Cover

Contents

About the Book

About the Author

Also By Ben Okri

Title Page

Lament of the Images

An Undeserved Sweetness

The Cross is Gone

We Sing Absurdities

Stammerings on Bedrock

Little Girl

On a Picture of a South African Street

They Say

To One Dying of Leukaemia

The Incandescence of the Wind

Darkening City: Lagos, 83

An African Elegy

Memories Break

Living is a Fire

On Edge of Time Future

Ile-Ife, 86

I See Your Face

I Shall Tell You

And If You Should Leave Me

You Walked Gently Towards Me

I Held You in the Square

Demolition Street: London, 83

A Gentle Requiem

Political Abiku

We Have No Other Way

The Poet Declares

Restore the Balance

And Anyone Who Doesn’t

To an English Friend in Africa

Copyright

About the Book

‘Dreams are the currency of Okri’s writing, particularly in this first book of poems, An African Elegy, but also in his books of short stories and prize-winning novel The Famished Road. Okri’s dreams are made on the stuff of Africa’s colossal economic and political problems, and reading the poems is to experience a constant succession of metaphors of resolution in both senses of the word. Virtually every poem contains an exhortation to climb out of the African miasma, and virtually every poem harvests the dream of itself with an upbeat restorative ending’ – Giles Foden, Times Literary Supplement

About the Author

Ben Okri’s books include The Famished Road, which won the Booker Prize, Songs of Enchantment, Astonishing the Gods, Dangerous Love and A Way of Being Free, a volume of essays. He has been a Fellow Commoner in Creative Arts at Trinity College, Cambridge.

Ben Okri’s books have won several awards including the Commonwealth Writers Prize for Africa, the Paris Review Aga Khan Prize for Fiction, the Chianti Rufino-Antico Fattore International Literary Prize and the Premio Grinzane Cavour Prize. The World Economic Forum presented Ben Okri with the Crystal Award for his outstanding contribution to the arts and to cross-cultural understanding. Ben Okri was born in Nigeria and now lives in London.

Also by Ben Okri

Fiction

Flowers and Shadows

The Landscape Within

Incidents at the Shrine

The Famished Road

Songs of Enchantment

Astonishing the Gods

Dangerous Love

Infinite Riches

Non-Fiction

Birds of Heaven

A Way of Being Free

Poetry

Mental Fight

Ben Okri

AN AFRICAN ELEGY

image

Lament of the Images

They took the masks

The sacrificial faces

The crafted wood which stretches

To the fires of natural gods

The shrines where the axe

Of lightning

Releases invisible forces

Of silver.

They took the painted bones

The stools of molten kings

The sacred bronze leopards

The images charged with blood

And they burned what

They could not

Understand.

They burned

All that frightened them

In the ferocious power

Of ancient dreams

And all that held

The secrets

Of terror

And all that battled

With dread

In the land

And all that helped

The crops

Sprout

All that spoke

To the gods

In their close

And terrifying

Distance

They burned them all

They burned them in heaps

They burned them in alien piety.

They took some images

And brought them across

The whitening seas

And stored them in

Basements

For the later study

Of the African’s

Dark and impenetrable

Mind.

They called them

‘Primitive objects’

And subjected them

To the milk

Of scientific

Scrutiny.

2

The Images died in spirit

And contorted

Their faces

In the Western

Darkness.

In their native lands

Other Images were made

For new seasons

A new god

For a new

Age.

And when the Images began

To speak

In forgotten tongues

Of death

The artists of the alien

Land

Twisted the pain

Of their speech

And created a new

Chemistry

Which, purified of ritual

Dread,

They called

Art.

3

The secret places

Of the African’s

Dark and impenetrable

Mind

Touch the spirits

Of the deepest night.

The masks still live

Still speak

And only a few

Can hear them

Hear the terror of their

Chants

Which breed powers

Of ritual darkness

And light

In the centre

Of the mind’s

Regeneration.

The makers of Images

Kept their secrets well

For since the departure

Of the masks

The land

Has almost

Forgotten

To chant its ancient songs

Ceased to reconnect

The land of spirits.

4

And the spirits

Hunger

For our touch

Our contact.

The spirits

In their

Loneliness

Have begun

To go insane

They possess

Our minds

They grip our dreams

They weigh down

The flights

Of our inventions.

And every now and again

We break out

In strange tongues.

Rashes

Of violence

Streak across

Our continent

And hang over our

Skies.

The makers of Images

Dwell with us still

We must listen

To their speech

Re-learn their

Songs

Recharge the psychic

Interspaces

Of our dying

Age

Or live dumb

And blind

Devoid of old

Song

Divorced from

The great dreams

Of the magic and fearful

Universe.

An Undeserved Sweetness

After the wind lifts the beggar

From his bed of trash

And blows him to the empty pubs

At the road’s end

There exists only the silence

Of the world before dawn

And the solitude of trees.

Handel on the set mysteriously

Recalls to me the long

Hot nights of childhood spent