Little Gloria Summers’ body has been found, hidden inside two plastic bin bags in a disused warehouse. Somewhere in the city, a child killer is on the loose, free to strike again.
Then Emily Morrison vanishes on a sunny Sunday afternoon. A week later there are still no clues. Inspector Charlie Resnick is as appalled as the media. But years of patient police work have taught him a thing or two – including his conviction that those who jump to easy conclusions are often the last ones to solve a crime.
About the Book
About the Author
Also by John Harvey
Title Page
Dedication
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Chapter Twenty-four
Chapter Twenty-five
Chapter Twenty-six
Chapter Twenty-seven
Chapter Twenty-eight
Chapter Twenty-nine
Chapter Thirty
Chapter Thirty-one
Chapter Thirty-two
Chapter Thirty-three
Chapter Thirty-four
Chapter Thirty-five
Chapter Thirty-six
Chapter Thirty-seven
Chapter Thirty-eight
Chapter Thirty-nine
Chapter Forty
Chapter Forty-one
Chapter Forty-two
Chapter Forty-three
Chapter Forty-four
Chapter Forty-five
Chapter Forty-six
Chapter Forty-seven
Chapter Forty-eight
Chapter Forty-nine
Copyright
This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.
John Harvey is the author of the richly praised sequence of eleven Charlie Resnick novels, the first of which, Lonely Hearts, was named by The Times as one of the ‘100 Best Crime Novels of the Century’. In 2004 William Heinemann published Flesh and Blood, the first novel featuring retired Detective Inspector Frank Elder, which won the CWA Silver Dagger Award. John Harvey is the 2007 winner of the CWA Cartier Diamond Dagger.
He is also a poet, dramatist and occasional broadcaster.
He sat across the bar from Raymond, staring, daring him to walk over and say something: the youth who had stabbed him, the one with the knife.
Six weeks back it had been, Saturday night like this one, but colder, Raymond’s breath on the air as he turned down past the Royal, heading for the square. No reason to notice them then, no more than any others, four young men in shirt sleeves, nineteen or twenty, out on the town; white shirts and new ties bought that morning at River Island or Top Man, hands punched down into pockets of trousers that were dark and loose at the hip. Loud. Voices raised at girls who scuttled past and laughed, short skirts or shorts, rattle of high heels.
‘Hey, you!’
‘What?’
‘You!’
‘Yeh?’
Raymond had bumped into one of them, hardly that, shoulder no more than brushing his shirt as he swivelled past, close to the glass of Debenham’s window.
‘Watch where you’re fucking going!’
‘Okay, I didn’t …’
The four of them closing round him, no room for explanations.
‘Look …’ A gesture of pacification, Raymond raising both hands, palms outwards: a mistake.
The nearest one struck him, more a push than a punch, enough to drive him back against the cold flat of the glass; the jolt of fear across his eyes enough to draw them on.
‘Bastard!’
All of them, then; punches he hardly felt, except that he was down on his knees and one of them, swaying back, kicked out his polished shoe, causing Raymond to cry out and that, of course, they loved. The four of them wanting some piece of him, a good kicking while the rest of the city veered round them, a few more pints, a few more laughs, the night not half over and everyone wanting some fun.
Raymond clung to a leg and hung on. A heel stomped down on his calf and he closed his teeth around the trousered thigh and bit hard.
‘Jesus! You bastard!’
‘Cunt!’
A hand grabbed at his shirt, hauling him on to the punch. A face wide with anger. Pain. Stumbling back towards the window, Raymond saw the blade, the knife. Then it was out of sight inside the pocket and they were gone, a cocky strut across the street which broke into a run.
Raymond was looking at the same face now, brown eyes, dark beginnings of a moustache; his attacker sitting at a table with three others, heads close together as a girl with purple bites and permed black hair struggled to finish her joke without cracking up. But the youth that Raymond had recognized not really listening, knowing who Raymond was now, remembering; with a swagger he got to his feet and walked towards the counter, empty glass in hand. Ordering another pint of lager, Heineken draught, paying for it, waiting to receive his change, scarcely shifting his eyes the whole time from Raymond’s face. Smiling with those eyes now as he straightened, mouth set tight. Come on, you ponce, you shirtlifting piece of shit, what are you going to do about it?
What Raymond had done, that evening weeks before, was ease himself into a sitting position, leaning back against the window while people stepped over the spread of his legs, over or around. He was frightened at first to feel where the blow had landed, the soft flesh above his hip where the knife had cut. Unsteady on his feet, pausing every dozen paces, he had passed the circle of shrubs festooned with someone’s discarded knickers, mushy peas and pizza crust, containers from Kentucky Fried Chicken and Burger King, on past the toilets to the taxi rank at the bottom of the square.
‘Queens,’ he said, wincing as he eased himself into the seat.
‘Which entrance?’
‘Casualty.’
A conga line in fancy dress danced over the pedestrian crossing in front of them – Minnie Mouse, Maid Marian, Madonna – somebody’s hen night in raucous celebration.
When they arrived at the hospital the driver cursed Raymond for leaking blood on to his seat and tried to charge him double fare. The receptionist had to ask him to spell his name three times and each time Raymond spelled it differently because he wasn’t about to give her his real name, was he? They cleaned him up enough to apply a temporary dressing, gave him some paracetamol and sat him in a corridor to wait. After almost an hour, he got fed up hanging around, picked up another taxi on the upper level and went home.
The first few days, each time he went to the bathroom, he would prise back the plaster he’d used to keep the dressing down and check for any sign of infection, without really knowing what that might be. All he saw was a darkening scab, no more than an inch, inch and a half across, round it a bruise that was changing colour even as it began to fade.
Raymond went back to work and, except when he stretched or lifted something heavy like a side of beef, came close to forgetting what had happened. Except for that face, fast against his when the blade sank home. Raymond wasn’t about to forget that – especially when it was no more than twenty feet away from him, like now, the youth sitting back with his friends, but still the eyes flicking back to Raymond every once in a while. What? You still here? All right. The last thing Raymond wanted him to think, that he was in any sense afraid. He made himself count to ten under his breath, set down his glass, one to ten again and stand, wait until the youth was looking right across at him and hold his gaze – there – then walk directly out of the bar as if he didn’t care about a thing.
Only once Raymond was out in the corridor, instead of turning left towards the street, he went the other way and ducked down the stairs towards the Gents; one man in there in a short-sleeved check shirt, arm extended against the wall, leaning forward to take a blissful piss. Raymond tried the first cubicle, no lock, let himself into the second and quickly slid the bolt across. He unzipped the front of his leather jacket – forty pounds at the stall close alongside the fish market and unlikely to be repeated – and reached into the inside pocket. The cross-hatch pattern of the Stanley knife handle was comforting against his fingers, the palm of his hand. The thumbnail with which he flicked up the blade had been bitten low, almost to the quick. Outside in the urinals someone was singing ‘Scotland the Brave’; next door somebody was trying to be sick. Raymond slid the blade deftly up and back, up and back. With the point he carved his initials into the wall below the cistern, finally altering the R into a B, the C into a D.
As the knife scored the paint, he thought of coming face to face with his attacker, somewhere crowded, or quiet, that didn’t matter: all that did was that when Raymond cut him, he knew who it was. ‘Raymond Cooke.’ The way he would say it. No need to shout, the lightest of whispers. ‘Raymond Cooke. Remember?’
Back in the front bar, busier now, it was several moments before Raymond realized the youth had gone.
The girl had been missing since September. Two months. A total of sixty-three days. Resnick’s first home game of the season. He had taken his place in the stands at Meadow Lane, suffused with the annual early enthusiasm. A new player at the centre of the defence, signed during the summer lay-off; their twin strike force smiling from the back page of the local paper, each vowing to outdo the other in their chase for thirty goals; good youngsters bubbling up from the youth team, the reserves – didn’t two of the team have Under-21 caps already? Walking away from the ground after the final whistle, numbed by a 0–0 draw with a bunch of cloggers and artisans from higher up the A1, Resnick had considered calling in at the station, but thought better of it. Rumour was that Forest had won 4–1 away and he could do without the sarcastic reminders of his colleagues that he was supporting the wrong team. As if he needed them to tell him; as if that wasn’t most of the point.
Which meant that it was not the detective inspector, but his sergeant who was the senior officer in the CID room when the call came through.
Graham Millington shouldn’t have been there, either. By rights, he should have been at home in his garden, stealing a march on autumn before it did the same to him. His garden or Somerset. Taunton, to be precise. He and the wife should have been in Taunton, drinking some ghastly mix of Earl Grey tea and eating egg and salad sandwiches while his wife’s sister and her excuse for a husband went on at great length about the rising crime rate, the ozone layer and the diminishing Tory vote. Oh, and Jesus. Millington’s in-laws, the original right-wing, Christian conservationists, sitting up there at the Green right hand of God, like as not offering him another wholemeal lettuce and cucumber and some advice about keeping acid rain well clear of the hem of his garment.
Millington’s long face and protracted warnings about traffic hold-ups on the M5 had finally had their effect. ‘Right,’ his wife had declared, metaphorically folding her arms across her chest, ‘we won’t go anywhere.’ Promptly, she had shut herself in the front room with an illustrated companion to the Tate Gallery, a new biography of Stanley Spencer and a set of earplugs: this term’s course on art history was beginning with a new look at British visionaries. Millington had staked a few dahlias, dead-headed what remained of the roses and got as far as seriously considering putting top dressing on the back lawn. The weight of his wife’s umbrage bore heavily on him, sullen-faced on the newly re-covered settee with those awful paintings she’d shown him. What was it? The cows at bloody Cookham. Jesus Christ!
He hadn’t been in the office ten minutes, less time than it took to boil a kettle, set the tea to mash, when the phone rang. Gloria Summers. Last seen on the swings at Lenton Recreation Ground a little after one o’clock. Relatives, neighbours, friends, none had set eyes on her; not since her grandmother left her to walk to the shops, no more than two streets away. Stay there now, there’s a good girl. Gloria Summers: six years old.
Millington wrote down the details, took a taste or two of tea before raising Resnick on the phone. At least once the boss was involved he’d likely talk to the kiddie’s parents himself; one thing above all else that turned his stomach, Millington, looking into those collapsing faces, telling lies.
The summons saved Resnick from a difficult decision: Saturday night propping up the bar at the Polish Club, wishing all the while that he’d stayed home, or Saturday night at home, wishing now he’d gone to the Club. He spoke to Maurice Wainright, making sure all uniforms had been alerted, car patrols diverted, nothing new in the way of information yet obtained. Six o’clock: he guessed the superintendent would be listening to the radio news and he was right.
‘See your team started well, Charlie,’ Jack Skelton said.
‘Couldn’t seem to get going, sir.’
‘Leave it too late as usual, like as not.’
‘I daresay, sir,’ Resnick said, and then told him about the missing girl.
Skelton was quiet: in the background Resnick could hear the disembodied newsreader and laid over it, a woman’s questioning voice, Skelton’s wife or daughter, he didn’t know which.
‘Five hours, Charlie. One way or another, not such a long time.’
She could have jumped down from the swing and realized her gran was no longer there, panicked and gone looking for her, got lost. Somebody’s mum, someone who should have known better, might have bundled her back with friends for cake and cola, a rented video of cartoons, anthropomorphic animals perpetrating unspeakable violence upon one another while the little girls laughed until they were crying. She could even be sitting up the road in the Savoy, hands sticky from too much popcorn, roped in on another’s birthday treat. All that was possible, they had known it all before.
Then there was the other set of possibilities …
Neither Resnick nor Skelton needed to voice what was nagging at their minds.
‘You’ll go to the home,’ Skelton said, not a question.
‘Directly.’
‘Keep me informed.’
Resnick set down the small cat that had climbed into his lap, the back of whose ears he had been absent-mindedly stroking, and headed for the door.
Outside it was darkening. Lights here and there at the windows of the high-rise gave it the appearance of an unfinished puzzle. Resnick turned off the main road between the twenty-four-hour garage and the cinema and parked beyond the slip road’s curve. A desultory group of youngsters, the eldest no more than fourteen, evaporated at his approach. He was surprised to find the lift working, less so by the sharp stink of urine, the promises of love and hatred graffitied on the walls.
Someone had painted the door of Number 37 a dull, dark green which petered unevenly out a brush stroke from the bottom, as if either the paint or the energy had suddenly run out.
Resnick rang the bell and, uncertain whether it was working, rattled the letter-box as well.
The muffled sound of television laughter became more muffled still.
‘Who is it?’
Resnick stood back so that he could be seen more easily through the spyhole in the door and held up his warrant card. In the fish-eye distortion of the circular lens, Edith Summers saw a bulky man, broad-faced, tall inside the uneven folds of his open raincoat; the slack knot of his striped tie several inches below the missing button at the neck of his shirt.
‘Detective Inspector Resnick. I’d like to talk to you about Gloria.’
Two bolts were fumbled back, a chain released, the latch slipped on the lock.
‘Mrs Summers?’
‘You’ve found her?’
A slow shake of the head. ‘Afraid not. Not yet.’
Edith Summers’s shoulders slumped; anxiety had already forced out most of her hope. The corners of her eyes were red from rubbing, sore from tears. She stood in the doorway to her flat and looked at Resnick, half-broken by guilt.
‘Mrs Summers?’
‘Edith Summers, yes.’
‘Perhaps we could go inside?’
She stepped back and showed him along the short hall into the living room: a television set, a goldfish tank, some knitting, photographs lopsided in their frames. On the TV, barely audibly, a man in a white dress suit and a wig was persuading a middle-aged couple to humiliate themselves further for the sake of a new fridge-freezer. In one corner, beneath a square table with screw-in legs and a gold-painted rim, the arms and heads of several dolls poked from a green plastic bag.
‘You’re Gloria’s grandmother?’
‘Her nan, yes.’
‘And her mother?’
‘She lives here with me.’
‘The mother?’
‘Gloria.’
Resnick tried to blank out the thud of a poorly amplified bass from the upstairs flat, hip-hop or rap, he wasn’t sure he knew the difference.
‘You’ve seen no sign of her yourself?’ Resnick asked. ‘Nobody’s been in touch?’
She looked at him without answering, plucked at something in the ends of her hair. Resnick sat down and she did the same, the two of them in matching easy chairs, curved wooden arms and skinny cushions, upholstered backs. He wished he’d brought along Lynn Kellogg, wondered if he should find the kitchen, make a pot of tea.
‘She’s always lived here along of me. It was me as brought her up.’
Edith Summers shook a cigarette from a packet in her cardigan pocket; lit it with a match from the household box on top of the gas fire. Turned low, the centre of the fire burned blue.
‘Like she was my own.’
She sat back down, absent-mindedly straightening the loose skirt of her belted dress over her knees. The cardigan draped across her shoulders had been cable stitched in black. On her feet were faded purple slippers with no back and an off-white puff of wool attached to one of them still. Her hair was less than shoulder length and mostly dark. She could have been anything between forty and fifty-five; probably, Resnick thought, she was around the same age as himself.
‘Someone’s taken her, haven’t they?’
‘We don’t know that.’
‘Some bastard’s taken her.’
‘We don’t know that.’
‘We don’t know bloody anything!’
Sudden anger flared her cheeks. With a swift wrench of the controls she turned the television volume almost to full, then sharply off. Without explanation she left the room, to reappear moments later with a long-handled mop, the end of which she banged against the ceiling hard.
‘Turn down that sodding row!’ she screamed.
‘Mrs Summers …’ Resnick started.
Someone above turned up the sound still further, so that the bass reverberated through the room.
‘I’ll go up and have a word,’ offered Resnick.
Edith sat back down. ‘Don’t bother. Soon as they see you go, it’d be twice as bad.’
‘Gloria’s mother,’ Resnick said, ‘there’s no chance she might be with her?’
Her laughter was short and harsh. ‘No chance.’
‘But she does see her daughter?’
‘Once in a while. Whenever it takes her fancy.’
‘She lives here, then? I mean, in the city?’
‘Oh, yes. She’s here all right.’
Resnick reached for his notebook. ‘If you could let me have an address …’
‘Address? I can give you the names of a few pubs.’
‘We have to check, Mrs Summers. We have to …’
‘Find Gloria, that’s what you’ve got to do. Find her, for God’s sake. Here. Look, here.’ She was on her feet again, picking up first one photograph then another, cutting her finger on the edge of the glass before she could free one from its frame.
Resnick held in his hands a round-faced little girl with a pale dress and spiralling curls. It was the picture that would appear on the front pages of newspapers, that would be beamed into millions of homes, often accompanied by Resnick himself, or his superintendent, Jack Skelton, looking suitably severe and patrician, pleading for information.
The information came; for almost two weeks they were flooded with sightings and rumours, accusations and prophecies, but then, when little seemed to happen, attention waned. Instead of the photograph of Gloria there was now a single paragraph at the foot of page five, and, after the police had followed every lead, sifted through everything, they had been told there was nothing.
No clue.
Nowhere to go.
No Gloria.
The photograph could still be found on posters round the city, smeared, stained and torn, ignored.
Some bastard’s taken her.
Sixty-three days.
Whenever Raymond lifted his fingers to his face, he could smell it. Living there. His arms, too, inside, where the meat slapped against him as he struggled to free it from the hooks that swung from the conveyor running along the covered yard. No matter how hard he scrubbed, scoring his skin with pumice stone, harsh bristles of the brush, he could never drive it out. Fingers and arms, shoulders and back. Smell of it in his hair. Never mind the shampoo, the soap, deodorant and aftershave, splash on, spray or douse, Raymond carried it with him, a grey film, a second skin, like gristle.
‘Here, Ray. Ray, c’m here. Listen. You want, I can fix you up.’
‘Leave him, Terry, leave him. Don’t waste your breath.’
‘No, no. Serious. I’m serious. He wants a job, I know this bloke, I can put in a word.’
‘Wanted a job, he’d haul himself out of bed of a morning.’
‘He hasn’t got the need …’
‘My boot up his arse, that’d give him need enough.’
‘Jackie, he’s not a kid any more, he’s a grown man.’
‘Grown! Look at him.’
‘What’s wrong with him?’
‘What’s bollocking right, more like.’
‘All he wants is a job.’
‘And the rest.’
‘Jackie!’
‘Any road, he’s not interested. Jobs, he’s had them till they were running out of his ears. And how long did he ever spend in any of them? Three weeks, no more. Maybe a month. Once, I think maybe once, he stuck it for a month. I tell you, Terry, son of mine or not, put yourself out for him and you’re the one’ll end up with his hands in the shit. He’s not worth it.’
‘Your flesh and blood.’
‘Sometimes I wonder.’
‘Jackie!’
‘What?’
‘Give the boy a chance.’
‘You’re so keen, you give him a chance.’
‘That’s what I’m saying. I can help him. Ray, Raymond, here, listen. This bloke I know from snooker, I could pull a favour, only one thing, you got to promise not to let me down.’
‘Some chance.’
‘Jackie!’
‘What?’
‘What about it, Ray? You interested or what?’
Raymond’s father and his uncle Terry talking about him in the public bar of their local, almost a year before. A pint of Shippos, pint of mixed, for Raymond a half of lager he’d been sitting over the best part of an hour. Not wanting his old man going on at him for never paying his whack, standing a round.
‘Butcher’s. Wholesale. Over by the County ground.’
‘That’s the abattoir,’ Raymond’s father said.
‘It’s near the abattoir.’
‘I don’t fancy working in the abattoir,’ Raymond said.
‘You don’t fancy working anywhere,’ his father said.
‘It isn’t in the abattoir,’ said his uncle. ‘Near it Close. Suppose you could say, alongside.’
‘Handy,’ his father said.
Raymond had walked past there at night, turning right by Incinerator Road: steady hum of electricity through the wall, a warm smell that seeped into the air, sometimes so strong that you choked and held your breath and hurried past before your stomach heaved, your eyes began to water.
‘Ray-o,’ his uncle said, draining his glass as he stood to get in another. ‘What d’you reckon?’
‘Tell you what,’ said his father, passing up his own glass, ‘he thinks when he can carry on sponging off me a bit longer, why bother?’
‘Talk to him,’ Raymond said to his uncle. ‘Tell him I’ll do it.’
‘Good on you!’ His uncle grinned and scooped up Raymond’s glass too.
‘What the fizzing heck you want to do that for?’ his father hissed, face close into his. ‘Why the hell d’you want to tell him you’ll work in the sodding abattoir?’
‘Least it’ll get me out from under your feet,’ said Raymond, not looking into his father’s eyes. ‘Stop you getting on at me all the time.’
‘You great pillock! Half the time you’d never think to wipe your arse without someone there to tell you.’
‘We’ll see.’
‘Aye, we’ll see right enough. See you come whinging home with your tail between your legs, that’s the only thing we’ll like to see.’
‘Here we are then.’ Raymond’s uncle splashed the drinks down on to the table. ‘Sup up. Let’s drink a toast to the new working man. Good as.’ And he reached down and gave Raymond’s ear a tweak and broadly winked.
The house was in a cul-de-sac east of Lenton Boulevard, nursery school to the right, pub to the left. High-rise blocks of greying concrete poked from the grass and Tarmac ground behind. Like most of the terrace, it had been bought cheap, barely renovated, rented out to working men or students – ‘professionals’ or ‘graduates’ graced the Park, the suburbs, lived in flats instead of rooms.
Raymond’s was the first floor back. Space for a narrow bed, a melamine wardrobe and three-drawer chest, a chair. The landlord’s promise of a table had never materialized, but supper was something eaten on his knees, eyes fastened on the faintly flickering images of a black and white set, breakfast instant coffee and curled toast he swallowed down while getting dressed. What else might he want a table for?
In the shared living room a sagging three-piece suite, burn marks on its arms, was arranged around the communally rented TV, the VCR, rented copies of Casual Sex, Desire and Hell at Sunset Motel, American Ninja 4: The Annihilation. Unwashed mugs and encrusted bowls spilled from the sink and draining board on to the kitchen floor; the bacon fat layered round the grill pan could have greased any one of them through a cross-Channel swim. Every so often one of the shifting group of five tenants would draw up a rota and stick it to the door of the fridge; within a few days it would be pulled down to write a note for the milkman, light a cigarette.
Raymond kept himself to himself, mumbled ‘hi’ and ‘bye’; only got on the others’ nerves the way he would lock himself in the bathroom after work for hours, run the hot water till the tank was empty, all the taps were running cold.
On this particular Saturday, Raymond had restricted himself to forty minutes, though he would have stayed longer had the door not been subjected to a series of sharp kicks and the air blue with suggestions as to exactly which perversions he was practising under the cover of excessive cleanliness.
He hurried out and down the threadbare stairs to his own room, probing the passages of his ears with a Q-tip as he went. The small, frameless mirror propped on the window sill revealed a curving line of pimples – whiteheads rather than blackheads – at the corner of his left eye. He popped these with his fingernails, wiping them clean under the arms of his deep blue sweatshirt, where it was unlikely to be seen. He was wearing brown cords, ten quid in the sale at H & M, black shoes with a toecap that might have been Doc Martens but weren’t, red and brown paisley pattern socks; he lifted his leather jacket down from its wire hanger in the wardrobe, feeling good about the way the jacket tilted just a fraction to one side – the weight of the knife.
As yet the Polish Club was quiet; recorded music filtered through from another room. The line of vodka drinkers at the bar was only one deep. Resnick allowed himself to be guided to a corner table, well clear of the crowd to come, the dancing that would inevitably start. He had been no more than mildly surprised at Marian Witzak’s call, glad enough that the responsibility for a decision had been removed. A bone of contention from years before, when he had been a young DC and married to Elaine, that his nights off were so few and far between. Now they seemed so many.
‘You did not mind that I telephoned?’
Resnick poured the rest of the Pilsner Urquel into his glass and shook his head.
‘Such short notice.’
‘It was all right.’
‘I wondered, perhaps, if you might think it rude.’
‘Marian, it’s fine.’
‘You know, Charles …’ She paused and her fingers, narrow and long, moved along the stem of her glass. Resnick thought of the piano near the french windows of her living room, sheet music for a polonaise, the slowly yellowing keys. ‘… sometimes I think, if it were left for you to contact me, we would not very often meet.’
Although she had been in England all of her adult life, Marian still talked as if her English had been learned from watching untold episodes of The Forsyte Saga in scratchy black and white, from lessons spent mimicking the teacher’s words.
‘This is a pencil. What is this?’
‘This is a pencil.’
She was wearing a plain black dress with a high neck and a white belt, tied at one side into a loose bow. As usual her hair had been tightly drawn back and pinned precisely into place.
‘You know, Charles, I was to go to the theatre tonight. Shakespeare. A touring company from London, very good, I think. Highly spoken of. All week I have been looking forward to this. It is not so often there is something cultural coming now to the city.’ Marian Witzak sipped her drink and shook her head. ‘It is a shame.’
‘So what happened?’ Resnick asked. ‘It was cancelled?’
‘Oh, no.’
‘Sold out?’
Marian sighed a small, ladylike sigh, the kind that would once have made drawing-room pulses race. ‘My friends, Charles, the ones who were taking me, late this afternoon they telephoned. I was choosing already my dress. The husband is ill; Frieda, she has never learned to drive …’ She looked sideways at Resnick and smiled. ‘I thought, never mind, I shall go on my own, I can still enjoy the play; I run my bath, continue to get ready, but all the time, here in the back of my mind, I know, Charles, that I can never go there alone.’
‘Marian.’
‘Yes?’
‘I’m not clear what you’re saying.’
‘Charles, which night is this? It is Saturday night; Friday, Saturday night, it is no longer safe to go into the city, a woman, a woman like myself, alone.’
Resnick glanced at the glass and the Pilsner bottle alongside it: both were empty. ‘You could have ordered a taxi.’
‘And coming home? I telephoned the theatre, the performance finishes at ten thirty-five, you know the only places I can get a taxi at that time of the evening, Charles. All the way down to the square, or by the Victoria Hotel. And every pavement, everywhere you go, there are these gangs of young men …’ Two bright spots of colour showed high on her cheekbones, accentuating the paleness of her face, her concave cheeks. ‘It is not safe, Charles, not any more. It is as if, little by little, they have taken over. Bold, loud, and we look the other way; or stay at home and bolt our doors.’
Resnick wanted to contradict her, say that she exaggerated, it simply wasn’t so. Instead he sat quiet and toyed with his glass, remembering the senior officer at the Police Federation conference warning that the police were in danger of losing control of the streets; knowing that there were cities, and he did not just mean London, where bullet-proof vests and body armour were routinely carried in police vehicles on weekend patrol.
Marian touched his hand. ‘We do not have to think back so many years, Charles, to remember gangs of young men marauding the streets. It was right to be afraid then.’
‘Marian, that wasn’t us. It was our parents. Grandparents, even.’
‘And so we should forget?’
‘That wasn’t what I said.’
‘Then what?’
‘It isn’t the same.’
Marian’s eyes had the darkness of marbled stone, of freshly turned earth. ‘Because of those young men, our families fled. Those who were not imprisoned, not in the ghetto, not already dead. If we do not remember, how can it not happen again?’
Raymond had been sitting in the Malt House for the best part of an hour, two pints and a short, watching the women flocking in and out again, brightly coloured and shrill voiced. Off to one side of the room, a DJ played songs Raymond half-remembered, without ever knowing either the singer or the words. Only now and again something would strike a chord, Eddie Van Halen, ZZ Top, one of those white bands that came straight at you with plenty of noise.
Raymond was getting fidgety, trying not to notice the youths near the bar, putting the eye on him every so often, wanting him to stare them back, cock an eyebrow, respond. Oh, he knew they’d not start anything right there; wait till he got up to go and follow him out on to the street. A few shouted remarks as he turned down towards the Council House, jostling him then as they fanned out around him, pushing past. He’d seen another lad bundled into a dress-shop window just the week before, right there, that street. By the time they’d finished with him, both eyes were closing fast, his face like something Raymond might heft on to his shoulder at work, blood smearing his overalls.
Not that they would deal with Raymond that easily; not like before. Not now he had something with which to strike back.
He walked around to the far side of the bar; one more half, then time to make a move. A girl, laughing, swung her arm back into him as he passed and laughed some more, dance of permed blonde hair as she swivelled her face towards him, eyes, quick and greedy, summing him up, dismissing him out of hand. Raymond waited to be served, half-watching the girl, blue dress with straps, finer than his own little finger, running tight along the pale skin of her back. Watched as for a moment her eyes closed, singing along with the music, some soul shit from last year’s charts. Always the same crappy lyrics, always touch me, baby, always all night long. Raymond stepped clear of the bar with his glass. The girl was perched on a stool now, his age, younger, Raymond remembered watching the singer, his video on TV, one of those bloated coons in ruffled shirts and bow ties, dress suits. He thought it was the same one, what was the difference? Women wriggling out of white knickers, throwing them up on to the stage so he could wipe the sweat from his face, Raymond staring at the girl now, feeling sick.
‘Here! What d’you reckon you’re looking at?’
He put down his unfinished drink and left.
‘Charles, you should not leave now. It is still early.’ A smile, small but imploring. ‘We could dance.’
The last time Resnick and Marian had danced at the Club, his ex-wife had interrupted them on their way back off the floor. Elaine’s voice recognizable instantly, but not her face; not her hair, always so carefully tended, set and brushed and teased out with a comb, now stiff and dry and chopped with neither rhyme nor reason; not the blotched skin nor the stained clothes; not her face. Her accusing voice.
All the letters I sent you, the ones you never answered. All the times I rang up in pain and you hung up without a word.
If he had not left then, he would have struck her, the only wrong thing he had never done.
Resnick didn’t think that he would dance. He said goodbye to Marian and touched his mouth to her powdered cheek. Back home the cats would be eager to greet him, jumping on to the stone wall for the warmth of his hand, running between his legs as he neared the front door. Of course, he’d fed them before he left, but now he had come back, hadn’t he, and surely there would be a shaking of Meow Mix, shavings of cheese if, as often, as usual, he made himself a sandwich, milk for them, warmed gently in the pan, if he were feeling soft at heart.
Dark beans of Nicaraguan coffee shone rich and smooth inside his hand. It was still minutes short of ten o’clock. Elaine had stepped out of the darkness and back into his life, back into his house and he had not wanted her, only as a vehicle for his anger, his storehouse of pain, yet after she had told him about the abortion of her remarriage and all that had come after, he had wanted nothing more than to wrap his arms about her and seek absolution for them both. He had not done even that. She had gone away again, not telling him where she was going, refusing, and Resnick had seen, had heard, nothing of her since.
Resnick carried his coffee into the living room, poured himself a healthy Scotch, set mug and glass on the floor on either side of the high-backed armchair. He had not switched on the overhead light and the red dot of the stereo burned bright. Without really knowing why, he began to play Thelonius Monk. Piano, sometimes vibes, with bass and drums. Hands that attacked tunes from corners, oblique and disarranged. ‘Well, You Needn’t’, ‘Off Minor’, ‘Evidence’, ‘Ask Me Now’. ‘Sounds as if he’s playing with his elbows,’ Elaine had once disparagingly remarked. Well, fair enough, sometimes he did.
Raymond had tried for a last drink at the Nelson, but one of the bouncers had taken against him and refused to let him in: the result was he ended up in the same pub where he’d encountered his attacker, just the week before. Brave enough this far into the night to half-hope him there again. But no. Raymond stood squashed up against the furthest end of the bar, the ledge behind him overcrowded with empty glasses and hard against his back. Only when he was able to manoeuvre himself a little to the left did he notice the girl. Not dolled up, tarty, like the one in the Malt House, her hair brown and straight and cut to frame her face, the face itself just this side of plain.
She was sitting at a crowded table, chair angled away as if to make it clear she was on her own. Legs crossed, her black skirt rode above her knees, white top hanging outside, silky and loose, the kind that would be good to touch. In the half-pint glass beside her elbow, the drink was oddly red; lager, Raymond guessed, and blackcurrant. When she realized that Raymond was staring at her she did not look away.
‘Sara, then?’
‘Yes, Sara.’
‘Without an H?’
‘Without.’
‘My cousin, she’s Sarah. Only she’s got an H.’
‘Oh.’
Raymond couldn’t believe his luck. Waiting for her to finish her lager and black, he’d edged his way across the bar, caught up with her before she reached the door.
‘Hello.’
‘Hi.’
They had stood several moments before the phone boxes, across from Yates Wine Lodge, from Next. Others jostled round them, heading out for the clubs, Zhivago’s, Madison. Engine running, a police-dog van idled at the kerb. Raymond knew she was waiting for him to say something, not knowing what.
‘If you like, we could …’
‘Yes?’
‘Get a pizza?’
‘No.’
‘Something else then. Chips.’
‘No, you’re all right. Not hungry.’
‘Oh.’
Her face brightened. ‘Why don’t we just walk? You know, for a bit.’
They went up Market Street, midway down Queen Street before doubling back up King: on Clumber Street they joined the crowd in McDonald’s, stood in a line twelve or fourteen deep, six lanes working, Raymond couldn’t believe the money they must be taking: finally he came away with a quarter pounder and fries, Coke and apple pie. Sara’s was a chocolate milk shake. Benches all taken, they leaned up against the wall that led down to Littlewoods’s side entrance, Raymond chewing on his burger, watching Sara prise the lid from the container, tip the shake right into her mouth, too thick to suck up with the straw.
When he told her he worked at a butcher’s, wholesale, she did no more than shrug. But walking on towards Long Row later, she said: ‘At work, what d’you, d’you, you know, the meat and that, d’you have to chop it up?’
‘Into joints, you mean?’
‘I s’pose.’
‘Carcases?’
‘Yes.’
Raymond shook his head. ‘That’s skilled work. I mean, I might. Like to. It’s a lot more money. But, no. Mostly I’m just humping stuff around, loading, packing, jobs like that.’
Sara worked in a sweet shop down near the Broad Marsh. One of those bright, open-plan places painted out in pink and green, the kind where you’re encouraged to go round and make your own selection, have the assistant weigh it at the end. That was when quite a few people got funny, Sara told him, seeing their paper bag resting on the scale, about to cost them seventy-five pence, a pound. Then they would ask her to tip some out, get it down to something more reasonable, and she would have to explain, being patient, keeping the smile on her face and her voice level the way the manageress had told her to, how difficult it was when they’d chosen from as many as ten different kinds to take them back, put them into their respective containers. Are they sure they wouldn’t like to go ahead and pay for them, just this once? She was sure they wouldn’t regret it, all the sweets were really lovely, she sneaked one or two all the time.
Raymond’s attention wavered more than a little in the course of this, steering Sara from one side of the pavement to the other, so as to avoid whichever bunch was hollering at the tops of their voices, blocking their way so they would have to step out into the road. That and glancing sideways at her skirt, even now she was walking, still above her knee; the silk flash of her blouse beneath the dark unbuttoned jacket that she wore, swell of her small breasts. Waiting for the lights to change at the bottom end of Hockley, that was when he touched her for the first time, his hand moving against the inside of her upper arm, circling it there.
Sara smiling: ‘’S good of you to walk me home.’
‘No problem.’
She squeezed her arm to her side, Raymond’s fingers trapped warm between.
The waste land off to one side of the road, Raymond’s uncle had told him once it all belonged to the railway, like as not still did. A murky scattering of buildings, large and small, all manner of stuff that people had junked dumped in between. After dark, flat-bed lorries would back in, vans with names repainted over and over on their sides: next morning others would come with prams and handcarts, picking through the debris, hauling away whatever they could use or sell.
Sara shivered, her breath blurred on the air, and Raymond took and squeezed her hand; the bone of her fingers tiny, brittle like a child’s.
‘C’mon,’ he said, pulling her past a pile of broken masonry towards the hulk of a disused warehouse, bolstered up towards the sky.
‘What d’we have to go in there for?’
‘’S all right.’
Raymond scooped up a stone and hurled it high: there was the splintering of glass, small and distant, as the last fragments of window fell away: the fast flutter of pigeons taking off, sudden and abrupt.
Off to the left, Raymond saw a cigarette glowing through the dark. He moved his hand and touched Sara’s blouse at the back, beneath her coat: under the slide of silk, knots of her spine. Inside the building he bent his head to kiss her hair and she turned her face and instead he kissed her mouth, the edge of it first, not quite right, moving till his mouth was over hers, taste of chocolate from the faint hairs on her upper lip.
‘Ray, is that what they call you? Ray?’
Raymond smiling, feeling for her breast. ‘Ray-o.’
‘Ray-o?’
‘Sometimes.’
‘like a nickname?’
‘Yes.’
He took off his coat and then hers, laying them on the ground, concrete and packed earth from which the boards had long been ripped.
‘What’s this?’
‘Where?’
‘Sticking in my back.’
He eased her up, unzipped his inside pocket and removed the knife.
‘Ray, what is it?’
‘Never mind.’
In little more than outline, she could see his face; see the metal object in his hand.
‘It’s not a knife, is it? Raymond? Is it?’
Looking down at her, the sharp, almost pretty features of her face as his eyes grew accustomed to the scarcity of light.
‘Is it? A knife?’
‘Maybe.’
‘Whatever d’you want a knife for?’
He dropped it from sight into his trouser pocket and reached towards her. ‘Never mind.’
Less than five minutes later, the front of his cords unzipped, he had come against her hand. As they lay there, not speaking, he could feel her ribcage rise and fall as she breathed.
‘Ray-o.’
He rolled over and sat up and she fumbled a tissue from her bag.
‘What’s that?’
‘What now?’
‘That smell.’
He felt himself blushing and got hurriedly to his feet, embarrassment in his voice. ‘I can’t smell nothing.’
‘Yes. I’m certain. Back in there.’
She was staring where the back wall disappeared into the darkness, past piles of rotted cardboard, sodden sacking and old boxes. And though Raymond didn’t want to admit it, he could smell it too, not unlike the tubs where he worked, brimful of all the tubes and offal-ends, the guts, the tripes and lights.
‘Where are you going?’ Alarm in Raymond’s voice.
‘I want to see.’
‘What for?’
‘I do. That’s why.’
One hand clamped across his nose, he followed her, thinking all the time that what he should do was turn round, walk away, leave her.
‘Fuck’s sake, Sara, it could be anything.’
‘No need to swear.’
‘Dog, cat, anything.’
Sara took the lighter from her bag and held it high above her head, snapping it to life. The stench had already raised tears in her eyes. In the furthest corner a wooden door had been wedged at an angle between floor and wall; behind it, broken planks and cardboard had been stuffed and piled.
‘Sara, let’s get out of here.’
Her lighter went out and when she clicked it on again, a young rat wriggled from beneath the pile and raced away along the line of the wall, its belly hanging low.
‘I’m going.’
And as Raymond shuffled back, Sara, unbelievably, took two, then three, then four more paces forward. When at last she stopped it was because she was certain of what she saw: the heel of a child’s blue shoe, what might once have been the fingers of a hand.
‘What’s the matter, Charlie? You look distracted.’
Resnick was sitting in one of three chairs across from the superintendent’s desk, one leg crossed above the other, mug of lukewarm coffee in his hand.
‘No, sir. I’m fine.’
‘Fashion statement then, is it?’
Resnick realized that Skelton was looking towards his feet, one black sock, thin nylon, the other a washed-out grey. Resnick uncrossed his legs, sat forward in the chair. When the phone had rung, wrenching him from sleep, he had been in a hospital ward with Elaine, his ex-wife strapped down in the bed, a mixture of terror and pleading in her eyes, while Resnick, in a white doctor’s coat, had looked down at her and shaken his head, instructed the nurse to expose the arm, prepare the vein, he would administer the injection himself.
Even the shower, switched from blistering hot to cold and back again, had failed to lift the sweat from his body. The guilt.
‘Run it by us, Charlie. What’ve we got?’