Preface
Acknowledgements
Chapter 1: Getting Started
Chapter 2: Finding a School with the Right Program for You
Chapter 3: The Next Steps
Chapter 4: How to Win a Job---and Keep It!
Chapter 5: Thoughts on Programming
Chapter 6: The Rehearsal
Chapter 7: Pops Concerts
Chapter 8: Guest Conducting
Chapter 9: Music Director Roles with Different Types of Orchestras
Chapter 10: The Audition – For the Auditioner and the Auditionee
Chapter 11: Regarding Interpretation
Chapter 12: On the Podium Clarity
Chapter 13: Practical Repertoire Suggestions for Select Standard Repertoire Pieces
Chapter 14: Coda
Appendix 1: Carl’s Definition of Conducting and Needed Qualities
Appendix 2: Carl’s Cliches and Tenets
Appendix 3: Pops Programs and Themes
Appendix 4: Programming
Appendix 5: Cue Sheet Samples
Appendix 6: Transcriptions, Arrangements, and Orchestrations
Appendix 7: Syllabus and Repertoire for Beginning Conducting Class