Partners in suspense

Introduction - K. J. Donnelly and Steven Rawle
1. Bernard Herrmann: Hitchcock's secret sharer - Jack Sullivan
2. Hitchcock, music and the mathematics of editing - Charles Barr
3. The anatomy of aural suspense in Rope and Vertigo - Kevin Clifton
4. The therapeutic power of music in Hitchcock's films - Sidney Gottlieb
5. A Lacanian take on Herrmann/Hitchcock - Royal S. Brown
6. Portentous arrangements: Bernard Herrmann and The Man Who Knew Too Much - Murray Pomerance
7. On the road with Hitchcock and Herrmann: sound, music and the car journey in Vertigo (1958) and Psycho(1960) - Pasquale Iannone
8. A dance to the music of Herrmann: a figurative dance suite - David Cooper
9. The sound of The Birds - Richard Allen
10. Musical romanticism v. the sexual aberrations of the criminal female: Marnie (1964) - K. J. Donnelly
11. The murder of Gromek: theme and variations - Tomas Williams
12. Mending the Torn Curtain: a rejected score's place in a discography - Gergely Hubai
13. The Herrmann-Hitchcock murder mysteries: post-mortem - William H. Rosar
14. How could you possibly be a Hitchcocko-Herrmannian?: Digitally re-narrativising collaborative authorship - Steven Rawle
Index