wind was blowing so fiercely that great sheets of snow were gusting horizontally across the desolate landscape, and he could feel the car struggling to stay in a straight line.
As he rested his head against the cold glass of the window, he wondered once again what he was doing here. Why do you keep getting yourself into these things? he asked himself. I mean, what’s your problem? What’s so difficult about saying no?
His name was Leonard Dacre. Most people called him Dake.
The driver’s name was Carl Jenner.
‘When this is all over,’ Jenner said, breaking the silence, ‘you can go out and buy yourself the most expensive Santa Claus costume in the world.’ He glanced at Dake. ‘Solid gold buttons, silk trousers, a snakeskin belt . . .’
‘A beard made from polar bear fur . . .’
‘Yeah.’
The two men grinned at each other, and the Land Rover drove on through the snow.
I don’t like hiding things from Mum – it makes me feel like I’m betraying her – but I learned a long time ago that sometimes it’s best for both of us if I keep certain things to myself.
Like Ellamay, for example.
I was about four years old when I first realised that I had to keep Ellamay to myself. The Doc had been round to see me, and afterwards – while he was talking to Mum – I was sitting on the floor looking through one of my favourite picture books, and it just so happened that Ellamay suddenly came to me.
Are you all right, Elliot? she asked. What did the Doc say this time?
‘He wants me to see a special doctor,’ I told her.
What kind of special doctor?
‘A brain doctor.’
Why?
‘To stop me being frightened.’
‘Elliot?’
It wasn’t Ellamay’s voice this time, and for a second I didn’t know what was happening. Then Mum spoke again.
‘What are you doing, Elliot? Who are you talking to?’
I looked up at her. ‘It’s Ellamay.’
‘Who?’
‘Ellamay.’
Mum looked puzzled, and as she turned to the Doc I could see that she was worried too.
‘Who’s Ellamay, Elliot?’ the Doc asked me.
‘My sister.’
‘Your sister?’
I nodded.
The Doc turned to Mum. ‘Ellamay?’
Mum shook her head, and I could see now that there were tears in her eyes. ‘He didn’t get it from me . . .’ she muttered, her voice catching in her throat. ‘You know I couldn’t bear to give her a name . . . he must have made it up himself . . .’
‘Have you heard him talking to her before?’
‘I always thought he was just talking to himself.’
She was crying now, tears running down her face. I got up and went over to her and put my arms around her neck.
‘Don’t cry, Mummy . . . I’m sorry, I didn’t mean to make you cry.’
‘It’s all right, darling,’ she sobbed. ‘It’s not your fault . . .’
But it was my fault. Who else’s fault could it have been?
And ever since then I only talk out loud to Ellamay when we’re alone.
Another thing I learned not to say out loud was ‘monkem’. Monkems are all the people in the world except for Mum, Auntie Shirley, and the Doc. They’re called monkems because they come to me in my dreams as horrible scary things with hairy monkey bodies and long grasping arms and bandy legs and little human heads with vicious grinning mouths with their lips pulled back over nasty big monkey teeth . . .
That’s what other people are to me.
Terrible things that want to rip me apart and eat me.
Monkems.
The first time I said it in front of Mum she told me I mustn’t say it any more.
‘Why not?’ I asked her.
‘You can’t call people monkeys, Elliot.’
‘Monkems,’ I corrected her. ‘Not monkeys.’
‘Well, that’s as maybe,’ she said (which made no sense to me at all), ‘but people might think you’re saying monkey, like I just did, and they might think you’re being horrible to them.’ She gave me a look. ‘You don’t want anyone to think you’re being horrible to them, do you?’
I told her I didn’t, and since then I only ever use the word when I’m on my own or with Ellamay. Not that it makes any difference. The way I react to monkems – screaming my head off and running away in terror – they must think I’m mad anyway, so what does it matter if they think I’m horrible as well? And besides, even at that age – three or four years old – I was very rarely seeing anyone else apart from Mum and Shirley and the Doc, so the chances of me upsetting a monkem by calling them a monkem were virtually non-existent.
I wish this was easier. I wish I could just lay my hands on your head and transfer what’s inside me to you. I wish you could be me, if only for a moment, so you’d know exactly how I feel.
But that’s not going to happen, is it?
Wishes never come true.
shake it . . .
like this
It’s twelve minutes past three now and I’m back in my room. Still hatted and booted and gloved, still sticky-skinned from the drying cold sweat, and still sick to my bones with fear.
What are you doing, Elliot? Ellamay says, sounding confused and slightly frustrated. I thought we were ready to go. I thought we’d –
‘It’s all right,’ I tell her. ‘I’ve just remembered something, that’s all. I won’t be a minute.’
I cross the room and go into the bathroom.
Oh, right, Ellamay says. I see.
She thinks I’m going to the toilet.
‘No, it’s not that,’ I tell her, opening the cabinet above the sink. ‘I’m just checking to make sure there aren’t any pills in here that I’ve forgotten about.’
You’ve already done that.
‘I’m double-checking.’
You’ve already done that as well.
‘I’m triple-checking then.’
There are four empty brown-glass pill bottles in the cabinet. I always keep a few empty ones, just in case I break one or something. And Ellamay’s right, I have already checked each of them twice. But sometimes I get riddled with doubts – about all kinds of stupid little things – and there’s something inside me that won’t let me rest until I’ve hammered those doubts into the ground.
So I check all the bottles again – take one out, shake it
like this
unscrew the cap, look inside, turn it upside down and tap it against my palm . . .
Nothing, empty.
I put the cap back on, place it to one side, take the next bottle out of the cabinet. Shake it
like this
unscrew the cap, look inside . . .
Nothing.
I go through the same process with the other two bottles, but they’re both empty too, as I knew they would be.
Satisfied?
‘Not yet.’
I start removing everything else from the cabinet – packets of pills (for headaches and indigestion), eczema cream, toothpaste, toothbrush – and when the shelves are completely empty, I stand there scanning the dusty emptiness for any specks of yellow, hoping against hope that if I look hard enough I’ll find a stray pill. But I don’t. So then I reach up and start running my fingers through the dust, feeling around in every little corner of the shelves, every little gap between the shelves and the back of the cupboard, every possible place where a small yellow pill could be lodged . . .
There’s nothing there.
No doubt about it.
I close the cabinet, reach into my pocket, and pull out my current pill bottle. I give it a shake
like this
and the last remaining pill rattles thinly against the glass. I close my eyes for a second and think again about taking it now. The last one I took is beginning to wear off, and I can already feel the first faint stirrings of the thing I dread the most – the beast that is the fear of fear itself – and I know that if I don’t take the pill now . . .
Save it for later, Ellamay says.
‘I don’t think I can.’
You’re probably going to need it later a lot more than you need it now.
I know she’s right.
I know I have to wait.
I shake the bottle one more time
like this
and put it back in my pocket.
Is that it? Ellamay says. Can we go now? It’s going to be completely dark outside if we don’t go soon.
‘I know,’ I tell her, crossing over to the bedside cabinet and picking up my torch, ‘that’s why I need this.’
I switch it on to make sure it’s working. I already know that it is – I check it every night, and I only put new batteries in it a couple of days ago – but I go ahead and check it anyway.
It works, the beam’s strong and bright.
I drop the torch into my coat pocket, turn to leave . . .
Then stop.
And slowly turn round.
What now? says Ella.
The snow globe was a gift from Auntie Shirley. She’d been on a day trip to Whitby with her son Gordon, and when she was looking around one of the souvenir shops she’d spotted a snow globe that she really liked. In fact, she’d liked it so much that she’d bought two of them – one for herself, and one for Mum.
I’d never seen a snow globe before, so when Mum finally showed it to me – after thinking long and hard about whether it would frighten me or not – I had no idea what it was. I remember holding it my hands and gazing curiously at it, wondering what on earth it could be. A small glass dome, filled with clear liquid, with a miniature woodland scene inside. It was a fairytale scene – Little Red Riding Hood walking through the woods with the Big Bad Wolf – and although the small plastic figures and plastic trees weren’t particularly well made or anything, there was something about them, something about the whole thing, that felt very special to me.
‘Shake it,’ Mum said, smiling.
I didn’t know what she meant.
‘Like this,’ she told me, gesturing with her hand.
I copied her, awkwardly shaking the globe, and I was so surprised when it filled up with a blizzard of tiny snowflakes that I actually cried out in delight.
Mum was so relieved that I wasn’t scared of the snow globe, and even more pleased that I actually seemed to like something for a change, that she let me keep it. And it’s been sitting on my shelf ever since.
Shirley keeps her snow globe on the windowsill of her front room, and on the few occasions when I’ve been in Shirley’s house – visiting with Mum – I’ve always wondered if there’s some kind of connection between our two identical snow globes, some kind of at-a-distance awareness of each other . . .
Or something.
I don’t know.
What is it, Elliot ? says Ella.
‘Nothing,’