Chapter 1: Singing the Music of the World, Matthew Hoch Chapter 2: Singing and Voice Science, Scott McCoy Chapter 3: Vocal Health and the World Music Singer, Wendy LeBorgne Chapter 4: Using Audio Enhancement Technology, Matthew Edwards
Part II – The Americas
Chapter 5: Native American Vocal Music: Tohono O’odham Songs, Erin E. Bauer Chapter 6: Mexico’s Mariachi Vocal Tradition, Juanita Ulloa Chapter 7:Popular Music in Brazil: Bossa Nova and Other Genres, Suely Mesquita & Christina Howell
Part III – Europe
Chapter 8: Irish Traditional Song: Style, Practice, Context, Sandra Joyce & Éamonn Costello Chapter 9: Celtic and Celtic Pop, Elizabeth L. Blades Chapter 10: Exploring and Performing Lithuanian Sutartinės, Sarah J. Bartolome Chapter 11:Exploring Folk Polyphony through Georgian Songs, Matthew E. Knight
Part IV – The Middle East
Chapter 12: Egyptian Vocal Music, Laura Lohman Chapter 13: Āvāz: The Art of Persian Traditional Singing, Behzad Namazi
Part V – Africa
Chapter 14: Choral Singing in South Africa, Michael Barrett Chapter 15: Istibili: Singing and Learning South African Folk Song, Sarah-Jane Gibson
Part V – Asia
Chapter 16: An Introduction to Hindustani Vocal Music, Marged Trumper Chapter 17: Peking Opera, Po-wei Weng
Part VI – Integrating World Music Traditions
Chapter 18: Overtone Singing around the Globe, Rollin Rachele Chapter 19: World Music in a Choral Setting, Stefanie Cash Chapter 20: Traditional Arabic Music and the Western Song Recital, Feryal Qudourah Chapter 21: Vocal Versatility in Bel Canto Style, Ethan Sperry & Mary Goetze Chapter 22: Musical Rhythms to Learn, Love, and Share, Patricia Shehan Campbell Chapter 23: Voice Pedagogy: Imagining a Global Future, Matthew Hoch