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Digital Photography All-in-One Desk Reference For Dummies®, 4th Edition

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Table of Contents

Introduction
About This Book
What’s in This Book
Book I: Building Your Digital Photography Studio
Book II: Using Digital SLRs
Book III: Taking Great Pictures
Book IV: Basics of Image Editing
Book V: Editing with Adobe Photoshop and Photoshop Elements
Book VI: Restoring Old Photos
Book VII: Printing and Sharing Your Digital Images
Conventions Used in This Book
Icons Used in This Book
Where to Go from Here
Book I: Building Your Digital Photography Studio
Book I: Chapter 1: Choosing the Right Camera
Choosing a Camera Category
Web cams
Camera phones
Point-and-shoot models
Intermediate models
Advanced consumer models
Prosumer digital SLR models
Professional models
Examining the Parts of a Digital Camera
Evaluating Your Lens Requirements
Understanding How Lenses Work
Magnifications and focal lengths
Lens apertures
Focus range
Exposure controls
Selecting Your Resolution
Choosing Your View
LCD viewfinders
Optical viewfinders
Electronic viewfinders (EVFs)
SLR viewfinders
No Flash in the Pan: Determining Your Lighting Needs
A Dozen Exotic Digital Camera Features
Checking Out Ease of Use
Is Your Computer Ready?
Choosing a Computer Platform
What Equipment Do You Need?
Determining How Much Memory You Need
Choosing Local Storage
Archiving and Backing Up
Zip disks (R.I.P.)
CD-Rs and CD-RWs
DVDs
Visually Speaking
Book I: Chapter 2: Getting Your Pictures from the Camera to the Digital Darkroom
Making the Connection between Camera and Computer
Getting Wired
FireWire
Riding the (infrared) light wave
Transfers with teeth (blue)
Memory Cards
CompactFlash cards
Secure Digital/MMC cards
Memory Stick
SmartMedia cards
Mini-CD
Microdrive
Transferring Images from Camera to Computer
Transferring pictures using camera utility software
Copying files to your hard drive
Importing images into image-editing software
Organizing Your Photos
Using your computer’s file-management tools
Using photo album software
Using online galleries
Archiving and Backing Up Photos
Backing up your best shots
Using CD-R and CD-RW
DVD storage
Off-site storage for maximum safety
Book I: Chapter 3: Picking Up Some Accessories
Getting Support from Tripods
Types of tripods
Scrutinizing tripod features
Checking out tripod alternatives
Making Good Use of an Electronic Flash
Types of electronic flash units
What to look for in a photographic slave flash
Lighting/flash accessories
Choosing a Camera Bag
Acquiring Other Useful Devices
A filter holder
Filters
A second camera
Cleaning kits
Waterproof casings and housings
Battery packs
Book II: Using Digital SLRs
Book II: Chapter 1: The Digital SLR Advantage
Six Great dSLR Features
A bigger, brighter view
Faster operation
Lenses, lenses, and more lenses
Better image quality
Camera-like operation
More control over depth of field
Six dSLR Drawbacks That Are Ancient History
No LCD preview? Meet Live View!
Limited viewing angles? No longer!
Lack of super-wide lenses? Improvements made!
Dirt and dust? Automatic cleaning has arrived!
No movies? Not always!
Too much weight and size? The gap is narrowing!
How Digital SLRs Work
Managing dSLR Quirks
Noise about noise
The real dirt on sensors
Going in crop factor circles
Book II: Chapter 2: Mastering Digital SLR Controls
Exposure Controls
Metering modes
Correcting exposure
Other exposure adjustments
Shooting modes
Focus Controls
Other Controls
Book II: Chapter 3: Working with Lenses
Optical Allusions
Primes or Zooms
Pros for primes
Pros for zooms
Special Features
Book III: Taking Great Pictures
Book III: Chapter 1: Tools and Techniques of Composition
Understanding Photo Composition: The Big Picture
Visualizing a Concept for Your Picture
What do you want your image to say?
Where will the image be used?
Whom are you creating the image for?
Selecting a Subject and a Center of Interest
Narrowing your subject matter
Choosing one main subject
Using secondary subjects
Choosing an Orientation
Arranging Your Subjects
Choosing subject distance
Optimizing backgrounds
Framing the Shot with the Rule of Thirds in Mind
Placing important objects at imaginary junction points
When to break the Rule of Thirds
Incorporating Direction and Movement
Using Straight Lines and Curves
Balancing an Image
Framing an Image
What’s That Tree Doing Growing Out of My Head?
Book III: Chapter 2: Close-Up Photography
Defining Macro Photography
Why Digital Macro Photography Is Cool
Picking a Place to Shoot
Shooting Macros Simplified
Setting Up a Macro Studio
Background check
Visible means of support
Lighting equipment
Other equipment
Shooting Tips for Macro Photography
Positioning your subject and background
Setting up your camera
Lights, please
Ready . . . aim . . .
Fire!
Digital SLRs and Close-Up Photography
Book III: Chapter 3: Photographing People
Candid People Pictures
Capturing Satisfying Portraits
Where to Shoot Informal Portraits
Setting Up an Informal Portrait Environment
Choosing backgrounds
Basic lighting options
Lighting gadgets
Lighting Basics
Using available light
Using a single external flash
Using multiple light sources
Preparing to Take Your First Portraits
Working on a tight schedule
When you have more time
Portrait Tips
Book III: Chapter 4: Shooting for Publication
Finding Outlets for Print or Digital Publication
Breaking into Newspaper Photography
Submitting photos to your local newspaper
Taking pictures for your local paper
Gathering publishable photographs
Making contact with a publication or Web site
Submitting your photos
Getting model releases
Shooting Groups for Publication
Understanding group photography basics
Photographing groups of two to two dozen
Composing effective group shots
Managing the group
PR Photography
Executive portraits
Company events
Arranging a PR event worth photographing
Other photo-worthy events
Producing placeable PR photos
Submitting your PR photos
Writing cutlines
Preparing the cutline for submission
Submitting the photo
Following up
Book III: Chapter 5: Sports and Action Photography
Choosing Your Weapons for Sports Photography
Digital Camera Features and Action Photography
Viewfinder
Electronic flash
Tripods and monopods
Lenses and attachments
Latency and Shutter Lag
Dealing with latency of your camera
Coping with shutter lag
Timing your shot properly
Choosing Your Sport and Your Spot
Football
Baseball and softball
Basketball
Soccer
Other sports
Winter sports: A special case
Exploring Action Photo Techniques
Setting your ISO speed
Freezing action with fast shutter speeds or an accessory flash
Stopping action with slow shutter speeds
Panning
Capturing action approaching the camera
Using blur creatively
Taking the Picture
Capturing great sports moments
Setting up for predictable action
Photographing action sequences
Book III: Chapter 6: Travel Photography
Getting the Right Gear
Selecting a camera for your needs
Choosing key features for travel photography
Selecting lenses for travel
Considering a tripod
Investing in an accessory flash
Selecting a camera bag
Keeping your camera powered
Picking up other useful devices
Getting Ready to Go on the Road
Meeting Your Storage Requirements
Tried-and-True Travel Photography Techniques
Shooting scenics
Capturing monuments and architecture
Shooting panoramas
Equipment for shooting adventure sports
Photographing people
Capturing people and their environments
Documenting Your Trip
Varying your shots
Composing your shots
Getting organized
Book IV: Basics of Image Editing
Book IV: Chapter 1: What You Can and Can’t Do with Image-Editing Tools
Correcting Colors
You can’t add color that isn’t there
Fixing color casts
Causes of color catastrophe
Adjusting Brightness and Contrast
Murky shadows and washed-out highlights
Maintaining consistency
Reviving lost detail
Using Blurring and Sharpening Tools
Sharpening here and there
Blurring for effect
Removing Artifacts (Tiny Blemishes)
Finding an artifact’s source
Sweeping away dust
Painting over the dirt
Smudging or blurring out the paint lines
Spackling over More Serious Damage
Preparing your digital spackle
Replacing content that’s ripped or torn away
Removing Unwanted Image Content
Combining Pictures
Pasting content from other images
Using layers to create overlapping images
Adjusting opacity for interesting effects
Book IV: Chapter 2: Common Editing Options
Checking Out Your Editing Toolkit
Painting Tools
Customizing your Brush and Pencil tools
Choosing a paint color
Applying the paint
Selection Tools
Making geometric selections
Drawing freeform selections
Selecting pixels by color with the Magic Wand
Blending Tools
Smudging and smearing your colors
Blurring the edges
Using the Scratch Remover
Correction Tools
Using the Sponge tool to add and remove color
Adjusting lights and darks
Book V: Editing with Adobe Photoshop and Photoshop Elements
Book V: Chapter 1: Introduction to Photoshop CS4 and Photoshop Elements 7
The Relationship between Photoshop and Photoshop Elements
Adobe Photoshop CS4: Alone at the Top
What’s good about Photoshop
What’s not so good about Photoshop
What you can do with Photoshop
What’s New in Photoshop CS4
Adobe Photoshop Elements 7
What’s good about Elements
What’s not so good about Elements
What you can do with Elements
What’s New in Elements 7
Book V: Chapter 2: Making Selections
Making Simple Selections with the Marquee Tools
Selecting geometric shapes
Selecting single-pixel rows and columns
Adding to, reducing, and combining selections
Snagging Irregular Shapes with the Lasso Tools
Selecting freeform shapes
Selecting magnetically
The Magic Wand Tool’s Digital Prestidigitation
Making and adjusting selections based on color
Controlling the magic
Specialized Selection Tools
Working with the Quick Select/Selection Brush tools
Selecting in Quick Mask mode
Using the Select Menu
Book V: Chapter 3: Brushing Away Problems with Digital Photos
Photoshop and Photoshop Elements’ Painting and Drawing Tools
Working with Brushes and Pencils
Painting with the Brush tool
Working with the Pencil tool
Customizing Your Brushes and Pencils
Choosing the right size and shape
Obtaining third-party brush sets
Book V: Chapter 4: Restoring Images
Adding Light and Shadows
Using the Dodge tool to lighten tones
Burning your image to darken areas
Using Smudging, Sharpening, and Blurring Tools
Finger painting to blend colors and textures
Using the Sharpen tool to add detail
Blurring some or all of your image
Finding Relief with the Healing Tools
Using the Healing Brush
Working with the Patch tool
Cloning content to cover damage and unwanted content
Book V: Chapter 5: Correcting Faded, Funny, or Funky Colors and Tones
Using Automated Tools in Photoshop and Elements
Auto Correction in Photoshop
Auto Correction in Photoshop Elements
Adjusting Color Balance
Adjusting levels
Using the Variations dialog box
Equalizing colors
Fixing a color cast
Displaying and using channels
Working with Color Intensity and Quality
Increasing and decreasing color intensity
Tinkering with brightness and contrast
Riding the curves
Removing Red-Eye
Book V: Chapter 6: Enhancing Photos with Filters and Special Effects
Working with Photoshop’s and Photoshop Elements’ Filters
Understanding how filters work
Fixing flaws with corrective filters
Turning photos into paintings with artistic filters
Going a little crazy with special effects filters
The Photoshop Elements Effects Palette
Displaying and moving the tab
Applying an effect
Book VI: Restoring Old Photos
Book VI: Chapter 1: Scanning Old Photos
Scan Film or Prints?
Scanning Options
Let the pros do it
Buy a slide scanner
Use a transparency-capable flatbed
Examining Different Types of Originals
Prints
Transparent originals
Exotica
Scanning Prints
Working with Scanner Settings
Choosing a resolution
Interpolate, schmerpolate
Sharpening
Blurring/descreening
Knowing when to halftone
Other scanner controls
Scanning Film
Prepping the film
Performing the scan
Book VII: Printing and Sharing Your Digital Images
Book VII: Chapter 1: Printing Your Final Result
Why Do You Need Prints?
Evaluating Your Printing Options
Inkjet printers
Laser printers
Dye-sublimation printers
Touring the Print Process
Preventing surprises with Print Preview
Understanding your output options
Printing your photos
Using Professional Printing Services
Choosing a service bureau
Tell them what you want, what you really, really want
Knowing when you need a service bureau
Book VII: Chapter 2: Sharing Pictures on the Web
Appreciating the Advantages of Web Sharing
Sharing personal photos with family and friends
Sharing images with business associates
Choosing a Free Sharing System
Using commercial sharing sites and services
Displaying images on your Web space

Cheat Sheet

Digital Photography All-In-One For Dummies®, 4th Edition

by David D. Busch

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About the Author

As a roving photojournalist for more than 20 years, David D. Busch illustrated his books, magazine articles and newspaper reports with award-winning images. He’s operated his own commercial studio, suffocated in formal dress while shooting weddings-for-hire, and shot sports for a daily newspaper and Upstate New York college. His photos have been published in magazines as diverse as Scientific American and Petersen’s PhotoGraphic, and his articles have appeared in Popular Photography & Imaging, The Rangefinder, The Professional Photographer, and hundreds of other publications. He’s currently reviewing digital cameras for CNet and Computer Shopper.

When About.com recently named its top five books on beginning digital photography, occupying the number one and two slots were this book and Mastering Digital Photography. His other 80 books published since 1983 include best-sellers like Digital SLR Cameras & Photography For Dummies, The Nikon D70 Digital Field Guide, The Official Hewlett-Packard Scanner Handbook, and Digital Photography For Dummies Quick Reference.

Busch earned top category honors in the Computer Press Awards the first two years they were given (for Sorry About The Explosion and Secrets of MacWrite, MacPaint and MacDraw), and later served as Master of Ceremonies for the awards.

Dedication

I dedicate this book, as always, to Cathy.

Author’s Acknowledgments

Thanks to Wiley Publishing for the continued innovation that has helped keep this book fresh and up-to-date. Key personnel include Steve Hayes, Senior Acquisitions Editor; Pat O’Brien, Project Editor; and Heidi Unger, Copy Editor.

Technical Editor Michael D. Sullivan added a great deal to this book in addition to checking all the text for technical accuracy. A veteran photographer (in the military sense of the word!), he began his photo career in high school where he first learned the craft and amazed his classmates by having Monday morning coverage of Saturday’s big game pictured on the school bulletin board. Sullivan pursed his interest in photography into the U.S. Navy, graduating in the top ten of his photo school class. Following Navy photo assignments in Bermuda and Arizona, he earned a BA degree from West Virginia Wesleyan College.

He became publicity coordinator for Eastman Kodak Company’s largest division where he directed the press introduction of the company’s major consumer products and guided their continuing promotion. Following a 25-year stint with Kodak, Sullivan pursued a second career with a PR agency as a writer-photographer covering technical imaging subjects and producing articles that appeared in leading trade publications. In recent years, Sullivan has used his imaging expertise as a Technical Editor specializing in digital imaging and photographic subjects for top selling books.

Publisher’s Acknowledgments

We’re proud of this book; please send us your comments through our online registration form located at www.dummies.com/register/.

Some of the people who helped bring this book to market include the following:

Acquisitions, Editorial, and Media Development

Project Editor: Pat O’Brien

Acquisitions Editor: Steve Hayes

Copy Editor: Heidi Unger

Technical Editor: Michael Sullivan

Editorial Manager: Kevin Kirschner

Editorial Assistant: Amanda Foxworth

Sr. Editorial Assistant: Cherie Case

Cartoons: Rich Tennant (www.the5thwave.com)

Composition Services

Project Coordinator: Erin Smith

Layout and Graphics: Stacie Brooks,  Reuben W. Davis, Melissa K. Jester,Christin Swinford, Christine Williams

Proofreaders: Caitie Kelly, Linda Quigley

Indexer: Palmer Publishing Services

Publishing and Editorial for Technology Dummies

Richard Swadley, Vice President and Executive Group Publisher

Andy Cummings, Vice President and Publisher

Mary Bednarek, Executive Acquisitions Director

Mary C. Corder, Editorial Director

Publishing for Consumer Dummies

Diane Graves Steele, Vice President and Publisher

Joyce Pepple, Acquisitions Director

Composition Services

Gerry Fahey, Vice President of Production Services

Debbie Stailey, Director of Composition Services

Introduction

The future of photography is in your hands, and it’s becoming all digital! Not since the 19th century, when photographers had to be artisan, craftsperson, artist, chemist, and public relations expert rolled into one, has so much of the photographic process been entirely in the control of the person taking the picture. Now you can compose and view the exact picture you’re going to take by using your camera’s full liquid crystal display (LCD) screen. Review the picture an instant after pressing the shutter. If your computer is nearby, you can upload it seconds later, view a super-large version on your display, crop it, enhance it, and then make your own sparkling full-color print — all within minutes!

When you go digital, you never need to buy film or wait while your photos are processed in a lab. You decide which images to print and how large to make them. You can display your digital photographic work framed on your wall or proudly over your fireplace. You can make wallet-size photos, send copies to friends in e-mail, or create an online gallery that can be viewed by relatives and colleagues over the Web.

And if alchemy is in your blood, you can transform the simplest picture into a digital masterpiece by using an image editor. Correct your photos, delete your ex-brother-in-law from a family portrait, or transplant the Eiffel Tower to the seashore.

Digital photography gives you the power to take pictures on a whim or to create careful professional-quality work that others might be willing to pay for. The choices are all yours, and digital photography puts all the power in your hands. All you need is a little information about how to choose and use your tools and how to put them to work. That’s what you’ll find within the pages of this thick, comprehensive, all-in-one guidebook.

The most exciting aspect of digital photography is how rapidly the technology is changing to bring you new capabilities and features that you can use to improve your pictures. Today, digital cameras with 4-megapixel (mp) or less resolution are difficult to find except in photo-capable cell phones — and some cell phones offer 10-megapixel or more resolution! Even the leanest digital camera you’re likely to find in stores will have 5–6 megapixels of resolution. I’ve tested models in this range that cost less than $150! You’ll find 7-megapixel and 9-megapixel cameras for $500 or so, and 10-megapixel models are widely available for quite a bit less than $1,000. Digital single-lens reflex cameras (dSLRs) with interchangeable lenses are available from companies like Nikon, Canon, Olympus, and Sony if you’re willing to pay top dollar.

Adobe Photoshop has bumped up the image-editing ante with lots of new capabilities of interest to digital photographers, and even inexpensive applications like Adobe Photoshop Elements have more features than you could find in the most powerful image editor four or five years ago. Your new hardware and software tools make working with digital images easier while giving you important new capabilities.

About This Book

This book, now in its fourth edition, has been updated to include all the latest technology and gadgets available to the digital photographer. It is written for the person who has a good grasp of using a computer and navigating an operating system and has at least a cursory knowledge of the operation of a digital camera. It would help if you have some familiarity with an image editor, such as Corel Paint Shop Pro, Corel Photo Paint, or Adobe’s Photoshop or Photoshop Elements. It is intended to be a comprehensive reference book that you can read cover to cover or reach for when you’re looking for specific information about a particular task.

Wherever I can, I sneak in a useful tip or an interesting technique to help you put digital photography to work for your project needs.

If you have some knowledge of conventional photography, this book will help you fine-tune your capabilities. If you know very little about photography, there’s help for you here, too. One large chunk of the book — Book III — is devoted to tips on the most popular genres of photography, from close-up and sports photography to travel photography and shooting for publication. Check out the helpful section on getting the best composition. If you’re puzzled over what equipment to buy, look to the sections on choosing cameras, photo accessories, and related equipment, such as printers and scanners.

What’s in This Book

This book is broken down into mini-books, each covering a general topic. Each mini-book comprises chapters, each covering a more specific topic under the general one. Each chapter is then divided into sections, and some of those sections have subsections. I’m sure you get the picture.

You can read the book from front to back, or you can dive right into the mini-book or chapter of your choice. Either way works just fine. Anytime a concept is mentioned that isn’t covered in depth in that chapter, you’ll find a cross-reference to another book and chapter where you’ll find all the details. If you’re looking for something specific, check out either the Table of Contents or the index.

The Cheat Sheet at the beginning of the book provides helpful information you’ll use often. Tear it out, tape it to your monitor, and don’t forget to say, “Thanks.” (You’re welcome.)

And finally, you get pictures. Lots of them. Many of these pictures illustrate good photo techniques as well as traps to avoid. You’ll find examples of the kinds of pictures you can take right away and maybe a few that you’ll want to strive to equal or exceed.

This book contains seven mini-books. The following sections offer a quick synopsis of what each book contains.

Book I: Building Your Digital Photography Studio

This section is your digital photography short course, providing all the information on a variety of topics that you really need to know to get started. This book helps you choose the right camera, whether it’s your first digital camera or the one you’re dreaming about as a replacement for your current model. You’ll read all the facts on resolution, lens settings, storage, and accessories. One chapter shows you the requirements for setting up a PC for digital photography. The good news is that you probably already have everything you need in your computer. I’ll give you some advice on some recommended upgrades that can make your system work even better with digital images.

Book II: Using Digital SLRs

This book provides a concise overview of the tools and capabilities you’ll find in the latest digital SLR cameras. You find out why these cameras can do things that their non-SLR counterparts cannot and how to use those features to improve your photography.

Book III: Taking Great Pictures

This is the meat of the book for veteran and aspiring photographers alike. Each of the six chapters is devoted to a different kind of photography. You’ll see the basic rules for composing great photos — and when to break them. You’ll discover the secrets of close-up photography and how to make pleasing portraits of individuals and groups.

Whether shooting for publication is part of your job description or just a goal, you’ll find tips on how to take publishable photos and how to market them. I also include chapters on sports and action photography as well tips on travel photography.

Book IV: Basics of Image Editing

This book is your introduction to image editing, providing general tips on what you can — and can’t — do with popular image editors such as Paint Shop Pro, Corel PhotoPaint, PhotoImpact, or Adobe Photoshop and Photoshop Elements. You’ll see the capabilities of these programs, discovering the full range of tools at your disposal.

Book V: Editing with Adobe Photoshop and Photoshop Elements

This book goes into a little more detail on the use of the two most popular image-editing programs: Adobe Photoshop (favored by professionals) and Adobe Photoshop Elements (an inexpensive younger sibling that has lots of power but is still easy to use). You discover the power of making selections, brush away problems in your digital photos, correct your colors, and apply special effects with filters.

Although this book is not a complete guide to Photoshop, you’ll find lots of good information you can use right away to try out your digital photo-editing muscles. (For tons of in-depth coverage, read Photoshop CS4 All-in-One Desk Reference For Dummies, by Barbara Obermeier [Wiley].)

Book VI: Restoring Old Photos

Continue your study of Photoshop and Photoshop Elements with this book, which shows you how to restore old photos and make some common repairs to your digital images. Read chapters on scanning in print images, tips for working with slides and negatives, and some common fixes for vintage photos.

Book VII: Printing and Sharing Your Digital Images

Your digital photos are going to be so good that you won’t be able to keep them to yourself. This book provides more information on printing your photos and shows you ways to share your pictures over the Internet. You’ll become more comfortable with your printer’s capabilities, discovering all the things that you can do with photos online, whether it’s showcasing your pictures among your friends and colleagues or making photo greeting cards, T-shirts, or other gift items.

Conventions Used in This Book

Digital photography knows no operating system limits. All digital cameras and many software applications work equally well on a PC and a Macintosh. To that end, this book is cross-platform. Understandably, some differences do crop up, particularly in the chapters that deal with image editing. In this book, Windows commands are given first, followed by Mac commands, like this:

Press Enter (or Return on the Mac) to begin a new line.

Occasionally, text will be specific to one platform or another. Commands listed often involve using the keyboard along with the mouse — for example, “Press Shift while dragging with the Rectangular Marquee tool to create a square,” or “Alt+click (Option+click) the eyeball to redisplay all layers.”

When you see a command arrow () in the text, it indicates that you should select a command from the menu bar. For example, “Choose EditDefine Custom Shape” means to click the Edit menu and then choose the Define Custom Shape option.

Although this book was written based on the latest digital cameras and the newest software (such as Photoshop Elements 7), if you’re still bouncing around with earlier versions, you can still glean valuable info. You might just have to poke around a little more to find a tool or option that has moved — and of course, the topics covering new features won’t be applicable. But hey, seeing the cool new features might just be the impetus you need to go out and upgrade!

Icons Used in This Book

While perusing this book, you’ll notice some icons in the margins beckoning you for your attention. Don’t ignore them; embrace them! These icons point out fun, useful, and memorable tidbits about digital photography, plus facts you’d be unwise to ignore.

tip.epsThis icon indicates information that will make your digital photography experience easier. It also gives you an icebreaker at your next cocktail party. Whipping out, “Did you know that many digital cameras can focus down to within an inch of an object?” is bound to make you the center of conversation.

remember.eps This icon is a reminder of things that I want to gently re-emphasize. Or I might be pointing out things that I want you to take note of in your future digital photography excursions.

warning(bomb).eps The little bomb icon is a red flag. Heed these warnings, or else your camera or image editor might show its ugly side.

technicalstuff.eps This icon points out info you don’t necessarily need to know. If you’re interested in getting more technical, however, you’ll find such information interesting.

Where to Go from Here

If you want your voice to be heard, you can contact the publisher of the For Dummies books by visiting www.dummies.com, by sending an e-mail to customer@wiley.com, or by sending snail mail to Wiley Publishing, Inc., 10475 Crosspoint Boulevard, Indianapolis, IN 46256.

And, of course, the very next place to go is to the section of this book that covers your favorite topic. Go ahead and dive right in.

Book I

Building Your Digital Photography Studio

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In this book, I show you how to assemble a suitable digital photography arsenal, with explanations of all the key features of the weapons at your disposal, including camera equipment, computer gear, printers, and cool accessories like tripods, electronic flashes, and (if you’re going the digital SLR route) add-on lenses.

I also give you in-depth explanations of key features, including zooms, viewfinders, storage options, and whether you really do need a gazillion megapixels of resolution. You’ll find out how to set up your computer, transfer pictures from your camera to your hard drive, and archive your photos effectively for posterity. I also show you how a few accessories can make a dramatic difference in the quality of your photos.